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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE8F31 it is the complementary color #5170CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE8F31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE8F31 shade: #B38F2C, #C4A13F, #D5B352, #E6C565 and #F7D778

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE8F31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE8F31 shade: #AE8F31, #9D7D1E, #8C6B0B, #7B5900 and #6A4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE8F31 shade: #AF8F31, #AF6D31, #AF4C31 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE8F31 shade: #AF8F31, #ACAF31, #8AAF31, #68AF31 and #46AF31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE8F31 shade matches the following richer shades: #AF8F31, #C1991F and #D3A20D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE8F31 shade: #AF8F31, #9C8643, #8A7D55, #787467 and #666B79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE8F31 shade: #AF4C31, #AF6E31, #AF8F31, #ACAF31 and #8BAF31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE8F31 shade: #6E5A1F, #8E7528, #AF8F31, #C9A740 and #D2B660

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE8F31 shade: #AE8F31, #37AF31 and #5D31AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE8F31 shade: #AE8F31, #31AF8F and #8F31AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE8F31 shade: #AE8F31, #37AF31, #3150AF and #A831AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE8F31 shade: #AE8F31, #31AF50, #3150AF and #AF318F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 72 / 32

HEX #AE8F31

RGB 174 143 49

HSL 45.12, 0.56%, 0.44%

LAB 60.66, 1.59, 52.02

 

Complementary color

CMYK 61 / 46 / 0 / 19

HEX #5170CE

RGB 81 112 206

HSL 225.12, 0.56%, 0.56%

LAB 49.25, 17.78, -52.16

 

CMYK 0 / 20 / 75 / 30

HEX #B38F2C

RGB 179 143 44

HSL 44, 0.61%, 0.44%

LAB 61.14, 3.58, 54.69

 

CMYK 0 / 18 / 68 / 23

HEX #C4A13F

RGB 196 161 63

HSL 44.21, 0.53%, 0.51%

LAB 67.71, 2.29, 53.98

 

CMYK 0 / 16 / 62 / 16

HEX #D5B352

RGB 213 179 82

HSL 44.43, 0.61%, 0.58%

LAB 74.19, 1.2, 52.95

 

CMYK 0 / 14 / 56 / 10

HEX #E6C565

RGB 230 197 101

HSL 44.65, 0.72%, 0.65%

LAB 80.57, 0.28, 51.77

 

CMYK 0 / 13 / 51 / 3

HEX #F7D778

RGB 247 215 120

HSL 44.88, 0.89%, 0.72%

LAB 86.86, -0.51, 50.55

 

CMYK 0 / 18 / 72 / 32

HEX #AE8F31

RGB 174 143 49

HSL 45.12, 0.56%, 0.44%

LAB 60.66, 1.59, 52.02

 

CMYK 0 / 20 / 81 / 38

HEX #9D7D1E

RGB 157 125 30

HSL 44.88, 0.68%, 0.37%

LAB 53.95, 3.01, 52.34

 

CMYK 0 / 24 / 92 / 45

HEX #8C6B0B

RGB 140 107 11

HSL 44.65, 0.85%, 0.3%

LAB 47.13, 4.75, 51.42

 

CMYK 0 / 28 / 100 / 52

HEX #7B5900

RGB 123 89 0

HSL 43.41, 1%, 0.24%

LAB 40.17, 6.89, 48.14

 

CMYK 0 / 33 / 100 / 58

HEX #6A4700

RGB 106 71 0

HSL 40.19, 1%, 0.21%

LAB 33.07, 9.39, 42.32

 

CMYK 0 / 18 / 72 / 31

HEX #AF8F31

RGB 175 143 49

HSL 44.76, 0.56%, 0.44%

LAB 60.76, 2.03, 52.15

 

CMYK 0 / 38 / 72 / 31

HEX #AF6D31

RGB 175 109 49

HSL 28.57, 0.56%, 0.44%

LAB 52.14, 20.99, 43.25

 

CMYK 0 / 57 / 72 / 31

HEX #AF4C31

RGB 175 76 49

HSL 12.86, 0.56%, 0.44%

LAB 44.95, 38.69, 35.39

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 0 / 18 / 72 / 31

HEX #AF8F31

RGB 175 143 49

HSL 44.76, 0.56%, 0.44%

LAB 60.76, 2.03, 52.15

 

CMYK 2 / 0 / 72 / 31

HEX #ACAF31

RGB 172 175 49

HSL 61.43, 0.56%, 0.44%

LAB 69.22, -16.27, 60.38

 

CMYK 21 / 0 / 72 / 31

HEX #8AAF31

RGB 138 175 49

HSL 77.62, 0.56%, 0.44%

LAB 66.74, -30.54, 57.11

 

CMYK 41 / 0 / 72 / 31

HEX #68AF31

RGB 104 175 49

HSL 93.81, 0.56%, 0.44%

LAB 64.82, -43.28, 54.56

 

CMYK 60 / 0 / 72 / 31

HEX #46AF31

RGB 70 175 49

HSL 110, 0.56%, 0.44%

LAB 63.49, -53.35, 52.78

 

CMYK 0 / 18 / 72 / 31

HEX #AF8F31

RGB 175 143 49

HSL 44.76, 0.56%, 0.44%

LAB 60.76, 2.03, 52.15

 

CMYK 0 / 21 / 84 / 24

HEX #C1991F

RGB 193 153 31

HSL 45.19, 0.72%, 0.44%

LAB 65.14, 3.92, 63.24

 

CMYK 0 / 23 / 94 / 17

HEX #D3A20D

RGB 211 162 13

HSL 45.15, 0.88%, 0.44%

LAB 69.27, 6.71, 71.13

 

