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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE5F60 it is the complementary color #51A09F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE5F60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE5F60 shade: #B35F5B, #C4716E, #D58381, #E69594 and #F7A7A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE5F60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE5F60 shade: #AE5F60, #9D4D4D, #8C3B3A, #7B2927 and #6A1714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE5F60 shade: #AE5F60 and #AE5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE5F60 shade: #AE5F60, #AE5F75, #AE5F8B, #AE5FA0 and #A75FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE5F60 shade matches the following richer shades: #AE5F60, #C24C4D, #D5383A, #E82527 and #FC1214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE5F60 shade: #AE5F60, #9B7273, #878686, #749999 and #61ADAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE5F60 shade: #AE5F8B, #AE5F76, #AE5F60, #AE735F and #AE885F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE5F60 shade: #7C3E3F, #984C4D, #AE5F60, #BC7B7B and #CA9697

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE5F60 shade: #AE5F60, #A0AE5F and #5F80AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE5F60 shade: #AE5F60, #60AE5F and #5F60AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE5F60 shade: #AE5F60, #A0AE5F, #5FAEAD and #6E5FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE5F60 shade: #AE5F60, #88AE5F, #5FAEAD and #855FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

Complementary color

CMYK 49 / 0 / 1 / 37

HEX #51A09F

RGB 81 160 159

HSL 179.24, 0.33%, 0.47%

LAB 61.13, -24.42, -6.97

 

CMYK 0 / 47 / 49 / 30

HEX #B35F5B

RGB 179 95 91

HSL 2.73, 0.37%, 0.53%

LAB 50.12, 33.49, 17.65

 

CMYK 0 / 42 / 44 / 23

HEX #C4716E

RGB 196 113 110

HSL 2.09, 0.42%, 0.6%

LAB 56.75, 32.36, 15.97

 

CMYK 0 / 38 / 39 / 16

HEX #D58381

RGB 213 131 129

HSL 1.43, 0.5%, 0.67%

LAB 63.31, 31.32, 14.51

 

CMYK 0 / 35 / 36 / 10

HEX #E69594

RGB 230 149 148

HSL 0.73, 0.62%, 0.74%

LAB 69.79, 30.37, 13.23

 

CMYK 0 / 32 / 32 / 3

HEX #F7A7A7

RGB 247 167 167

HSL 0, 0.83%, 0.81%

LAB 76.19, 29.5, 12.07

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 0 / 51 / 51 / 38

HEX #9D4D4D

RGB 157 77 77

HSL 0, 0.34%, 0.46%

LAB 42.78, 33.22, 15.57

 

CMYK 0 / 58 / 59 / 45

HEX #8C3B3A

RGB 140 59 58

HSL 0.73, 0.41%, 0.39%

LAB 36, 34.41, 17.8

 

CMYK 0 / 67 / 68 / 52

HEX #7B2927

RGB 123 41 39

HSL 1.43, 0.52%, 0.32%

LAB 29.27, 35.5, 20.64

 

CMYK 0 / 78 / 81 / 58

HEX #6A1714

RGB 106 23 20

HSL 2.09, 0.68%, 0.25%

LAB 22.75, 36.14, 24.3

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F5F

RGB 174 95 95

HSL 0, 0.33%, 0.53%

LAB 49.51, 31.96, 14.32

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 0 / 45 / 33 / 32

HEX #AE5F75

RGB 174 95 117

HSL 343.29, 0.33%, 0.53%

LAB 50.06, 34.59, 1.96

 

CMYK 0 / 45 / 20 / 32

HEX #AE5F8B

RGB 174 95 139

HSL 326.58, 0.33%, 0.53%

LAB 50.74, 37.76, -10.14

 

CMYK 0 / 45 / 8 / 32

HEX #AE5FA0

RGB 174 95 160

HSL 310.63, 0.33%, 0.53%

LAB 51.52, 41.23, -21.36

 

CMYK 4 / 45 / 0 / 32

HEX #A75FAE

RGB 167 95 174

HSL 294.68, 0.33%, 0.53%

LAB 51.22, 41.65, -30.09

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 0 / 61 / 60 / 24

HEX #C24C4D

RGB 194 76 77

HSL 359.49, 0.49%, 0.53%

LAB 48.48, 47.36, 24.19

 

CMYK 0 / 74 / 73 / 16

HEX #D5383A

RGB 213 56 58

HSL 359.24, 0.65%, 0.53%

LAB 48.61, 60.49, 36.24

 

CMYK 0 / 84 / 83 / 9

HEX #E82527

RGB 232 37 39

HSL 359.38, 0.81%, 0.53%

LAB 50.25, 70.46, 49.4

 

