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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE746F it is the complementary color #518B90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE746F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE746F shade: #B3746A, #C4867D, #D59890, #E6AAA3 and #F7BCB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE746F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE746F shade: #AE746F, #9D625C, #8C5049, #7B3E36 and #6A2C23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE746F shade: #AE746F and #AE6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE746F shade: #AE746F, #AE856F, #AE966F, #AEA76F and #A4AE6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE746F shade matches the following richer shades: #AE746F, #C0655D, #D2554B, #E44638 and #F63726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE746F shade: #AE746F, #9C8381, #899293, #77A2A5 and #65B1B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE746F shade: #AE6F8C, #AE6F7B, #AE736F, #AE846F and #AE956F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE746F shade: #814D49, #9C5D57, #AE746F, #BD8D89 and #CBA7A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE746F shade: #AE746F, #9DAE6F and #6F84AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE746F shade: #AE746F, #6FAE73 and #736FAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE746F shade: #AE746F, #9DAE6F, #6FAAAE and #806FAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE746F shade: #AE746F, #8AAE6F, #6FAAAE and #926FAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

Complementary color

CMYK 44 / 3 / 0 / 44

HEX #518B90

RGB 81 139 144

HSL 184.76, 0.28%, 0.44%

LAB 54.27, -17.57, -8.62

 

CMYK 0 / 35 / 41 / 30

HEX #B3746A

RGB 179 116 106

HSL 8.22, 0.32%, 0.56%

LAB 55.19, 23.59, 15.79

 

CMYK 0 / 32 / 36 / 23

HEX #C4867D

RGB 196 134 125

HSL 7.61, 0.38%, 0.63%

LAB 61.88, 22.65, 14.48

 

CMYK 0 / 29 / 32 / 16

HEX #D59890

RGB 213 152 144

HSL 6.96, 0.45%, 0.7%

LAB 68.47, 21.81, 13.32

 

CMYK 0 / 26 / 29 / 10

HEX #E6AAA3

RGB 230 170 163

HSL 6.27, 0.57%, 0.77%

LAB 74.96, 21.06, 12.25

 

CMYK 0 / 24 / 26 / 3

HEX #F7BCB6

RGB 247 188 182

HSL 5.54, 0.8%, 0.84%

LAB 81.36, 20.39, 11.27

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 0 / 38 / 41 / 38

HEX #9D625C

RGB 157 98 92

HSL 5.54, 0.26%, 0.49%

LAB 47.85, 23.19, 13.46

 

CMYK 0 / 43 / 48 / 45

HEX #8C5049

RGB 140 80 73

HSL 6.27, 0.31%, 0.42%

LAB 40.89, 24.32, 15.03

 

CMYK 0 / 50 / 56 / 52

HEX #7B3E36

RGB 123 62 54

HSL 6.96, 0.39%, 0.35%

LAB 33.82, 25.6, 16.94

 

CMYK 0 / 58 / 67 / 58

HEX #6A2C23

RGB 106 44 35

HSL 7.61, 0.5%, 0.28%

LAB 26.7, 27.01, 19.34

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 0 / 36 / 36 / 32

HEX #AE6F6F

RGB 174 111 111

HSL 0, 0.28%, 0.56%

LAB 53.51, 25.01, 10.44

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 0 / 24 / 36 / 32

HEX #AE856F

RGB 174 133 111

HSL 20.95, 0.28%, 0.56%

LAB 58.9, 12.64, 17.93

 

CMYK 0 / 14 / 36 / 32

HEX #AE966F

RGB 174 150 111

HSL 37.14, 0.28%, 0.56%

LAB 63.31, 3.18, 23.89

 

CMYK 0 / 4 / 36 / 32

HEX #AEA76F

RGB 174 167 111

HSL 53.33, 0.28%, 0.56%

LAB 67.86, -6.03, 29.9

 

CMYK 6 / 0 / 36 / 32

HEX #A4AE6F

RGB 164 174 111

HSL 69.52, 0.28%, 0.56%

LAB 68.98, -13.74, 31.2

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 0 / 47 / 52 / 25

HEX #C0655D

RGB 192 101 93

HSL 4.85, 0.44%, 0.56%

LAB 53.28, 35.52, 21.04

 

CMYK 0 / 60 / 64 / 18

HEX #D2554B

RGB 210 85 75

HSL 4.44, 0.6%, 0.56%

LAB 52.63, 48.73, 31.15

 

CMYK 0 / 69 / 75 / 11

HEX #E44638

RGB 228 70 56

HSL 4.88, 0.76%, 0.56%

LAB 53.12, 60.09, 43.13

 

CMYK 0 / 78 / 85 / 4

HEX #F63726

RGB 246 55 38

HSL 4.9, 0.92%, 0.56%

LAB 54.52, 69.87, 54.67

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 0 / 16 / 17 / 39

HEX #9C8381

RGB 156 131 129

HSL 4.44, 0.12%, 0.56%

LAB 56.96, 9.2, 4.63

 

