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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE978D it is the complementary color #516872. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE978D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE978D shade: #B39788, #C4A99B, #D5BBAE, #E6CDC1 and #F7DFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE978D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE978D shade: #AE978D, #9D857A, #8C7367, #7B6154 and #6A4F41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE978D shade: #AE978D, #AE8E8D and #AE8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE978D shade: #AE978D, #AEA08D, #AEA98D, #AAAE8D and #A1AE8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE978D shade matches the following richer shades: #AE978D, #BE917D, #CD8B6E, #DD855E and #ED7E4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE978D shade: #AE978D, #9E9D9D, #8FA3AC, #7FAABC and #6FB0CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE978D shade: #AE8D95, #AE8E8D, #AE978D, #AEA08D and #AEA98D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE978D shade: #886D60, #9D8175, #AE978D, #BFADA5 and #D0C3BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE978D shade: #AE978D, #9EAE8D and #8D90AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE978D shade: #AE978D, #8DAE97 and #978DAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE978D shade: #AE978D, #9EAE8D, #8DA4AE and #9E8DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE978D shade: #AE978D, #94AE8D, #8DA4AE and #A78DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

Complementary color

CMYK 29 / 9 / 0 / 55

HEX #516872

RGB 81 104 114

HSL 198.18, 0.17%, 0.38%

LAB 42.56, -5.97, -8.4

 

CMYK 0 / 16 / 24 / 30

HEX #B39788

RGB 179 151 136

HSL 20.93, 0.22%, 0.62%

LAB 64.56, 8.05, 11.77

 

CMYK 0 / 14 / 21 / 23

HEX #C4A99B

RGB 196 169 155

HSL 20.49, 0.26%, 0.69%

LAB 71.2, 7.59, 10.84

 

CMYK 0 / 12 / 18 / 16

HEX #D5BBAE

RGB 213 187 174

HSL 20, 0.32%, 0.76%

LAB 77.72, 7.18, 9.97

 

CMYK 0 / 11 / 16 / 10

HEX #E6CDC1

RGB 230 205 193

HSL 19.46, 0.43%, 0.83%

LAB 84.14, 6.81, 9.15

 

CMYK 0 / 10 / 14 / 3

HEX #F7DFD4

RGB 247 223 212

HSL 18.86, 0.69%, 0.9%

LAB 90.46, 6.48, 8.37

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 0 / 15 / 22 / 38

HEX #9D857A

RGB 157 133 122

HSL 18.86, 0.15%, 0.55%

LAB 57.41, 7.33, 9.31

 

CMYK 0 / 18 / 26 / 45

HEX #8C7367

RGB 140 115 103

HSL 19.46, 0.15%, 0.48%

LAB 50.47, 7.85, 10.31

 

CMYK 0 / 21 / 32 / 52

HEX #7B6154

RGB 123 97 84

HSL 20, 0.19%, 0.41%

LAB 43.36, 8.47, 11.41

 

CMYK 0 / 25 / 39 / 58

HEX #6A4F41

RGB 106 79 65

HSL 20.49, 0.24%, 0.34%

LAB 36.06, 9.23, 12.67

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 0 / 18 / 19 / 32

HEX #AE8E8D

RGB 174 142 141

HSL 1.82, 0.17%, 0.62%

LAB 61.88, 11.9, 5.08

 

CMYK 0 / 19 / 19 / 32

HEX #AE8D8D

RGB 174 141 141

HSL 0, 0.17%, 0.62%

LAB 61.63, 12.46, 4.71

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 0 / 8 / 19 / 32

HEX #AEA08D

RGB 174 160 141

HSL 34.55, 0.17%, 0.62%

LAB 66.57, 1.92, 11.75

 

CMYK 0 / 3 / 19 / 32

HEX #AEA98D

RGB 174 169 141

HSL 50.91, 0.17%, 0.62%

LAB 68.97, -2.97, 15.12

 

CMYK 2 / 0 / 19 / 32

HEX #AAAE8D

RGB 170 174 141

HSL 67.27, 0.17%, 0.62%

LAB 69.99, -7.16, 16.5

 

CMYK 7 / 0 / 19 / 32

HEX #A1AE8D

RGB 161 174 141

HSL 83.64, 0.17%, 0.62%

LAB 69.31, -10.55, 15.44

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 0 / 24 / 34 / 25

HEX #BE917D

RGB 190 145 125

HSL 18.46, 0.33%, 0.62%

LAB 63.9, 14.2, 17.18

 

CMYK 0 / 32 / 46 / 20

HEX #CD8B6E

RGB 205 139 110

HSL 18.32, 0.49%, 0.62%

LAB 63.81, 21.8, 25.69

 

CMYK 0 / 40 / 57 / 13

HEX #DD855E

RGB 221 133 94

HSL 18.43, 0.65%, 0.62%

LAB 64.12, 30.04, 35.24

 

