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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE69D3 it is the complementary color #51962C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE69D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE69D3 shade: #B369CE, #C47BE1, #D58DF4, #E69FFF and #F7B1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE69D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE69D3 shade: #AE69D3, #9D57C0, #8C45AD, #7B339A and #6A2187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE69D3 shade: #AE68D3, #CA68D3, #D368BF, #D368A2 and #D36885

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE69D3 shade: #AE68D3, #9168D3, #7468D3 and #6868D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE69D3 shade matches the following richer shades: #AE68D3, #B259E3 and #B749F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE69D3 shade: #AE68D3, #A978C3, #A488B4, #9F97A4 and #9BA794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE69D3 shade: #7568D3, #9168D3, #AE68D3, #CA68D3 and #D368BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE69D3 shade: #8834B5, #9C48CA, #AE68D3, #BF88DC and #D0A8E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE69D3 shade: #AE69D3, #D36878 and #68D383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE69D3 shade: #AE69D3, #D3AE68 and #68D3AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE69D3 shade: #AE69D3, #D36878, #8ED368 and #68D3C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE69D3 shade: #AE69D3, #D37868, #8ED368 and #68C3D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

Complementary color

CMYK 46 / 0 / 71 / 41

HEX #51962C

RGB 81 150 44

HSL 99.06, 0.55%, 0.38%

LAB 55.83, -40.9, 46.95

 

CMYK 13 / 49 / 0 / 19

HEX #B369CE

RGB 179 105 206

HSL 283.96, 0.51%, 0.61%

LAB 56.23, 46.3, -40.54

 

CMYK 13 / 45 / 0 / 12

HEX #C47BE1

RGB 196 123 225

HSL 282.94, 0.63%, 0.68%

LAB 62.79, 45.52, -40.78

 

CMYK 13 / 42 / 0 / 4

HEX #D58DF4

RGB 213 141 244

HSL 281.94, 0.82%, 0.75%

LAB 69.28, 44.74, -40.98

 

CMYK 10 / 38 / 0 / 0

HEX #E69FFF

RGB 230 159 255

HSL 284.38, 1%, 0.81%

LAB 75.35, 42.38, -37.36

 

CMYK 3 / 31 / 0 / 0

HEX #F7B1FF

RGB 247 177 255

HSL 293.85, 1%, 0.85%

LAB 80.98, 38.04, -28.54

 

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

CMYK 18 / 55 / 0 / 25

HEX #9D57C0

RGB 157 87 192

HSL 280, 0.45%, 0.55%

LAB 49.24, 46.77, -43.74

 

CMYK 19 / 60 / 0 / 32

HEX #8C45AD

RGB 140 69 173

HSL 280.96, 0.43%, 0.47%

LAB 42.53, 47.48, -43.43

 

CMYK 20 / 67 / 0 / 40

HEX #7B339A

RGB 123 51 154

HSL 281.94, 0.5%, 0.4%

LAB 35.81, 47.97, -42.93

 

CMYK 21 / 76 / 0 / 47

HEX #6A2187

RGB 106 33 135

HSL 282.94, 0.61%, 0.33%

LAB 29.16, 47.97, -42.08

 

CMYK 18 / 51 / 0 / 17

HEX #AE68D3

RGB 174 104 211

HSL 279.25, 0.55%, 0.62%

LAB 55.69, 46.51, -44.27

 

CMYK 4 / 51 / 0 / 17

HEX #CA68D3

RGB 202 104 211

HSL 294.95, 0.55%, 0.62%

LAB 59.12, 54.19, -38.63

 

CMYK 0 / 51 / 9 / 17

HEX #D368BF

RGB 211 104 191

HSL 311.21, 0.55%, 0.62%

LAB 59.44, 53.27, -26.68

 

CMYK 0 / 51 / 23 / 17

HEX #D368A2

RGB 211 104 162

HSL 327.48, 0.55%, 0.62%

LAB 58.38, 48.84, -11.64

 

CMYK 0 / 51 / 37 / 17

HEX #D36885

RGB 211 104 133

HSL 343.74, 0.55%, 0.62%

LAB 57.5, 45.09, 3.94

 

CMYK 18 / 51 / 0 / 17

HEX #AE68D3

RGB 174 104 211

HSL 279.25, 0.55%, 0.62%

LAB 55.69, 46.51, -44.27

 

CMYK 31 / 51 / 0 / 17

HEX #9168D3

RGB 145 104 211

HSL 262.99, 0.55%, 0.62%

LAB 52.53, 38.8, -49.47

 

CMYK 45 / 51 / 0 / 17

HEX #7468D3

RGB 116 104 211

HSL 246.73, 0.55%, 0.62%

LAB 49.88, 31.68, -53.87

 

CMYK 51 / 51 / 0 / 17

HEX #6868D3

RGB 104 104 211

HSL 240, 0.55%, 0.62%

LAB 48.94, 29, -55.42

 

CMYK 18 / 51 / 0 / 17

HEX #AE68D3

RGB 174 104 211

HSL 279.25, 0.55%, 0.62%

LAB 55.69, 46.51, -44.27

 

CMYK 22 / 61 / 0 / 11

HEX #B259E3

RGB 178 89 227

HSL 278.7, 0.71%, 0.62%

LAB 54.19, 58.53, -55.66

 

