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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE7854 it is the complementary color #5187AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE7854. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE7854 shade: #B3784F, #C48A62, #D59C75, #E6AE88 and #F7C09B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE7854. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE7854 shade: #AE7854, #9D6641, #8C542E, #7B421B and #6A3008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE7854 shade: #AF7955, #AF6055 and #AF5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE7854 shade: #AF7955, #AF9155, #AFA955, #9CAF55 and #83AF55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE7854 shade matches the following richer shades: #AF7955, #C37540, #D7702C and #EB6C18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE7854 shade: #AF7955, #9A7D69, #86817D, #728591 and #5E89A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE7854 shade: #AF5561, #AF6155, #AF7955, #AF9155 and #AFA955

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE7854 shade: #785238, #946546, #AF7955, #BC8F71 and #C9A58D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE7854 shade: #AE7854, #79AF55 and #5555AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE7854 shade: #AE7854, #55AF79 and #7955AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE7854 shade: #AE7854, #79AF55, #558BAF and #8B55AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE7854 shade: #AE7854, #5EAF55, #558BAF and #A655AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 52 / 32

HEX #AE7854

RGB 174 120 84

HSL 24, 0.36%, 0.51%

LAB 55.15, 16.96, 28.18

 

Complementary color

CMYK 53 / 21 / 0 / 33

HEX #5187AB

RGB 81 135 171

HSL 204, 0.36%, 0.49%

LAB 54.05, -7.49, -24.54

 

CMYK 0 / 33 / 56 / 30

HEX #B3784F

RGB 179 120 79

HSL 24.6, 0.4%, 0.51%

LAB 55.67, 18.63, 31.73

 

CMYK 0 / 30 / 50 / 23

HEX #C48A62

RGB 196 138 98

HSL 24.49, 0.45%, 0.58%

LAB 62.33, 17.49, 30.17

 

CMYK 0 / 27 / 45 / 16

HEX #D59C75

RGB 213 156 117

HSL 24.38, 0.53%, 0.65%

LAB 68.9, 16.51, 28.75

 

CMYK 0 / 24 / 41 / 10

HEX #E6AE88

RGB 230 174 136

HSL 24.26, 0.65%, 0.72%

LAB 75.37, 15.65, 27.43

 

CMYK 0 / 22 / 37 / 3

HEX #F7C09B

RGB 247 192 155

HSL 24.13, 0.85%, 0.79%

LAB 81.75, 14.89, 26.22

 

CMYK 0 / 31 / 52 / 32

HEX #AE7854

RGB 174 120 84

HSL 24, 0.36%, 0.51%

LAB 55.15, 16.96, 28.18

 

CMYK 0 / 35 / 59 / 38

HEX #9D6641

RGB 157 102 65

HSL 24.13, 0.41%, 0.44%

LAB 48.33, 18.18, 29.81

 

CMYK 0 / 40 / 67 / 45

HEX #8C542E

RGB 140 84 46

HSL 24.26, 0.51%, 0.36%

LAB 41.4, 19.64, 31.6

 

CMYK 0 / 46 / 78 / 52

HEX #7B421B

RGB 123 66 27

HSL 24.38, 0.64%, 0.29%

LAB 34.37, 21.39, 33.43

 

CMYK 0 / 55 / 92 / 58

HEX #6A3008

RGB 106 48 8

HSL 24.49, 0.86%, 0.22%

LAB 27.28, 23.45, 34.72

 

CMYK 0 / 31 / 51 / 31

HEX #AF7955

RGB 175 121 85

HSL 24, 0.36%, 0.51%

LAB 55.53, 16.92, 28.13

 

CMYK 0 / 45 / 51 / 31

HEX #AF6055

RGB 175 96 85

HSL 7.33, 0.36%, 0.51%

LAB 49.66, 30.81, 20.47

 

CMYK 0 / 51 / 51 / 31

HEX #AF5555

RGB 175 85 85

HSL 0, 0.36%, 0.51%

LAB 47.32, 36.67, 17.33

 

CMYK 0 / 31 / 51 / 31

HEX #AF7955

RGB 175 121 85

HSL 24, 0.36%, 0.51%

LAB 55.53, 16.92, 28.13

 

CMYK 0 / 17 / 51 / 31

HEX #AF9155

RGB 175 145 85

HSL 40, 0.36%, 0.51%

LAB 61.67, 3.52, 35.85

 

CMYK 0 / 3 / 51 / 31

HEX #AFA955

RGB 175 169 85

HSL 56, 0.36%, 0.51%

LAB 68.13, -9.41, 43.65

 

CMYK 11 / 0 / 51 / 31

HEX #9CAF55

RGB 156 175 85

HSL 72.67, 0.36%, 0.51%

LAB 68.3, -20.39, 43.48

 

CMYK 25 / 0 / 51 / 31

HEX #83AF55

RGB 131 175 85

HSL 89.33, 0.36%, 0.51%

LAB 66.63, -30.21, 41.08

 

CMYK 0 / 31 / 51 / 31

HEX #AF7955

RGB 175 121 85

HSL 24, 0.36%, 0.51%

LAB 55.53, 16.92, 28.13

 

CMYK 0 / 40 / 67 / 24

HEX #C37540

RGB 195 117 64

HSL 24.27, 0.52%, 0.51%

LAB 56.78, 25.95, 41.55

 

CMYK 0 / 48 / 80 / 16

HEX #D7702C

RGB 215 112 44

HSL 23.86, 0.68%, 0.51%

LAB 58.24, 35.87, 53.46

 

CMYK 0 / 54 / 90 / 8

HEX #EB6C18

RGB 235 108 24

HSL 23.89, 0.84%, 0.51%

LAB 60.3, 45.17, 63.65

 

