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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE8E45 it is the complementary color #5171BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE8E45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE8E45 shade: #B38E40, #C4A053, #D5B266, #E6C479 and #F7D68C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE8E45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE8E45 shade: #AE8E45, #9D7C32, #8C6A1F, #7B580C and #6A4600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE8E45 shade: #AF8E45, #AF7245, #AF5645 and #AF4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE8E45 shade: #AF8E45, #AFAB45, #96AF45, #79AF45 and #5DAF45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE8E45 shade matches the following richer shades: #AF8E45, #C29631, #D69E1E and #EAA60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE8E45 shade: #AF8E45, #9B8759, #877F6D, #737781 and #5F7094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE8E45 shade: #AF5545, #AF7145, #AF8D45, #AFA945 and #98AF45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE8E45 shade: #745E2E, #91763A, #AF8E45, #BFA15E and #CAB27C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE8E45 shade: #AE8E45, #52AF45 and #6345AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE8E45 shade: #AE8E45, #45AF8D and #8D45AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE8E45 shade: #AE8E45, #52AF45, #4567AF and #A245AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE8E45 shade: #AE8E45, #45AF59, #4567AF and #AF459B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 60 / 32

HEX #AE8E45

RGB 174 142 69

HSL 41.71, 0.43%, 0.48%

LAB 60.58, 3.4, 42.72

 

Complementary color

CMYK 56 / 39 / 0 / 27

HEX #5171BA

RGB 81 113 186

HSL 221.71, 0.43%, 0.52%

LAB 48.39, 10.44, -42.03

 

CMYK 0 / 21 / 64 / 30

HEX #B38E40

RGB 179 142 64

HSL 40.7, 0.47%, 0.48%

LAB 61.05, 5.24, 45.82

 

CMYK 0 / 18 / 58 / 23

HEX #C4A053

RGB 196 160 83

HSL 40.88, 0.49%, 0.55%

LAB 67.65, 4.18, 44.55

 

CMYK 0 / 16 / 52 / 16

HEX #D5B266

RGB 213 178 102

HSL 41.08, 0.57%, 0.62%

LAB 74.16, 3.28, 43.25

 

CMYK 0 / 15 / 47 / 10

HEX #E6C479

RGB 230 196 121

HSL 41.28, 0.69%, 0.69%

LAB 80.56, 2.51, 41.96

 

CMYK 0 / 13 / 43 / 3

HEX #F7D68C

RGB 247 214 140

HSL 41.5, 0.87%, 0.76%

LAB 86.88, 1.85, 40.72

 

CMYK 0 / 18 / 60 / 32

HEX #AE8E45

RGB 174 142 69

HSL 41.71, 0.43%, 0.48%

LAB 60.58, 3.4, 42.72

 

CMYK 0 / 21 / 68 / 38

HEX #9D7C32

RGB 157 124 50

HSL 41.5, 0.52%, 0.41%

LAB 53.83, 4.55, 43.93

 

CMYK 0 / 24 / 78 / 45

HEX #8C6A1F

RGB 140 106 31

HSL 41.28, 0.64%, 0.34%

LAB 46.95, 5.97, 44.79

 

CMYK 0 / 28 / 90 / 52

HEX #7B580C

RGB 123 88 12

HSL 41.08, 0.82%, 0.26%

LAB 39.94, 7.76, 44.62

 

CMYK 0 / 34 / 100 / 58

HEX #6A4600

RGB 106 70 0

HSL 39.62, 1%, 0.21%

LAB 32.8, 10, 42.14

 

CMYK 0 / 19 / 61 / 31

HEX #AF8E45

RGB 175 142 69

HSL 41.32, 0.43%, 0.48%

LAB 60.68, 3.84, 42.86

 

CMYK 0 / 35 / 61 / 31

HEX #AF7245

RGB 175 114 69

HSL 25.47, 0.43%, 0.48%

LAB 53.58, 19.48, 34.52

 

CMYK 0 / 51 / 61 / 31

HEX #AF5645

RGB 175 86 69

HSL 9.62, 0.43%, 0.48%

LAB 47.23, 34.81, 26.7

 

CMYK 0 / 61 / 61 / 31

HEX #AF4545

RGB 175 69 69

HSL 0, 0.43%, 0.48%

LAB 43.94, 43.32, 22.5

 

CMYK 0 / 19 / 61 / 31

HEX #AF8E45

RGB 175 142 69

HSL 41.32, 0.43%, 0.48%

LAB 60.68, 3.84, 42.86

 

CMYK 0 / 2 / 61 / 31

HEX #AFAB45

RGB 175 171 69

HSL 57.74, 0.43%, 0.48%

LAB 68.51, -11.73, 51.62

 

CMYK 14 / 0 / 61 / 31

HEX #96AF45

RGB 150 175 69

HSL 74.15, 0.43%, 0.48%

LAB 67.71, -24.26, 50.18

 

CMYK 31 / 0 / 61 / 31

HEX #79AF45

RGB 121 175 69

HSL 90.57, 0.43%, 0.48%

LAB 65.87, -35.59, 47.62

 

CMYK 47 / 0 / 61 / 31

HEX #5DAF45

RGB 93 175 69

HSL 106.42, 0.43%, 0.48%

LAB 64.5, -45.09, 45.7

 

CMYK 0 / 19 / 61 / 31

HEX #AF8E45

RGB 175 142 69

HSL 41.32, 0.43%, 0.48%

LAB 60.68, 3.84, 42.86

 

CMYK 0 / 23 / 75 / 24

HEX #C29631

RGB 194 150 49

HSL 41.79, 0.6%, 0.48%

LAB 64.57, 6.65, 56.58

 

