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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE50BE it is the complementary color #51AF41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE50BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE50BE shade: #B350B9, #C462CC, #D574DF, #E686F2 and #F798FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE50BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE50BE shade: #AE50BE, #9D3EAB, #8C2C98, #7B1A85 and #6A0872

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE50BE shade: #AE50BE, #BE50B0, #BE5092, #BE5075 and #BE5057

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE50BE shade: #AE50BE, #9050BE, #7250BE, #5550BE and #5050BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE50BE shade matches the following richer shades: #AE50BE, #BB3CD1, #C929E5 and #D715F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE50BE shade: #AE50BE, #A063AA, #927697, #848A84 and #779D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE50BE shade: #7250BE, #9050BE, #AD50BE, #BE50B1 and #BE5094

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE50BE shade: #7C3289, #973DA7, #AE50BE, #BC6EC9 and #CA8CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE50BE shade: #AE50BE, #BE5550 and #50BE81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE50BE shade: #AE50BE, #BEAD50 and #50BEAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE50BE shade: #AE50BE, #BE5550, #60BE50 and #50B8BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE50BE shade: #AE50BE, #BE7650, #60BE50 and #5097BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

Complementary color

CMYK 54 / 0 / 63 / 31

HEX #51AF41

RGB 81 175 65

HSL 111.27, 0.46%, 0.47%

LAB 63.99, -49, 46.81

 

CMYK 3 / 57 / 0 / 27

HEX #B350B9

RGB 179 80 185

HSL 296.57, 0.43%, 0.52%

LAB 50.48, 54.69, -37.53

 

CMYK 4 / 52 / 0 / 20

HEX #C462CC

RGB 196 98 204

HSL 295.47, 0.51%, 0.59%

LAB 56.91, 54.18, -38.18

 

CMYK 4 / 48 / 0 / 13

HEX #D574DF

RGB 213 116 223

HSL 294.39, 0.63%, 0.66%

LAB 63.31, 53.53, -38.7

 

CMYK 5 / 45 / 0 / 5

HEX #E686F2

RGB 230 134 242

HSL 293.33, 0.81%, 0.74%

LAB 69.67, 52.83, -39.13

 

CMYK 3 / 40 / 0 / 0

HEX #F798FF

RGB 247 152 255

HSL 295.34, 1%, 0.8%

LAB 75.73, 51, -36.63

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 8 / 64 / 0 / 33

HEX #9D3EAB

RGB 157 62 171

HSL 292.29, 0.47%, 0.46%

LAB 43.59, 54.64, -40.43

 

CMYK 8 / 71 / 0 / 40

HEX #8C2C98

RGB 140 44 152

HSL 293.33, 0.55%, 0.38%

LAB 37.2, 54.52, -39.36

 

CMYK 8 / 80 / 0 / 48

HEX #7B1A85

RGB 123 26 133

HSL 294.39, 0.67%, 0.31%

LAB 30.98, 53.59, -37.76

 

CMYK 7 / 93 / 0 / 55

HEX #6A0872

RGB 106 8 114

HSL 295.47, 0.87%, 0.24%

LAB 25.12, 51.25, -35.31

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 0 / 58 / 7 / 25

HEX #BE50B0

RGB 190 80 176

HSL 307.64, 0.46%, 0.53%

LAB 51.63, 56.1, -30.37

 

CMYK 0 / 58 / 23 / 25

HEX #BE5092

RGB 190 80 146

HSL 324, 0.46%, 0.53%

LAB 50.4, 51.51, -14.59

 

CMYK 0 / 58 / 38 / 25

HEX #BE5075

RGB 190 80 117

HSL 339.82, 0.46%, 0.53%

LAB 49.46, 47.81, 1.38

 

CMYK 0 / 58 / 54 / 25

HEX #BE5057

RGB 190 80 87

HSL 356.18, 0.46%, 0.53%

LAB 48.73, 44.85, 18.42

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 24 / 58 / 0 / 25

HEX #9050BE

RGB 144 80 190

HSL 274.91, 0.46%, 0.53%

LAB 46.16, 46.64, -47.58

 

CMYK 40 / 58 / 0 / 25

HEX #7250BE

RGB 114 80 190

HSL 258.55, 0.46%, 0.53%

LAB 42.81, 39.38, -53.13

 

CMYK 55 / 58 / 0 / 25

HEX #5550BE

RGB 85 80 190

HSL 242.73, 0.46%, 0.53%

LAB 40.22, 33.21, -57.44

 

CMYK 58 / 58 / 0 / 25

HEX #5050BE

RGB 80 80 190

HSL 240, 0.46%, 0.53%

LAB 39.85, 32.27, -58.06

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 11 / 71 / 0 / 18

HEX #BB3CD1

RGB 187 60 209

HSL 291.14, 0.62%, 0.53%

LAB 49.98, 69.22, -52.11

 

CMYK 12 / 82 / 0 / 10

HEX #C929E5

RGB 201 41 229

HSL 291.06, 0.78%, 0.53%

LAB 51.45, 80.88, -61.01

 

