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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE95C5 it is the complementary color #516A3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE95C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE95C5 shade: #B395C0, #C4A7D3, #D5B9E6, #E6CBF9 and #F7DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE95C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE95C5 shade: #AE95C5, #9D83B2, #8C719F, #7B5F8C and #6A4D79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE95C5 shade: #AE95C5, #BB95C5, #C595C2, #C595B5 and #C595A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE95C5 shade: #AE95C5, #A195C5 and #9595C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE95C5 shade matches the following richer shades: #AE95C5, #AE88D2, #AF7BDF, #B06EEC and #B060F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE95C5 shade: #AE95C5, #ADA2B7, #ADB0AA, #ACBD9D and #ACCA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE95C5 shade: #9596C5, #A195C5, #AE95C5, #BA95C5 and #C595C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE95C5 shade: #8560A7, #9A7BB6, #AE95C5, #C2B0D3 and #D7CAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE95C5 shade: #AE95C5, #C595A3 and #95C59B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE95C5 shade: #AE95C5, #C5AE95 and #95C5AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE95C5 shade: #AE95C5, #C595A3, #ACC595 and #95C5B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE95C5 shade: #AE95C5, #C59695, #ACC595 and #95C4C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

Complementary color

CMYK 24 / 0 / 45 / 58

HEX #516A3A

RGB 81 106 58

HSL 91.25, 0.29%, 0.32%

LAB 41.79, -18.59, 23.96

 

CMYK 7 / 22 / 0 / 25

HEX #B395C0

RGB 179 149 192

HSL 281.86, 0.25%, 0.67%

LAB 65.66, 19.1, -18.06

 

CMYK 7 / 21 / 0 / 17

HEX #C4A7D3

RGB 196 167 211

HSL 279.55, 0.33%, 0.74%

LAB 72.28, 18.6, -18.4

 

CMYK 7 / 20 / 0 / 10

HEX #D5B9E6

RGB 213 185 230

HSL 277.33, 0.47%, 0.81%

LAB 78.79, 18.14, -18.75

 

CMYK 8 / 18 / 0 / 2

HEX #E6CBF9

RGB 230 203 249

HSL 275.22, 0.79%, 0.89%

LAB 85.19, 17.71, -19.09

 

CMYK 3 / 13 / 0 / 0

HEX #F7DDFF

RGB 247 221 255

HSL 285.88, 1%, 0.93%

LAB 91.1, 14.85, -13.23

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 12 / 26 / 0 / 30

HEX #9D83B2

RGB 157 131 178

HSL 273.19, 0.23%, 0.61%

LAB 58.62, 19.03, -21.06

 

CMYK 12 / 29 / 0 / 38

HEX #8C719F

RGB 140 113 159

HSL 275.22, 0.19%, 0.53%

LAB 51.71, 19.62, -20.82

 

CMYK 12 / 32 / 0 / 45

HEX #7B5F8C

RGB 123 95 140

HSL 277.33, 0.19%, 0.46%

LAB 44.64, 20.28, -20.58

 

CMYK 12 / 36 / 0 / 53

HEX #6A4D79

RGB 106 77 121

HSL 279.55, 0.22%, 0.39%

LAB 37.39, 21.03, -20.36

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 5 / 24 / 0 / 23

HEX #BB95C5

RGB 187 149 197

HSL 287.5, 0.29%, 0.68%

LAB 66.59, 22.78, -19.37

 

CMYK 0 / 24 / 2 / 23

HEX #C595C2

RGB 197 149 194

HSL 303.75, 0.29%, 0.68%

LAB 67.47, 25.56, -16.26

 

CMYK 0 / 24 / 8 / 23

HEX #C595B5

RGB 197 149 181

HSL 320, 0.29%, 0.68%

LAB 67.05, 23.2, -9.63

 

CMYK 0 / 24 / 15 / 23

HEX #C595A8

RGB 197 149 168

HSL 336.25, 0.29%, 0.68%

LAB 66.67, 20.98, -2.92

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 18 / 24 / 0 / 23

HEX #A195C5

RGB 161 149 197

HSL 255, 0.29%, 0.68%

LAB 64.24, 14.28, -23.16

 

CMYK 24 / 24 / 0 / 23

HEX #9595C5

RGB 149 149 197

HSL 240, 0.29%, 0.68%

LAB 63.27, 10.51, -24.73

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 17 / 35 / 0 / 18

HEX #AE88D2

RGB 174 136 210

HSL 270.81, 0.45%, 0.68%

LAB 62.73, 28.66, -32.67

 

CMYK 22 / 45 / 0 / 13

HEX #AF7BDF

RGB 175 123 223

HSL 271.2, 0.61%, 0.68%

LAB 60.43, 39.15, -43.52

 

CMYK 25 / 53 / 0 / 7

HEX #B06EEC

RGB 176 110 236

HSL 271.43, 0.77%, 0.68%

LAB 58.45, 49.43, -53.91

 

