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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE7F98 it is the complementary color #518067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE7F98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE7F98 shade: #B37F93, #C491A6, #D5A3B9, #E6B5CC and #F7C7DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE7F98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE7F98 shade: #AE7F98, #9D6D85, #8C5B72, #7B495F and #6A374C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE7F98 shade: #AD7F97, #AD7F8B and #AD7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE7F98 shade: #AD7F97, #AD7FA4, #AA7FAD, #9D7FAD and #917FAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE7F98 shade matches the following richer shades: #AD7F97, #BE6E98, #CF5D9A, #E04C9B and #F13B9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE7F98 shade: #AD7F97, #9C9096, #8BA195, #7AB294 and #69C393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE7F98 shade: #AA7FAD, #AD7FA4, #AD7F97, #AD7F8B and #AD7F7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE7F98 shade: #85556E, #9D6683, #AD7F97, #BD98AC and #CDB1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE7F98 shade: #AE7F98, #AD9E7F and #7FAAAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE7F98 shade: #AE7F98, #97AD7F and #7F97AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE7F98 shade: #AE7F98, #AD9E7F, #7FAD94 and #7F8EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE7F98 shade: #AE7F98, #ADAB7F, #7FAD94 and #7F80AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 13 / 32

HEX #AE7F98

RGB 174 127 152

HSL 328.09, 0.22%, 0.59%

LAB 58.46, 22.17, -6.23

 

Complementary color

CMYK 37 / 0 / 20 / 50

HEX #518067

RGB 81 128 103

HSL 148.09, 0.22%, 0.41%

LAB 49.7, -21.91, 8.57

 

CMYK 0 / 29 / 18 / 30

HEX #B37F93

RGB 179 127 147

HSL 336.92, 0.25%, 0.6%

LAB 58.85, 23.18, -2.7

 

CMYK 0 / 26 / 15 / 23

HEX #C491A6

RGB 196 145 166

HSL 335.29, 0.3%, 0.67%

LAB 65.55, 22.5, -3.46

 

CMYK 0 / 23 / 13 / 16

HEX #D5A3B9

RGB 213 163 185

HSL 333.6, 0.37%, 0.74%

LAB 72.12, 21.88, -4.16

 

CMYK 0 / 21 / 11 / 10

HEX #E6B5CC

RGB 230 181 204

HSL 331.84, 0.49%, 0.81%

LAB 78.6, 21.31, -4.81

 

CMYK 0 / 19 / 10 / 3

HEX #F7C7DF

RGB 247 199 223

HSL 330, 0.75%, 0.87%

LAB 84.97, 20.79, -5.43

 

CMYK 0 / 27 / 13 / 32

HEX #AE7F98

RGB 174 127 152

HSL 328.09, 0.22%, 0.59%

LAB 58.46, 22.17, -6.23

 

CMYK 0 / 31 / 15 / 38

HEX #9D6D85

RGB 157 109 133

HSL 330, 0.2%, 0.52%

LAB 51.61, 22.88, -5.52

 

CMYK 0 / 35 / 19 / 45

HEX #8C5B72

RGB 140 91 114

HSL 331.84, 0.21%, 0.45%

LAB 44.62, 23.66, -4.73

 

CMYK 0 / 41 / 23 / 52

HEX #7B495F

RGB 123 73 95

HSL 333.6, 0.26%, 0.38%

LAB 37.49, 24.52, -3.82

 

CMYK 0 / 48 / 28 / 58

HEX #6A374C

RGB 106 55 76

HSL 335.29, 0.32%, 0.32%

LAB 30.2, 25.45, -2.7

 

CMYK 0 / 27 / 13 / 32

HEX #AD7F97

RGB 173 127 151

HSL 328.7, 0.22%, 0.59%

LAB 58.32, 21.63, -5.87

 

