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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6287 it is the complementary color #519D78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6287 shade: #B36282, #C47495, #D586A8, #E698BB and #F7AACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6287 shade: #AE6287, #9D5074, #8C3E61, #7B2C4E and #6A1A3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6287 shade: #AD6086, #AD6071 and #AD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6287 shade: #AD6086, #AD609A, #AB60AD, #9660AD and #8260AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6287 shade matches the following richer shades: #AD6086, #C04D85, #D43A85, #E72684 and #FB1384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6287 shade: #AD6086, #9A7486, #868787, #739A87 and #5FAE88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6287 shade: #AA60AD, #AD609B, #AD6087, #AD6072 and #AD6360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6287 shade: #7B3F5D, #974D71, #AD6086, #BB7C9A and #C997AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6287 shade: #AE6287, #AD9660 and #60A5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6287 shade: #AE6287, #87AD60 and #6087AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6287 shade: #AE6287, #AD9660, #60AD87 and #6077AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6287 shade: #AE6287, #ADAD60, #60AD87 and #6060AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 22 / 32

HEX #AE6287

RGB 174 98 135

HSL 330.79, 0.32%, 0.53%

LAB 51.25, 35.53, -7.01

 

Complementary color

CMYK 48 / 0 / 24 / 38

HEX #519D78

RGB 81 157 120

HSL 150.79, 0.32%, 0.47%

LAB 59.18, -32.5, 12.2

 

CMYK 0 / 45 / 27 / 30

HEX #B36282

RGB 179 98 130

HSL 336.3, 0.35%, 0.54%

LAB 51.76, 36.57, -3.22

 

CMYK 0 / 41 / 24 / 23

HEX #C47495

RGB 196 116 149

HSL 335.25, 0.4%, 0.61%

LAB 58.41, 35.7, -4.28

 

CMYK 0 / 37 / 21 / 16

HEX #D586A8

RGB 213 134 168

HSL 334.18, 0.48%, 0.68%

LAB 64.98, 34.88, -5.2

 

CMYK 0 / 34 / 19 / 10

HEX #E698BB

RGB 230 152 187

HSL 333.08, 0.61%, 0.75%

LAB 71.46, 34.1, -6.03

 

CMYK 0 / 31 / 17 / 3

HEX #F7AACE

RGB 247 170 206

HSL 331.95, 0.83%, 0.82%

LAB 77.86, 33.37, -6.79

 

CMYK 0 / 44 / 22 / 32

HEX #AE6287

RGB 174 98 135

HSL 330.79, 0.32%, 0.53%

LAB 51.25, 35.53, -7.01

 

CMYK 0 / 49 / 26 / 38

HEX #9D5074

RGB 157 80 116

HSL 331.95, 0.32%, 0.46%

LAB 44.47, 36.38, -5.93

 

CMYK 0 / 56 / 31 / 45

HEX #8C3E61

RGB 140 62 97

HSL 333.08, 0.39%, 0.4%

LAB 37.63, 37.18, -4.58

 

CMYK 0 / 64 / 37 / 52

HEX #7B2C4E

RGB 123 44 78

HSL 334.18, 0.47%, 0.33%

LAB 30.79, 37.81, -2.83

 

CMYK 0 / 75 / 44 / 58

HEX #6A1A3B

RGB 106 26 59

HSL 335.25, 0.61%, 0.26%

LAB 24.06, 37.93, -0.38

 

CMYK 0 / 45 / 23 / 32

HEX #AD6086

RGB 173 96 134

HSL 330.39, 0.32%, 0.53%

LAB 50.65, 36.1, -7.32

 

CMYK 0 / 45 / 35 / 32

HEX #AD6071

RGB 173 96 113

HSL 346.75, 0.32%, 0.53%

LAB 50.03, 33.16, 4.29

 

CMYK 0 / 45 / 45 / 32

HEX #AD6060

RGB 173 96 96

HSL 0, 0.32%, 0.53%

LAB 49.61, 31.14, 13.84

 

CMYK 0 / 45 / 23 / 32

HEX #AD6086

RGB 173 96 134

HSL 330.39, 0.32%, 0.53%

LAB 50.65, 36.1, -7.32

 

CMYK 0 / 45 / 11 / 32

HEX #AD609A

RGB 173 96 154

HSL 314.81, 0.32%, 0.53%

LAB 51.36, 39.34, -18.09

 

CMYK 1 / 45 / 0 / 32

HEX #AB60AD

RGB 171 96 173

HSL 298.44, 0.32%, 0.53%

LAB 51.88, 42.14, -28.43

 

CMYK 13 / 45 / 0 / 32

HEX #9660AD

RGB 150 96 173

HSL 282.08, 0.32%, 0.53%

LAB 49.33, 35.74, -32.6

 

CMYK 25 / 45 / 0 / 32

HEX #8260AD

RGB 130 96 173

HSL 266.49, 0.32%, 0.53%

LAB 47.14, 29.78, -36.19

 

CMYK 0 / 45 / 23 / 32

HEX #AD6086

RGB 173 96 134

HSL 330.39, 0.32%, 0.53%

LAB 50.65, 36.1, -7.32

 

CMYK 0 / 60 / 31 / 25

HEX #C04D85

RGB 192 77 133

HSL 330.78, 0.48%, 0.53%

LAB 49.75, 51.76, -7.78

 

CMYK 0 / 73 / 37 / 17

HEX #D43A85

RGB 212 58 133

HSL 330.78, 0.64%, 0.53%

LAB 50.35, 65.05, -6.53

 

CMYK 0 / 84 / 43 / 9

HEX #E72684

RGB 231 38 132

HSL 330.78, 0.8%, 0.53%

LAB 51.88, 75.14, -3.28

 

