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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEA184 it is the complementary color #515E7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEA184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEA184 shade: #B3A17F, #C4B392, #D5C5A5, #E6D7B8 and #F7E9CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEA184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEA184 shade: #AEA184, #9D8F71, #8C7D5E, #7B6B4B and #6A5938

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEA184 shade: #AEA183, #AE9583, #AE8A83 and #AE8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEA184 shade: #AEA183, #AEAC83, #A4AE83, #99AE83 and #8DAE83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEA184 shade matches the following richer shades: #AEA183, #BEA773, #CFAD62, #DFB452 and #F0BA41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEA184 shade: #AEA183, #9D9A94, #8D94A4, #7C8EB5 and #6C88C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEA184 shade: #AE8A83, #AE9583, #AEA083, #AEAC83 and #A5AE83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEA184 shade: #877858, #9E8E6A, #AEA183, #BEB49C and #CFC7B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEA184 shade: #AEA184, #88AE83 and #8F83AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEA184 shade: #AEA184, #83AEA0 and #A083AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEA184 shade: #AEA184, #88AE83, #8391AE and #A983AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEA184 shade: #AEA184, #83AE8B, #8391AE and #AE83A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 24 / 32

HEX #AEA184

RGB 174 161 132

HSL 41.43, 0.21%, 0.6%

LAB 66.64, 0.01, 16.83

 

Complementary color

CMYK 34 / 24 / 0 / 52

HEX #515E7B

RGB 81 94 123

HSL 221.43, 0.21%, 0.4%

LAB 39.89, 2.54, -17.93

 

CMYK 0 / 10 / 29 / 30

HEX #B3A17F

RGB 179 161 127

HSL 39.23, 0.25%, 0.6%

LAB 66.98, 1.27, 20.13

 

CMYK 0 / 9 / 26 / 23

HEX #C4B392

RGB 196 179 146

HSL 39.6, 0.3%, 0.67%

LAB 73.58, 0.89, 19.08

 

CMYK 0 / 8 / 23 / 16

HEX #D5C5A5

RGB 213 197 165

HSL 40, 0.36%, 0.74%

LAB 80.06, 0.55, 18.1

 

CMYK 0 / 7 / 20 / 10

HEX #E6D7B8

RGB 230 215 184

HSL 40.43, 0.48%, 0.81%

LAB 86.45, 0.25, 17.17

 

CMYK 0 / 6 / 18 / 3

HEX #F7E9CB

RGB 247 233 203

HSL 40.91, 0.73%, 0.88%

LAB 92.74, -0.02, 16.29

 

CMYK 0 / 7 / 24 / 32

HEX #AEA184

RGB 174 161 132

HSL 41.43, 0.21%, 0.6%

LAB 66.64, 0.01, 16.83

 

CMYK 0 / 9 / 28 / 38

HEX #9D8F71

RGB 157 143 113

HSL 40.91, 0.18%, 0.53%

LAB 59.89, 0.37, 17.88

 

CMYK 0 / 11 / 33 / 45

HEX #8C7D5E

RGB 140 125 94

HSL 40.43, 0.2%, 0.46%

LAB 53.01, 0.8, 19.02

 

CMYK 0 / 13 / 39 / 52

HEX #7B6B4B

RGB 123 107 75

HSL 40, 0.24%, 0.39%

LAB 45.95, 1.32, 20.27

 

CMYK 0 / 16 / 47 / 58

HEX #6A5938

RGB 106 89 56

HSL 39.6, 0.31%, 0.32%

LAB 38.72, 2, 21.65

 

CMYK 0 / 7 / 25 / 32

HEX #AEA183

RGB 174 161 131

HSL 41.86, 0.21%, 0.6%

LAB 66.62, -0.14, 17.36

 

CMYK 0 / 14 / 25 / 32

HEX #AE9583

RGB 174 149 131

HSL 25.12, 0.21%, 0.6%

LAB 63.45, 6.45, 12.95

 

CMYK 0 / 21 / 25 / 32

HEX #AE8A83

RGB 174 138 131

HSL 9.77, 0.21%, 0.6%

LAB 60.62, 12.59, 8.95

 