CMYK 29 / 61 / 0 / 2

HEX #B060F9

RGB 176 96 249

HSL 271.37, 0.93%, 0.68%

LAB 56.52, 59.55, -64.23

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 5 / 11 / 0 / 28

HEX #ADA2B7

RGB 173 162 183

HSL 271.43, 0.13%, 0.68%

LAB 68.13, 7.98, -9.38

 

CMYK 2 / 0 / 3 / 31

HEX #ADB0AA

RGB 173 176 170

HSL 90, 0.04%, 0.68%

LAB 71.44, -2.18, 2.69

 

CMYK 9 / 0 / 17 / 26

HEX #ACBD9D

RGB 172 189 157

HSL 91.88, 0.2%, 0.68%

LAB 74.57, -11.7, 14.23

 

CMYK 15 / 0 / 29 / 21

HEX #ACCA90

RGB 172 202 144

HSL 91.03, 0.35%, 0.68%

LAB 77.89, -20.36, 25.74

 

CMYK 24 / 24 / 0 / 23

HEX #9596C5

RGB 149 150 197

HSL 238.75, 0.29%, 0.68%

LAB 63.54, 9.94, -24.33

 

CMYK 18 / 24 / 0 / 23

HEX #A195C5

RGB 161 149 197

HSL 255, 0.29%, 0.68%

LAB 64.24, 14.28, -23.16

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 6 / 24 / 0 / 23

HEX #BA95C5

RGB 186 149 197

HSL 286.25, 0.29%, 0.68%

LAB 66.49, 22.45, -19.52

 

CMYK 0 / 24 / 2 / 23

HEX #C595C2

RGB 197 149 194

HSL 303.75, 0.29%, 0.68%

LAB 67.47, 25.56, -16.26

 

CMYK 20 / 43 / 0 / 35

HEX #8560A7

RGB 133 96 167

HSL 271.27, 0.29%, 0.52%

LAB 47.16, 29.21, -32.62

 

CMYK 15 / 32 / 0 / 29

HEX #9A7BB6

RGB 154 123 182

HSL 271.53, 0.29%, 0.6%

LAB 56.5, 23.54, -26.63

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 8 / 17 / 0 / 17

HEX #C2B0D3

RGB 194 176 211

HSL 270.86, 0.28%, 0.76%

LAB 74.33, 13, -15.32

 

CMYK 5 / 11 / 0 / 11

HEX #D7CAE2

RGB 215 202 226

HSL 272.5, 0.29%, 0.84%

LAB 83.01, 8.89, -10.25

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 0 / 24 / 17 / 23

HEX #C595A3

RGB 197 149 163

HSL 342.5, 0.29%, 0.68%

LAB 66.53, 20.17, -0.32

 

CMYK 24 / 0 / 21 / 23

HEX #95C59B

RGB 149 197 155

HSL 127.5, 0.29%, 0.68%

LAB 75.26, -24.11, 16.05

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 0 / 12 / 24 / 23

HEX #C5AE95

RGB 197 174 149

HSL 31.25, 0.29%, 0.68%

LAB 72.44, 4.38, 15.88

 

CMYK 24 / 0 / 12 / 23

HEX #95C5AE

RGB 149 197 174

HSL 151.25, 0.29%, 0.68%

LAB 75.69, -20.5, 6.43

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 0 / 24 / 17 / 23

HEX #C595A3

RGB 197 149 163

HSL 342.5, 0.29%, 0.68%

LAB 66.53, 20.17, -0.32

 

CMYK 13 / 0 / 24 / 23

HEX #ACC595

RGB 172 197 149

HSL 91.25, 0.29%, 0.68%

LAB 76.6, -17.09, 21.34

 

CMYK 24 / 0 / 7 / 23

HEX #95C5B7

RGB 149 197 183

HSL 162.5, 0.29%, 0.68%

LAB 75.91, -18.66, 1.89

 

CMYK 12 / 24 / 0 / 23

HEX #AE95C5

RGB 174 149 197

HSL 271.25, 0.29%, 0.68%

LAB 65.38, 18.49, -21.33

 

CMYK 0 / 24 / 24 / 23

HEX #C59695

RGB 197 150 149

HSL 1.25, 0.29%, 0.68%

LAB 66.41, 17.47, 7.36

 

CMYK 13 / 0 / 24 / 23

HEX #ACC595

RGB 172 197 149

HSL 91.25, 0.29%, 0.68%

LAB 76.6, -17.09, 21.34

 

CMYK 24 / 1 / 0 / 23

HEX #95C4C5

RGB 149 196 197

HSL 181.25, 0.29%, 0.68%

LAB 76.01, -15.11, -5.54

 

Description

Color code: HEX #AE95C5 | qconv.com Color code: HEX #AE95C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 149 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 149 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 24 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 24% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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