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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEBB1F it is the complementary color #5144E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEBB1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEBB1F shade: #B3BB1A, #C4CD2D, #D5DF40, #E6F153 and #F7FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEBB1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEBB1F shade: #AEBB1F, #9DA90C, #8C9700, #7B8500 and #6A7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEBB1F shade: #AFBC1E, #BC9F1E, #BC741E, #BC4A1E and #BC1F1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEBB1F shade: #AFBC1E, #84BC1E, #5ABC1E, #2FBC1E and #1EBC38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEBB1F shade matches the following richer shades: #AFBC1E and #BECE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEBB1F shade: #AFBC1E, #A0AA30, #919942, #838753 and #747565

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEBB1F shade: #BC751E, #BC9F1E, #AFBC1E, #85BC1E and #5BBC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEBB1F shade: #6D7513, #8E9918, #AFBC1E, #CDDC28 and #D5E14B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEBB1F shade: #AEBB1F, #1EBC4B and #8A1EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEBB1F shade: #AEBB1F, #1EAFBC and #BC1EAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEBB1F shade: #AEBB1F, #1EBC4B, #2B1EBC and #BC1E8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEBB1F shade: #AEBB1F, #1EBC7A, #2B1EBC and #BC1E60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 83 / 27

HEX #AEBB1F

RGB 174 187 31

HSL 65, 0.72%, 0.43%

LAB 72.65, -22.14, 68.93

 

Complementary color

CMYK 64 / 70 / 0 / 12

HEX #5144E0

RGB 81 68 224

HSL 245, 0.72%, 0.57%

LAB 40.02, 50.43, -77.41

 

CMYK 4 / 0 / 86 / 27

HEX #B3BB1A

RGB 179 187 26

HSL 62.98, 0.76%, 0.42%

LAB 73.02, -20.13, 70.51

 

CMYK 4 / 0 / 78 / 20

HEX #C4CD2D

RGB 196 205 45

HSL 63.38, 0.64%, 0.49%

LAB 79.38, -21.22, 71.76

 

CMYK 4 / 0 / 71 / 13

HEX #D5DF40

RGB 213 223 64

HSL 63.77, 0.71%, 0.56%

LAB 85.65, -22.12, 72.07

 

CMYK 5 / 0 / 66 / 5

HEX #E6F153

RGB 230 241 83

HSL 64.18, 0.85%, 0.64%

LAB 91.85, -22.87, 71.81

 

CMYK 3 / 0 / 60 / 0

HEX #F7FF66

RGB 247 255 102

HSL 63.14, 1%, 0.7%

LAB 96.92, -21.61, 70.07

 

CMYK 7 / 0 / 83 / 27

HEX #AEBB1F

RGB 174 187 31

HSL 65, 0.72%, 0.43%

LAB 72.65, -22.14, 68.93

 

CMYK 7 / 0 / 93 / 34

HEX #9DA90C

RGB 157 169 12

HSL 64.59, 0.87%, 0.35%

LAB 66.19, -20.95, 66.76

 

CMYK 7 / 0 / 100 / 41

HEX #8C9700

RGB 140 151 0

HSL 64.37, 1%, 0.3%

LAB 59.62, -19.52, 62.84

 

CMYK 8 / 0 / 100 / 48

HEX #7B8500

RGB 123 133 0

HSL 64.51, 1%, 0.26%

LAB 52.93, -17.89, 57.27

 

CMYK 8 / 0 / 100 / 55

HEX #6A7300

RGB 106 115 0

HSL 64.7, 1%, 0.23%

LAB 46.08, -16.22, 51.57

 

CMYK 7 / 0 / 84 / 26

HEX #AFBC1E

RGB 175 188 30

HSL 64.94, 0.72%, 0.43%

LAB 73.01, -22.23, 69.5

 

CMYK 0 / 15 / 84 / 26

HEX #BC9F1E

RGB 188 159 30

HSL 48.99, 0.72%, 0.43%

LAB 66.2, -1.57, 64.21

 

