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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE8379 it is the complementary color #517C86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE8379. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE8379 shade: #B38374, #C49587, #D5A79A, #E6B9AD and #F7CBC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE8379. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE8379 shade: #AE8379, #9D7166, #8C5F53, #7B4D40 and #6A3B2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE8379 shade: #AE8379 and #AE7979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE8379 shade: #AE8379, #AE9179, #AEA079, #AEAE79 and #A0AE79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE8379 shade matches the following richer shades: #AE8379, #C07867, #D16D56, #E26245 and #F35833

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE8379 shade: #AE8379, #9D8E8A, #8C989B, #7AA3AD and #69AEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE8379 shade: #AE798B, #AE797D, #AE8279, #AE9179 and #AE9F79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE8379 shade: #855A4F, #9F6B5F, #AE8379, #BE9B92 and #CDB2AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE8379 shade: #AE8379, #9AAE79 and #7984AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE8379 shade: #AE8379, #79AE82 and #8279AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE8379 shade: #AE8379, #9AAE79, #79A4AE and #8D79AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE8379 shade: #AE8379, #8AAE79, #79A4AE and #9D79AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

Complementary color

CMYK 40 / 7 / 0 / 47

HEX #517C86

RGB 81 124 134

HSL 191.32, 0.25%, 0.42%

LAB 49.36, -12.09, -10.14

 

CMYK 0 / 27 / 35 / 30

HEX #B38374

RGB 179 131 116

HSL 14.29, 0.29%, 0.58%

LAB 59.05, 16.43, 15.37

 

CMYK 0 / 24 / 31 / 23

HEX #C49587

RGB 196 149 135

HSL 13.77, 0.34%, 0.65%

LAB 65.73, 15.67, 14.23

 

CMYK 0 / 22 / 28 / 16

HEX #D5A79A

RGB 213 167 154

HSL 13.22, 0.41%, 0.72%

LAB 72.31, 15.01, 13.19

 

CMYK 0 / 20 / 25 / 10

HEX #E6B9AD

RGB 230 185 173

HSL 12.63, 0.53%, 0.79%

LAB 78.77, 14.43, 12.22

 

CMYK 0 / 18 / 22 / 3

HEX #F7CBC0

RGB 247 203 192

HSL 12, 0.77%, 0.86%

LAB 85.15, 13.9, 11.32

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 0 / 28 / 35 / 38

HEX #9D7166

RGB 157 113 102

HSL 12, 0.22%, 0.51%

LAB 51.77, 15.86, 12.98

 

CMYK 0 / 32 / 41 / 45

HEX #8C5F53

RGB 140 95 83

HSL 12.63, 0.26%, 0.44%

LAB 44.78, 16.77, 14.28

 

CMYK 0 / 37 / 48 / 52

HEX #7B4D40

RGB 123 77 64

HSL 13.22, 0.32%, 0.37%

LAB 37.64, 17.85, 15.79

 

CMYK 0 / 44 / 58 / 58

HEX #6A3B2D

RGB 106 59 45

HSL 13.77, 0.4%, 0.3%

LAB 30.36, 19.15, 17.61

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 0 / 30 / 30 / 32

HEX #AE7979

RGB 174 121 121

HSL 0, 0.25%, 0.58%

LAB 56.14, 20.72, 8.34

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 0 / 17 / 30 / 32

HEX #AE9179

RGB 174 145 121

HSL 27.17, 0.25%, 0.58%

LAB 62.19, 7.25, 16.81

 

CMYK 0 / 8 / 30 / 32

HEX #AEA079

RGB 174 160 121

HSL 44.15, 0.25%, 0.58%

LAB 66.15, -1, 22.22

 

CMYK 0 / 0 / 30 / 32

HEX #AEAE79

RGB 174 174 121

HSL 60, 0.25%, 0.58%

LAB 69.93, -8.48, 27.28

 

CMYK 8 / 0 / 30 / 32

HEX #A0AE79

RGB 160 174 121

HSL 75.85, 0.25%, 0.58%

LAB 68.84, -13.98, 25.64

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 0 / 38 / 46 / 25

HEX #C07867

RGB 192 120 103

HSL 11.46, 0.41%, 0.58%

LAB 57.67, 26.26, 21.16

 

CMYK 0 / 48 / 59 / 18

HEX #D16D56

RGB 209 109 86

HSL 11.22, 0.57%, 0.58%

LAB 57.24, 37.32, 30.65

 

CMYK 0 / 57 / 69 / 11

HEX #E26245

RGB 226 98 69

HSL 11.08, 0.73%, 0.58%

LAB 57.4, 48.07, 40.81

 

CMYK 0 / 64 / 79 / 5

HEX #F35833

RGB 243 88 51

HSL 11.56, 0.89%, 0.58%

LAB 58.3, 57.7, 51.82

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 0 / 10 / 12 / 38

HEX #9D8E8A

RGB 157 142 138

HSL 12.63, 0.09%, 0.58%

LAB 60.2, 4.88, 4.15

 