CMYK 0 / 26 / 86 / 16

HEX #D69E1E

RGB 214 158 30

HSL 41.74, 0.75%, 0.48%

LAB 68.64, 10.48, 67.33

 

CMYK 0 / 29 / 96 / 8

HEX #EAA60A

RGB 234 166 10

HSL 41.79, 0.92%, 0.48%

LAB 72.75, 14.58, 75.17

 

CMYK 0 / 19 / 61 / 31

HEX #AF8E45

RGB 175 142 69

HSL 41.32, 0.43%, 0.48%

LAB 60.68, 3.84, 42.86

 

CMYK 0 / 13 / 43 / 39

HEX #9B8759

RGB 155 135 89

HSL 41.82, 0.27%, 0.48%

LAB 57.09, 0.91, 27.5

 

CMYK 0 / 6 / 19 / 47

HEX #877F6D

RGB 135 127 109

HSL 41.54, 0.11%, 0.48%

LAB 53.42, -0.15, 10.88

 

CMYK 11 / 8 / 0 / 49

HEX #737781

RGB 115 119 129

HSL 222.86, 0.06%, 0.48%

LAB 50.01, 0.64, -5.99

 

CMYK 36 / 24 / 0 / 42

HEX #5F7094

RGB 95 112 148

HSL 220.75, 0.22%, 0.48%

LAB 47.18, 2.92, -21.64

 

CMYK 0 / 51 / 61 / 31

HEX #AF5545

RGB 175 85 69

HSL 9.06, 0.43%, 0.48%

LAB 47.03, 35.33, 26.44

 

CMYK 0 / 35 / 61 / 31

HEX #AF7145

RGB 175 113 69

HSL 24.91, 0.43%, 0.48%

LAB 53.33, 20.04, 34.23

 

CMYK 0 / 19 / 61 / 31

HEX #AF8D45

RGB 175 141 69

HSL 40.75, 0.43%, 0.48%

LAB 60.42, 4.39, 42.56

 

CMYK 0 / 3 / 61 / 31

HEX #AFA945

RGB 175 169 69

HSL 56.6, 0.43%, 0.48%

LAB 67.96, -10.69, 51.01

 

CMYK 13 / 0 / 61 / 31

HEX #98AF45

RGB 152 175 69

HSL 73.02, 0.43%, 0.48%

LAB 67.85, -23.44, 50.38

 

CMYK 0 / 19 / 60 / 55

HEX #745E2E

RGB 116 94 46

HSL 41.14, 0.43%, 0.32%

LAB 41.08, 2.67, 30.48

 

CMYK 0 / 19 / 60 / 43

HEX #91763A

RGB 145 118 58

HSL 41.38, 0.43%, 0.4%

LAB 51.02, 3.08, 36.48

 

CMYK 0 / 19 / 61 / 31

HEX #AF8E45

RGB 175 142 69

HSL 41.32, 0.43%, 0.48%

LAB 60.68, 3.84, 42.86

 

CMYK 0 / 16 / 51 / 25

HEX #BFA15E

RGB 191 161 94

HSL 41.44, 0.43%, 0.56%

LAB 67.56, 2.44, 38.76

 

CMYK 0 / 12 / 39 / 21

HEX #CAB27C

RGB 202 178 124

HSL 41.54, 0.42%, 0.64%

LAB 73.45, 0.98, 30.78

 

CMYK 0 / 18 / 60 / 32

HEX #AE8E45

RGB 174 142 69

HSL 41.71, 0.43%, 0.48%

LAB 60.58, 3.4, 42.72

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 43 / 61 / 0 / 31

HEX #6345AF

RGB 99 69 175

HSL 256.98, 0.43%, 0.48%

LAB 37.85, 38.16, -52.39

 

CMYK 0 / 18 / 60 / 32

HEX #AE8E45

RGB 174 142 69

HSL 41.71, 0.43%, 0.48%

LAB 60.58, 3.4, 42.72

 

CMYK 61 / 0 / 19 / 31

HEX #45AF8D

RGB 69 175 141

HSL 160.75, 0.43%, 0.48%

LAB 64.84, -38.73, 8.46

 

CMYK 19 / 61 / 0 / 31

HEX #8D45AF

RGB 141 69 175

HSL 280.75, 0.43%, 0.48%

LAB 42.78, 48.17, -44.2

 

CMYK 0 / 18 / 60 / 32

HEX #AE8E45

RGB 174 142 69

HSL 41.71, 0.43%, 0.48%

LAB 60.58, 3.4, 42.72

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 61 / 41 / 0 / 31

HEX #4567AF

RGB 69 103 175

HSL 220.75, 0.43%, 0.48%

LAB 44.32, 10.46, -42.14

 

CMYK 7 / 61 / 0 / 31

HEX #A245AF

RGB 162 69 175

HSL 292.64, 0.43%, 0.48%

LAB 45.68, 53.5, -39.42

 

CMYK 0 / 18 / 60 / 32

HEX #AE8E45

RGB 174 142 69

HSL 41.71, 0.43%, 0.48%

LAB 60.58, 3.4, 42.72

 

CMYK 61 / 0 / 49 / 31

HEX #45AF59

RGB 69 175 89

HSL 131.32, 0.43%, 0.48%

LAB 63.87, -48.95, 35.07

 

CMYK 61 / 41 / 0 / 31

HEX #4567AF

RGB 69 103 175

HSL 220.75, 0.43%, 0.48%

LAB 44.32, 10.46, -42.14

 

CMYK 0 / 61 / 11 / 31

HEX #AF459B

RGB 175 69 155

HSL 311.32, 0.43%, 0.48%

LAB 46.63, 53.48, -25.95

 

Description

Color code: HEX #AE8E45 | qconv.com Color code: HEX #AE8E45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 142 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 142 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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