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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6C5B it is the complementary color #5193A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6C5B shade: #B36C56, #C47E69, #D5907C, #E6A28F and #F7B4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6C5B shade: #AE6C5B, #9D5A48, #8C4835, #7B3622 and #6A240F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6C5B shade: #AE6C5A and #AE5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6C5B shade: #AE6C5A, #AE825A, #AE985A, #ADAE5A and #96AE5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6C5B shade matches the following richer shades: #AE6C5A, #C26047, #D55433, #E9481F and #FD3D0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6C5B shade: #AE6C5A, #9A776E, #868382, #728F96 and #5E9AAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6C5B shade: #AE5A76, #AE5A60, #AE6B5A, #AE815A and #AE985A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6C5B shade: #7A493C, #965949, #AE6C5A, #BB8476 and #C99D92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6C5B shade: #AE6C5B, #8CAE5A and #5A6BAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6C5B shade: #AE6C5B, #5AAE6B and #6B5AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6C5B shade: #AE6C5B, #8CAE5A, #5A9DAE and #7C5AAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6C5B shade: #AE6C5B, #73AE5A, #5A9DAE and #955AAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 48 / 32

HEX #AE6C5B

RGB 174 108 91

HSL 12.29, 0.34%, 0.52%

LAB 52.37, 24.38, 20.56

 

Complementary color

CMYK 51 / 10 / 0 / 36

HEX #5193A4

RGB 81 147 164

HSL 192.29, 0.34%, 0.48%

LAB 57.36, -16.23, -15.45

 

CMYK 0 / 40 / 52 / 30

HEX #B36C56

RGB 179 108 86

HSL 14.19, 0.38%, 0.52%

LAB 52.93, 25.93, 24.3

 

CMYK 0 / 36 / 46 / 23

HEX #C47E69

RGB 196 126 105

HSL 13.85, 0.44%, 0.59%

LAB 59.6, 24.78, 22.69

 

CMYK 0 / 32 / 42 / 16

HEX #D5907C

RGB 213 144 124

HSL 13.48, 0.51%, 0.66%

LAB 66.17, 23.76, 21.26

 

CMYK 0 / 30 / 38 / 10

HEX #E6A28F

RGB 230 162 143

HSL 13.1, 0.64%, 0.73%

LAB 72.66, 22.85, 19.97

 

CMYK 0 / 27 / 34 / 3

HEX #F7B4A2

RGB 247 180 162

HSL 12.71, 0.84%, 0.8%

LAB 79.06, 22.04, 18.79

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5B

RGB 174 108 91

HSL 12.29, 0.34%, 0.52%

LAB 52.37, 24.38, 20.56

 

CMYK 0 / 43 / 54 / 38

HEX #9D5A48

RGB 157 90 72

HSL 12.71, 0.37%, 0.45%

LAB 45.56, 25.61, 22.28

 

CMYK 0 / 49 / 62 / 45

HEX #8C4835

RGB 140 72 53

HSL 13.1, 0.45%, 0.38%

LAB 38.67, 27, 24.28

 

CMYK 0 / 56 / 72 / 52

HEX #7B3622

RGB 123 54 34

HSL 13.48, 0.57%, 0.31%

LAB 31.73, 28.55, 26.66

 

CMYK 0 / 66 / 86 / 58

HEX #6A240F

RGB 106 36 15

HSL 13.85, 0.75%, 0.24%

LAB 24.83, 30.16, 29.33

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5A

RGB 174 108 90

HSL 12.86, 0.34%, 0.52%

LAB 52.36, 24.28, 21.11

 

CMYK 0 / 48 / 48 / 32

HEX #AE5A5A

RGB 174 90 90

HSL 0, 0.34%, 0.52%

LAB 48.32, 34.13, 15.67

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5A

RGB 174 108 90

HSL 12.86, 0.34%, 0.52%

LAB 52.36, 24.28, 21.11

 

CMYK 0 / 25 / 48 / 32

HEX #AE825A

RGB 174 130 90

HSL 28.57, 0.34%, 0.52%

LAB 57.75, 11.93, 28.19

 

CMYK 0 / 13 / 48 / 32

HEX #AE985A

RGB 174 152 90

HSL 44.29, 0.34%, 0.52%

LAB 63.5, -0.26, 35.46

 

CMYK 1 / 0 / 48 / 32

HEX #ADAE5A

RGB 173 174 90

HSL 60.71, 0.34%, 0.52%

LAB 69.39, -12.4, 42.65

 

CMYK 14 / 0 / 48 / 32

HEX #96AE5A

RGB 150 174 90

HSL 77.14, 0.34%, 0.52%

LAB 67.65, -21.79, 40.12

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5A

RGB 174 108 90

HSL 12.86, 0.34%, 0.52%

LAB 52.36, 24.28, 21.11

 

CMYK 0 / 51 / 63 / 24

HEX #C26047

RGB 194 96 71

HSL 12.2, 0.5%, 0.52%

LAB 52.16, 37.17, 32.3

 

CMYK 0 / 61 / 76 / 16

HEX #D55433

RGB 213 84 51

HSL 12.22, 0.66%, 0.52%

LAB 52.65, 49.05, 44.48

 

CMYK 0 / 69 / 87 / 9

HEX #E9481F

RGB 233 72 31

HSL 12.18, 0.82%, 0.52%

LAB 54.09, 60.23, 56.37

 

CMYK 0 / 76 / 96 / 1

HEX #FD3D0B

RGB 253 61 11

HSL 12.4, 0.98%, 0.52%

LAB 56.33, 69.78, 65.89

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5A

RGB 174 108 90

HSL 12.86, 0.34%, 0.52%

LAB 52.36, 24.28, 21.11

 