CMYK 0 / 31 / 51 / 31

HEX #AF7955

RGB 175 121 85

HSL 24, 0.36%, 0.51%

LAB 55.53, 16.92, 28.13

 

CMYK 0 / 19 / 32 / 40

HEX #9A7D69

RGB 154 125 105

HSL 24.49, 0.2%, 0.51%

LAB 54.61, 8.16, 15.13

 

CMYK 0 / 4 / 7 / 47

HEX #86817D

RGB 134 129 125

HSL 26.67, 0.04%, 0.51%

LAB 54.29, 1.12, 2.83

 

CMYK 21 / 8 / 0 / 43

HEX #728591

RGB 114 133 145

HSL 203.23, 0.12%, 0.51%

LAB 54.45, -4.09, -8.73

 

CMYK 43 / 17 / 0 / 35

HEX #5E89A5

RGB 94 137 165

HSL 203.66, 0.28%, 0.51%

LAB 55.06, -7.16, -19.47

 

CMYK 0 / 51 / 45 / 31

HEX #AF5561

RGB 175 85 97

HSL 352, 0.36%, 0.51%

LAB 47.59, 37.87, 10.47

 

CMYK 0 / 45 / 51 / 31

HEX #AF6155

RGB 175 97 85

HSL 8, 0.36%, 0.51%

LAB 49.88, 30.27, 20.76

 

CMYK 0 / 31 / 51 / 31

HEX #AF7955

RGB 175 121 85

HSL 24, 0.36%, 0.51%

LAB 55.53, 16.92, 28.13

 

CMYK 0 / 17 / 51 / 31

HEX #AF9155

RGB 175 145 85

HSL 40, 0.36%, 0.51%

LAB 61.67, 3.52, 35.85

 

CMYK 0 / 3 / 51 / 31

HEX #AFA955

RGB 175 169 85

HSL 56, 0.36%, 0.51%

LAB 68.13, -9.41, 43.65

 

CMYK 0 / 32 / 53 / 53

HEX #785238

RGB 120 82 56

HSL 24.38, 0.36%, 0.35%

LAB 38.4, 12.66, 21.57

 

CMYK 0 / 32 / 53 / 42

HEX #946546

RGB 148 101 70

HSL 23.85, 0.36%, 0.43%

LAB 47.03, 15.28, 25.11

 

CMYK 0 / 31 / 51 / 31

HEX #AF7955

RGB 175 121 85

HSL 24, 0.36%, 0.51%

LAB 55.53, 16.92, 28.13

 

CMYK 0 / 24 / 40 / 26

HEX #BC8F71

RGB 188 143 113

HSL 24, 0.36%, 0.59%

LAB 62.95, 13.03, 22.55

 

CMYK 0 / 18 / 30 / 21

HEX #C9A58D

RGB 201 165 141

HSL 24, 0.36%, 0.67%

LAB 70.35, 9.69, 17.41

 

CMYK 0 / 31 / 52 / 32

HEX #AE7854

RGB 174 120 84

HSL 24, 0.36%, 0.51%

LAB 55.15, 16.96, 28.18

 

CMYK 31 / 0 / 51 / 31

HEX #79AF55

RGB 121 175 85

HSL 96, 0.36%, 0.51%

LAB 66.04, -33.9, 40.24

 

CMYK 51 / 51 / 0 / 31

HEX #5555AF

RGB 85 85 175

HSL 240, 0.36%, 0.51%

LAB 40.45, 25.27, -48.27

 

CMYK 0 / 31 / 52 / 32

HEX #AE7854

RGB 174 120 84

HSL 24, 0.36%, 0.51%

LAB 55.15, 16.96, 28.18

 

CMYK 51 / 0 / 31 / 31

HEX #55AF79

RGB 85 175 121

HSL 144, 0.36%, 0.51%

LAB 64.94, -39.45, 19.65

 

CMYK 31 / 51 / 0 / 31

HEX #7955AF

RGB 121 85 175

HSL 264, 0.36%, 0.51%

LAB 43.74, 34.21, -42.82

 

CMYK 0 / 31 / 52 / 32

HEX #AE7854

RGB 174 120 84

HSL 24, 0.36%, 0.51%

LAB 55.15, 16.96, 28.18

 

CMYK 31 / 0 / 51 / 31

HEX #79AF55

RGB 121 175 85

HSL 96, 0.36%, 0.51%

LAB 66.04, -33.9, 40.24

 

CMYK 51 / 21 / 0 / 31

HEX #558BAF

RGB 85 139 175

HSL 204, 0.36%, 0.51%

LAB 55.58, -7.61, -24.46

 

CMYK 21 / 51 / 0 / 31

HEX #8B55AF

RGB 139 85 175

HSL 276, 0.36%, 0.51%

LAB 45.75, 39.14, -39.51

 

CMYK 0 / 31 / 52 / 32

HEX #AE7854

RGB 174 120 84

HSL 24, 0.36%, 0.51%

LAB 55.15, 16.96, 28.18

 

CMYK 46 / 0 / 51 / 31

HEX #5EAF55

RGB 94 175 85

HSL 114, 0.36%, 0.51%

LAB 64.72, -42.88, 38.32

 

CMYK 51 / 21 / 0 / 31

HEX #558BAF

RGB 85 139 175

HSL 204, 0.36%, 0.51%

LAB 55.58, -7.61, -24.46

 

CMYK 5 / 51 / 0 / 31

HEX #A655AF

RGB 166 85 175

HSL 294, 0.36%, 0.51%

LAB 49.13, 46.78, -33.95

 

Description

Color code: HEX #AE7854 | qconv.com Color code: HEX #AE7854 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 120 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 120 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 52 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 52% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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