CMYK 10 / 2 / 0 / 39

HEX #8C989B

RGB 140 152 155

HSL 192, 0.07%, 0.58%

LAB 62, -3.66, -3.05

 

CMYK 29 / 6 / 0 / 32

HEX #7AA3AD

RGB 122 163 173

HSL 191.76, 0.24%, 0.58%

LAB 64.44, -11.43, -9.68

 

CMYK 45 / 8 / 0 / 25

HEX #69AEBE

RGB 105 174 190

HSL 191.29, 0.4%, 0.58%

LAB 67.27, -17.53, -14.99

 

CMYK 0 / 30 / 20 / 32

HEX #AE798B

RGB 174 121 139

HSL 339.62, 0.25%, 0.58%

LAB 56.62, 23.4, -1.42

 

CMYK 0 / 30 / 28 / 32

HEX #AE797D

RGB 174 121 125

HSL 355.47, 0.25%, 0.58%

LAB 56.24, 21.28, 6.16

 

CMYK 0 / 25 / 30 / 32

HEX #AE8279

RGB 174 130 121

HSL 10.19, 0.25%, 0.58%

LAB 58.36, 15.65, 11.47

 

CMYK 0 / 17 / 30 / 32

HEX #AE9179

RGB 174 145 121

HSL 27.17, 0.25%, 0.58%

LAB 62.19, 7.25, 16.81

 

CMYK 0 / 9 / 30 / 32

HEX #AE9F79

RGB 174 159 121

HSL 43.02, 0.25%, 0.58%

LAB 65.89, -0.45, 21.86

 

CMYK 0 / 32 / 41 / 48

HEX #855A4F

RGB 133 90 79

HSL 12.22, 0.25%, 0.42%

LAB 42.56, 16.23, 13.51

 

CMYK 0 / 33 / 40 / 38

HEX #9F6B5F

RGB 159 107 95

HSL 11.25, 0.25%, 0.5%

LAB 50.35, 19.24, 15.16

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 0 / 18 / 23 / 25

HEX #BE9B92

RGB 190 155 146

HSL 12.27, 0.25%, 0.66%

LAB 66.87, 11.6, 9.61

 

CMYK 0 / 13 / 16 / 20

HEX #CDB2AC

RGB 205 178 172

HSL 10.91, 0.25%, 0.74%

LAB 74.7, 8.73, 6.63

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 11 / 0 / 30 / 32

HEX #9AAE79

RGB 154 174 121

HSL 82.64, 0.25%, 0.58%

LAB 68.4, -16.29, 24.98

 

CMYK 30 / 24 / 0 / 32

HEX #7984AE

RGB 121 132 174

HSL 227.55, 0.25%, 0.58%

LAB 55.71, 5.96, -23.5

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 30 / 0 / 25 / 32

HEX #79AE82

RGB 121 174 130

HSL 130.19, 0.25%, 0.58%

LAB 66.48, -26.63, 17.13

 

CMYK 25 / 30 / 0 / 32

HEX #8279AE

RGB 130 121 174

HSL 250.19, 0.25%, 0.58%

LAB 53.47, 15.21, -26.9

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 11 / 0 / 30 / 32

HEX #9AAE79

RGB 154 174 121

HSL 82.64, 0.25%, 0.58%

LAB 68.4, -16.29, 24.98

 

CMYK 30 / 6 / 0 / 32

HEX #79A4AE

RGB 121 164 174

HSL 191.32, 0.25%, 0.58%

LAB 64.7, -12.02, -9.86

 

CMYK 19 / 30 / 0 / 32

HEX #8D79AE

RGB 141 121 174

HSL 262.64, 0.25%, 0.58%

LAB 54.44, 18.69, -25.31

 

CMYK 0 / 25 / 30 / 32

HEX #AE8379

RGB 174 131 121

HSL 11.32, 0.25%, 0.58%

LAB 58.61, 15.09, 11.83

 

CMYK 21 / 0 / 30 / 32

HEX #8AAE79

RGB 138 174 121

HSL 100.75, 0.25%, 0.58%

LAB 67.32, -22.26, 23.33

 

CMYK 30 / 6 / 0 / 32

HEX #79A4AE

RGB 121 164 174

HSL 191.32, 0.25%, 0.58%

LAB 64.7, -12.02, -9.86

 

CMYK 10 / 30 / 0 / 32

HEX #9D79AE

RGB 157 121 174

HSL 280.75, 0.25%, 0.58%

LAB 55.99, 23.91, -22.8

 

Description

Color code: HEX #AE8379 | qconv.com Color code: HEX #AE8379 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 131 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 131 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 30 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 30% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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