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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEABC6 it is the complementary color #515439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEABC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEABC6 shade: #B3ABC1, #C4BDD4, #D5CFE7, #E6E1FA and #F7F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEABC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEABC6 shade: #AEABC6, #9D99B3, #8C87A0, #7B758D and #6A637A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEABC6 shade: #ADAAC5, #B4AAC5, #BBAAC5, #C2AAC5 and #C5AAC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEABC6 shade: #ADAAC5 and #AAAAC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEABC6 shade matches the following richer shades: #ADAAC5, #A49ED0, #9B92DC, #9287E7 and #897BF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEABC6 shade: #ADAAC5, #B6B5B9, #BFC1AE, #C8CCA2 and #D0D896

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEABC6 shade: #AAB5C5, #AAAEC5, #ACAAC5, #B3AAC5 and #BBAAC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEABC6 shade: #7D78A3, #9591B4, #ADAAC5, #C4C2D5 and #DCDBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEABC6 shade: #AEABC6, #C5AABD and #B2C5AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEABC6 shade: #AEABC6, #C5ACAA and #AAC5AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEABC6 shade: #AEABC6, #C5AABD, #C2C5AA and #AAC5B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEABC6 shade: #AEABC6, #C5AAB4, #C2C5AA and #AAC5BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 14 / 0 / 22

HEX #AEABC6

RGB 174 171 198

HSL 246.67, 0.19%, 0.72%

LAB 71.01, 6.43, -13.35

 

Complementary color

CMYK 4 / 0 / 32 / 67

HEX #515439

RGB 81 84 57

HSL 66.67, 0.19%, 0.28%

LAB 34.77, -6.29, 15.42

 

CMYK 7 / 11 / 0 / 24

HEX #B3ABC1

RGB 179 171 193

HSL 261.82, 0.15%, 0.71%

LAB 71.26, 7.08, -10.19

 

CMYK 8 / 11 / 0 / 17

HEX #C4BDD4

RGB 196 189 212

HSL 258.26, 0.21%, 0.79%

LAB 77.81, 6.81, -10.64

 

CMYK 8 / 10 / 0 / 9

HEX #D5CFE7

RGB 213 207 231

HSL 255, 0.33%, 0.86%

LAB 84.25, 6.55, -11.08

 

CMYK 8 / 10 / 0 / 2

HEX #E6E1FA

RGB 230 225 250

HSL 252, 0.71%, 0.93%

LAB 90.59, 6.31, -11.52

 

CMYK 3 / 5 / 0 / 0

HEX #F7F3FF

RGB 247 243 255

HSL 260, 1%, 0.98%

LAB 96.45, 3.47, -5.29

 

CMYK 12 / 14 / 0 / 22

HEX #AEABC6

RGB 174 171 198

HSL 246.67, 0.19%, 0.72%

LAB 71.01, 6.43, -13.35

 

CMYK 12 / 15 / 0 / 30

HEX #9D99B3

RGB 157 153 179

HSL 249.23, 0.15%, 0.65%

LAB 64.33, 6.71, -12.97

 

CMYK 13 / 16 / 0 / 37

HEX #8C87A0

RGB 140 135 160

HSL 252, 0.12%, 0.58%

LAB 57.5, 7.02, -12.59

 

CMYK 13 / 17 / 0 / 45

HEX #7B758D

RGB 123 117 141

HSL 255, 0.1%, 0.51%

LAB 50.52, 7.35, -12.22

 

CMYK 13 / 19 / 0 / 52

HEX #6A637A

RGB 106 99 122

HSL 258.26, 0.1%, 0.43%

LAB 43.35, 7.73, -11.86

 

CMYK 12 / 14 / 0 / 23

HEX #ADAAC5

RGB 173 170 197

HSL 246.67, 0.19%, 0.72%

LAB 70.64, 6.44, -13.37

 

CMYK 9 / 14 / 0 / 23

HEX #B4AAC5

RGB 180 170 197

HSL 262.22, 0.19%, 0.72%

LAB 71.2, 8.78, -12.46

 