CMYK 7 / 1 / 0 / 42

HEX #899293

RGB 137 146 147

HSL 186, 0.04%, 0.56%

LAB 59.87, -3.04, -1.66

 

CMYK 28 / 2 / 0 / 35

HEX #77A2A5

RGB 119 162 165

HSL 183.91, 0.2%, 0.56%

LAB 63.74, -13.72, -6.27

 

CMYK 45 / 3 / 0 / 28

HEX #65B1B7

RGB 101 177 183

HSL 184.39, 0.36%, 0.56%

LAB 67.75, -21.93, -10.42

 

CMYK 0 / 36 / 20 / 32

HEX #AE6F8C

RGB 174 111 140

HSL 332.38, 0.28%, 0.56%

LAB 54.3, 29.16, -5.42

 

CMYK 0 / 36 / 29 / 32

HEX #AE6F7B

RGB 174 111 123

HSL 348.57, 0.28%, 0.56%

LAB 53.81, 26.61, 3.83

 

CMYK 0 / 34 / 36 / 32

HEX #AE736F

RGB 174 115 111

HSL 3.81, 0.28%, 0.56%

LAB 54.46, 22.77, 11.77

 

CMYK 0 / 24 / 36 / 32

HEX #AE846F

RGB 174 132 111

HSL 20, 0.28%, 0.56%

LAB 58.65, 13.2, 17.58

 

CMYK 0 / 14 / 36 / 32

HEX #AE956F

RGB 174 149 111

HSL 36.19, 0.28%, 0.56%

LAB 63.05, 3.73, 23.53

 

CMYK 0 / 40 / 43 / 49

HEX #814D49

RGB 129 77 73

HSL 4.29, 0.28%, 0.4%

LAB 38.65, 21.46, 11.73

 

CMYK 0 / 40 / 44 / 39

HEX #9C5D57

RGB 156 93 87

HSL 5.22, 0.28%, 0.48%

LAB 46.42, 25.04, 14.47

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 0 / 25 / 28 / 26

HEX #BD8D89

RGB 189 141 137

HSL 4.62, 0.28%, 0.64%

LAB 63.07, 17.64, 9.25

 

CMYK 0 / 18 / 19 / 20

HEX #CBA7A4

RGB 203 167 164

HSL 4.62, 0.27%, 0.72%

LAB 71.56, 12.69, 6.5

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 10 / 0 / 36 / 32

HEX #9DAE6F

RGB 157 174 111

HSL 76.19, 0.28%, 0.56%

LAB 68.45, -16.51, 30.41

 

CMYK 36 / 24 / 0 / 32

HEX #6F84AE

RGB 111 132 174

HSL 220, 0.28%, 0.56%

LAB 55.01, 2.99, -24.63

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 36 / 0 / 34 / 32

HEX #6FAE73

RGB 111 174 115

HSL 123.81, 0.28%, 0.56%

LAB 65.66, -32.55, 24.07

 

CMYK 34 / 36 / 0 / 32

HEX #736FAE

RGB 115 111 174

HSL 243.81, 0.28%, 0.56%

LAB 49.58, 16.66, -33.04

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 10 / 0 / 36 / 32

HEX #9DAE6F

RGB 157 174 111

HSL 76.19, 0.28%, 0.56%

LAB 68.45, -16.51, 30.41

 

CMYK 36 / 2 / 0 / 32

HEX #6FAAAE

RGB 111 170 174

HSL 183.81, 0.28%, 0.56%

LAB 65.89, -18.05, -8.14

 

CMYK 26 / 36 / 0 / 32

HEX #806FAE

RGB 128 111 174

HSL 256.19, 0.28%, 0.56%

LAB 50.7, 20.53, -31.21

 

CMYK 0 / 33 / 36 / 32

HEX #AE746F

RGB 174 116 111

HSL 4.76, 0.28%, 0.56%

LAB 54.7, 22.2, 12.11

 

CMYK 21 / 0 / 36 / 32

HEX #8AAE6F

RGB 138 174 111

HSL 94.29, 0.28%, 0.56%

LAB 67.14, -23.77, 28.45

 

CMYK 36 / 2 / 0 / 32

HEX #6FAAAE

RGB 111 170 174

HSL 183.81, 0.28%, 0.56%

LAB 65.89, -18.05, -8.14

 

CMYK 16 / 36 / 0 / 32

HEX #926FAE

RGB 146 111 174

HSL 273.33, 0.28%, 0.56%

LAB 52.44, 26.13, -28.38

 

Description

Color code: HEX #AE746F | qconv.com Color code: HEX #AE746F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 116 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 116 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 36 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 36% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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