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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEBE37 it is the complementary color #5141C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEBE37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEBE37 shade: #B3BE32, #C4D045, #D5E258, #E6F46B and #F7FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEBE37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEBE37 shade: #AEBE37, #9DAC24, #8C9A11, #7B8800 and #6A7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEBE37 shade: #ADBD37, #BDA937, #BD8537, #BD6037 and #BD3C37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEBE37 shade: #ADBD37, #89BD37, #65BD37, #40BD37 and #37BD51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEBE37 shade matches the following richer shades: #ADBD37, #BCD123 and #CBE50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEBE37 shade: #ADBD37, #9EA94A, #8F965E, #808272 and #716E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEBE37 shade: #BD8537, #BDA937, #AEBD37, #8ABD37 and #66BD37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEBE37 shade: #737D24, #909D2D, #ADBD37, #BECC51 and #C9D571

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEBE37 shade: #AEBE37, #37BD61 and #9737BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEBE37 shade: #AEBE37, #37AEBD and #BD37AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEBE37 shade: #AEBE37, #37BD61, #4637BD and #BD3793

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEBE37 shade: #AEBE37, #37BD8A, #4637BD and #BD376A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 71 / 25

HEX #AEBE37

RGB 174 190 55

HSL 67.11, 0.55%, 0.48%

LAB 73.61, -22.63, 62.54

 

Complementary color

CMYK 60 / 68 / 0 / 22

HEX #5141C8

RGB 81 65 200

HSL 247.11, 0.55%, 0.52%

LAB 37.3, 44.66, -68.05

 

CMYK 6 / 0 / 74 / 25

HEX #B3BE32

RGB 179 190 50

HSL 64.71, 0.58%, 0.47%

LAB 73.96, -20.78, 64.75

 

CMYK 6 / 0 / 67 / 18

HEX #C4D045

RGB 196 208 69

HSL 65.18, 0.6%, 0.54%

LAB 80.34, -21.55, 64.58

 

CMYK 6 / 0 / 61 / 11

HEX #D5E258

RGB 213 226 88

HSL 65.65, 0.7%, 0.62%

LAB 86.62, -22.19, 63.96

 

CMYK 6 / 0 / 56 / 4

HEX #E6F46B

RGB 230 244 107

HSL 66.13, 0.86%, 0.69%

LAB 92.83, -22.71, 63.11

 

CMYK 3 / 0 / 51 / 0

HEX #F7FF7E

RGB 247 255 126

HSL 63.72, 1%, 0.75%

LAB 97.15, -19.82, 60

 

CMYK 8 / 0 / 71 / 25

HEX #AEBE37

RGB 174 190 55

HSL 67.11, 0.55%, 0.48%

LAB 73.61, -22.63, 62.54

 

CMYK 9 / 0 / 79 / 33

HEX #9DAC24

RGB 157 172 36

HSL 66.62, 0.65%, 0.41%

LAB 67.13, -21.79, 62.28

 

CMYK 9 / 0 / 89 / 40

HEX #8C9A11

RGB 140 154 17

HSL 66.13, 0.8%, 0.34%

LAB 60.54, -20.74, 60.87

 

CMYK 10 / 0 / 100 / 47

HEX #7B8800

RGB 123 136 0

HSL 65.74, 1%, 0.27%

LAB 53.83, -19.45, 57.94

 

CMYK 10 / 0 / 100 / 54

HEX #6A7600

RGB 106 118 0

HSL 66.1, 1%, 0.23%

LAB 47, -17.82, 52.26

 

CMYK 8 / 0 / 71 / 26

HEX #ADBD37

RGB 173 189 55

HSL 67.16, 0.55%, 0.48%

LAB 73.26, -22.56, 62.16

 

CMYK 0 / 11 / 71 / 26

HEX #BDA937

RGB 189 169 55

HSL 51.04, 0.55%, 0.48%

LAB 69.09, -5.46, 58.49

 

CMYK 0 / 30 / 71 / 26

HEX #BD8537

RGB 189 133 55

HSL 34.93, 0.55%, 0.48%

LAB 59.77, 14.07, 48.99

 

CMYK 0 / 49 / 71 / 26

HEX #BD6037

RGB 189 96 55

HSL 18.36, 0.55%, 0.48%

LAB 51.22, 34.24, 39.76

 

CMYK 0 / 68 / 71 / 26

HEX #BD3C37

RGB 189 60 55

HSL 2.24, 0.55%, 0.48%

LAB 44.7, 51.26, 32.31

 

CMYK 8 / 0 / 71 / 26

HEX #ADBD37

RGB 173 189 55

HSL 67.16, 0.55%, 0.48%

LAB 73.26, -22.56, 62.16

 

CMYK 28 / 0 / 71 / 26

HEX #89BD37

RGB 137 189 55

HSL 83.28, 0.55%, 0.48%

LAB 70.86, -37.02, 58.99

 