CMYK 5 / 14 / 0 / 23

HEX #BBAAC5

RGB 187 170 197

HSL 277.78, 0.19%, 0.72%

LAB 71.79, 11.14, -11.53

 

CMYK 2 / 14 / 0 / 23

HEX #C2AAC5

RGB 194 170 197

HSL 293.33, 0.19%, 0.72%

LAB 72.4, 13.53, -10.56

 

CMYK 0 / 14 / 3 / 23

HEX #C5AAC0

RGB 197 170 192

HSL 311.11, 0.19%, 0.72%

LAB 72.51, 13.63, -7.61

 

CMYK 12 / 14 / 0 / 23

HEX #ADAAC5

RGB 173 170 197

HSL 246.67, 0.19%, 0.72%

LAB 70.64, 6.44, -13.37

 

CMYK 14 / 14 / 0 / 23

HEX #AAAAC5

RGB 170 170 197

HSL 240, 0.19%, 0.72%

LAB 70.4, 5.45, -13.75

 

CMYK 12 / 14 / 0 / 23

HEX #ADAAC5

RGB 173 170 197

HSL 246.67, 0.19%, 0.72%

LAB 70.64, 6.44, -13.37

 

CMYK 21 / 24 / 0 / 18

HEX #A49ED0

RGB 164 158 208

HSL 247.2, 0.35%, 0.72%

LAB 67.2, 12.67, -24.73

 

CMYK 30 / 34 / 0 / 14

HEX #9B92DC

RGB 155 146 220

HSL 247.3, 0.51%, 0.72%

LAB 63.91, 19.69, -36.53

 

CMYK 37 / 42 / 0 / 9

HEX #9287E7

RGB 146 135 231

HSL 246.88, 0.67%, 0.72%

LAB 60.97, 26.44, -47.32

 

CMYK 44 / 49 / 0 / 5

HEX #897BF3

RGB 137 123 243

HSL 247, 0.83%, 0.72%

LAB 57.99, 34.52, -58.74

 

CMYK 12 / 14 / 0 / 23

HEX #ADAAC5

RGB 173 170 197

HSL 246.67, 0.19%, 0.72%

LAB 70.64, 6.44, -13.37

 

CMYK 2 / 2 / 0 / 27

HEX #B6B5B9

RGB 182 181 185

HSL 255, 0.03%, 0.72%

LAB 73.87, 1.11, -1.91

 

CMYK 1 / 0 / 10 / 24

HEX #BFC1AE

RGB 191 193 174

HSL 66.32, 0.13%, 0.72%

LAB 77.44, -4.06, 9.33

 

CMYK 2 / 0 / 21 / 20

HEX #C8CCA2

RGB 200 204 162

HSL 65.71, 0.29%, 0.72%

LAB 80.78, -8.39, 20.52

 

CMYK 4 / 0 / 31 / 15

HEX #D0D896

RGB 208 216 150

HSL 67.27, 0.46%, 0.72%

LAB 84.34, -13.16, 31.71

 

CMYK 14 / 8 / 0 / 23

HEX #AAB5C5

RGB 170 181 197

HSL 215.56, 0.19%, 0.72%

LAB 73.3, -0.55, -9.41

 

CMYK 14 / 12 / 0 / 23

HEX #AAAEC5

RGB 170 174 197

HSL 231.11, 0.19%, 0.72%

LAB 71.45, 3.26, -12.17

 

CMYK 13 / 14 / 0 / 23

HEX #ACAAC5

RGB 172 170 197

HSL 244.44, 0.19%, 0.72%

LAB 70.56, 6.11, -13.49

 

CMYK 9 / 14 / 0 / 23

HEX #B3AAC5

RGB 179 170 197

HSL 260, 0.19%, 0.72%

LAB 71.12, 8.44, -12.6

 

CMYK 5 / 14 / 0 / 23

HEX #BBAAC5

RGB 187 170 197

HSL 277.78, 0.19%, 0.72%

LAB 71.79, 11.14, -11.53

 