CMYK 0 / 25 / 25 / 32

HEX #AE8383

RGB 174 131 131

HSL 0, 0.21%, 0.6%

LAB 58.85, 16.53, 6.43

 

CMYK 0 / 7 / 25 / 32

HEX #AEA183

RGB 174 161 131

HSL 41.86, 0.21%, 0.6%

LAB 66.62, -0.14, 17.36

 

CMYK 0 / 1 / 25 / 32

HEX #AEAC83

RGB 174 172 131

HSL 57.21, 0.21%, 0.6%

LAB 69.57, -6.06, 21.41

 

CMYK 6 / 0 / 25 / 32

HEX #A4AE83

RGB 164 174 131

HSL 73.95, 0.21%, 0.6%

LAB 69.33, -10.98, 20.95

 

CMYK 12 / 0 / 25 / 32

HEX #99AE83

RGB 153 174 131

HSL 89.3, 0.21%, 0.6%

LAB 68.52, -15.15, 19.71

 

CMYK 19 / 0 / 25 / 32

HEX #8DAE83

RGB 141 174 131

HSL 106.05, 0.21%, 0.6%

LAB 67.71, -19.55, 18.46

 

CMYK 0 / 7 / 25 / 32

HEX #AEA183

RGB 174 161 131

HSL 41.86, 0.21%, 0.6%

LAB 66.62, -0.14, 17.36

 

CMYK 0 / 12 / 39 / 25

HEX #BEA773

RGB 190 167 115

HSL 41.6, 0.37%, 0.6%

LAB 69.34, 0.96, 29.97

 

CMYK 0 / 16 / 53 / 19

HEX #CFAD62

RGB 207 173 98

HSL 41.28, 0.53%, 0.6%

LAB 72.25, 3.09, 42.81

 

CMYK 0 / 19 / 63 / 13

HEX #DFB452

RGB 223 180 82

HSL 41.7, 0.69%, 0.6%

LAB 75.41, 4.91, 54.58

 

CMYK 0 / 23 / 73 / 6

HEX #F0BA41

RGB 240 186 65

HSL 41.49, 0.85%, 0.6%

LAB 78.48, 8.03, 65.53

 

CMYK 0 / 7 / 25 / 32

HEX #AEA183

RGB 174 161 131

HSL 41.86, 0.21%, 0.6%

LAB 66.62, -0.14, 17.36

 

CMYK 0 / 2 / 6 / 38

HEX #9D9A94

RGB 157 154 148

HSL 40, 0.04%, 0.6%

LAB 63.69, -0.02, 3.52

 

CMYK 14 / 10 / 0 / 36

HEX #8D94A4

RGB 141 148 164

HSL 221.74, 0.11%, 0.6%

LAB 61.24, 0.85, -9.26

 

CMYK 31 / 22 / 0 / 29

HEX #7C8EB5

RGB 124 142 181

HSL 221.05, 0.28%, 0.6%

LAB 58.94, 2.89, -22.51

 

CMYK 45 / 31 / 0 / 23

HEX #6C88C5

RGB 108 136 197

HSL 221.12, 0.43%, 0.6%

LAB 56.91, 6.39, -34.82

 

CMYK 0 / 21 / 25 / 32

HEX #AE8A83

RGB 174 138 131

HSL 9.77, 0.21%, 0.6%

LAB 60.62, 12.59, 8.95

 

CMYK 0 / 14 / 25 / 32

HEX #AE9583

RGB 174 149 131

HSL 25.12, 0.21%, 0.6%

LAB 63.45, 6.45, 12.95

 

CMYK 0 / 8 / 25 / 32

HEX #AEA083

RGB 174 160 131

HSL 40.47, 0.21%, 0.6%

LAB 66.35, 0.4, 16.99

 

CMYK 0 / 1 / 25 / 32

HEX #AEAC83

RGB 174 172 131

HSL 57.21, 0.21%, 0.6%

LAB 69.57, -6.06, 21.41

 

