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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE9471 it is the complementary color #516B8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE9471. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE9471 shade: #B3946C, #C4A67F, #D5B892, #E6CAA5 and #F7DCB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE9471. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE9471 shade: #AE9471, #9D825E, #8C704B, #7B5E38 and #6A4C25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE9471 shade: #AD9370, #AD8270, #AD7270 and #AD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE9471 shade: #AD9370, #ADA370, #A6AD70, #95AD70 and #85AD70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE9471 shade matches the following richer shades: #AD9370, #BF955E, #D1984C, #E39B3A and #F59D27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE9471 shade: #AD9370, #9A9082, #888D94, #768BA6 and #6488B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE9471 shade: #AD7270, #AD8270, #AD9270, #ADA270 and #A7AD70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE9471 shade: #80694A, #9B7F59, #AD9370, #BCA78A and #CBBAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE9471 shade: #AE9471, #7EAD70 and #7A70AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE9471 shade: #AE9471, #70AD92 and #9270AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE9471 shade: #AE9471, #7EAD70, #708AAD and #9E70AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE9471 shade: #AE9471, #70AD74, #708AAD and #AD70A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 35 / 32

HEX #AE9471

RGB 174 148 113

HSL 34.43, 0.27%, 0.56%

LAB 62.82, 4.53, 22.13

 

Complementary color

CMYK 43 / 25 / 0 / 44

HEX #516B8E

RGB 81 107 142

HSL 214.43, 0.27%, 0.44%

LAB 44.54, 0.13, -22.22

 

CMYK 0 / 17 / 40 / 30

HEX #B3946C

RGB 179 148 108

HSL 33.8, 0.32%, 0.56%

LAB 63.22, 5.98, 25.5

 

CMYK 0 / 15 / 35 / 23

HEX #C4A67F

RGB 196 166 127

HSL 33.91, 0.37%, 0.63%

LAB 69.85, 5.36, 24.29

 

CMYK 0 / 14 / 31 / 16

HEX #D5B892

RGB 213 184 146

HSL 34.03, 0.44%, 0.7%

LAB 76.38, 4.83, 23.16

 

CMYK 0 / 12 / 28 / 10

HEX #E6CAA5

RGB 230 202 165

HSL 34.15, 0.57%, 0.77%

LAB 82.8, 4.37, 22.11

 

CMYK 0 / 11 / 26 / 3

HEX #F7DCB8

RGB 247 220 184

HSL 34.29, 0.8%, 0.85%

LAB 89.12, 3.95, 21.11

 

CMYK 0 / 15 / 35 / 32

HEX #AE9471

RGB 174 148 113

HSL 34.43, 0.27%, 0.56%

LAB 62.82, 4.53, 22.13

 

CMYK 0 / 17 / 40 / 38

HEX #9D825E

RGB 157 130 94

HSL 34.29, 0.25%, 0.49%

LAB 56.03, 5.15, 23.36

 

CMYK 0 / 20 / 46 / 45

HEX #8C704B

RGB 140 112 75

HSL 34.15, 0.3%, 0.42%

LAB 49.1, 5.9, 24.71

 

CMYK 0 / 24 / 54 / 52

HEX #7B5E38

RGB 123 94 56

HSL 34.03, 0.37%, 0.35%

LAB 42, 6.84, 26.18

 

CMYK 0 / 28 / 65 / 58

HEX #6A4C25

RGB 106 76 37

HSL 33.91, 0.48%, 0.28%

LAB 34.74, 8.04, 27.76

 

CMYK 0 / 15 / 35 / 32

HEX #AD9370

RGB 173 147 112

HSL 34.43, 0.27%, 0.56%

LAB 62.44, 4.55, 22.15

 

CMYK 0 / 25 / 35 / 32

HEX #AD8270

RGB 173 130 112

HSL 17.7, 0.27%, 0.56%

LAB 58.06, 14.05, 16.18

 

CMYK 0 / 34 / 35 / 32

HEX #AD7270

RGB 173 114 112

HSL 1.97, 0.27%, 0.56%

LAB 54.12, 23.06, 10.7

 