CMYK 0 / 47 / 67 / 7

HEX #ED7E4E

RGB 237 126 78

HSL 18.11, 0.82%, 0.62%

LAB 64.54, 38.91, 44.71

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 0 / 1 / 1 / 38

HEX #9E9D9D

RGB 158 157 157

HSL 0, 0.01%, 0.62%

LAB 64.82, 0.36, 0.12

 

CMYK 17 / 5 / 0 / 33

HEX #8FA3AC

RGB 143 163 172

HSL 198.62, 0.15%, 0.62%

LAB 65.76, -5.04, -7.02

 

CMYK 32 / 10 / 0 / 26

HEX #7FAABC

RGB 127 170 188

HSL 197.7, 0.31%, 0.62%

LAB 67.2, -10.03, -13.89

 

CMYK 46 / 14 / 0 / 20

HEX #6FB0CC

RGB 111 176 204

HSL 198.06, 0.48%, 0.62%

LAB 68.6, -13.3, -20.69

 

CMYK 0 / 19 / 14 / 32

HEX #AE8D95

RGB 174 141 149

HSL 345.45, 0.17%, 0.62%

LAB 61.84, 13.77, 0.47

 

CMYK 0 / 18 / 19 / 32

HEX #AE8E8D

RGB 174 142 141

HSL 1.82, 0.17%, 0.62%

LAB 61.88, 11.9, 5.08

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 0 / 8 / 19 / 32

HEX #AEA08D

RGB 174 160 141

HSL 34.55, 0.17%, 0.62%

LAB 66.57, 1.92, 11.75

 

CMYK 0 / 3 / 19 / 32

HEX #AEA98D

RGB 174 169 141

HSL 50.91, 0.17%, 0.62%

LAB 68.97, -2.97, 15.12

 

CMYK 0 / 20 / 29 / 47

HEX #886D60

RGB 136 109 96

HSL 19.5, 0.17%, 0.45%

LAB 48.28, 8.64, 11.31

 

CMYK 0 / 18 / 25 / 38

HEX #9D8175

RGB 157 129 117

HSL 18, 0.17%, 0.54%

LAB 56.24, 8.83, 10.53

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 0 / 9 / 14 / 25

HEX #BFADA5

RGB 191 173 165

HSL 18.46, 0.17%, 0.7%

LAB 72.01, 5.12, 6.45

 

CMYK 0 / 6 / 9 / 18

HEX #D0C3BD

RGB 208 195 189

HSL 18.95, 0.17%, 0.78%

LAB 79.68, 3.52, 4.64

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 9 / 0 / 19 / 32

HEX #9EAE8D

RGB 158 174 141

HSL 89.09, 0.17%, 0.62%

LAB 69.09, -11.66, 15.1

 

CMYK 19 / 17 / 0 / 32

HEX #8D90AE

RGB 141 144 174

HSL 234.55, 0.17%, 0.62%

LAB 60.49, 5.37, -16.07

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 19 / 0 / 13 / 32

HEX #8DAE97

RGB 141 174 151

HSL 138.18, 0.17%, 0.62%

LAB 68.15, -15.93, 8.11

 

CMYK 13 / 19 / 0 / 32

HEX #978DAE

RGB 151 141 174

HSL 258.18, 0.17%, 0.62%

LAB 60.5, 10.4, -15.97

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 9 / 0 / 19 / 32

HEX #9EAE8D

RGB 158 174 141

HSL 89.09, 0.17%, 0.62%

LAB 69.09, -11.66, 15.1

 

CMYK 19 / 6 / 0 / 32

HEX #8DA4AE

RGB 141 164 174

HSL 198.18, 0.17%, 0.62%

LAB 65.96, -5.79, -7.86

 

CMYK 9 / 19 / 0 / 32

HEX #9E8DAE

RGB 158 141 174

HSL 270.91, 0.17%, 0.62%

LAB 61.11, 12.78, -14.99

 

CMYK 0 / 13 / 19 / 32

HEX #AE978D

RGB 174 151 141

HSL 18.18, 0.17%, 0.62%

LAB 64.21, 6.88, 8.4

 

CMYK 15 / 0 / 19 / 32

HEX #94AE8D

RGB 148 174 141

HSL 107.27, 0.17%, 0.62%

LAB 68.38, -15.31, 14.01

 

CMYK 19 / 6 / 0 / 32

HEX #8DA4AE

RGB 141 164 174

HSL 198.18, 0.17%, 0.62%

LAB 65.96, -5.79, -7.86

 

CMYK 4 / 19 / 0 / 32

HEX #A78DAE

RGB 167 141 174

HSL 287.27, 0.17%, 0.62%

LAB 61.93, 15.87, -13.67

 

Description

Color code: HEX #AE978D | qconv.com Color code: HEX #AE978D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 151 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 151 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 19 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 19% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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