CMYK 5 / 0 / 25 / 32

HEX #A5AE83

RGB 165 174 131

HSL 72.56, 0.21%, 0.6%

LAB 69.41, -10.6, 21.07

 

CMYK 0 / 11 / 35 / 47

HEX #877858

RGB 135 120 88

HSL 40.85, 0.21%, 0.44%

LAB 51.02, 0.72, 19.72

 

CMYK 0 / 10 / 33 / 38

HEX #9E8E6A

RGB 158 142 106

HSL 41.54, 0.21%, 0.52%

LAB 59.58, 0.37, 21.39

 

CMYK 0 / 7 / 25 / 32

HEX #AEA183

RGB 174 161 131

HSL 41.86, 0.21%, 0.6%

LAB 66.62, -0.14, 17.36

 

CMYK 0 / 5 / 18 / 25

HEX #BEB49C

RGB 190 180 156

HSL 42.35, 0.21%, 0.68%

LAB 73.54, -0.46, 13.52

 

CMYK 0 / 4 / 13 / 19

HEX #CFC7B5

RGB 207 199 181

HSL 41.54, 0.21%, 0.76%

LAB 80.43, -0.27, 10

 

CMYK 0 / 7 / 24 / 32

HEX #AEA184

RGB 174 161 132

HSL 41.43, 0.21%, 0.6%

LAB 66.64, 0.01, 16.83

 

CMYK 22 / 0 / 25 / 32

HEX #88AE83

RGB 136 174 131

HSL 113.02, 0.21%, 0.6%

LAB 67.39, -21.33, 17.97

 

CMYK 18 / 25 / 0 / 32

HEX #8F83AE

RGB 143 131 174

HSL 256.74, 0.21%, 0.6%

LAB 57.2, 13.51, -21.06

 

CMYK 0 / 7 / 24 / 32

HEX #AEA184

RGB 174 161 132

HSL 41.43, 0.21%, 0.6%

LAB 66.64, 0.01, 16.83

 

CMYK 25 / 0 / 8 / 32

HEX #83AEA0

RGB 131 174 160

HSL 160.47, 0.21%, 0.6%

LAB 67.75, -17.41, 2.49

 

CMYK 8 / 25 / 0 / 32

HEX #A083AE

RGB 160 131 174

HSL 280.47, 0.21%, 0.6%

LAB 58.75, 19.18, -18.55

 

CMYK 0 / 7 / 24 / 32

HEX #AEA184

RGB 174 161 132

HSL 41.43, 0.21%, 0.6%

LAB 66.64, 0.01, 16.83

 

CMYK 22 / 0 / 25 / 32

HEX #88AE83

RGB 136 174 131

HSL 113.02, 0.21%, 0.6%

LAB 67.39, -21.33, 17.97

 

CMYK 25 / 17 / 0 / 32

HEX #8391AE

RGB 131 145 174

HSL 220.47, 0.21%, 0.6%

LAB 60.01, 1.57, -16.87

 

CMYK 3 / 25 / 0 / 32

HEX #A983AE

RGB 169 131 174

HSL 293.02, 0.21%, 0.6%

LAB 59.64, 22.24, -17.12

 

CMYK 0 / 7 / 24 / 32

HEX #AEA184

RGB 174 161 132

HSL 41.43, 0.21%, 0.6%

LAB 66.64, 0.01, 16.83

 

CMYK 25 / 0 / 20 / 32

HEX #83AE8B

RGB 131 174 139

HSL 131.16, 0.21%, 0.6%

LAB 67.25, -21.62, 13.36

 

CMYK 25 / 17 / 0 / 32

HEX #8391AE

RGB 131 145 174

HSL 220.47, 0.21%, 0.6%

LAB 60.01, 1.57, -16.87

 

CMYK 0 / 25 / 5 / 32

HEX #AE83A6

RGB 174 131 166

HSL 311.16, 0.21%, 0.6%

LAB 59.87, 22.43, -12.14

 

Description

Color code: HEX #AEA184 | qconv.com Color code: HEX #AEA184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 161 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 161 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 24 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 24% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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