CMYK 0 / 27 / 20 / 32

HEX #AD7F8B

RGB 173 127 139

HSL 344.35, 0.22%, 0.59%

LAB 57.97, 19.64, 0.53

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 27 / 13 / 32

HEX #AD7F97

RGB 173 127 151

HSL 328.7, 0.22%, 0.59%

LAB 58.32, 21.63, -5.87

 

CMYK 0 / 27 / 5 / 32

HEX #AD7FA4

RGB 173 127 164

HSL 311.74, 0.22%, 0.59%

LAB 58.74, 23.96, -12.72

 

CMYK 2 / 27 / 0 / 32

HEX #AA7FAD

RGB 170 127 173

HSL 296.09, 0.22%, 0.59%

LAB 58.73, 24.65, -17.91

 

CMYK 9 / 27 / 0 / 32

HEX #9D7FAD

RGB 157 127 173

HSL 279.13, 0.22%, 0.59%

LAB 57.43, 20.25, -20.02

 

CMYK 16 / 27 / 0 / 32

HEX #917FAD

RGB 145 127 173

HSL 263.48, 0.22%, 0.59%

LAB 56.3, 16.26, -21.84

 

CMYK 0 / 27 / 13 / 32

HEX #AD7F97

RGB 173 127 151

HSL 328.7, 0.22%, 0.59%

LAB 58.32, 21.63, -5.87

 

CMYK 0 / 42 / 20 / 25

HEX #BE6E98

RGB 190 110 152

HSL 328.5, 0.38%, 0.59%

LAB 56.45, 37.27, -9.01

 

CMYK 0 / 55 / 26 / 19

HEX #CF5D9A

RGB 207 93 154

HSL 327.89, 0.54%, 0.59%

LAB 55.51, 51.78, -11.35

 

CMYK 0 / 66 / 31 / 12

HEX #E04C9B

RGB 224 76 155

HSL 327.97, 0.7%, 0.59%

LAB 55.46, 64.27, -11.74

 

CMYK 0 / 76 / 35 / 5

HEX #F13B9C

RGB 241 59 156

HSL 328.02, 0.87%, 0.59%

LAB 56.32, 74.61, -10.76

 

CMYK 0 / 27 / 13 / 32

HEX #AD7F97

RGB 173 127 151

HSL 328.7, 0.22%, 0.59%

LAB 58.32, 21.63, -5.87

 

CMYK 0 / 8 / 4 / 39

HEX #9C9096

RGB 156 144 150

HSL 330, 0.06%, 0.59%

LAB 60.97, 5.56, -1.57

 

CMYK 14 / 0 / 7 / 37

HEX #8BA195

RGB 139 161 149

HSL 147.27, 0.1%, 0.59%

LAB 64.28, -10.14, 3.65

 

CMYK 31 / 0 / 17 / 30

HEX #7AB294

RGB 122 178 148

HSL 147.86, 0.27%, 0.59%

LAB 68.11, -24.8, 9.55

 

CMYK 46 / 0 / 25 / 24

HEX #69C393

RGB 105 195 147

HSL 148, 0.43%, 0.59%

LAB 72.32, -37.98, 15.92

 

CMYK 2 / 27 / 0 / 32

HEX #AA7FAD

RGB 170 127 173

HSL 296.09, 0.22%, 0.59%

LAB 58.73, 24.65, -17.91

 

CMYK 0 / 27 / 5 / 32

HEX #AD7FA4

RGB 173 127 164

HSL 311.74, 0.22%, 0.59%

LAB 58.74, 23.96, -12.72

 

CMYK 0 / 27 / 13 / 32

HEX #AD7F97

RGB 173 127 151

HSL 328.7, 0.22%, 0.59%

LAB 58.32, 21.63, -5.87

 

CMYK 0 / 27 / 20 / 32

HEX #AD7F8B

RGB 173 127 139

HSL 344.35, 0.22%, 0.59%

LAB 57.97, 19.64, 0.53

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 36 / 17 / 48

HEX #85556E

RGB 133 85 110

HSL 328.75, 0.22%, 0.43%

LAB 42.17, 23.82, -6.03

 

