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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE5378 it is the complementary color #51AC87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE5378. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE5378 shade: #B35373, #C46586, #D57799, #E689AC and #F79BBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE5378. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE5378 shade: #AE5378, #9D4165, #8C2F52, #7B1D3F and #6A0B2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE5378 shade: #AD5176, #AD515E and #AD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE5378 shade: #AD5176, #AD518F, #AD51A8, #9951AD and #8051AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE5378 shade matches the following richer shades: #AD5176, #C23C73, #D6286F and #EB136B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE5378 shade: #AD5176, #98667A, #847A7E, #6F8F82 and #5AA486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE5378 shade: #AD51A8, #AD5190, #AD5177, #AD515F and #AD5C51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE5378 shade: #753750, #914463, #AD5176, #BA6D8C and #C789A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE5378 shade: #AE5378, #AD9951 and #519CAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE5378 shade: #AE5378, #77AD51 and #5177AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE5378 shade: #AE5378, #AD9951, #51AD87 and #5165AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE5378 shade: #AE5378, #A5AD51, #51AD87 and #5951AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 31 / 32

HEX #AE5378

RGB 174 83 120

HSL 335.6, 0.36%, 0.5%

LAB 47.68, 41.29, -3.33

 

Complementary color

CMYK 53 / 0 / 22 / 33

HEX #51AC87

RGB 81 172 135

HSL 155.6, 0.36%, 0.5%

LAB 64.16, -36.14, 10.87

 

CMYK 0 / 54 / 36 / 30

HEX #B35373

RGB 179 83 115

HSL 340, 0.39%, 0.51%

LAB 48.27, 42.38, 0.65

 

CMYK 0 / 48 / 32 / 23

HEX #C46586

RGB 196 101 134

HSL 339.16, 0.45%, 0.58%

LAB 54.83, 41.53, -0.8

 

CMYK 0 / 44 / 28 / 16

HEX #D57799

RGB 213 119 153

HSL 338.3, 0.53%, 0.65%

LAB 61.34, 40.66, -2.02

 

CMYK 0 / 40 / 25 / 10

HEX #E689AC

RGB 230 137 172

HSL 337.42, 0.65%, 0.72%

LAB 67.79, 39.81, -3.08

 

CMYK 0 / 37 / 23 / 3

HEX #F79BBF

RGB 247 155 191

HSL 336.52, 0.85%, 0.79%

LAB 74.18, 38.99, -4.02

 

CMYK 0 / 52 / 31 / 32

HEX #AE5378

RGB 174 83 120

HSL 335.6, 0.36%, 0.5%

LAB 47.68, 41.29, -3.33

 

CMYK 0 / 59 / 36 / 38

HEX #9D4165

RGB 157 65 101

HSL 336.52, 0.41%, 0.44%

LAB 41.04, 42.04, -1.76

 

CMYK 0 / 66 / 41 / 45

HEX #8C2F52

RGB 140 47 82

HSL 337.42, 0.5%, 0.37%

LAB 34.43, 42.56, 0.27

 

CMYK 0 / 76 / 49 / 52

HEX #7B1D3F

RGB 123 29 63

HSL 338.3, 0.62%, 0.3%

LAB 27.98, 42.53, 3.01

 

CMYK 0 / 90 / 58 / 58

HEX #6A0B2C

RGB 106 11 44

HSL 339.16, 0.81%, 0.23%

LAB 21.89, 41.33, 6.92

 

CMYK 0 / 53 / 32 / 32

HEX #AD5176

RGB 173 81 118

HSL 335.87, 0.36%, 0.5%

LAB 47.08, 41.7, -3.02

 

CMYK 0 / 53 / 46 / 32

HEX #AD515E

RGB 173 81 94

HSL 351.52, 0.36%, 0.5%

LAB 46.41, 38.88, 10.6

 

CMYK 0 / 53 / 53 / 32

HEX #AD5151

RGB 173 81 81

HSL 0, 0.36%, 0.5%

LAB 46.13, 37.62, 18.08

 

CMYK 0 / 53 / 32 / 32

HEX #AD5176

RGB 173 81 118

HSL 335.87, 0.36%, 0.5%

LAB 47.08, 41.7, -3.02

 

CMYK 0 / 53 / 17 / 32

HEX #AD518F

RGB 173 81 143

HSL 319.57, 0.36%, 0.5%

LAB 47.95, 45.3, -16.77

 

CMYK 0 / 53 / 3 / 32

HEX #AD51A8

RGB 173 81 168

HSL 303.26, 0.36%, 0.5%

LAB 49, 49.49, -29.97

 

CMYK 12 / 53 / 0 / 32

HEX #9951AD

RGB 153 81 173

HSL 286.96, 0.36%, 0.5%

LAB 46.54, 44.77, -36.96

 

CMYK 26 / 53 / 0 / 32

HEX #8051AD

RGB 128 81 173

HSL 270.65, 0.36%, 0.5%

LAB 43.49, 37.89, -41.99

 

CMYK 0 / 53 / 32 / 32

HEX #AD5176

RGB 173 81 118

HSL 335.87, 0.36%, 0.5%

LAB 47.08, 41.7, -3.02

 

CMYK 0 / 69 / 41 / 24

HEX #C23C73

RGB 194 60 115

HSL 335.37, 0.53%, 0.5%

LAB 46.89, 57.42, -1.07

 

CMYK 0 / 81 / 48 / 16

HEX #D6286F

RGB 214 40 111

HSL 335.52, 0.69%, 0.5%

LAB 48.21, 68.73, 3.74

 

CMYK 0 / 92 / 54 / 8

HEX #EB136B

RGB 235 19 107

HSL 335.56, 0.85%, 0.5%

LAB 50.91, 77.17, 10.58

 

