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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE7E79 it is the complementary color #518186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE7E79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE7E79 shade: #B37E74, #C49087, #D5A29A, #E6B4AD and #F7C6C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE7E79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE7E79 shade: #AE7E79, #9D6C66, #8C5A53, #7B4840 and #6A362D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE7E79 shade: #AE7E79 and #AE7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE7E79 shade: #AE7E79, #AE8C79, #AE9B79, #AEA979 and #A5AE79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE7E79 shade matches the following richer shades: #AE7E79, #C07067, #D16256, #E25345 and #F34533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE7E79 shade: #AE7E79, #9D8C8A, #8C9A9B, #7AA8AD and #69B6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE7E79 shade: #AE7991, #AE7982, #AE7D79, #AE8B79 and #AE9A79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE7E79 shade: #85554F, #9F655F, #AE7E79, #BE9692 and #CDAFAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE7E79 shade: #AE7E79, #9FAE79 and #798AAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE7E79 shade: #AE7E79, #79AE7D and #7D79AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE7E79 shade: #AE7E79, #9FAE79, #79AAAE and #8879AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE7E79 shade: #AE7E79, #8FAE79, #79AAAE and #9879AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

Complementary color

CMYK 40 / 4 / 0 / 47

HEX #518186

RGB 81 129 134

HSL 185.66, 0.25%, 0.42%

LAB 50.89, -14.86, -7.85

 

CMYK 0 / 30 / 35 / 30

HEX #B37E74

RGB 179 126 116

HSL 9.52, 0.29%, 0.58%

LAB 57.81, 19.23, 13.66

 

CMYK 0 / 27 / 31 / 23

HEX #C49087

RGB 196 144 135

HSL 8.85, 0.34%, 0.65%

LAB 64.51, 18.43, 12.51

 

CMYK 0 / 24 / 28 / 16

HEX #D5A29A

RGB 213 162 154

HSL 8.14, 0.41%, 0.72%

LAB 71.09, 17.72, 11.47

 

CMYK 0 / 22 / 25 / 10

HEX #E6B4AD

RGB 230 180 173

HSL 7.37, 0.53%, 0.79%

LAB 77.57, 17.09, 10.51

 

CMYK 0 / 20 / 22 / 3

HEX #F7C6C0

RGB 247 198 192

HSL 6.55, 0.77%, 0.86%

LAB 83.95, 16.52, 9.62

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 0 / 31 / 35 / 38

HEX #9D6C66

RGB 157 108 102

HSL 6.55, 0.22%, 0.51%

LAB 50.51, 18.73, 11.23

 

CMYK 0 / 36 / 41 / 45

HEX #8C5A53

RGB 140 90 83

HSL 7.37, 0.26%, 0.44%

LAB 43.53, 19.69, 12.55

 

CMYK 0 / 41 / 48 / 52

HEX #7B4840

RGB 123 72 64

HSL 8.14, 0.32%, 0.37%

LAB 36.4, 20.81, 14.11

 

CMYK 0 / 49 / 58 / 58

HEX #6A362D

RGB 106 54 45

HSL 8.85, 0.4%, 0.3%

LAB 29.14, 22.13, 16.03

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 0 / 30 / 30 / 32

HEX #AE7979

RGB 174 121 121

HSL 0, 0.25%, 0.58%

LAB 56.14, 20.72, 8.34

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 0 / 20 / 30 / 32

HEX #AE8C79

RGB 174 140 121

HSL 21.51, 0.25%, 0.58%

LAB 60.9, 10.04, 15.02

 

CMYK 0 / 11 / 30 / 32

HEX #AE9B79

RGB 174 155 121

HSL 38.49, 0.25%, 0.58%

LAB 64.82, 1.73, 20.41

 

CMYK 0 / 3 / 30 / 32

HEX #AEA979

RGB 174 169 121

HSL 54.34, 0.25%, 0.58%

LAB 68.57, -5.84, 25.48

 

CMYK 5 / 0 / 30 / 32

HEX #A5AE79

RGB 165 174 121

HSL 70.19, 0.25%, 0.58%

LAB 69.22, -12.03, 26.21

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 0 / 42 / 46 / 25

HEX #C07067

RGB 192 112 103

HSL 6.07, 0.41%, 0.58%

LAB 55.86, 30.61, 18.71

 

CMYK 0 / 53 / 59 / 18

HEX #D16256

RGB 209 98 86

HSL 5.85, 0.57%, 0.58%

LAB 55.03, 42.89, 27.85

 

CMYK 0 / 63 / 69 / 11

HEX #E25345

RGB 226 83 69

HSL 5.35, 0.73%, 0.58%

LAB 54.85, 54.8, 37.85

 

