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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6A82 it is the complementary color #51957D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6A82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6A82 shade: #B36A7D, #C47C90, #D58EA3, #E6A0B6 and #F7B2C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6A82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6A82 shade: #AE6A82, #9D586F, #8C465C, #7B3449 and #6A2236

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6A82 shade: #AE6982, #AE696F and #AE6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6A82 shade: #AE6982, #AE6994, #AE69A7, #A369AE and #9069AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6A82 shade matches the following richer shades: #AE6982, #C1577C, #D34477, #E63271 and #F81F6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6A82 shade: #AE6982, #9C7C87, #898E8D, #76A192 and #64B497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6A82 shade: #AE69A7, #AE6995, #AE6983, #AE6970 and #AE7569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6A82 shade: #80455A, #9B536D, #AE6982, #BD8498 and #CB9FAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6A82 shade: #AE6A82, #AEA369 and #699EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6A82 shade: #AE6A82, #83AE69 and #6983AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6A82 shade: #AE6A82, #AEA369, #69AE95 and #6975AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6A82 shade: #AE6A82, #A5AE69, #69AE95 and #7369AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 25 / 32

HEX #AE6A82

RGB 174 106 130

HSL 338.82, 0.3%, 0.55%

LAB 52.86, 30.4, -1.67

 

Complementary color

CMYK 46 / 0 / 16 / 42

HEX #51957D

RGB 81 149 125

HSL 158.82, 0.3%, 0.45%

LAB 56.81, -27.53, 6.01

 

CMYK 0 / 41 / 30 / 30

HEX #B36A7D

RGB 179 106 125

HSL 344.38, 0.32%, 0.56%

LAB 53.35, 31.54, 2.07

 

CMYK 0 / 37 / 27 / 23

HEX #C47C90

RGB 196 124 144

HSL 343.33, 0.38%, 0.63%

LAB 60.04, 30.66, 0.99

 

CMYK 0 / 33 / 23 / 16

HEX #D58EA3

RGB 213 142 163

HSL 342.25, 0.46%, 0.7%

LAB 66.62, 29.84, 0.03

 

CMYK 0 / 30 / 21 / 10

HEX #E6A0B6

RGB 230 160 182

HSL 341.14, 0.58%, 0.76%

LAB 73.12, 29.09, -0.84

 

CMYK 0 / 28 / 19 / 3

HEX #F7B2C9

RGB 247 178 201

HSL 340, 0.81%, 0.83%

LAB 79.52, 28.39, -1.63

 

CMYK 0 / 39 / 25 / 32

HEX #AE6A82

RGB 174 106 130

HSL 338.82, 0.3%, 0.55%

LAB 52.86, 30.4, -1.67

 

CMYK 0 / 44 / 29 / 38

HEX #9D586F

RGB 157 88 111

HSL 340, 0.28%, 0.48%

LAB 46.04, 31.3, -0.57

 

CMYK 0 / 50 / 34 / 45

HEX #8C465C

RGB 140 70 92

HSL 341.14, 0.33%, 0.41%

LAB 39.12, 32.24, 0.75

 

CMYK 0 / 58 / 41 / 52

HEX #7B3449

RGB 123 52 73

HSL 342.25, 0.41%, 0.34%

LAB 32.14, 33.16, 2.41

 

CMYK 0 / 68 / 49 / 58

HEX #6A2236

RGB 106 34 54

HSL 343.33, 0.51%, 0.27%

LAB 25.18, 33.87, 4.66

 

CMYK 0 / 40 / 25 / 32

HEX #AE6982

RGB 174 105 130

HSL 338.26, 0.3%, 0.55%

LAB 52.63, 30.95, -2

 

CMYK 0 / 40 / 36 / 32

HEX #AE696F

RGB 174 105 111

HSL 354.78, 0.3%, 0.55%

LAB 52.12, 28.35, 8.48

 