CMYK 24 / 70 / 0 / 5

HEX #B749F2

RGB 183 73 242

HSL 279.05, 0.87%, 0.62%

LAB 53.21, 69.8, -65.61

 

CMYK 18 / 51 / 0 / 17

HEX #AE68D3

RGB 174 104 211

HSL 279.25, 0.55%, 0.62%

LAB 55.69, 46.51, -44.27

 

CMYK 13 / 38 / 0 / 24

HEX #A978C3

RGB 169 120 195

HSL 279.2, 0.38%, 0.62%

LAB 57.85, 32.83, -31.83

 

CMYK 9 / 24 / 0 / 29

HEX #A488B4

RGB 164 136 180

HSL 278.18, 0.23%, 0.62%

LAB 60.6, 18.93, -19.11

 

CMYK 3 / 8 / 0 / 36

HEX #9F97A4

RGB 159 151 164

HSL 276.92, 0.07%, 0.62%

LAB 63.5, 5.42, -5.75

 

CMYK 7 / 0 / 11 / 35

HEX #9BA794

RGB 155 167 148

HSL 97.89, 0.1%, 0.62%

LAB 67.08, -7.84, 8.38

 

CMYK 45 / 51 / 0 / 17

HEX #7568D3

RGB 117 104 211

HSL 247.29, 0.55%, 0.62%

LAB 49.96, 31.91, -53.73

 

CMYK 31 / 51 / 0 / 17

HEX #9168D3

RGB 145 104 211

HSL 262.99, 0.55%, 0.62%

LAB 52.53, 38.8, -49.47

 

CMYK 18 / 51 / 0 / 17

HEX #AE68D3

RGB 174 104 211

HSL 279.25, 0.55%, 0.62%

LAB 55.69, 46.51, -44.27

 

CMYK 4 / 51 / 0 / 17

HEX #CA68D3

RGB 202 104 211

HSL 294.95, 0.55%, 0.62%

LAB 59.12, 54.19, -38.63

 

CMYK 0 / 51 / 9 / 17

HEX #D368BF

RGB 211 104 191

HSL 311.21, 0.55%, 0.62%

LAB 59.44, 53.27, -26.68

 

CMYK 25 / 71 / 0 / 29

HEX #8834B5

RGB 136 52 181

HSL 279.07, 0.55%, 0.46%

LAB 39.62, 56.25, -52.85

 

CMYK 23 / 64 / 0 / 21

HEX #9C48CA

RGB 156 72 202

HSL 278.77, 0.55%, 0.54%

LAB 46.93, 56.16, -53.21

 

CMYK 18 / 51 / 0 / 17

HEX #AE68D3

RGB 174 104 211

HSL 279.25, 0.55%, 0.62%

LAB 55.69, 46.51, -44.27

 

CMYK 13 / 38 / 0 / 14

HEX #BF88DC

RGB 191 136 220

HSL 279.29, 0.55%, 0.7%

LAB 64.84, 35.99, -34.83

 

CMYK 9 / 27 / 0 / 10

HEX #D0A8E5

RGB 208 168 229

HSL 279.34, 0.54%, 0.78%

LAB 74.24, 25.57, -25.16

 

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

CMYK 0 / 51 / 43 / 17

HEX #D36878

RGB 211 104 120

HSL 351.03, 0.55%, 0.62%

LAB 57.18, 43.66, 11.06

 

CMYK 51 / 0 / 38 / 17

HEX #68D383

RGB 104 211 131

HSL 135.14, 0.55%, 0.62%

LAB 76.78, -48.15, 30.4

 

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

CMYK 0 / 18 / 51 / 17

HEX #D3AE68

RGB 211 174 104

HSL 39.25, 0.55%, 0.62%

LAB 72.97, 4.75, 40.74

 

CMYK 51 / 0 / 18 / 17

HEX #68D3AE

RGB 104 211 174

HSL 159.25, 0.55%, 0.62%

LAB 77.63, -39.68, 8.94

 

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

CMYK 0 / 51 / 43 / 17

HEX #D36878

RGB 211 104 120

HSL 351.03, 0.55%, 0.62%

LAB 57.18, 43.66, 11.06

 

CMYK 33 / 0 / 51 / 17

HEX #8ED368

RGB 142 211 104

HSL 98.69, 0.55%, 0.62%

LAB 78.07, -40.58, 45.83

 

CMYK 51 / 0 / 8 / 17

HEX #68D3C3

RGB 104 211 195

HSL 171.03, 0.55%, 0.62%

LAB 78.15, -34.75, -1.55

 

CMYK 18 / 50 / 0 / 17

HEX #AE69D3

RGB 174 105 211

HSL 279.06, 0.55%, 0.62%

LAB 55.89, 45.98, -43.95

 

CMYK 0 / 43 / 51 / 17

HEX #D37868

RGB 211 120 104

HSL 8.97, 0.55%, 0.62%

LAB 60.14, 33.83, 24.32

 

CMYK 33 / 0 / 51 / 17

HEX #8ED368

RGB 142 211 104

HSL 98.69, 0.55%, 0.62%

LAB 78.07, -40.58, 45.83

 

CMYK 51 / 8 / 0 / 17

HEX #68C3D3

RGB 104 195 211

HSL 188.97, 0.55%, 0.62%

LAB 73.98, -22.83, -16.39

 

Description

Color code: HEX #AE69D3 | qconv.com Color code: HEX #AE69D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 105 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 105 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 50 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 50% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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