CMYK 0 / 35 / 35 / 32

HEX #AD7070

RGB 173 112 112

HSL 0, 0.27%, 0.56%

LAB 53.65, 24.18, 10.03

 

CMYK 0 / 15 / 35 / 32

HEX #AD9370

RGB 173 147 112

HSL 34.43, 0.27%, 0.56%

LAB 62.44, 4.55, 22.15

 

CMYK 0 / 6 / 35 / 32

HEX #ADA370

RGB 173 163 112

HSL 50.16, 0.27%, 0.56%

LAB 66.71, -4.18, 27.84

 

CMYK 4 / 0 / 35 / 32

HEX #A6AD70

RGB 166 173 112

HSL 66.89, 0.27%, 0.56%

LAB 68.87, -12.3, 30.56

 

CMYK 14 / 0 / 35 / 32

HEX #95AD70

RGB 149 173 112

HSL 83.61, 0.27%, 0.56%

LAB 67.61, -18.97, 28.67

 

CMYK 23 / 0 / 35 / 32

HEX #85AD70

RGB 133 173 112

HSL 99.34, 0.27%, 0.56%

LAB 66.55, -24.97, 27.08

 

CMYK 0 / 15 / 35 / 32

HEX #AD9370

RGB 173 147 112

HSL 34.43, 0.27%, 0.56%

LAB 62.44, 4.55, 22.15

 

CMYK 0 / 22 / 51 / 25

HEX #BF955E

RGB 191 149 94

HSL 34.02, 0.43%, 0.56%

LAB 64.47, 8.98, 34.92

 

CMYK 0 / 27 / 64 / 18

HEX #D1984C

RGB 209 152 76

HSL 34.29, 0.59%, 0.56%

LAB 66.93, 13.56, 47.51

 

CMYK 0 / 32 / 74 / 11

HEX #E39B3A

RGB 227 155 58

HSL 34.44, 0.75%, 0.56%

LAB 69.53, 18.62, 59.03

 

CMYK 0 / 36 / 84 / 4

HEX #F59D27

RGB 245 157 39

HSL 34.37, 0.91%, 0.56%

LAB 72.01, 24.49, 69

 

CMYK 0 / 15 / 35 / 32

HEX #AD9370

RGB 173 147 112

HSL 34.43, 0.27%, 0.56%

LAB 62.44, 4.55, 22.15

 

CMYK 0 / 6 / 16 / 40

HEX #9A9082

RGB 154 144 130

HSL 35, 0.11%, 0.56%

LAB 60.27, 1.25, 8.77

 

CMYK 8 / 5 / 0 / 42

HEX #888D94

RGB 136 141 148

HSL 215, 0.05%, 0.56%

LAB 58.44, -0.38, -4.35

 

CMYK 29 / 16 / 0 / 35

HEX #768BA6

RGB 118 139 166

HSL 213.75, 0.21%, 0.56%

LAB 57.14, -1.07, -16.74

 

CMYK 46 / 26 / 0 / 27

HEX #6488B9

RGB 100 136 185

HSL 214.59, 0.38%, 0.56%

LAB 55.91, 0.8, -29.59

 

CMYK 0 / 34 / 35 / 32

HEX #AD7270

RGB 173 114 112

HSL 1.97, 0.27%, 0.56%

LAB 54.12, 23.06, 10.7

 

CMYK 0 / 25 / 35 / 32

HEX #AD8270

RGB 173 130 112

HSL 17.7, 0.27%, 0.56%

LAB 58.06, 14.05, 16.18

 

CMYK 0 / 16 / 35 / 32

HEX #AD9270

RGB 173 146 112

HSL 33.44, 0.27%, 0.56%

LAB 62.18, 5.1, 21.8

 

CMYK 0 / 6 / 35 / 32

HEX #ADA270

RGB 173 162 112

HSL 49.18, 0.27%, 0.56%

LAB 66.44, -3.64, 27.48

 