CMYK 0 / 18 / 72 / 31

HEX #AF8F31

RGB 175 143 49

HSL 44.76, 0.56%, 0.44%

LAB 60.76, 2.03, 52.15

 

CMYK 0 / 14 / 57 / 39

HEX #9C8643

RGB 156 134 67

HSL 45.17, 0.4%, 0.44%

LAB 56.61, -0.27, 38.66

 

CMYK 0 / 9 / 38 / 46

HEX #8A7D55

RGB 138 125 85

HSL 45.28, 0.24%, 0.44%

LAB 52.65, -1.23, 23.63

 

CMYK 0 / 3 / 14 / 53

HEX #787467

RGB 120 116 103

HSL 45.88, 0.08%, 0.44%

LAB 48.84, -0.89, 7.73

 

CMYK 16 / 12 / 0 / 53

HEX #666B79

RGB 102 107 121

HSL 224.21, 0.09%, 0.44%

LAB 45.25, 1.23, -8.43

 

CMYK 0 / 57 / 72 / 31

HEX #AF4C31

RGB 175 76 49

HSL 12.86, 0.56%, 0.44%

LAB 44.95, 38.69, 35.39

 

CMYK 0 / 37 / 72 / 31

HEX #AF6E31

RGB 175 110 49

HSL 29.05, 0.56%, 0.44%

LAB 52.38, 20.43, 43.5

 

CMYK 0 / 18 / 72 / 31

HEX #AF8F31

RGB 175 143 49

HSL 44.76, 0.56%, 0.44%

LAB 60.76, 2.03, 52.15

 

CMYK 2 / 0 / 72 / 31

HEX #ACAF31

RGB 172 175 49

HSL 61.43, 0.56%, 0.44%

LAB 69.22, -16.27, 60.38

 

CMYK 21 / 0 / 72 / 31

HEX #8BAF31

RGB 139 175 49

HSL 77.14, 0.56%, 0.44%

LAB 66.8, -30.13, 57.19

 

CMYK 0 / 18 / 72 / 57

HEX #6E5A1F

RGB 110 90 31

HSL 44.81, 0.56%, 0.28%

LAB 39.12, 1.07, 35.84

 

CMYK 0 / 18 / 72 / 44

HEX #8E7528

RGB 142 117 40

HSL 45.29, 0.56%, 0.36%

LAB 50.25, 1.05, 44.26

 

CMYK 0 / 18 / 72 / 31

HEX #AF8F31

RGB 175 143 49

HSL 44.76, 0.56%, 0.44%

LAB 60.76, 2.03, 52.15

 

CMYK 0 / 17 / 68 / 21

HEX #C9A740

RGB 201 167 64

HSL 45.11, 0.56%, 0.52%

LAB 69.77, 1.31, 55.86

 

CMYK 0 / 13 / 54 / 18

HEX #D2B660

RGB 210 182 96

HSL 45.26, 0.56%, 0.6%

LAB 74.83, -0.59, 46.96

 

CMYK 0 / 18 / 72 / 32

HEX #AE8F31

RGB 174 143 49

HSL 45.12, 0.56%, 0.44%

LAB 60.66, 1.59, 52.02

 

CMYK 69 / 0 / 72 / 31

HEX #37AF31

RGB 55 175 49

HSL 117.14, 0.56%, 0.44%

LAB 63.09, -56.67, 52.24

 

CMYK 47 / 72 / 0 / 31

HEX #5D31AF

RGB 93 49 175

HSL 260.95, 0.56%, 0.44%

LAB 33.18, 47.94, -60.02

 

CMYK 0 / 18 / 72 / 32

HEX #AE8F31

RGB 174 143 49

HSL 45.12, 0.56%, 0.44%

LAB 60.66, 1.59, 52.02

 

CMYK 72 / 0 / 18 / 31

HEX #31AF8F

RGB 49 175 143

HSL 164.76, 0.56%, 0.44%

LAB 64.4, -41.64, 6.66

 

CMYK 18 / 72 / 0 / 31

HEX #8F31AF

RGB 143 49 175

HSL 284.76, 0.56%, 0.44%

LAB 39.8, 57.68, -48.97

 

CMYK 0 / 18 / 72 / 32

HEX #AE8F31

RGB 174 143 49

HSL 45.12, 0.56%, 0.44%

LAB 60.66, 1.59, 52.02

 

CMYK 69 / 0 / 72 / 31

HEX #37AF31

RGB 55 175 49

HSL 117.14, 0.56%, 0.44%

LAB 63.09, -56.67, 52.24

 

CMYK 72 / 54 / 0 / 31

HEX #3150AF

RGB 49 80 175

HSL 225.24, 0.56%, 0.44%

LAB 36.9, 21.92, -54.1

 

CMYK 4 / 72 / 0 / 31

HEX #A831AF

RGB 168 49 175

HSL 296.67, 0.56%, 0.44%

LAB 43.68, 63.06, -42.54

 

CMYK 0 / 18 / 72 / 32

HEX #AE8F31

RGB 174 143 49

HSL 45.12, 0.56%, 0.44%

LAB 60.66, 1.59, 52.02

 

CMYK 72 / 0 / 54 / 31

HEX #31AF50

RGB 49 175 80

HSL 134.76, 0.56%, 0.44%

LAB 63.25, -54.24, 38.68

 

CMYK 72 / 54 / 0 / 31

HEX #3150AF

RGB 49 80 175

HSL 225.24, 0.56%, 0.44%

LAB 36.9, 21.92, -54.1

 

CMYK 0 / 72 / 18 / 31

HEX #AF318F

RGB 175 49 143

HSL 315.24, 0.56%, 0.44%

LAB 43.2, 59.68, -24.04

 

Description

Color code: HEX #AE8F31 | qconv.com Color code: HEX #AE8F31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 143 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 143 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 72 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 72% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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