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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE9493 it is the complementary color #516B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE9493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE9493 shade: #B3948E, #C4A6A1, #D5B8B4, #E6CAC7 and #F7DCDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE9493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE9493 shade: #AE9493, #9D8280, #8C706D, #7B5E5A and #6A4C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE9493 shade: #AD9493 and #AD9393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE9493 shade: #AD9493, #AD9B93, #ADA293, #ADA993 and #AAAD93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE9493 shade matches the following richer shades: #AD9493, #BD8684, #CC7874, #DB6A65 and #EA5B56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE9493 shade: #AD9493, #9EA2A2, #8FB0B1, #80BEC1 and #70CCD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE9493 shade: #AD93A0, #AD9399, #AD9493, #AD9B93 and #ADA293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE9493 shade: #886766, #9C7D7B, #AD9493, #BFABAA and #D1C3C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE9493 shade: #AE9493, #A7AD93 and #939DAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE9493 shade: #AE9493, #93AD94 and #9493AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE9493 shade: #AE9493, #A7AD93, #93ACAD and #9993AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE9493 shade: #AE9493, #9FAD93, #93ACAD and #A193AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 32

HEX #AE9493

RGB 174 148 147

HSL 2.22, 0.14%, 0.63%

LAB 63.58, 9.52, 4.12

 

Complementary color

CMYK 25 / 1 / 0 / 58

HEX #516B6C

RGB 81 107 108

HSL 182.22, 0.14%, 0.37%

LAB 43.28, -9.25, -3.69

 

CMYK 0 / 17 / 21 / 30

HEX #B3948E

RGB 179 148 142

HSL 9.73, 0.2%, 0.63%

LAB 63.93, 10.63, 7.51

 

CMYK 0 / 15 / 18 / 23

HEX #C4A6A1

RGB 196 166 161

HSL 8.57, 0.23%, 0.7%

LAB 70.58, 10.15, 6.65

 

CMYK 0 / 14 / 15 / 16

HEX #D5B8B4

RGB 213 184 180

HSL 7.27, 0.28%, 0.77%

LAB 77.11, 9.72, 5.85

 

CMYK 0 / 12 / 13 / 10

HEX #E6CAC7

RGB 230 202 199

HSL 5.81, 0.38%, 0.84%

LAB 83.54, 9.33, 5.1

 

CMYK 0 / 11 / 12 / 3

HEX #F7DCDA

RGB 247 220 218

HSL 4.14, 0.64%, 0.91%

LAB 89.87, 8.98, 4.37

 

CMYK 0 / 15 / 16 / 32

HEX #AE9493

RGB 174 148 147

HSL 2.22, 0.14%, 0.63%

LAB 63.58, 9.52, 4.12

 

CMYK 0 / 17 / 18 / 38

HEX #9D8280

RGB 157 130 128

HSL 4.14, 0.13%, 0.56%

LAB 56.77, 9.99, 4.95

 

CMYK 0 / 20 / 22 / 45

HEX #8C706D

RGB 140 112 109

HSL 5.81, 0.12%, 0.49%

LAB 49.82, 10.53, 5.84

 

CMYK 0 / 24 / 27 / 52

HEX #7B5E5A

RGB 123 94 90

HSL 7.27, 0.15%, 0.42%

LAB 42.69, 11.17, 6.84

 

CMYK 0 / 28 / 33 / 58

HEX #6A4C47

RGB 106 76 71

HSL 8.57, 0.2%, 0.35%

LAB 35.38, 11.93, 7.97

 

CMYK 0 / 14 / 15 / 32

HEX #AD9493

RGB 173 148 147

HSL 2.31, 0.14%, 0.63%

LAB 63.48, 9.14, 3.97

 

CMYK 0 / 15 / 15 / 32

HEX #AD9393

RGB 173 147 147

HSL 0, 0.14%, 0.63%

LAB 63.23, 9.7, 3.6

 