CMYK 0 / 23 / 29 / 40

HEX #9A776E

RGB 154 119 110

HSL 12.27, 0.18%, 0.52%

LAB 53.16, 12.3, 10.2

 

CMYK 0 / 2 / 3 / 47

HEX #868382

RGB 134 131 130

HSL 15, 0.02%, 0.52%

LAB 54.98, 0.93, 0.93

 

CMYK 24 / 5 / 0 / 41

HEX #728F96

RGB 114 143 150

HSL 191.67, 0.15%, 0.52%

LAB 57.49, -8.52, -7.08

 

CMYK 45 / 9 / 0 / 33

HEX #5E9AAA

RGB 94 154 170

HSL 192.63, 0.31%, 0.52%

LAB 60.24, -15.13, -14.45

 

CMYK 0 / 48 / 32 / 32

HEX #AE5A76

RGB 174 90 118

HSL 340, 0.34%, 0.52%

LAB 49.03, 37.39, -0.14

 

CMYK 0 / 48 / 45 / 32

HEX #AE5A60

RGB 174 90 96

HSL 355.71, 0.34%, 0.52%

LAB 48.46, 34.76, 12.26

 

CMYK 0 / 39 / 48 / 32

HEX #AE6B5A

RGB 174 107 90

HSL 12.14, 0.34%, 0.52%

LAB 52.12, 24.84, 20.8

 

CMYK 0 / 26 / 48 / 32

HEX #AE815A

RGB 174 129 90

HSL 27.86, 0.34%, 0.52%

LAB 57.5, 12.49, 27.86

 

CMYK 0 / 13 / 48 / 32

HEX #AE985A

RGB 174 152 90

HSL 44.29, 0.34%, 0.52%

LAB 63.5, -0.26, 35.46

 

CMYK 0 / 40 / 51 / 52

HEX #7A493C

RGB 122 73 60

HSL 12.58, 0.34%, 0.36%

LAB 36.42, 19.35, 16.61

 

CMYK 0 / 41 / 51 / 41

HEX #965949

RGB 150 89 73

HSL 12.47, 0.35%, 0.44%

LAB 44.39, 23.35, 19.96

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5A

RGB 174 108 90

HSL 12.86, 0.34%, 0.52%

LAB 52.36, 24.28, 21.11

 

CMYK 0 / 29 / 37 / 27

HEX #BB8476

RGB 187 132 118

HSL 12.17, 0.34%, 0.6%

LAB 60.23, 19.33, 16

 

CMYK 0 / 22 / 27 / 21

HEX #C99D92

RGB 201 157 146

HSL 12, 0.34%, 0.68%

LAB 68.47, 14.73, 12.01

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5B

RGB 174 108 91

HSL 12.29, 0.34%, 0.52%

LAB 52.37, 24.38, 20.56

 

CMYK 20 / 0 / 48 / 32

HEX #8CAE5A

RGB 140 174 90

HSL 84.29, 0.34%, 0.52%

LAB 66.97, -25.72, 39.13

 

CMYK 48 / 39 / 0 / 32

HEX #5A6BAE

RGB 90 107 174

HSL 227.86, 0.34%, 0.52%

LAB 46.64, 12.35, -37.8

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5B

RGB 174 108 91

HSL 12.29, 0.34%, 0.52%

LAB 52.37, 24.38, 20.56

 

CMYK 48 / 0 / 39 / 32

HEX #5AAE6B

RGB 90 174 107

HSL 132.14, 0.34%, 0.52%

LAB 64.57, -40.26, 26.73

 

CMYK 39 / 48 / 0 / 32

HEX #6B5AAE

RGB 107 90 174

HSL 252.14, 0.34%, 0.52%

LAB 43.5, 27.23, -42.7

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5B

RGB 174 108 91

HSL 12.29, 0.34%, 0.52%

LAB 52.37, 24.38, 20.56

 

CMYK 20 / 0 / 48 / 32

HEX #8CAE5A

RGB 140 174 90

HSL 84.29, 0.34%, 0.52%

LAB 66.97, -25.72, 39.13

 

CMYK 48 / 10 / 0 / 32

HEX #5A9DAE

RGB 90 157 174

HSL 192.14, 0.34%, 0.52%

LAB 61.08, -16.61, -15.46

 

CMYK 29 / 48 / 0 / 32

HEX #7C5AAE

RGB 124 90 174

HSL 264.29, 0.34%, 0.52%

LAB 45.16, 31.84, -39.96

 

CMYK 0 / 38 / 48 / 32

HEX #AE6C5B

RGB 174 108 91

HSL 12.29, 0.34%, 0.52%

LAB 52.37, 24.38, 20.56

 

CMYK 34 / 0 / 48 / 32

HEX #73AE5A

RGB 115 174 90

HSL 102.14, 0.34%, 0.52%

LAB 65.48, -34.95, 36.97

 

CMYK 48 / 10 / 0 / 32

HEX #5A9DAE

RGB 90 157 174

HSL 192.14, 0.34%, 0.52%

LAB 61.08, -16.61, -15.46

 

CMYK 14 / 48 / 0 / 32

HEX #955AAE

RGB 149 90 174

HSL 282.14, 0.34%, 0.52%

LAB 47.95, 39, -35.36

 

Description

Color code: HEX #AE6C5B | qconv.com Color code: HEX #AE6C5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 108 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 108 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 48 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 48% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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