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Color name
HEX #AE5079

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE5079 it is the complementary color #51AF86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE5079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE5079 shade: #B35074, #C46287, #D5749A, #E686AD and #F798C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE5079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE5079 shade: #AE5079, #9D3E66, #8C2C53, #7B1A40 and #6A082D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE5079 shade: #AE5079, #AE5060 and #AE5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE5079 shade: #AE5079, #AE5092, #AE50AC, #9750AE and #7E50AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE5079 shade matches the following richer shades: #AE5079, #C33B76, #D72774 and #EC1271

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE5079 shade: #AE5079, #9A647C, #85797E, #708E81 and #5CA284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE5079 shade: #AE50AD, #AE5093, #AE507A, #AE5061 and #AE5850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE5079 shade: #763652, #924365, #AE5079, #BB6C8F and #C888A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE5079 shade: #AE5079, #AE9750 and #50A0AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE5079 shade: #AE5079, #7AAE50 and #507AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE5079 shade: #AE5079, #AE9750, #50AE84 and #5067AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE5079 shade: #AE5079, #A9AE50, #50AE84 and #5550AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

Complementary color

CMYK 54 / 0 / 23 / 31

HEX #51AF86

RGB 81 175 134

HSL 153.83, 0.37%, 0.5%

LAB 65.07, -37.73, 12.69

 

CMYK 0 / 55 / 35 / 30

HEX #B35074

RGB 179 80 116

HSL 338.18, 0.39%, 0.51%

LAB 47.73, 44, -0.75

 

CMYK 0 / 50 / 31 / 23

HEX #C46287

RGB 196 98 135

HSL 337.35, 0.45%, 0.58%

LAB 54.26, 43.19, -2.22

 

CMYK 0 / 46 / 28 / 16

HEX #D5749A

RGB 213 116 154

HSL 336.49, 0.54%, 0.65%

LAB 60.76, 42.34, -3.46

 

CMYK 0 / 42 / 25 / 10

HEX #E686AD

RGB 230 134 173

HSL 335.63, 0.66%, 0.71%

LAB 67.19, 41.5, -4.52

 

CMYK 0 / 38 / 22 / 3

HEX #F798C0

RGB 247 152 192

HSL 334.74, 0.86%, 0.78%

LAB 73.57, 40.69, -5.47

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 61 / 35 / 38

HEX #9D3E66

RGB 157 62 102

HSL 334.74, 0.43%, 0.43%

LAB 40.53, 43.61, -3.13

 

CMYK 0 / 69 / 41 / 45

HEX #8C2C53

RGB 140 44 83

HSL 335.63, 0.52%, 0.36%

LAB 33.99, 43.98, -1.03

 

CMYK 0 / 79 / 48 / 52

HEX #7B1A40

RGB 123 26 64

HSL 336.49, 0.65%, 0.29%

LAB 27.63, 43.69, 1.84

 

CMYK 0 / 92 / 58 / 58

HEX #6A082D

RGB 106 8 45

HSL 337.35, 0.86%, 0.22%

LAB 21.68, 42.1, 5.92

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 54 / 45 / 32

HEX #AE5060

RGB 174 80 96

HSL 349.79, 0.37%, 0.5%

LAB 46.42, 39.96, 9.41

 

CMYK 0 / 54 / 54 / 32

HEX #AE5050

RGB 174 80 80

HSL 0, 0.37%, 0.5%

LAB 46.06, 38.42, 18.62

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 54 / 16 / 32

HEX #AE5092

RGB 174 80 146

HSL 317.87, 0.37%, 0.5%

LAB 48.02, 46.58, -18.44

 

CMYK 0 / 54 / 1 / 32

HEX #AE50AC

RGB 174 80 172

HSL 301.28, 0.37%, 0.5%

LAB 49.15, 50.97, -32.08

 

CMYK 13 / 54 / 0 / 32

HEX #9750AE

RGB 151 80 174

HSL 285.32, 0.37%, 0.5%

LAB 46.14, 44.95, -38.2

 

CMYK 28 / 54 / 0 / 32

HEX #7E50AE

RGB 126 80 174

HSL 269.36, 0.37%, 0.5%

LAB 43.11, 38.16, -43.21

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 70 / 39 / 24

HEX #C33B76

RGB 195 59 118

HSL 333.97, 0.54%, 0.5%

LAB 47.02, 58.4, -2.69

 

CMYK 0 / 82 / 46 / 16

HEX #D72774

RGB 215 39 116

HSL 333.75, 0.69%, 0.5%

LAB 48.46, 69.64, 1.06

 

CMYK 0 / 92 / 52 / 7

HEX #EC1271

RGB 236 18 113

HSL 333.85, 0.86%, 0.5%

LAB 51.22, 77.92, 7.39

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 35 / 19 / 40

HEX #9A647C

RGB 154 100 124

HSL 333.33, 0.21%, 0.5%

LAB 48.81, 25.4, -4.36

 

