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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE6D0D it is the complementary color #5192F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE6D0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE6D0D shade: #B36D08, #C47F1B, #D5912E, #E6A341 and #F7B554

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE6D0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE6D0D shade: #AE6D0D, #9D5B00, #8C4900, #7B3700 and #6A2500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE6D0D shade: #AF6D0D, #AF420D, #AF160D and #AF0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE6D0D shade: #AF6D0D, #AF990D, #99AF0D, #6DAF0D and #41AF0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE6D0D shade matches the following richer shades: #AF6D0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE6D0D shade: #AF6D0D, #A06B1C, #90682B, #81653B and #72624A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE6D0D shade: #AF150D, #AF400D, #AF6B0D, #AF970D and #9CAF0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE6D0D shade: #623D07, #89550A, #AF6D0D, #D58610 and #EE9B20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE6D0D shade: #AE6D0D, #30AF0D and #2A0DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE6D0D shade: #AE6D0D, #0DAF6B and #6B0DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE6D0D shade: #AE6D0D, #30AF0D, #0D50AF and #8C0DAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE6D0D shade: #AE6D0D, #0DAF1A, #0D50AF and #AF0DA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 93 / 32

HEX #AE6D0D

RGB 174 109 13

HSL 35.78, 0.86%, 0.37%

LAB 51.8, 19.33, 56.34

 

Complementary color

CMYK 67 / 40 / 0 / 5

HEX #5192F2

RGB 81 146 242

HSL 215.78, 0.86%, 0.63%

LAB 60.53, 9.41, -54.33

 

CMYK 0 / 39 / 96 / 30

HEX #B36D08

RGB 179 109 8

HSL 35.44, 0.91%, 0.37%

LAB 52.44, 21.48, 58.11

 

CMYK 0 / 35 / 86 / 23

HEX #C47F1B

RGB 196 127 27

HSL 35.5, 0.76%, 0.44%

LAB 58.97, 19.37, 59.41

 

CMYK 0 / 32 / 78 / 16

HEX #D5912E

RGB 213 145 46

HSL 35.57, 0.67%, 0.51%

LAB 65.43, 17.54, 59.31

 

CMYK 0 / 29 / 72 / 10

HEX #E6A341

RGB 230 163 65

HSL 35.64, 0.77%, 0.58%

LAB 71.82, 15.94, 58.51

 

CMYK 0 / 27 / 66 / 3

HEX #F7B554

RGB 247 181 84

HSL 35.71, 0.91%, 0.65%

LAB 78.15, 14.56, 57.38

 

CMYK 0 / 37 / 93 / 32

HEX #AE6D0D

RGB 174 109 13

HSL 35.78, 0.86%, 0.37%

LAB 51.8, 19.33, 56.34

 

CMYK 0 / 42 / 100 / 38

HEX #9D5B00

RGB 157 91 0

HSL 34.78, 1%, 0.31%

LAB 45.15, 21.65, 53.58

 

CMYK 0 / 48 / 100 / 45

HEX #8C4900

RGB 140 73 0

HSL 31.29, 1%, 0.27%

LAB 38.45, 24.23, 48.16

 

CMYK 0 / 55 / 100 / 52

HEX #7B3700

RGB 123 55 0

HSL 26.83, 1%, 0.24%

LAB 31.68, 26.82, 42.63

 

CMYK 0 / 65 / 100 / 58

HEX #6A2500

RGB 106 37 0

HSL 20.94, 1%, 0.21%

LAB 24.91, 29.22, 35.82

 

CMYK 0 / 38 / 93 / 31

HEX #AF6D0D

RGB 175 109 13

HSL 35.56, 0.86%, 0.37%

LAB 51.93, 19.78, 56.49

 

CMYK 0 / 62 / 93 / 31

HEX #AF420D

RGB 175 66 13

HSL 19.63, 0.86%, 0.37%

LAB 42.82, 42.36, 49.92

 

CMYK 0 / 87 / 93 / 31

HEX #AF160D

RGB 175 22 13

HSL 3.33, 0.86%, 0.37%

LAB 37.33, 57.47, 46.17

 

CMYK 0 / 93 / 93 / 31

HEX #AF0D0D

RGB 175 13 13

HSL 0, 0.86%, 0.37%

LAB 36.8, 58.99, 45.82

 

CMYK 0 / 38 / 93 / 31

HEX #AF6D0D

RGB 175 109 13

HSL 35.56, 0.86%, 0.37%

LAB 51.93, 19.78, 56.49

 

CMYK 0 / 13 / 93 / 31

HEX #AF990D

RGB 175 153 13

HSL 51.85, 0.86%, 0.37%

LAB 63.28, -4.57, 65.04

 

CMYK 13 / 0 / 93 / 31

HEX #99AF0D

RGB 153 175 13

HSL 68.15, 0.86%, 0.37%

LAB 67.62, -25.62, 67.62

 

CMYK 38 / 0 / 93 / 31

HEX #6DAF0D

RGB 109 175 13

HSL 84.44, 0.86%, 0.37%

LAB 64.92, -43.14, 64.31

 

CMYK 63 / 0 / 93 / 31

HEX #41AF0D

RGB 65 175 13

HSL 100.74, 0.86%, 0.37%

LAB 63.19, -56.43, 62.18

 

CMYK 0 / 38 / 93 / 31

HEX #AF6D0D

RGB 175 109 13

HSL 35.56, 0.86%, 0.37%

LAB 51.93, 19.78, 56.49

 

CMYK 0 / 38 / 93 / 31

HEX #AF6D0D

RGB 175 109 13

HSL 35.56, 0.86%, 0.37%

LAB 51.93, 19.78, 56.49

 

