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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE7940 it is the complementary color #5186BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE7940. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE7940 shade: #B3793B, #C48B4E, #D59D61, #E6AF74 and #F7C187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE7940. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE7940 shade: #AE7940, #9D672D, #8C551A, #7B4307 and #6A3100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE7940 shade: #AE7940, #AE5C40 and #AE4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE7940 shade: #AE7940, #AE9740, #A8AE40, #8AAE40 and #6DAE40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE7940 shade matches the following richer shades: #AE7940, #C27A2D, #D57B19 and #E97B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE7940 shade: #AE7940, #9B7954, #887867, #74777A and #61778E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE7940 shade: #AE4042, #AE5C40, #AE7940, #AE9740 and #A9AE40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE7940 shade: #724F2A, #906435, #AE7940, #C18E57 and #CCA275

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE7940 shade: #AE7940, #5FAE40 and #4D40AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE7940 shade: #AE7940, #40AE79 and #7940AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE7940 shade: #AE7940, #5FAE40, #4076AE and #8F40AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE7940 shade: #AE7940, #40AE42, #4076AE and #AE40AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

Complementary color

CMYK 58 / 30 / 0 / 25

HEX #5186BF

RGB 81 134 191

HSL 211.09, 0.46%, 0.53%

LAB 54.62, -0.57, -35.1

 

CMYK 0 / 32 / 67 / 30

HEX #B3793B

RGB 179 121 59

HSL 31, 0.5%, 0.47%

LAB 55.66, 16.6, 42.28

 

CMYK 0 / 29 / 60 / 23

HEX #C48B4E

RGB 196 139 78

HSL 31.02, 0.5%, 0.54%

LAB 62.3, 15.25, 40.77

 

CMYK 0 / 26 / 54 / 16

HEX #D59D61

RGB 213 157 97

HSL 31.03, 0.58%, 0.61%

LAB 68.84, 14.1, 39.29

 

CMYK 0 / 24 / 50 / 10

HEX #E6AF74

RGB 230 175 116

HSL 31.05, 0.7%, 0.68%

LAB 75.29, 13.11, 37.88

 

CMYK 0 / 22 / 45 / 3

HEX #F7C187

RGB 247 193 135

HSL 31.07, 0.88%, 0.75%

LAB 81.65, 12.24, 36.54

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 34 / 71 / 38

HEX #9D672D

RGB 157 103 45

HSL 31.07, 0.55%, 0.4%

LAB 48.33, 16.22, 40.46

 

CMYK 0 / 39 / 81 / 45

HEX #8C551A

RGB 140 85 26

HSL 31.05, 0.69%, 0.33%

LAB 41.45, 18, 41.67

 

CMYK 0 / 46 / 94 / 52

HEX #7B4307

RGB 123 67 7

HSL 31.03, 0.89%, 0.25%

LAB 34.48, 20.13, 41.88

 

CMYK 0 / 54 / 100 / 58

HEX #6A3100

RGB 106 49 0

HSL 27.74, 1%, 0.21%

LAB 27.47, 22.65, 38.14

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 47 / 63 / 32

HEX #AE5C40

RGB 174 92 64

HSL 15.27, 0.46%, 0.47%

LAB 48.29, 30.85, 30.85

 

CMYK 0 / 63 / 63 / 32

HEX #AE4040

RGB 174 64 64

HSL 0, 0.46%, 0.47%

LAB 42.82, 44.93, 24.05

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 13 / 63 / 32

HEX #AE9740

RGB 174 151 64

HSL 47.45, 0.46%, 0.47%

LAB 62.93, -1.88, 47.76

 

CMYK 3 / 0 / 63 / 32

HEX #A8AE40

RGB 168 174 64

HSL 63.27, 0.46%, 0.47%

LAB 68.73, -16.61, 53.86

 

CMYK 21 / 0 / 63 / 32

HEX #8AAE40

RGB 138 174 64

HSL 79.64, 0.46%, 0.47%

LAB 66.55, -29.02, 50.89

 

CMYK 37 / 0 / 63 / 32

HEX #6DAE40

RGB 109 174 64

HSL 95.45, 0.46%, 0.47%

LAB 64.88, -39.91, 48.57

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 37 / 77 / 24

HEX #C27A2D

RGB 194 122 45

HSL 31.01, 0.62%, 0.47%

LAB 57.63, 21.83, 51.46

 

CMYK 0 / 42 / 88 / 16

HEX #D57B19

RGB 213 123 25

HSL 31.28, 0.79%, 0.47%

LAB 60.23, 28.76, 61.93

 