CMYK 0 / 93 / 92 / 1

HEX #FC1214

RGB 252 18 20

HSL 359.49, 0.98%, 0.53%

LAB 53.14, 78.17, 61.51

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 0 / 26 / 26 / 39

HEX #9B7273

RGB 155 114 115

HSL 358.54, 0.17%, 0.53%

LAB 52.11, 16.32, 5.8

 

CMYK 0 / 1 / 1 / 47

HEX #878686

RGB 135 134 134

HSL 0, 0%, 0.53%

LAB 56.01, 0.37, 0.12

 

CMYK 24 / 0 / 0 / 40

HEX #749999

RGB 116 153 153

HSL 180, 0.15%, 0.53%

LAB 60.6, -12.65, -4.16

 

CMYK 44 / 0 / 1 / 32

HEX #61ADAC

RGB 97 173 172

HSL 179.21, 0.32%, 0.53%

LAB 66.06, -23.75, -6.85

 

CMYK 0 / 45 / 20 / 32

HEX #AE5F8B

RGB 174 95 139

HSL 326.58, 0.33%, 0.53%

LAB 50.74, 37.76, -10.14

 

CMYK 0 / 45 / 32 / 32

HEX #AE5F76

RGB 174 95 118

HSL 342.53, 0.33%, 0.53%

LAB 50.09, 34.72, 1.4

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 0 / 34 / 45 / 32

HEX #AE735F

RGB 174 115 95

HSL 15.19, 0.33%, 0.53%

LAB 54.12, 20.88, 20.58

 

CMYK 0 / 22 / 45 / 32

HEX #AE885F

RGB 174 136 95

HSL 31.14, 0.33%, 0.53%

LAB 59.37, 9.09, 27.52

 

CMYK 0 / 50 / 49 / 51

HEX #7C3E3F

RGB 124 62 63

HSL 359.03, 0.33%, 0.36%

LAB 34.17, 26.92, 11.73

 

CMYK 0 / 50 / 49 / 40

HEX #984C4D

RGB 152 76 77

HSL 359.21, 0.33%, 0.45%

LAB 41.81, 31.81, 14.13

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 0 / 35 / 35 / 26

HEX #BC7B7B

RGB 188 123 123

HSL 0, 0.33%, 0.61%

LAB 58.31, 25.34, 10.48

 

CMYK 0 / 26 / 25 / 21

HEX #CA9697

RGB 202 150 151

HSL 358.85, 0.33%, 0.69%

LAB 66.98, 19.66, 7.13

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 8 / 0 / 45 / 32

HEX #A0AE5F

RGB 160 174 95

HSL 70.63, 0.33%, 0.53%

LAB 68.44, -17.22, 38.74

 

CMYK 45 / 26 / 0 / 32

HEX #5F80AE

RGB 95 128 174

HSL 214.94, 0.33%, 0.53%

LAB 52.87, 0.93, -28.02

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 45 / 0 / 45 / 32

HEX #60AE5F

RGB 96 174 95

HSL 119.24, 0.33%, 0.53%

LAB 64.63, -40.44, 33.16

 

CMYK 45 / 45 / 0 / 32

HEX #5F60AE

RGB 95 96 174

HSL 239.24, 0.33%, 0.53%

LAB 44.02, 20.44, -41.92

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 8 / 0 / 45 / 32

HEX #A0AE5F

RGB 160 174 95

HSL 70.63, 0.33%, 0.53%

LAB 68.44, -17.22, 38.74

 

CMYK 45 / 0 / 1 / 32

HEX #5FAEAD

RGB 95 174 173

HSL 179.24, 0.33%, 0.53%

LAB 66.31, -24.48, -7.05

 

CMYK 37 / 45 / 0 / 32

HEX #6E5FAE

RGB 110 95 174

HSL 251.39, 0.33%, 0.53%

LAB 45.02, 24.98, -40.26

 

CMYK 0 / 45 / 45 / 32

HEX #AE5F60

RGB 174 95 96

HSL 359.24, 0.33%, 0.53%

LAB 49.53, 32.07, 13.75

 

CMYK 22 / 0 / 45 / 32

HEX #88AE5F

RGB 136 174 95

HSL 88.86, 0.33%, 0.53%

LAB 66.77, -26.66, 36.31

 

CMYK 45 / 0 / 1 / 32

HEX #5FAEAD

RGB 95 174 173

HSL 179.24, 0.33%, 0.53%

LAB 66.31, -24.48, -7.05

 

CMYK 24 / 45 / 0 / 32

HEX #855FAE

RGB 133 95 174

HSL 268.86, 0.33%, 0.53%

LAB 47.27, 31.48, -36.56

 

Description

Color code: HEX #AE5F60 | qconv.com Color code: HEX #AE5F60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 95 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 95 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 45 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 45% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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