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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEB7C0 it is the complementary color #51483F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEB7C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEB7C0 shade: #B3B7BB, #C4C9CE, #D5DBE1, #E6EDF4 and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEB7C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEB7C0 shade: #AEB7C0, #9DA5AD, #8C939A, #7B8187 and #6A6F74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEB7C0 shade: #AEB7C0, #AEB2C0, #AFAEC0, #B4AEC0 and #B9AEC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEB7C0 shade: #AEB7C0, #AEB2C0 and #AEAEC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEB7C0 shade matches the following richer shades: #AEB7C0, #A2B7CC, #97B7D7, #8BB7E3 and #80B7EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEB7C0 shade: #AEB7C0, #B9B7B5, #C5B7A9, #D0B79E and #DCB792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEB7C0 shade: #AEC0C0, #AEBCC0, #AEB7C0, #AEB2C0 and #AEAEC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEB7C0 shade: #7F8E9C, #97A2AE, #AEB7C0, #C5CCD2 and #DCE0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEB7C0 shade: #AEB7C0, #BBAEC0 and #BFC0AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEB7C0 shade: #AEB7C0, #C0AEB7 and #B7C0AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEB7C0 shade: #AEB7C0, #BBAEC0, #C0B7AE and #B3C0AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEB7C0 shade: #AEB7C0, #C0AEC0, #C0B7AE and #AEC0AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

Complementary color

CMYK 0 / 11 / 22 / 68

HEX #51483F

RGB 81 72 63

HSL 30, 0.13%, 0.28%

LAB 31.21, 2.08, 6.78

 

CMYK 4 / 2 / 0 / 27

HEX #B3B7BB

RGB 179 183 187

HSL 210, 0.06%, 0.72%

LAB 74.21, -0.62, -2.52

 

CMYK 5 / 2 / 0 / 19

HEX #C4C9CE

RGB 196 201 206

HSL 210, 0.09%, 0.79%

LAB 80.72, -0.76, -3.09

 

CMYK 5 / 3 / 0 / 12

HEX #D5DBE1

RGB 213 219 225

HSL 210, 0.17%, 0.86%

LAB 87.12, -0.9, -3.65

 

CMYK 6 / 3 / 0 / 4

HEX #E6EDF4

RGB 230 237 244

HSL 210, 0.39%, 0.93%

LAB 93.42, -1.03, -4.19

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 9 / 5 / 0 / 32

HEX #9DA5AD

RGB 157 165 173

HSL 210, 0.09%, 0.65%

LAB 67.35, -1.21, -5.11

 

CMYK 9 / 5 / 0 / 40

HEX #8C939A

RGB 140 147 154

HSL 210, 0.06%, 0.58%

LAB 60.58, -1.09, -4.57

 

CMYK 9 / 4 / 0 / 47

HEX #7B8187

RGB 123 129 135

HSL 210, 0.05%, 0.51%

LAB 53.67, -0.96, -4.01

 

CMYK 9 / 4 / 0 / 55

HEX #6A6F74

RGB 106 111 116

HSL 210, 0.05%, 0.44%

LAB 46.57, -0.82, -3.44

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 9 / 7 / 0 / 25

HEX #AEB2C0

RGB 174 178 192

HSL 226.67, 0.13%, 0.72%

LAB 72.66, 1.37, -7.6

 

CMYK 9 / 9 / 0 / 25

HEX #AFAEC0

RGB 175 174 192

HSL 243.33, 0.13%, 0.72%

LAB 71.68, 3.88, -9.04

 

CMYK 6 / 9 / 0 / 25

HEX #B4AEC0

RGB 180 174 192

HSL 260, 0.13%, 0.72%

LAB 72.08, 5.58, -8.4

 

CMYK 4 / 9 / 0 / 25

HEX #B9AEC0

RGB 185 174 192

HSL 276.67, 0.13%, 0.72%

LAB 72.49, 7.29, -7.75

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 9 / 7 / 0 / 25

HEX #AEB2C0

RGB 174 178 192

HSL 226.67, 0.13%, 0.72%

LAB 72.66, 1.37, -7.6

 

CMYK 9 / 9 / 0 / 25

HEX #AEAEC0

RGB 174 174 192

HSL 240, 0.13%, 0.72%

LAB 71.61, 3.54, -9.16

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 21 / 10 / 0 / 20

HEX #A2B7CC

RGB 162 183 204

HSL 210, 0.29%, 0.72%

LAB 73.49, -2.67, -13.02

 

CMYK 30 / 15 / 0 / 16

HEX #97B7D7

RGB 151 183 215

HSL 210, 0.44%, 0.72%

LAB 73.12, -3.43, -19.63

 

CMYK 39 / 19 / 0 / 11

HEX #8BB7E3

RGB 139 183 227

HSL 210, 0.61%, 0.72%

LAB 72.83, -3.72, -26.68

 