CMYK 23 / 26 / 0 / 36

HEX #7D78A3

RGB 125 120 163

HSL 246.98, 0.19%, 0.55%

LAB 52.33, 11.47, -22.32

 

CMYK 17 / 19 / 0 / 29

HEX #9591B4

RGB 149 145 180

HSL 246.86, 0.19%, 0.64%

LAB 61.6, 8.8, -17.72

 

CMYK 12 / 14 / 0 / 23

HEX #ADAAC5

RGB 173 170 197

HSL 246.67, 0.19%, 0.72%

LAB 70.64, 6.44, -13.37

 

CMYK 8 / 9 / 0 / 16

HEX #C4C2D5

RGB 196 194 213

HSL 246.32, 0.18%, 0.8%

LAB 79.11, 4.32, -9.23

 

CMYK 4 / 5 / 0 / 10

HEX #DCDBE6

RGB 220 219 230

HSL 245.45, 0.18%, 0.88%

LAB 87.77, 2.36, -5.27

 

CMYK 12 / 14 / 0 / 22

HEX #AEABC6

RGB 174 171 198

HSL 246.67, 0.19%, 0.72%

LAB 71.01, 6.43, -13.35

 

CMYK 0 / 14 / 4 / 23

HEX #C5AABD

RGB 197 170 189

HSL 317.78, 0.19%, 0.72%

LAB 72.42, 13.08, -6.09

 

CMYK 10 / 0 / 14 / 23

HEX #B2C5AA

RGB 178 197 170

HSL 102.22, 0.19%, 0.72%

LAB 77.46, -11.47, 11.37

 

CMYK 12 / 14 / 0 / 22

HEX #AEABC6

RGB 174 171 198

HSL 246.67, 0.19%, 0.72%

LAB 71.01, 6.43, -13.35

 

CMYK 0 / 13 / 14 / 23

HEX #C5ACAA

RGB 197 172 170

HSL 4.44, 0.19%, 0.72%

LAB 72.41, 8.7, 4.35

 

CMYK 14 / 0 / 13 / 23

HEX #AAC5AC

RGB 170 197 172

HSL 124.44, 0.19%, 0.72%

LAB 76.96, -13.91, 9.5

 

CMYK 12 / 14 / 0 / 22

HEX #AEABC6

RGB 174 171 198

HSL 246.67, 0.19%, 0.72%

LAB 71.01, 6.43, -13.35

 

CMYK 0 / 14 / 4 / 23

HEX #C5AABD

RGB 197 170 189

HSL 317.78, 0.19%, 0.72%

LAB 72.42, 13.08, -6.09

 

CMYK 2 / 0 / 14 / 23

HEX #C2C5AA

RGB 194 197 170

HSL 66.67, 0.19%, 0.72%

LAB 78.64, -5.73, 13.2

 

CMYK 14 / 0 / 10 / 23

HEX #AAC5B2

RGB 170 197 178

HSL 137.78, 0.19%, 0.72%

LAB 77.1, -12.8, 6.47

 

CMYK 12 / 14 / 0 / 22

HEX #AEABC6

RGB 174 171 198

HSL 246.67, 0.19%, 0.72%

LAB 71.01, 6.43, -13.35

 

CMYK 0 / 14 / 9 / 23

HEX #C5AAB4

RGB 197 170 180

HSL 337.78, 0.19%, 0.72%

LAB 72.17, 11.48, -1.51

 

CMYK 2 / 0 / 14 / 23

HEX #C2C5AA

RGB 194 197 170

HSL 66.67, 0.19%, 0.72%

LAB 78.64, -5.73, 13.2

 

CMYK 14 / 0 / 6 / 23

HEX #AAC5BA

RGB 170 197 186

HSL 155.56, 0.19%, 0.72%

LAB 77.3, -11.27, 2.44

 

Description

Color code: HEX #AEABC6 | qconv.com Color code: HEX #AEABC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 171 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 171 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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