CMYK 0 / 40 / 40 / 32

HEX #AE6969

RGB 174 105 105

HSL 0, 0.3%, 0.55%

LAB 51.97, 27.61, 11.82

 

CMYK 0 / 40 / 25 / 32

HEX #AE6982

RGB 174 105 130

HSL 338.26, 0.3%, 0.55%

LAB 52.63, 30.95, -2

 

CMYK 0 / 40 / 15 / 32

HEX #AE6994

RGB 174 105 148

HSL 322.61, 0.3%, 0.55%

LAB 53.21, 33.78, -11.74

 

CMYK 0 / 40 / 4 / 32

HEX #AE69A7

RGB 174 105 167

HSL 306.09, 0.3%, 0.55%

LAB 53.91, 37.12, -21.78

 

CMYK 6 / 40 / 0 / 32

HEX #A369AE

RGB 163 105 174

HSL 290.43, 0.3%, 0.55%

LAB 52.89, 34.94, -27.53

 

CMYK 17 / 40 / 0 / 32

HEX #9069AE

RGB 144 105 174

HSL 273.91, 0.3%, 0.55%

LAB 50.79, 28.98, -30.95

 

CMYK 0 / 40 / 25 / 32

HEX #AE6982

RGB 174 105 130

HSL 338.26, 0.3%, 0.55%

LAB 52.63, 30.95, -2

 

CMYK 0 / 55 / 36 / 24

HEX #C1577C

RGB 193 87 124

HSL 339.06, 0.46%, 0.55%

LAB 51.39, 46.27, 0.05

 

CMYK 0 / 68 / 44 / 17

HEX #D34477

RGB 211 68 119

HSL 338.6, 0.62%, 0.55%

LAB 51.05, 59.75, 2.91

 

CMYK 0 / 78 / 51 / 10

HEX #E63271

RGB 230 50 113

HSL 339, 0.78%, 0.55%

LAB 52.17, 70.43, 8.58

 

CMYK 0 / 88 / 56 / 3

HEX #F81F6C

RGB 248 31 108

HSL 338.71, 0.94%, 0.55%

LAB 54.05, 78.63, 14.73

 

CMYK 0 / 40 / 25 / 32

HEX #AE6982

RGB 174 105 130

HSL 338.26, 0.3%, 0.55%

LAB 52.63, 30.95, -2

 

CMYK 0 / 21 / 13 / 39

HEX #9C7C87

RGB 156 124 135

HSL 339.38, 0.14%, 0.55%

LAB 55.31, 14.22, -1.25

 

CMYK 4 / 0 / 1 / 44

HEX #898E8D

RGB 137 142 141

HSL 168, 0.02%, 0.55%

LAB 58.59, -2.02, -0.11

 

CMYK 27 / 0 / 9 / 37

HEX #76A192

RGB 118 161 146

HSL 159.07, 0.19%, 0.55%

LAB 62.86, -17.83, 3.1

 

CMYK 44 / 0 / 16 / 29

HEX #64B497

RGB 100 180 151

HSL 158.25, 0.35%, 0.55%

LAB 67.71, -31.5, 7.2

 

CMYK 0 / 40 / 4 / 32

HEX #AE69A7

RGB 174 105 167

HSL 306.09, 0.3%, 0.55%

LAB 53.91, 37.12, -21.78

 

CMYK 0 / 40 / 14 / 32

HEX #AE6995

RGB 174 105 149

HSL 321.74, 0.3%, 0.55%

LAB 53.25, 33.95, -12.28

 

CMYK 0 / 40 / 25 / 32

HEX #AE6983

RGB 174 105 131

HSL 337.39, 0.3%, 0.55%

LAB 52.66, 31.1, -2.55

 

CMYK 0 / 40 / 36 / 32

HEX #AE6970

RGB 174 105 112

HSL 353.91, 0.3%, 0.55%

LAB 52.14, 28.47, 7.92

 

CMYK 0 / 33 / 40 / 32

HEX #AE7569

RGB 174 117 105

HSL 10.43, 0.3%, 0.55%

LAB 54.8, 20.9, 15.74

 