CMYK 0 / 35 / 17 / 38

HEX #9D6683

RGB 157 102 131

HSL 328.36, 0.22%, 0.51%

LAB 49.87, 26.54, -6.92

 

CMYK 0 / 27 / 13 / 32

HEX #AD7F97

RGB 173 127 151

HSL 328.7, 0.22%, 0.59%

LAB 58.32, 21.63, -5.87

 

CMYK 0 / 20 / 9 / 26

HEX #BD98AC

RGB 189 152 172

HSL 327.57, 0.22%, 0.67%

LAB 66.71, 17.11, -5.18

 

CMYK 0 / 14 / 6 / 20

HEX #CDB1C0

RGB 205 177 192

HSL 327.86, 0.22%, 0.75%

LAB 74.97, 12.63, -3.89

 

CMYK 0 / 27 / 13 / 32

HEX #AE7F98

RGB 174 127 152

HSL 328.09, 0.22%, 0.59%

LAB 58.46, 22.17, -6.23

 

CMYK 0 / 9 / 27 / 32

HEX #AD9E7F

RGB 173 158 127

HSL 40.43, 0.22%, 0.59%

LAB 65.65, 0.52, 18.21

 

CMYK 27 / 2 / 0 / 32

HEX #7FAAAD

RGB 127 170 173

HSL 183.91, 0.22%, 0.59%

LAB 66.73, -13.66, -6.25

 

CMYK 0 / 27 / 13 / 32

HEX #AE7F98

RGB 174 127 152

HSL 328.09, 0.22%, 0.59%

LAB 58.46, 22.17, -6.23

 

CMYK 13 / 0 / 27 / 32

HEX #97AD7F

RGB 151 173 127

HSL 88.7, 0.22%, 0.59%

LAB 68.02, -16, 21.18

 

CMYK 27 / 13 / 0 / 32

HEX #7F97AD

RGB 127 151 173

HSL 208.7, 0.22%, 0.59%

LAB 61.36, -3.31, -14.28

 

CMYK 0 / 27 / 13 / 32

HEX #AE7F98

RGB 174 127 152

HSL 328.09, 0.22%, 0.59%

LAB 58.46, 22.17, -6.23

 

CMYK 0 / 9 / 27 / 32

HEX #AD9E7F

RGB 173 158 127

HSL 40.43, 0.22%, 0.59%

LAB 65.65, 0.52, 18.21

 

CMYK 27 / 0 / 14 / 32

HEX #7FAD94

RGB 127 173 148

HSL 147.39, 0.22%, 0.59%

LAB 66.93, -20.68, 7.91

 

CMYK 27 / 18 / 0 / 32

HEX #7F8EAD

RGB 127 142 173

HSL 220.43, 0.22%, 0.59%

LAB 58.86, 1.78, -18.07

 

CMYK 0 / 27 / 13 / 32

HEX #AE7F98

RGB 174 127 152

HSL 328.09, 0.22%, 0.59%

LAB 58.46, 22.17, -6.23

 

CMYK 0 / 1 / 27 / 32

HEX #ADAB7F

RGB 173 171 127

HSL 57.39, 0.22%, 0.59%

LAB 69.14, -6.48, 22.98

 

CMYK 27 / 0 / 14 / 32

HEX #7FAD94

RGB 127 173 148

HSL 147.39, 0.22%, 0.59%

LAB 66.93, -20.68, 7.91

 

CMYK 27 / 26 / 0 / 32

HEX #7F80AD

RGB 127 128 173

HSL 238.7, 0.22%, 0.59%

LAB 55.04, 9.89, -23.91

 

Description

Color code: HEX #AE7F98 | qconv.com Color code: HEX #AE7F98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 127 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 127 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 13 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 13% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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