CMYK 0 / 14 / 15 / 32

HEX #AD9493

RGB 173 148 147

HSL 2.31, 0.14%, 0.63%

LAB 63.48, 9.14, 3.97

 

CMYK 0 / 10 / 15 / 32

HEX #AD9B93

RGB 173 155 147

HSL 18.46, 0.14%, 0.63%

LAB 65.31, 5.25, 6.59

 

CMYK 0 / 6 / 15 / 32

HEX #ADA293

RGB 173 162 147

HSL 34.62, 0.14%, 0.63%

LAB 67.15, 1.4, 9.23

 

CMYK 0 / 2 / 15 / 32

HEX #ADA993

RGB 173 169 147

HSL 50.77, 0.14%, 0.63%

LAB 69.02, -2.4, 11.87

 

CMYK 2 / 0 / 15 / 32

HEX #AAAD93

RGB 170 173 147

HSL 66.92, 0.14%, 0.63%

LAB 69.85, -5.67, 13.02

 

CMYK 0 / 14 / 15 / 32

HEX #AD9493

RGB 173 148 147

HSL 2.31, 0.14%, 0.63%

LAB 63.48, 9.14, 3.97

 

CMYK 0 / 29 / 30 / 26

HEX #BD8684

RGB 189 134 132

HSL 2.11, 0.3%, 0.63%

LAB 61.25, 20.83, 9.5

 

CMYK 0 / 41 / 43 / 20

HEX #CC7874

RGB 204 120 116

HSL 2.73, 0.46%, 0.63%

LAB 59.46, 32.33, 16.41

 

CMYK 0 / 52 / 54 / 14

HEX #DB6A65

RGB 219 106 101

HSL 2.54, 0.62%, 0.63%

LAB 58.33, 43.77, 23.82

 

CMYK 0 / 61 / 63 / 8

HEX #EA5B56

RGB 234 91 86

HSL 2.03, 0.78%, 0.63%

LAB 57.7, 54.99, 32.04

 

CMYK 0 / 14 / 15 / 32

HEX #AD9493

RGB 173 148 147

HSL 2.31, 0.14%, 0.63%

LAB 63.48, 9.14, 3.97

 

CMYK 2 / 0 / 0 / 36

HEX #9EA2A2

RGB 158 162 162

HSL 180, 0.02%, 0.63%

LAB 66.3, -1.42, -0.51

HEX #9EA2A2

CMYK 19 / 1 / 0 / 31

HEX #8FB0B1

RGB 143 176 177

HSL 181.76, 0.18%, 0.63%

LAB 69.52, -10.94, -4.24

HEX #8FB0B1

CMYK 34 / 2 / 0 / 24

HEX #80BEC1

RGB 128 190 193

HSL 182.77, 0.34%, 0.63%

LAB 73.07, -19.02, -7.85

HEX #80BEC1

CMYK 46 / 2 / 0 / 18

HEX #70CCD0

RGB 112 204 208

HSL 182.5, 0.51%, 0.63%

LAB 76.79, -26.33, -10.52

HEX #70CCD0

CMYK 0 / 15 / 8 / 32

HEX #AD93A0

RGB 173 147 160

HSL 330, 0.14%, 0.63%

LAB 63.58, 11.96, -3.23

 

CMYK 0 / 15 / 12 / 32

HEX #AD9399

RGB 173 147 153

HSL 346.15, 0.14%, 0.63%

LAB 63.39, 10.72, 0.44

 

CMYK 0 / 14 / 15 / 32

HEX #AD9493

RGB 173 148 147

HSL 2.31, 0.14%, 0.63%

LAB 63.48, 9.14, 3.97

 

CMYK 0 / 10 / 15 / 32

HEX #AD9B93

RGB 173 155 147

HSL 18.46, 0.14%, 0.63%

LAB 65.31, 5.25, 6.59

 

CMYK 0 / 6 / 15 / 32

HEX #ADA293

RGB 173 162 147

HSL 34.62, 0.14%, 0.63%

LAB 67.15, 1.4, 9.23

 