CMYK 0 / 38 / 84 / 26

HEX #BC741E

RGB 188 116 30

HSL 32.66, 0.72%, 0.43%

LAB 55.36, 22, 54.99

 

CMYK 0 / 61 / 84 / 26

HEX #BC4A1E

RGB 188 74 30

HSL 16.71, 0.72%, 0.43%

LAB 46.56, 43.84, 47.31

 

CMYK 0 / 84 / 84 / 26

HEX #BC1F1E

RGB 188 31 30

HSL 0.38, 0.72%, 0.43%

LAB 40.84, 59.48, 42.17

 

CMYK 7 / 0 / 84 / 26

HEX #AFBC1E

RGB 175 188 30

HSL 64.94, 0.72%, 0.43%

LAB 73.01, -22.23, 69.5

 

CMYK 30 / 0 / 84 / 26

HEX #84BC1E

RGB 132 188 30

HSL 81.27, 0.72%, 0.43%

LAB 70.15, -39.71, 65.93

 

CMYK 52 / 0 / 84 / 26

HEX #5ABC1E

RGB 90 188 30

HSL 97.22, 0.72%, 0.43%

LAB 68.19, -53.9, 63.45

 

CMYK 75 / 0 / 84 / 26

HEX #2FBC1E

RGB 47 188 30

HSL 113.54, 0.72%, 0.43%

LAB 67.02, -63.52, 61.96

 

CMYK 84 / 0 / 70 / 26

HEX #1EBC38

RGB 30 188 56

HSL 129.87, 0.72%, 0.43%

LAB 66.92, -63.88, 53.4

 

CMYK 7 / 0 / 84 / 26

HEX #AFBC1E

RGB 175 188 30

HSL 64.94, 0.72%, 0.43%

LAB 73.01, -22.23, 69.5

 

CMYK 8 / 0 / 94 / 19

HEX #BECE0C

RGB 190 206 12

HSL 64.95, 0.89%, 0.43%

LAB 79.11, -25.01, 77.84

 

CMYK 7 / 0 / 84 / 26

HEX #AFBC1E

RGB 175 188 30

HSL 64.94, 0.72%, 0.43%

LAB 73.01, -22.23, 69.5

 

CMYK 6 / 0 / 72 / 33

HEX #A0AA30

RGB 160 170 48

HSL 64.92, 0.56%, 0.43%

LAB 66.85, -18.95, 58.12

 

CMYK 5 / 0 / 57 / 40

HEX #919942

RGB 145 153 66

HSL 65.52, 0.4%, 0.43%

LAB 60.95, -15.44, 43.91

 

CMYK 3 / 0 / 39 / 47

HEX #838753

RGB 131 135 83

HSL 64.62, 0.24%, 0.43%

LAB 54.84, -10.03, 27.47

 

CMYK 1 / 0 / 14 / 54

HEX #747565

RGB 116 117 101

HSL 63.75, 0.07%, 0.43%

LAB 48.73, -3.43, 8.71

 

CMYK 0 / 38 / 84 / 26

HEX #BC751E

RGB 188 117 30

HSL 33.04, 0.72%, 0.43%

LAB 55.59, 21.45, 55.19

 

CMYK 0 / 15 / 84 / 26

HEX #BC9F1E

RGB 188 159 30

HSL 48.99, 0.72%, 0.43%

LAB 66.2, -1.57, 64.21

 

CMYK 7 / 0 / 84 / 26

HEX #AFBC1E

RGB 175 188 30

HSL 64.94, 0.72%, 0.43%

LAB 73.01, -22.23, 69.5

 

CMYK 29 / 0 / 84 / 26

HEX #85BC1E

RGB 133 188 30

HSL 80.89, 0.72%, 0.43%

LAB 70.21, -39.33, 66

 

CMYK 52 / 0 / 84 / 26

HEX #5BBC1E

RGB 91 188 30

HSL 96.84, 0.72%, 0.43%

LAB 68.23, -53.61, 63.49

 

