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Color name
HEX #AE9C37

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AE9C37 it is the complementary color #5163C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AE9C37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AE9C37 shade: #B39C32, #C4AE45, #D5C058, #E6D26B and #F7E47E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AE9C37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AE9C37 shade: #AE9C37, #9D8A24, #8C7811, #7B6600 and #6A5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AE9C37 shade: #AE9C37, #AE7C37, #AE5B37, #AE3B37 and #AE3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AE9C37 shade: #AE9C37, #A0AE37, #80AE37, #5FAE37 and #3FAE37

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AE9C37 shade matches the following richer shades: #AE9C37, #C0A924 and #D3B611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AE9C37 shade: #AE9C37, #9B8F49, #89825C, #76756E and #646881

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AE9C37 shade: #AE5A37, #AE7A37, #AE9A37, #A2AE37 and #82AE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AE9C37 shade: #6F6423, #8F802D, #AE9C37, #C5B249 and #CFBF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AE9C37 shade: #AE9C37, #37AE3B and #6A37AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AE9C37 shade: #AE9C37, #37AE9A and #9A37AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AE9C37 shade: #AE9C37, #37AE3B, #374AAE and #AE37AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AE9C37 shade: #AE9C37, #37AE5E, #374AAE and #AE3786

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

Complementary color

CMYK 60 / 51 / 0 / 22

HEX #5163C8

RGB 81 99 200

HSL 230.92, 0.52%, 0.55%

LAB 45.42, 23.88, -54.86

 

CMYK 0 / 13 / 72 / 30

HEX #B39C32

RGB 179 156 50

HSL 49.3, 0.56%, 0.45%

LAB 64.64, -3.2, 55.74

 

CMYK 0 / 11 / 65 / 23

HEX #C4AE45

RGB 196 174 69

HSL 49.61, 0.52%, 0.52%

LAB 71.17, -4.27, 55.03

 

CMYK 0 / 10 / 59 / 16

HEX #D5C058

RGB 213 192 88

HSL 49.92, 0.6%, 0.59%

LAB 77.61, -5.17, 54.03

 

CMYK 0 / 9 / 53 / 10

HEX #E6D26B

RGB 230 210 107

HSL 50.24, 0.71%, 0.66%

LAB 83.95, -5.93, 52.91

 

CMYK 0 / 8 / 49 / 3

HEX #F7E47E

RGB 247 228 126

HSL 50.58, 0.88%, 0.73%

LAB 90.21, -6.57, 51.73

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 0 / 12 / 77 / 38

HEX #9D8A24

RGB 157 138 36

HSL 50.58, 0.63%, 0.38%

LAB 57.53, -3.97, 53.5

 

CMYK 0 / 14 / 88 / 45

HEX #8C7811

RGB 140 120 17

HSL 50.24, 0.78%, 0.31%

LAB 50.74, -2.52, 52.86

 

CMYK 0 / 17 / 100 / 52

HEX #7B6600

RGB 123 102 0

HSL 49.76, 1%, 0.24%

LAB 43.82, -0.76, 50.67

 

CMYK 0 / 21 / 100 / 58

HEX #6A5400

RGB 106 84 0

HSL 47.55, 1%, 0.21%

LAB 36.75, 1.48, 44.83

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 0 / 29 / 68 / 32

HEX #AE7C37

RGB 174 124 55

HSL 34.79, 0.52%, 0.45%

LAB 55.78, 12.48, 44.2

 

CMYK 0 / 48 / 68 / 32

HEX #AE5B37

RGB 174 91 55

HSL 18.15, 0.52%, 0.45%

LAB 47.95, 30.81, 35.47

 

CMYK 0 / 66 / 68 / 32

HEX #AE3B37

RGB 174 59 55

HSL 2.02, 0.52%, 0.45%

LAB 41.85, 46.6, 28.26

 

CMYK 0 / 68 / 68 / 32

HEX #AE3737

RGB 174 55 55

HSL 0, 0.52%, 0.45%

LAB 41.23, 48.28, 27.51

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 8 / 0 / 68 / 32

HEX #A0AE37

RGB 160 174 55

HSL 67.06, 0.52%, 0.45%

LAB 68.04, -20.58, 56.64

 

CMYK 26 / 0 / 68 / 32

HEX #80AE37

RGB 128 174 55

HSL 83.19, 0.52%, 0.45%

LAB 65.86, -33.63, 53.71

 

CMYK 45 / 0 / 68 / 32

HEX #5FAE37

RGB 95 174 55

HSL 99.83, 0.52%, 0.45%

LAB 64.15, -45.38, 51.39

 

CMYK 64 / 0 / 68 / 32

HEX #3FAE37

RGB 63 174 55

HSL 115.97, 0.52%, 0.45%

LAB 63.01, -54.11, 49.85

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 0 / 12 / 81 / 25

HEX #C0A924

RGB 192 169 36

HSL 51.15, 0.68%, 0.45%

LAB 69.26, -4.93, 65.3

 