CMYK 0 / 24 / 25 / 47

HEX #886766

RGB 136 103 102

HSL 1.76, 0.14%, 0.47%

LAB 46.84, 13.07, 5.69

 

CMYK 0 / 20 / 21 / 39

HEX #9C7D7B

RGB 156 125 123

HSL 3.64, 0.14%, 0.55%

LAB 55.24, 11.65, 5.63

 

CMYK 0 / 14 / 15 / 32

HEX #AD9493

RGB 173 148 147

HSL 2.31, 0.14%, 0.63%

LAB 63.48, 9.14, 3.97

 

CMYK 0 / 10 / 11 / 25

HEX #BFABAA

RGB 191 171 170

HSL 2.86, 0.14%, 0.71%

LAB 71.63, 7.04, 3.14

 

CMYK 0 / 7 / 7 / 18

HEX #D1C3C2

RGB 209 195 194

HSL 4, 0.14%, 0.79%

LAB 79.89, 4.73, 2.26

 

CMYK 0 / 15 / 16 / 32

HEX #AE9493

RGB 174 148 147

HSL 2.22, 0.14%, 0.63%

LAB 63.58, 9.52, 4.12

 

CMYK 3 / 0 / 15 / 32

HEX #A7AD93

RGB 167 173 147

HSL 73.85, 0.14%, 0.63%

LAB 69.62, -6.79, 12.65

 

CMYK 15 / 9 / 0 / 32

HEX #939DAD

RGB 147 157 173

HSL 216.92, 0.14%, 0.63%

LAB 64.43, -0.18, -9.53

 

CMYK 0 / 15 / 16 / 32

HEX #AE9493

RGB 174 148 147

HSL 2.22, 0.14%, 0.63%

LAB 63.58, 9.52, 4.12

 

CMYK 15 / 0 / 14 / 32

HEX #93AD94

RGB 147 173 148

HSL 122.31, 0.14%, 0.63%

LAB 68.19, -13.89, 9.88

 

CMYK 14 / 15 / 0 / 32

HEX #9493AD

RGB 148 147 173

HSL 242.31, 0.14%, 0.63%

LAB 61.81, 5.76, -13.45

 

CMYK 0 / 15 / 16 / 32

HEX #AE9493

RGB 174 148 147

HSL 2.22, 0.14%, 0.63%

LAB 63.58, 9.52, 4.12

 

CMYK 3 / 0 / 15 / 32

HEX #A7AD93

RGB 167 173 147

HSL 73.85, 0.14%, 0.63%

LAB 69.62, -6.79, 12.65

 

CMYK 15 / 1 / 0 / 32

HEX #93ACAD

RGB 147 172 173

HSL 182.31, 0.14%, 0.63%

LAB 68.55, -8.37, -3.42

 

CMYK 12 / 15 / 0 / 32

HEX #9993AD

RGB 153 147 173

HSL 253.85, 0.14%, 0.63%

LAB 62.22, 7.45, -12.8

 

CMYK 0 / 15 / 16 / 32

HEX #AE9493

RGB 174 148 147

HSL 2.22, 0.14%, 0.63%

LAB 63.58, 9.52, 4.12

 

CMYK 8 / 0 / 15 / 32

HEX #9FAD93

RGB 159 173 147

HSL 92.31, 0.14%, 0.63%

LAB 69.01, -9.75, 11.72

 

CMYK 15 / 1 / 0 / 32

HEX #93ACAD

RGB 147 172 173

HSL 182.31, 0.14%, 0.63%

LAB 68.55, -8.37, -3.42

 

CMYK 7 / 15 / 0 / 32

HEX #A193AD

RGB 161 147 173

HSL 272.31, 0.14%, 0.63%

LAB 62.9, 10.2, -11.71

 

Description

Color code: HEX #AE9493 | qconv.com Color code: HEX #AE9493 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 148 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 148 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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