CMYK 0 / 33 / 83 / 37

HEX #A06B1C

RGB 160 107 28

HSL 35.91, 0.7%, 0.37%

LAB 49.58, 14.53, 49.27

 

CMYK 0 / 28 / 70 / 44

HEX #90682B

RGB 144 104 43

HSL 36.24, 0.54%, 0.37%

LAB 46.98, 9.63, 39.52

 

CMYK 0 / 22 / 54 / 49

HEX #81653B

RGB 129 101 59

HSL 36, 0.37%, 0.37%

LAB 44.65, 5.74, 27.9

 

CMYK 0 / 14 / 35 / 55

HEX #72624A

RGB 114 98 74

HSL 36, 0.21%, 0.37%

LAB 42.47, 2.53, 16.05

 

CMYK 0 / 88 / 93 / 31

HEX #AF150D

RGB 175 21 13

HSL 2.96, 0.86%, 0.37%

LAB 37.26, 57.67, 46.13

 

CMYK 0 / 63 / 93 / 31

HEX #AF400D

RGB 175 64 13

HSL 18.89, 0.86%, 0.37%

LAB 42.48, 43.28, 49.67

 

CMYK 0 / 39 / 93 / 31

HEX #AF6B0D

RGB 175 107 13

HSL 34.81, 0.86%, 0.37%

LAB 51.45, 20.89, 56.14

 

CMYK 0 / 14 / 93 / 31

HEX #AF970D

RGB 175 151 13

HSL 51.11, 0.86%, 0.37%

LAB 62.74, -3.49, 64.63

 

CMYK 11 / 0 / 93 / 31

HEX #9CAF0D

RGB 156 175 13

HSL 67.04, 0.86%, 0.37%

LAB 67.84, -24.34, 67.88

 

CMYK 0 / 38 / 93 / 62

HEX #623D07

RGB 98 61 7

HSL 35.6, 0.87%, 0.21%

LAB 29.28, 11.8, 36.28

 

CMYK 0 / 38 / 93 / 46

HEX #89550A

RGB 137 85 10

HSL 35.43, 0.86%, 0.29%

LAB 40.96, 16.14, 46.75

 

CMYK 0 / 38 / 93 / 31

HEX #AF6D0D

RGB 175 109 13

HSL 35.56, 0.86%, 0.37%

LAB 51.93, 19.78, 56.49

 

CMYK 0 / 37 / 92 / 16

HEX #D58610

RGB 213 134 16

HSL 35.94, 0.86%, 0.45%

LAB 62.7, 22.72, 65.95

 

CMYK 0 / 35 / 87 / 7

HEX #EE9B20

RGB 238 155 32

HSL 35.83, 0.86%, 0.53%

LAB 70.68, 22.44, 69.6

 

CMYK 0 / 37 / 93 / 32

HEX #AE6D0D

RGB 174 109 13

HSL 35.78, 0.86%, 0.37%

LAB 51.8, 19.33, 56.34

 

CMYK 73 / 0 / 93 / 31

HEX #30AF0D

RGB 48 175 13

HSL 107.04, 0.86%, 0.37%

LAB 62.77, -59.94, 61.67

 

CMYK 76 / 93 / 0 / 31

HEX #2A0DAF

RGB 42 13 175

HSL 250.74, 0.86%, 0.37%

LAB 23.25, 57.31, -76.55

 

CMYK 0 / 37 / 93 / 32

HEX #AE6D0D

RGB 174 109 13

HSL 35.78, 0.86%, 0.37%

LAB 51.8, 19.33, 56.34

 

CMYK 93 / 0 / 39 / 31

HEX #0DAF6B

RGB 13 175 107

HSL 154.81, 0.86%, 0.37%

LAB 63.18, -53.38, 24.58

 

CMYK 39 / 93 / 0 / 31

HEX #6B0DAF

RGB 107 13 175

HSL 274.81, 0.86%, 0.37%

LAB 30.66, 62.59, -64.07

 

CMYK 0 / 37 / 93 / 32

HEX #AE6D0D

RGB 174 109 13

HSL 35.78, 0.86%, 0.37%

LAB 51.8, 19.33, 56.34

 

CMYK 73 / 0 / 93 / 31

HEX #30AF0D

RGB 48 175 13

HSL 107.04, 0.86%, 0.37%

LAB 62.77, -59.94, 61.67

 

CMYK 93 / 54 / 0 / 31

HEX #0D50AF

RGB 13 80 175

HSL 215.19, 0.86%, 0.37%

LAB 35.83, 18.58, -55.9

 

CMYK 20 / 93 / 0 / 31

HEX #8C0DAF

RGB 140 13 175

HSL 287.04, 0.86%, 0.37%

LAB 35.9, 67.07, -55.29

 

CMYK 0 / 37 / 93 / 32

HEX #AE6D0D

RGB 174 109 13

HSL 35.78, 0.86%, 0.37%

LAB 51.8, 19.33, 56.34

 

CMYK 93 / 0 / 85 / 31

HEX #0DAF1A

RGB 13 175 26

HSL 124.81, 0.86%, 0.37%

LAB 62.36, -63.5, 58.57

 

CMYK 93 / 54 / 0 / 31

HEX #0D50AF

RGB 13 80 175

HSL 215.19, 0.86%, 0.37%

LAB 35.83, 18.58, -55.9

 

CMYK 0 / 93 / 8 / 31

HEX #AF0DA1

RGB 175 13 161

HSL 305.19, 0.86%, 0.37%

LAB 41.18, 70.7, -38.1

 

Description

Color code: HEX #AE6D0D | qconv.com Color code: HEX #AE6D0D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 109 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 109 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 93 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 93% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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