CMYK 7 / 0 / 84 / 54

HEX #6D7513

RGB 109 117 19

HSL 64.9, 0.72%, 0.27%

LAB 47, -15.37, 47.99

 

CMYK 7 / 0 / 84 / 40

HEX #8E9918

RGB 142 153 24

HSL 65.12, 0.73%, 0.35%

LAB 60.43, -19.15, 59.27

 

CMYK 7 / 0 / 84 / 26

HEX #AFBC1E

RGB 175 188 30

HSL 64.94, 0.72%, 0.43%

LAB 73.01, -22.23, 69.5

 

CMYK 7 / 0 / 82 / 14

HEX #CDDC28

RGB 205 220 40

HSL 65, 0.72%, 0.51%

LAB 84.13, -24.89, 77.49

 

CMYK 5 / 0 / 67 / 12

HEX #D5E14B

RGB 213 225 75

HSL 64.8, 0.71%, 0.59%

LAB 86.26, -22.51, 68.72

 

CMYK 7 / 0 / 83 / 27

HEX #AEBB1F

RGB 174 187 31

HSL 65, 0.72%, 0.43%

LAB 72.65, -22.14, 68.93

 

CMYK 84 / 0 / 60 / 26

HEX #1EBC4B

RGB 30 188 75

HSL 137.09, 0.72%, 0.43%

LAB 67.09, -61.8, 45.52

 

CMYK 27 / 84 / 0 / 26

HEX #8A1EBC

RGB 138 30 188

HSL 281.01, 0.72%, 0.43%

LAB 37.78, 65.72, -59.97

 

CMYK 7 / 0 / 83 / 27

HEX #AEBB1F

RGB 174 187 31

HSL 65, 0.72%, 0.43%

LAB 72.65, -22.14, 68.93

 

CMYK 84 / 7 / 0 / 26

HEX #1EAFBC

RGB 30 175 188

HSL 184.94, 0.72%, 0.43%

LAB 65.41, -30.79, -16.9

 

CMYK 0 / 84 / 7 / 26

HEX #BC1EAF

RGB 188 30 175

HSL 304.94, 0.72%, 0.43%

LAB 45.24, 72.41, -39.85

 

CMYK 7 / 0 / 83 / 27

HEX #AEBB1F

RGB 174 187 31

HSL 65, 0.72%, 0.43%

LAB 72.65, -22.14, 68.93

 

CMYK 84 / 0 / 60 / 26

HEX #1EBC4B

RGB 30 188 75

HSL 137.09, 0.72%, 0.43%

LAB 67.09, -61.8, 45.52

 

CMYK 77 / 84 / 0 / 26

HEX #2B1EBC

RGB 43 30 188

HSL 244.94, 0.72%, 0.43%

LAB 26.94, 55.11, -78.18

 

CMYK 0 / 84 / 24 / 26

HEX #BC1E8F

RGB 188 30 143

HSL 317.09, 0.72%, 0.43%

LAB 43.66, 68.1, -23.15

 

CMYK 7 / 0 / 83 / 27

HEX #AEBB1F

RGB 174 187 31

HSL 65, 0.72%, 0.43%

LAB 72.65, -22.14, 68.93

 

CMYK 84 / 0 / 35 / 26

HEX #1EBC7A

RGB 30 188 122

HSL 154.94, 0.72%, 0.43%

LAB 67.76, -53.89, 22.74

 

CMYK 77 / 84 / 0 / 26

HEX #2B1EBC

RGB 43 30 188

HSL 244.94, 0.72%, 0.43%

LAB 26.94, 55.11, -78.18

 

CMYK 0 / 84 / 49 / 26

HEX #BC1E60

RGB 188 30 96

HSL 334.94, 0.72%, 0.43%

LAB 41.94, 63.23, 3.37

 

Description

Color code: HEX #AEBB1F | qconv.com Color code: HEX #AEBB1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 187 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 187 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 83 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 83% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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