CMYK 0 / 92 / 47 / 2

HEX #FB1384

RGB 251 19 132

HSL 330.78, 0.97%, 0.53%

LAB 54.7, 82.58, 1.3

 

CMYK 0 / 45 / 23 / 32

HEX #AD6086

RGB 173 96 134

HSL 330.39, 0.32%, 0.53%

LAB 50.65, 36.1, -7.32

 

CMYK 0 / 25 / 13 / 40

HEX #9A7486

RGB 154 116 134

HSL 331.58, 0.16%, 0.53%

LAB 53.04, 17.9, -4.03

 

CMYK 1 / 0 / 0 / 47

HEX #868787

RGB 134 135 135

HSL 180, 0%, 0.53%

LAB 56.23, -0.37, -0.14

 

CMYK 25 / 0 / 12 / 40

HEX #739A87

RGB 115 154 135

HSL 150.77, 0.16%, 0.53%

LAB 60.34, -17.49, 5.65

 

CMYK 45 / 0 / 22 / 32

HEX #5FAE88

RGB 95 174 136

HSL 151.14, 0.33%, 0.53%

LAB 65.34, -33.28, 12.06

 

CMYK 2 / 45 / 0 / 32

HEX #AA60AD

RGB 170 96 173

HSL 297.66, 0.32%, 0.53%

LAB 51.76, 41.83, -28.64

 

CMYK 0 / 45 / 10 / 32

HEX #AD609B

RGB 173 96 155

HSL 314.03, 0.32%, 0.53%

LAB 51.4, 39.51, -18.62

 

CMYK 0 / 45 / 22 / 32

HEX #AD6087

RGB 173 96 135

HSL 329.61, 0.32%, 0.53%

LAB 50.69, 36.26, -7.87

 

CMYK 0 / 45 / 34 / 32

HEX #AD6072

RGB 173 96 114

HSL 345.97, 0.32%, 0.53%

LAB 50.06, 33.29, 3.73

 

CMYK 0 / 43 / 45 / 32

HEX #AD6360

RGB 173 99 96

HSL 2.34, 0.32%, 0.53%

LAB 50.28, 29.5, 14.76

 

CMYK 0 / 49 / 24 / 52

HEX #7B3F5D

RGB 123 63 93

HSL 330, 0.32%, 0.36%

LAB 35.12, 29.96, -6.08

 

CMYK 0 / 49 / 25 / 41

HEX #974D71

RGB 151 77 113

HSL 330.81, 0.32%, 0.45%

LAB 42.88, 35.42, -6.55

 

CMYK 0 / 45 / 23 / 32

HEX #AD6086

RGB 173 96 134

HSL 330.39, 0.32%, 0.53%

LAB 50.65, 36.1, -7.32

 

CMYK 0 / 34 / 18 / 27

HEX #BB7C9A

RGB 187 124 154

HSL 331.43, 0.32%, 0.61%

LAB 59.26, 28.9, -6.02

 

CMYK 0 / 25 / 13 / 21

HEX #C997AF

RGB 201 151 175

HSL 331.2, 0.32%, 0.69%

LAB 67.76, 22.49, -5.18

 

CMYK 0 / 44 / 22 / 32

HEX #AE6287

RGB 174 98 135

HSL 330.79, 0.32%, 0.53%

LAB 51.25, 35.53, -7.01

 

CMYK 0 / 13 / 45 / 32

HEX #AD9660

RGB 173 150 96

HSL 42.08, 0.32%, 0.53%

LAB 62.96, 1.03, 31.58

 

CMYK 45 / 5 / 0 / 32

HEX #60A5AD

RGB 96 165 173

HSL 186.23, 0.32%, 0.53%

LAB 63.68, -19.63, -10.96

 

CMYK 0 / 44 / 22 / 32

HEX #AE6287

RGB 174 98 135

HSL 330.79, 0.32%, 0.53%

LAB 51.25, 35.53, -7.01

 

CMYK 22 / 0 / 45 / 32

HEX #87AD60

RGB 135 173 96

HSL 89.61, 0.32%, 0.53%

LAB 66.43, -26.43, 35.35

 

CMYK 45 / 22 / 0 / 32

HEX #6087AD

RGB 96 135 173

HSL 209.61, 0.32%, 0.53%

LAB 54.9, -3.18, -24.31

 

CMYK 0 / 44 / 22 / 32

HEX #AE6287

RGB 174 98 135

HSL 330.79, 0.32%, 0.53%

LAB 51.25, 35.53, -7.01

 

CMYK 0 / 13 / 45 / 32

HEX #AD9660

RGB 173 150 96

HSL 42.08, 0.32%, 0.53%

LAB 62.96, 1.03, 31.58

 

CMYK 45 / 0 / 22 / 32

HEX #60AD87

RGB 96 173 135

HSL 150.39, 0.32%, 0.53%

LAB 65.06, -32.75, 12.22

 

CMYK 45 / 31 / 0 / 32

HEX #6077AD

RGB 96 119 173

HSL 222.08, 0.32%, 0.53%

LAB 50.33, 6.25, -31.39

 

CMYK 0 / 44 / 22 / 32

HEX #AE6287

RGB 174 98 135

HSL 330.79, 0.32%, 0.53%

LAB 51.25, 35.53, -7.01

 

CMYK 0 / 0 / 45 / 32

HEX #ADAD60

RGB 173 173 96

HSL 60, 0.32%, 0.53%

LAB 69.2, -11.28, 39.39

 

CMYK 45 / 0 / 22 / 32

HEX #60AD87

RGB 96 173 135

HSL 150.39, 0.32%, 0.53%

LAB 65.06, -32.75, 12.22

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

Description

Color code: HEX #AE6287 | qconv.com Color code: HEX #AE6287 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 98 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 98 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 22 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 22% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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