CMYK 3 / 0 / 35 / 32

HEX #A7AD70

RGB 167 173 112

HSL 65.9, 0.27%, 0.56%

LAB 68.95, -11.9, 30.67

 

CMYK 0 / 18 / 42 / 50

HEX #80694A

RGB 128 105 74

HSL 34.44, 0.27%, 0.4%

LAB 45.89, 4.57, 20.86

 

CMYK 0 / 18 / 43 / 39

HEX #9B7F59

RGB 155 127 89

HSL 34.55, 0.27%, 0.48%

LAB 54.94, 5.41, 24.69

 

CMYK 0 / 15 / 35 / 32

HEX #AD9370

RGB 173 147 112

HSL 34.43, 0.27%, 0.56%

LAB 62.44, 4.55, 22.15

 

CMYK 0 / 11 / 27 / 26

HEX #BCA78A

RGB 188 167 138

HSL 34.8, 0.27%, 0.64%

LAB 69.59, 3.1, 17.81

 

CMYK 0 / 8 / 19 / 20

HEX #CBBAA4

RGB 203 186 164

HSL 33.85, 0.27%, 0.72%

LAB 76.37, 2.46, 13.34

 

CMYK 0 / 15 / 35 / 32

HEX #AE9471

RGB 174 148 113

HSL 34.43, 0.27%, 0.56%

LAB 62.82, 4.53, 22.13

 

CMYK 27 / 0 / 35 / 32

HEX #7EAD70

RGB 126 173 112

HSL 106.23, 0.27%, 0.56%

LAB 66.13, -27.48, 26.45

 

CMYK 29 / 35 / 0 / 32

HEX #7A70AD

RGB 122 112 173

HSL 249.84, 0.27%, 0.56%

LAB 50.39, 17.86, -31.16

 

CMYK 0 / 15 / 35 / 32

HEX #AE9471

RGB 174 148 113

HSL 34.43, 0.27%, 0.56%

LAB 62.82, 4.53, 22.13

 

CMYK 35 / 0 / 16 / 32

HEX #70AD92

RGB 112 173 146

HSL 153.44, 0.27%, 0.56%

LAB 66.06, -25.8, 7.67

 

CMYK 16 / 35 / 0 / 32

HEX #9270AD

RGB 146 112 173

HSL 273.44, 0.27%, 0.56%

LAB 52.64, 25.32, -27.49

 

CMYK 0 / 15 / 35 / 32

HEX #AE9471

RGB 174 148 113

HSL 34.43, 0.27%, 0.56%

LAB 62.82, 4.53, 22.13

 

CMYK 27 / 0 / 35 / 32

HEX #7EAD70

RGB 126 173 112

HSL 106.23, 0.27%, 0.56%

LAB 66.13, -27.48, 26.45

 

CMYK 35 / 20 / 0 / 32

HEX #708AAD

RGB 112 138 173

HSL 214.43, 0.27%, 0.56%

LAB 56.72, -0.47, -21.42

 

CMYK 9 / 35 / 0 / 32

HEX #9E70AD

RGB 158 112 173

HSL 285.25, 0.27%, 0.56%

LAB 53.89, 29.18, -25.44

 

CMYK 0 / 15 / 35 / 32

HEX #AE9471

RGB 174 148 113

HSL 34.43, 0.27%, 0.56%

LAB 62.82, 4.53, 22.13

 

CMYK 35 / 0 / 33 / 32

HEX #70AD74

RGB 112 173 116

HSL 123.93, 0.27%, 0.56%

LAB 65.43, -31.58, 23.23

 

CMYK 35 / 20 / 0 / 32

HEX #708AAD

RGB 112 138 173

HSL 214.43, 0.27%, 0.56%

LAB 56.72, -0.47, -21.42

 

CMYK 0 / 35 / 2 / 32

HEX #AD70A9

RGB 173 112 169

HSL 303.93, 0.27%, 0.56%

LAB 55.42, 33.31, -20.64

 

Description

Color code: HEX #AE9471 | qconv.com Color code: HEX #AE9471 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 148 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 148 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 35 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 35% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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