CMYK 13 / 92 / 0 / 3

HEX #D715F8

RGB 215 21 248

HSL 291.28, 0.94%, 0.53%

LAB 53.77, 89.64, -67.83

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 6 / 42 / 0 / 33

HEX #A063AA

RGB 160 99 170

HSL 291.55, 0.29%, 0.53%

LAB 51.04, 36.52, -28.11

 

CMYK 3 / 22 / 0 / 41

HEX #927697

RGB 146 118 151

HSL 290.91, 0.14%, 0.53%

LAB 53.28, 17.06, -13.7

 

CMYK 4 / 0 / 4 / 46

HEX #848A84

RGB 132 138 132

HSL 120, 0.02%, 0.53%

LAB 56.83, -3.39, 2.44

 

CMYK 24 / 0 / 29 / 38

HEX #779D70

RGB 119 157 112

HSL 110.67, 0.19%, 0.53%

LAB 60.96, -22.02, 19.43

 

CMYK 40 / 58 / 0 / 25

HEX #7250BE

RGB 114 80 190

HSL 258.55, 0.46%, 0.53%

LAB 42.81, 39.38, -53.13

 

CMYK 24 / 58 / 0 / 25

HEX #9050BE

RGB 144 80 190

HSL 274.91, 0.46%, 0.53%

LAB 46.16, 46.64, -47.58

 

CMYK 9 / 58 / 0 / 25

HEX #AD50BE

RGB 173 80 190

HSL 290.73, 0.46%, 0.53%

LAB 49.91, 54.06, -41.39

 

CMYK 0 / 58 / 7 / 25

HEX #BE50B1

RGB 190 80 177

HSL 307.09, 0.46%, 0.53%

LAB 51.68, 56.27, -30.89

 

CMYK 0 / 58 / 22 / 25

HEX #BE5094

RGB 190 80 148

HSL 322.91, 0.46%, 0.53%

LAB 50.48, 51.79, -15.66

 

CMYK 9 / 64 / 0 / 46

HEX #7C3289

RGB 124 50 137

HSL 291.03, 0.47%, 0.37%

LAB 34.75, 45.12, -34.23

 

CMYK 10 / 63 / 0 / 35

HEX #973DA7

RGB 151 61 167

HSL 290.94, 0.46%, 0.45%

LAB 42.32, 52.84, -40.12

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 6 / 45 / 0 / 21

HEX #BC6EC9

RGB 188 110 201

HSL 291.43, 0.46%, 0.61%

LAB 58.09, 45.24, -34.7

 

CMYK 5 / 34 / 0 / 17

HEX #CA8CD4

RGB 202 140 212

HSL 291.67, 0.46%, 0.69%

LAB 66.57, 35.57, -27.62

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 0 / 55 / 58 / 25

HEX #BE5550

RGB 190 85 80

HSL 2.73, 0.46%, 0.53%

LAB 49.52, 41.86, 23.64

 

CMYK 58 / 0 / 32 / 25

HEX #50BE81

RGB 80 190 129

HSL 146.73, 0.46%, 0.53%

LAB 69.55, -45.51, 21.61

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 0 / 9 / 58 / 25

HEX #BEAD50

RGB 190 173 80

HSL 50.73, 0.46%, 0.53%

LAB 70.46, -5.56, 49.1

 

CMYK 58 / 0 / 9 / 25

HEX #50BEAD

RGB 80 190 173

HSL 170.73, 0.46%, 0.53%

LAB 70.56, -35.47, -0.84

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 0 / 55 / 58 / 25

HEX #BE5550

RGB 190 85 80

HSL 2.73, 0.46%, 0.53%

LAB 49.52, 41.86, 23.64

 

CMYK 49 / 0 / 58 / 25

HEX #60BE50

RGB 96 190 80

HSL 111.27, 0.46%, 0.53%

LAB 69.39, -49.06, 46.31

 

CMYK 58 / 3 / 0 / 25

HEX #50B8BE

RGB 80 184 190

HSL 183.27, 0.46%, 0.53%

LAB 69.26, -28.04, -12.1

 

CMYK 8 / 58 / 0 / 25

HEX #AE50BE

RGB 174 80 190

HSL 291.27, 0.46%, 0.53%

LAB 50.04, 54.32, -41.17

 

CMYK 0 / 38 / 58 / 25

HEX #BE7650

RGB 190 118 80

HSL 20.73, 0.46%, 0.53%

LAB 56.57, 24.44, 32.6

 

CMYK 49 / 0 / 58 / 25

HEX #60BE50

RGB 96 190 80

HSL 111.27, 0.46%, 0.53%

LAB 69.39, -49.06, 46.31

 

CMYK 58 / 21 / 0 / 25

HEX #5097BE

RGB 80 151 190

HSL 201.27, 0.46%, 0.53%

LAB 59.49, -10.8, -26.97

 

Description

Color code: HEX #AE50BE | qconv.com Color code: HEX #AE50BE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 80 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 80 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 58 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 58% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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