CMYK 0 / 46 / 30 / 50

HEX #80455A

RGB 128 69 90

HSL 338.64, 0.3%, 0.39%

LAB 37.08, 27.98, -1.18

 

CMYK 0 / 46 / 30 / 39

HEX #9B536D

RGB 155 83 109

HSL 338.33, 0.3%, 0.47%

LAB 44.6, 33.03, -1.49

 

CMYK 0 / 40 / 25 / 32

HEX #AE6982

RGB 174 105 130

HSL 338.26, 0.3%, 0.55%

LAB 52.63, 30.95, -2

 

CMYK 0 / 30 / 20 / 26

HEX #BD8498

RGB 189 132 152

HSL 338.95, 0.3%, 0.63%

LAB 61.3, 24.88, -1.85

 

CMYK 0 / 22 / 14 / 20

HEX #CB9FAF

RGB 203 159 175

HSL 338.18, 0.3%, 0.71%

LAB 69.89, 18.82, -2.03

 

CMYK 0 / 39 / 25 / 32

HEX #AE6A82

RGB 174 106 130

HSL 338.82, 0.3%, 0.55%

LAB 52.86, 30.4, -1.67

 

CMYK 0 / 6 / 40 / 32

HEX #AEA369

RGB 174 163 105

HSL 50.43, 0.3%, 0.55%

LAB 66.68, -4.6, 31.56

 

CMYK 40 / 9 / 0 / 32

HEX #699EAE

RGB 105 158 174

HSL 193.91, 0.3%, 0.55%

LAB 62.09, -13.32, -13.86

 

CMYK 0 / 39 / 25 / 32

HEX #AE6A82

RGB 174 106 130

HSL 338.82, 0.3%, 0.55%

LAB 52.86, 30.4, -1.67

 

CMYK 25 / 0 / 40 / 32

HEX #83AE69

RGB 131 174 105

HSL 97.39, 0.3%, 0.55%

LAB 66.61, -27.21, 30.84

 

CMYK 40 / 25 / 0 / 32

HEX #6983AE

RGB 105 131 174

HSL 217.39, 0.3%, 0.55%

LAB 54.34, 1.87, -25.71

 

CMYK 0 / 39 / 25 / 32

HEX #AE6A82

RGB 174 106 130

HSL 338.82, 0.3%, 0.55%

LAB 52.86, 30.4, -1.67

 

CMYK 0 / 6 / 40 / 32

HEX #AEA369

RGB 174 163 105

HSL 50.43, 0.3%, 0.55%

LAB 66.68, -4.6, 31.56

 

CMYK 40 / 0 / 14 / 32

HEX #69AE95

RGB 105 174 149

HSL 158.26, 0.3%, 0.55%

LAB 66.09, -27.68, 6.01

 

CMYK 40 / 33 / 0 / 32

HEX #6975AE

RGB 105 117 174

HSL 229.57, 0.3%, 0.55%

LAB 50.43, 10.19, -31.77

 

CMYK 0 / 39 / 25 / 32

HEX #AE6A82

RGB 174 106 130

HSL 338.82, 0.3%, 0.55%

LAB 52.86, 30.4, -1.67

 

CMYK 5 / 0 / 40 / 32

HEX #A5AE69

RGB 165 174 105

HSL 67.83, 0.3%, 0.55%

LAB 68.96, -14.07, 34.34

 

CMYK 40 / 0 / 14 / 32

HEX #69AE95

RGB 105 174 149

HSL 158.26, 0.3%, 0.55%

LAB 66.09, -27.68, 6.01

 

CMYK 34 / 40 / 0 / 32

HEX #7369AE

RGB 115 105 174

HSL 248.7, 0.3%, 0.55%

LAB 48.01, 20.3, -35.51

 

Description

Color code: HEX #AE6A82 | qconv.com Color code: HEX #AE6A82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 106 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 106 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 25 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 25% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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