CMYK 46 / 23 / 0 / 6

HEX #80B7EF

RGB 128 183 239

HSL 210.27, 0.78%, 0.72%

LAB 72.69, -3.2, -33.46

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 0 / 1 / 2 / 27

HEX #B9B7B5

RGB 185 183 181

HSL 30, 0.03%, 0.72%

LAB 74.52, 0.34, 1.25

 

CMYK 0 / 7 / 14 / 23

HEX #C5B7A9

RGB 197 183 169

HSL 30, 0.19%, 0.72%

LAB 75.2, 2.61, 8.9

 

CMYK 0 / 12 / 24 / 18

HEX #D0B79E

RGB 208 183 158

HSL 30, 0.35%, 0.72%

LAB 75.91, 5.06, 16

 

CMYK 0 / 17 / 34 / 14

HEX #DCB792

RGB 220 183 146

HSL 30, 0.51%, 0.72%

LAB 76.77, 8.09, 23.81

 

CMYK 9 / 0 / 0 / 25

HEX #AEC0C0

RGB 174 192 192

HSL 180, 0.13%, 0.72%

LAB 76.38, -6.13, -2.11

 

CMYK 9 / 2 / 0 / 25

HEX #AEBCC0

RGB 174 188 192

HSL 193.33, 0.13%, 0.72%

LAB 75.31, -4.01, -3.68

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 9 / 7 / 0 / 25

HEX #AEB2C0

RGB 174 178 192

HSL 226.67, 0.13%, 0.72%

LAB 72.66, 1.37, -7.6

 

CMYK 9 / 9 / 0 / 25

HEX #AEAEC0

RGB 174 174 192

HSL 240, 0.13%, 0.72%

LAB 71.61, 3.54, -9.16

 

CMYK 19 / 9 / 0 / 39

HEX #7F8E9C

RGB 127 142 156

HSL 208.97, 0.13%, 0.55%

LAB 58.28, -2.29, -9.24

 

CMYK 13 / 7 / 0 / 32

HEX #97A2AE

RGB 151 162 174

HSL 211.3, 0.12%, 0.64%

LAB 66.12, -1.39, -7.54

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 6 / 3 / 0 / 18

HEX #C5CCD2

RGB 197 204 210

HSL 207.69, 0.13%, 0.8%

LAB 81.68, -1.24, -3.82

 

CMYK 4 / 2 / 0 / 11

HEX #DCE0E4

RGB 220 224 228

HSL 210, 0.13%, 0.88%

LAB 88.98, -0.61, -2.43

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 3 / 9 / 0 / 25

HEX #BBAEC0

RGB 187 174 192

HSL 283.33, 0.13%, 0.72%

LAB 72.66, 7.98, -7.49

 

CMYK 1 / 0 / 9 / 25

HEX #BFC0AE

RGB 191 192 174

HSL 63.33, 0.13%, 0.72%

LAB 77.18, -3.53, 8.95

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 0 / 9 / 5 / 25

HEX #C0AEB7

RGB 192 174 183

HSL 330, 0.13%, 0.72%

LAB 72.82, 8.05, -2.25

 

CMYK 5 / 0 / 9 / 25

HEX #B7C0AE

RGB 183 192 174

HSL 90, 0.13%, 0.72%

LAB 76.57, -6.4, 8

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 3 / 9 / 0 / 25

HEX #BBAEC0

RGB 187 174 192

HSL 283.33, 0.13%, 0.72%

LAB 72.66, 7.98, -7.49

 

CMYK 0 / 5 / 9 / 25

HEX #C0B7AE

RGB 192 183 174

HSL 30, 0.13%, 0.72%

LAB 74.91, 1.61, 5.7

 

CMYK 7 / 0 / 9 / 25

HEX #B3C0AE

RGB 179 192 174

HSL 103.33, 0.13%, 0.72%

LAB 76.28, -7.82, 7.54

 

CMYK 9 / 5 / 0 / 25

HEX #AEB7C0

RGB 174 183 192

HSL 210, 0.13%, 0.72%

LAB 73.98, -1.33, -5.64

 

CMYK 0 / 9 / 0 / 25

HEX #C0AEC0

RGB 192 174 192

HSL 300, 0.13%, 0.72%

LAB 73.08, 9.71, -6.81

 

CMYK 0 / 5 / 9 / 25

HEX #C0B7AE

RGB 192 183 174

HSL 30, 0.13%, 0.72%

LAB 74.91, 1.61, 5.7

 

CMYK 9 / 0 / 9 / 25

HEX #AEC0AE

RGB 174 192 174

HSL 120, 0.13%, 0.72%

LAB 75.92, -9.57, 6.97

 

Description

Color code: HEX #AEB7C0 | qconv.com Color code: HEX #AEB7C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 183 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 183 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 5 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 5% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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