CMYK 0 / 47 / 97 / 9

HEX #E97B06

RGB 233 123 6

HSL 30.93, 0.95%, 0.47%

LAB 62.93, 36.72, 69.01

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 22 / 46 / 39

HEX #9B7954

RGB 155 121 84

HSL 31.27, 0.3%, 0.47%

LAB 53.26, 8.26, 25.32

 

CMYK 0 / 12 / 24 / 47

HEX #887867

RGB 136 120 103

HSL 30.91, 0.14%, 0.47%

LAB 51.44, 3.31, 11.6

 

CMYK 5 / 2 / 0 / 52

HEX #74777A

RGB 116 119 122

HSL 210, 0.03%, 0.47%

LAB 49.87, -0.5, -2.04

HEX #74777A

CMYK 32 / 16 / 0 / 44

HEX #61778E

RGB 97 119 142

HSL 210.67, 0.19%, 0.47%

LAB 49.12, -2.26, -15.13

HEX #61778E

CMYK 0 / 63 / 62 / 32

HEX #AE4042

RGB 174 64 66

HSL 358.91, 0.46%, 0.47%

LAB 42.85, 45.07, 22.88

 

CMYK 0 / 47 / 63 / 32

HEX #AE5C40

RGB 174 92 64

HSL 15.27, 0.46%, 0.47%

LAB 48.29, 30.85, 30.85

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 13 / 63 / 32

HEX #AE9740

RGB 174 151 64

HSL 47.45, 0.46%, 0.47%

LAB 62.93, -1.88, 47.76

 

CMYK 3 / 0 / 63 / 32

HEX #A9AE40

RGB 169 174 64

HSL 62.73, 0.46%, 0.47%

LAB 68.81, -16.18, 53.97

 

CMYK 0 / 31 / 63 / 55

HEX #724F2A

RGB 114 79 42

HSL 30.83, 0.46%, 0.31%

LAB 36.62, 10.41, 27.4

 

CMYK 0 / 31 / 63 / 44

HEX #906435

RGB 144 100 53

HSL 30.99, 0.46%, 0.39%

LAB 46.04, 12.63, 33.3

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 0 / 26 / 55 / 24

HEX #C18E57

RGB 193 142 87

HSL 31.13, 0.46%, 0.55%

LAB 62.82, 13.04, 36.63

 

CMYK 0 / 21 / 43 / 20

HEX #CCA275

RGB 204 162 117

HSL 31.03, 0.46%, 0.63%

LAB 69.44, 9.61, 29.28

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 45 / 0 / 63 / 32

HEX #5FAE40

RGB 95 174 64

HSL 103.09, 0.46%, 0.47%

LAB 64.22, -44.57, 47.66

 

CMYK 56 / 63 / 0 / 32

HEX #4D40AE

RGB 77 64 174

HSL 247.09, 0.46%, 0.47%

LAB 34.6, 36.39, -57.16

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 63 / 0 / 30 / 32

HEX #40AE79

RGB 64 174 121

HSL 151.09, 0.46%, 0.47%

LAB 63.95, -43.79, 18.19

 

CMYK 30 / 63 / 0 / 32

HEX #7940AE

RGB 121 64 174

HSL 271.09, 0.46%, 0.47%

LAB 39.22, 45.66, -49.46

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 45 / 0 / 63 / 32

HEX #5FAE40

RGB 95 174 64

HSL 103.09, 0.46%, 0.47%

LAB 64.22, -44.57, 47.66

 

CMYK 63 / 32 / 0 / 32

HEX #4076AE

RGB 64 118 174

HSL 210.55, 0.46%, 0.47%

LAB 48.39, -0.13, -35.14

 

CMYK 18 / 63 / 0 / 32

HEX #8F40AE

RGB 143 64 174

HSL 283.09, 0.46%, 0.47%

LAB 42.1, 50.9, -44.69

 

CMYK 0 / 30 / 63 / 32

HEX #AE7940

RGB 174 121 64

HSL 31.09, 0.46%, 0.47%

LAB 55.12, 14.75, 38.96

 

CMYK 63 / 0 / 62 / 32

HEX #40AE42

RGB 64 174 66

HSL 121.09, 0.46%, 0.47%

LAB 63.14, -52.75, 45.25

 

CMYK 63 / 32 / 0 / 32

HEX #4076AE

RGB 64 118 174

HSL 210.55, 0.46%, 0.47%

LAB 48.39, -0.13, -35.14

 

CMYK 0 / 63 / 1 / 32

HEX #AE40AD

RGB 174 64 173

HSL 300.55, 0.46%, 0.47%

LAB 46.56, 58.37, -36.74

 

Description

Color code: HEX #AE7940 | qconv.com Color code: HEX #AE7940 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 121 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 121 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 63 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 63% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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