CMYK 0 / 14 / 92 / 17

HEX #D3B611

RGB 211 182 17

HSL 51.03, 0.85%, 0.45%

LAB 74.41, -3.81, 74.39

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 0 / 8 / 53 / 39

HEX #9B8F49

RGB 155 143 73

HSL 51.22, 0.36%, 0.45%

LAB 59.06, -5.15, 38.47

 

CMYK 0 / 5 / 33 / 46

HEX #89825C

RGB 137 130 92

HSL 50.67, 0.2%, 0.45%

LAB 54.09, -3.56, 21.56

 

CMYK 0 / 1 / 7 / 54

HEX #76756E

RGB 118 117 110

HSL 52.5, 0.04%, 0.45%

LAB 49.13, -0.98, 3.99

 

CMYK 22 / 19 / 0 / 49

HEX #646881

RGB 100 104 129

HSL 231.72, 0.13%, 0.45%

LAB 44.51, 4.29, -14.37

 

CMYK 0 / 48 / 68 / 32

HEX #AE5A37

RGB 174 90 55

HSL 17.65, 0.52%, 0.45%

LAB 47.74, 31.35, 35.22

 

CMYK 0 / 30 / 68 / 32

HEX #AE7A37

RGB 174 122 55

HSL 33.78, 0.52%, 0.45%

LAB 55.27, 13.6, 43.66

 

CMYK 0 / 11 / 68 / 32

HEX #AE9A37

RGB 174 154 55

HSL 49.92, 0.52%, 0.45%

LAB 63.66, -4.07, 52.54

 

CMYK 7 / 0 / 68 / 32

HEX #A2AE37

RGB 162 174 55

HSL 66.05, 0.52%, 0.45%

LAB 68.19, -19.73, 56.84

 

CMYK 25 / 0 / 68 / 32

HEX #82AE37

RGB 130 174 55

HSL 82.18, 0.52%, 0.45%

LAB 65.98, -32.85, 53.87

 

CMYK 0 / 10 / 68 / 56

HEX #6F6423

RGB 111 100 35

HSL 51.32, 0.52%, 0.29%

LAB 42.18, -4.07, 37.18

 

CMYK 0 / 10 / 69 / 44

HEX #8F802D

RGB 143 128 45

HSL 50.82, 0.52%, 0.37%

LAB 53.46, -4.39, 45.39

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 0 / 10 / 63 / 23

HEX #C5B249

RGB 197 178 73

HSL 50.81, 0.52%, 0.53%

LAB 72.36, -5.69, 54.58

 

CMYK 0 / 8 / 50 / 19

HEX #CFBF68

RGB 207 191 104

HSL 50.68, 0.52%, 0.61%

LAB 77, -5.85, 45.58

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 68 / 0 / 66 / 32

HEX #37AE3B

RGB 55 174 59

HSL 122.02, 0.52%, 0.45%

LAB 62.84, -55.39, 47.93

 

CMYK 39 / 68 / 0 / 32

HEX #6A37AE

RGB 106 55 174

HSL 265.71, 0.52%, 0.45%

LAB 35.7, 47.06, -55.25

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 68 / 0 / 11 / 32

HEX #37AE9A

RGB 55 174 154

HSL 169.92, 0.52%, 0.45%

LAB 64.5, -37.47, 0.71

 

CMYK 11 / 68 / 0 / 32

HEX #9A37AE

RGB 154 55 174

HSL 289.92, 0.52%, 0.45%

LAB 42.24, 57.48, -44.37

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 68 / 0 / 66 / 32

HEX #37AE3B

RGB 55 174 59

HSL 122.02, 0.52%, 0.45%

LAB 62.84, -55.39, 47.93

 

CMYK 68 / 57 / 0 / 32

HEX #374AAE

RGB 55 74 174

HSL 230.42, 0.52%, 0.45%

LAB 35.53, 26.36, -55.72

 

CMYK 0 / 68 / 2 / 32

HEX #AE37AA

RGB 174 55 170

HSL 302.02, 0.52%, 0.45%

LAB 45.13, 61.41, -37.22

 

CMYK 0 / 10 / 68 / 32

HEX #AE9C37

RGB 174 156 55

HSL 50.92, 0.52%, 0.45%

LAB 64.2, -5.14, 53.1

 

CMYK 68 / 0 / 46 / 32

HEX #37AE5E

RGB 55 174 94

HSL 139.66, 0.52%, 0.45%

LAB 63.25, -50.64, 31.64

 

CMYK 68 / 57 / 0 / 32

HEX #374AAE

RGB 55 74 174

HSL 230.42, 0.52%, 0.45%

LAB 35.53, 26.36, -55.72

 

CMYK 0 / 68 / 23 / 32

HEX #AE3786

RGB 174 55 134

HSL 320.17, 0.52%, 0.45%

LAB 43.44, 55.95, -18.22

 

Description

Color code: HEX #AE9C37 | qconv.com Color code: HEX #AE9C37 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 156 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 156 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 68% 32% C M Y K

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Provide designers and agencies with accurate color values.

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