CMYK 0 / 9 / 5 / 48

HEX #85797E

RGB 133 121 126

HSL 335, 0.05%, 0.5%

LAB 52.03, 5.54, -1.06

 

CMYK 21 / 0 / 9 / 44

HEX #708E81

RGB 112 142 129

HSL 154, 0.12%, 0.5%

LAB 56.46, -13.38, 3.45

 

CMYK 43 / 0 / 19 / 36

HEX #5CA284

RGB 92 162 132

HSL 154.29, 0.28%, 0.5%

LAB 61.47, -29.26, 8.78

 

CMYK 0 / 54 / 1 / 32

HEX #AE50AD

RGB 174 80 173

HSL 300.64, 0.37%, 0.5%

LAB 49.2, 51.15, -32.59

 

CMYK 0 / 54 / 16 / 32

HEX #AE5093

RGB 174 80 147

HSL 317.23, 0.37%, 0.5%

LAB 48.06, 46.74, -18.97

 

CMYK 0 / 54 / 30 / 32

HEX #AE507A

RGB 174 80 122

HSL 333.19, 0.37%, 0.5%

LAB 47.16, 43.08, -5.31

 

CMYK 0 / 54 / 44 / 32

HEX #AE5061

RGB 174 80 97

HSL 349.15, 0.37%, 0.5%

LAB 46.44, 40.07, 8.84

 

CMYK 0 / 49 / 54 / 32

HEX #AE5850

RGB 174 88 80

HSL 5.11, 0.37%, 0.5%

LAB 47.7, 34.26, 20.79

 

CMYK 0 / 54 / 31 / 54

HEX #763652

RGB 118 54 82

HSL 333.75, 0.37%, 0.34%

LAB 32.03, 31.45, -3.69

 

CMYK 0 / 54 / 31 / 43

HEX #924365

RGB 146 67 101

HSL 334.18, 0.37%, 0.42%

LAB 39.69, 37.24, -3.94

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 42 / 24 / 27

HEX #BB6C8F

RGB 187 108 143

HSL 333.42, 0.37%, 0.58%

LAB 55.35, 35.93, -5.44

 

CMYK 0 / 32 / 18 / 22

HEX #C888A4

RGB 200 136 164

HSL 333.75, 0.37%, 0.66%

LAB 63.81, 28.57, -4.84

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 13 / 54 / 32

HEX #AE9750

RGB 174 151 80

HSL 45.32, 0.37%, 0.5%

LAB 63.1, -0.64, 40.15

 

CMYK 54 / 8 / 0 / 32

HEX #50A0AE

RGB 80 160 174

HSL 188.94, 0.37%, 0.5%

LAB 61.57, -20.45, -14.76

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 30 / 0 / 54 / 32

HEX #7AAE50

RGB 122 174 80

HSL 93.19, 0.37%, 0.5%

LAB 65.74, -33.64, 42.33

 

CMYK 54 / 30 / 0 / 32

HEX #507AAE

RGB 80 122 174

HSL 213.19, 0.37%, 0.5%

LAB 50.31, 0.82, -32.07

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 0 / 13 / 54 / 32

HEX #AE9750

RGB 174 151 80

HSL 45.32, 0.37%, 0.5%

LAB 63.1, -0.64, 40.15

 

CMYK 54 / 0 / 24 / 32

HEX #50AE84

RGB 80 174 132

HSL 153.19, 0.37%, 0.5%

LAB 64.68, -37.95, 13.25

 

CMYK 54 / 41 / 0 / 32

HEX #5067AE

RGB 80 103 174

HSL 225.32, 0.37%, 0.5%

LAB 44.89, 12.46, -40.61

 

CMYK 0 / 54 / 30 / 32

HEX #AE5079

RGB 174 80 121

HSL 333.83, 0.37%, 0.5%

LAB 47.13, 42.94, -4.75

 

CMYK 3 / 0 / 54 / 32

HEX #A9AE50

RGB 169 174 80

HSL 63.19, 0.37%, 0.5%

LAB 68.96, -14.97, 46.91

 

CMYK 54 / 0 / 24 / 32

HEX #50AE84

RGB 80 174 132

HSL 153.19, 0.37%, 0.5%

LAB 64.68, -37.95, 13.25

 

CMYK 51 / 54 / 0 / 32

HEX #5550AE

RGB 85 80 174

HSL 243.19, 0.37%, 0.5%

LAB 39.11, 28.1, -49.83

 

Description

Color code: HEX #AE5079 | qconv.com Color code: HEX #AE5079 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 80 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 80 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 30 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 30% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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