CMYK 0 / 72 / 79 / 5

HEX #F34533

RGB 243 69 51

HSL 5.63, 0.89%, 0.58%

LAB 55.63, 64.95, 49.19

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 0 / 11 / 12 / 38

HEX #9D8C8A

RGB 157 140 138

HSL 6.32, 0.09%, 0.58%

LAB 59.67, 6.01, 3.38

 

CMYK 10 / 1 / 0 / 39

HEX #8C9A9B

RGB 140 154 155

HSL 184, 0.07%, 0.58%

LAB 62.55, -4.76, -2.23

 

CMYK 29 / 3 / 0 / 32

HEX #7AA8AD

RGB 122 168 173

HSL 185.88, 0.24%, 0.58%

LAB 65.87, -14.1, -7.55

 

CMYK 45 / 4 / 0 / 25

HEX #69B6BE

RGB 105 182 190

HSL 185.65, 0.4%, 0.58%

LAB 69.6, -21.66, -11.5

 

CMYK 0 / 30 / 17 / 32

HEX #AE7991

RGB 174 121 145

HSL 332.83, 0.25%, 0.58%

LAB 56.8, 24.37, -4.64

 

CMYK 0 / 30 / 25 / 32

HEX #AE7982

RGB 174 121 130

HSL 349.81, 0.25%, 0.58%

LAB 56.37, 22.02, 3.44

 

CMYK 0 / 28 / 30 / 32

HEX #AE7D79

RGB 174 125 121

HSL 4.53, 0.25%, 0.58%

LAB 57.12, 18.47, 9.72

 

CMYK 0 / 20 / 30 / 32

HEX #AE8B79

RGB 174 139 121

HSL 20.38, 0.25%, 0.58%

LAB 60.64, 10.6, 14.66

 

CMYK 0 / 11 / 30 / 32

HEX #AE9A79

RGB 174 154 121

HSL 37.36, 0.25%, 0.58%

LAB 64.56, 2.28, 20.05

 

CMYK 0 / 36 / 41 / 48

HEX #85554F

RGB 133 85 79

HSL 6.67, 0.25%, 0.42%

LAB 41.29, 19.18, 11.76

 

CMYK 0 / 36 / 40 / 38

HEX #9F655F

RGB 159 101 95

HSL 5.62, 0.25%, 0.5%

LAB 48.89, 22.66, 13.15

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 0 / 21 / 23 / 25

HEX #BE9692

RGB 190 150 146

HSL 5.45, 0.25%, 0.66%

LAB 65.62, 14.35, 7.82

 

CMYK 0 / 15 / 16 / 20

HEX #CDAFAC

RGB 205 175 172

HSL 5.45, 0.25%, 0.74%

LAB 73.94, 10.35, 5.55

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 9 / 0 / 30 / 32

HEX #9FAE79

RGB 159 174 121

HSL 76.98, 0.25%, 0.58%

LAB 68.77, -14.37, 25.53

 

CMYK 30 / 21 / 0 / 32

HEX #798AAE

RGB 121 138 174

HSL 220.75, 0.25%, 0.58%

LAB 57.36, 2.47, -20.96

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 30 / 0 / 28 / 32

HEX #79AE7D

RGB 121 174 125

HSL 124.53, 0.25%, 0.58%

LAB 66.38, -27.53, 19.72

 

CMYK 28 / 30 / 0 / 32

HEX #7D79AE

RGB 125 121 174

HSL 244.53, 0.25%, 0.58%

LAB 53.05, 13.66, -27.58

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 9 / 0 / 30 / 32

HEX #9FAE79

RGB 159 174 121

HSL 76.98, 0.25%, 0.58%

LAB 68.77, -14.37, 25.53

 

CMYK 30 / 2 / 0 / 32

HEX #79AAAE

RGB 121 170 174

HSL 184.53, 0.25%, 0.58%

LAB 66.42, -15.21, -7.3

 

CMYK 22 / 30 / 0 / 32

HEX #8879AE

RGB 136 121 174

HSL 256.98, 0.25%, 0.58%

LAB 53.99, 17.09, -26.05

 

CMYK 0 / 28 / 30 / 32

HEX #AE7E79

RGB 174 126 121

HSL 5.66, 0.25%, 0.58%

LAB 57.37, 17.9, 10.07

 

CMYK 18 / 0 / 30 / 32

HEX #8FAE79

RGB 143 174 121

HSL 95.09, 0.25%, 0.58%

LAB 67.64, -20.43, 23.82

 

CMYK 30 / 2 / 0 / 32

HEX #79AAAE

RGB 121 170 174

HSL 184.53, 0.25%, 0.58%

LAB 66.42, -15.21, -7.3

 

CMYK 13 / 30 / 0 / 32

HEX #9879AE

RGB 152 121 174

HSL 275.09, 0.25%, 0.58%

LAB 55.49, 22.27, -23.61

 

Description

Color code: HEX #AE7E79 | qconv.com Color code: HEX #AE7E79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 126 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 126 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 30 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 30% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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