CMYK 0 / 53 / 32 / 32

HEX #AD5176

RGB 173 81 118

HSL 335.87, 0.36%, 0.5%

LAB 47.08, 41.7, -3.02

 

CMYK 0 / 33 / 20 / 40

HEX #98667A

RGB 152 102 122

HSL 336, 0.2%, 0.5%

LAB 48.99, 23.18, -2.93

 

CMYK 0 / 8 / 5 / 48

HEX #847A7E

RGB 132 122 126

HSL 336, 0.04%, 0.5%

LAB 52.21, 4.58, -0.81

 

CMYK 22 / 0 / 9 / 44

HEX #6F8F82

RGB 111 143 130

HSL 155.63, 0.13%, 0.5%

LAB 56.72, -14.04, 3.24

 

CMYK 45 / 0 / 18 / 36

HEX #5AA486

RGB 90 164 134

HSL 155.68, 0.29%, 0.5%

LAB 62.04, -30.33, 8.46

 

CMYK 0 / 53 / 3 / 32

HEX #AD51A8

RGB 173 81 168

HSL 303.26, 0.36%, 0.5%

LAB 49, 49.49, -29.97

 

CMYK 0 / 53 / 17 / 32

HEX #AD5190

RGB 173 81 144

HSL 318.91, 0.36%, 0.5%

LAB 47.99, 45.46, -17.31

 

CMYK 0 / 53 / 31 / 32

HEX #AD5177

RGB 173 81 119

HSL 335.22, 0.36%, 0.5%

LAB 47.11, 41.83, -3.58

 

CMYK 0 / 53 / 45 / 32

HEX #AD515F

RGB 173 81 95

HSL 350.87, 0.36%, 0.5%

LAB 46.44, 38.98, 10.03

 

CMYK 0 / 47 / 53 / 32

HEX #AD5C51

RGB 173 92 81

HSL 7.17, 0.36%, 0.5%

LAB 48.43, 31.81, 21.14

 

CMYK 0 / 53 / 32 / 54

HEX #753750

RGB 117 55 80

HSL 335.81, 0.36%, 0.34%

LAB 32.02, 30.24, -2.43

 

CMYK 0 / 53 / 32 / 43

HEX #914463

RGB 145 68 99

HSL 335.84, 0.36%, 0.42%

LAB 39.67, 36.09, -2.73

 

CMYK 0 / 53 / 32 / 32

HEX #AD5176

RGB 173 81 118

HSL 335.87, 0.36%, 0.5%

LAB 47.08, 41.7, -3.02

 

CMYK 0 / 41 / 25 / 27

HEX #BA6D8C

RGB 186 109 140

HSL 335.84, 0.36%, 0.58%

LAB 55.35, 34.59, -3.71

 

CMYK 0 / 31 / 19 / 22

HEX #C789A2

RGB 199 137 162

HSL 335.81, 0.36%, 0.66%

LAB 63.87, 27.34, -3.63

 

CMYK 0 / 52 / 31 / 32

HEX #AE5378

RGB 174 83 120

HSL 335.6, 0.36%, 0.5%

LAB 47.68, 41.29, -3.33

 

CMYK 0 / 12 / 53 / 32

HEX #AD9951

RGB 173 153 81

HSL 46.96, 0.36%, 0.5%

LAB 63.56, -2.07, 40.16

 

CMYK 53 / 10 / 0 / 32

HEX #519CAD

RGB 81 156 173

HSL 191.09, 0.36%, 0.5%

LAB 60.38, -18.43, -16

 

CMYK 0 / 52 / 31 / 32

HEX #AE5378

RGB 174 83 120

HSL 335.6, 0.36%, 0.5%

LAB 47.68, 41.29, -3.33

 

CMYK 31 / 0 / 53 / 32

HEX #77AD51

RGB 119 173 81

HSL 95.22, 0.36%, 0.5%

LAB 65.28, -34.16, 41.26

 

CMYK 53 / 31 / 0 / 32

HEX #5177AD

RGB 81 119 173

HSL 215.22, 0.36%, 0.5%

LAB 49.45, 2.52, -32.84

 

CMYK 0 / 52 / 31 / 32

HEX #AE5378

RGB 174 83 120

HSL 335.6, 0.36%, 0.5%

LAB 47.68, 41.29, -3.33

 

CMYK 0 / 12 / 53 / 32

HEX #AD9951

RGB 173 153 81

HSL 46.96, 0.36%, 0.5%

LAB 63.56, -2.07, 40.16

 

CMYK 53 / 0 / 22 / 32

HEX #51AD87

RGB 81 173 135

HSL 155.22, 0.36%, 0.5%

LAB 64.47, -36.6, 11.31

 

CMYK 53 / 42 / 0 / 32

HEX #5165AD

RGB 81 101 173

HSL 226.96, 0.36%, 0.5%

LAB 44.34, 13.62, -40.89

 

CMYK 0 / 52 / 31 / 32

HEX #AE5378

RGB 174 83 120

HSL 335.6, 0.36%, 0.5%

LAB 47.68, 41.29, -3.33

 

CMYK 5 / 0 / 53 / 32

HEX #A5AD51

RGB 165 173 81

HSL 65.22, 0.36%, 0.5%

LAB 68.37, -16.04, 45.67

 

CMYK 53 / 0 / 22 / 32

HEX #51AD87

RGB 81 173 135

HSL 155.22, 0.36%, 0.5%

LAB 64.47, -36.6, 11.31

 

CMYK 49 / 53 / 0 / 32

HEX #5951AD

RGB 89 81 173

HSL 245.22, 0.36%, 0.5%

LAB 39.62, 28.05, -48.4

 

Description

Color code: HEX #AE5378 | qconv.com Color code: HEX #AE5378 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 83 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 83 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 31 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 31% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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