CMYK 47 / 0 / 71 / 26

HEX #65BD37

RGB 101 189 55

HSL 99.4, 0.55%, 0.48%

LAB 69.07, -49.53, 56.59

 

CMYK 66 / 0 / 71 / 26

HEX #40BD37

RGB 64 189 55

HSL 115.97, 0.55%, 0.48%

LAB 67.84, -59.12, 54.94

 

CMYK 71 / 0 / 57 / 26

HEX #37BD51

RGB 55 189 81

HSL 131.64, 0.55%, 0.48%

LAB 67.87, -58.02, 43.76

 

CMYK 8 / 0 / 71 / 26

HEX #ADBD37

RGB 173 189 55

HSL 67.16, 0.55%, 0.48%

LAB 73.26, -22.56, 62.16

 

CMYK 10 / 0 / 83 / 18

HEX #BCD123

RGB 188 209 35

HSL 67.24, 0.71%, 0.48%

LAB 79.85, -26.81, 74.52

 

CMYK 11 / 0 / 93 / 10

HEX #CBE50F

RGB 203 229 15

HSL 67.29, 0.88%, 0.48%

LAB 86.39, -30.48, 83.54

 

CMYK 8 / 0 / 71 / 26

HEX #ADBD37

RGB 173 189 55

HSL 67.16, 0.55%, 0.48%

LAB 73.26, -22.56, 62.16

 

CMYK 7 / 0 / 56 / 34

HEX #9EA94A

RGB 158 169 74

HSL 66.95, 0.39%, 0.48%

LAB 66.63, -17.52, 46.84

 

CMYK 5 / 0 / 37 / 41

HEX #8F965E

RGB 143 150 94

HSL 67.5, 0.23%, 0.48%

LAB 60.3, -11.75, 28.71

 

CMYK 2 / 0 / 12 / 49

HEX #808272

RGB 128 130 114

HSL 67.5, 0.07%, 0.48%

LAB 53.78, -3.77, 8.41

 

CMYK 16 / 18 / 0 / 47

HEX #716E86

RGB 113 110 134

HSL 247.5, 0.1%, 0.48%

LAB 47.47, 6.39, -12.76

 

CMYK 0 / 30 / 71 / 26

HEX #BD8537

RGB 189 133 55

HSL 34.93, 0.55%, 0.48%

LAB 59.77, 14.07, 48.99

 

CMYK 0 / 11 / 71 / 26

HEX #BDA937

RGB 189 169 55

HSL 51.04, 0.55%, 0.48%

LAB 69.09, -5.46, 58.49

 

CMYK 8 / 0 / 71 / 26

HEX #AEBD37

RGB 174 189 55

HSL 66.72, 0.55%, 0.48%

LAB 73.33, -22.14, 62.26

 

CMYK 27 / 0 / 71 / 26

HEX #8ABD37

RGB 138 189 55

HSL 82.84, 0.55%, 0.48%

LAB 70.92, -36.64, 59.07

 

CMYK 46 / 0 / 71 / 26

HEX #66BD37

RGB 102 189 55

HSL 98.96, 0.55%, 0.48%

LAB 69.11, -49.22, 56.64

 

CMYK 8 / 0 / 71 / 51

HEX #737D24

RGB 115 125 36

HSL 66.74, 0.55%, 0.32%

LAB 50.02, -16.07, 44.93

 

CMYK 8 / 0 / 71 / 38

HEX #909D2D

RGB 144 157 45

HSL 66.96, 0.55%, 0.4%

LAB 61.85, -19.41, 53.92

 

CMYK 8 / 0 / 71 / 26

HEX #ADBD37

RGB 173 189 55

HSL 67.16, 0.55%, 0.48%

LAB 73.26, -22.56, 62.16

 

CMYK 7 / 0 / 60 / 20

HEX #BECC51

RGB 190 204 81

HSL 66.83, 0.55%, 0.56%

LAB 78.88, -21.28, 58.03

 

CMYK 6 / 0 / 47 / 16

HEX #C9D571

RGB 201 213 113

HSL 67.2, 0.54%, 0.64%

LAB 82.49, -18.57, 47.74

 

CMYK 8 / 0 / 71 / 25

HEX #AEBE37

RGB 174 190 55

HSL 67.11, 0.55%, 0.48%

LAB 73.61, -22.63, 62.54

 

CMYK 71 / 0 / 49 / 26

HEX #37BD61

RGB 55 189 97

HSL 138.81, 0.55%, 0.48%

LAB 68.07, -55.71, 36.21

 

CMYK 20 / 71 / 0 / 26

HEX #9737BD

RGB 151 55 189

HSL 282.99, 0.55%, 0.48%

LAB 42.74, 59.79, -52.42

 

CMYK 8 / 0 / 71 / 25

HEX #AEBE37

RGB 174 190 55

HSL 67.11, 0.55%, 0.48%

LAB 73.61, -22.63, 62.54

 

CMYK 71 / 8 / 0 / 26

HEX #37AEBD

RGB 55 174 189

HSL 186.72, 0.55%, 0.48%

LAB 65.56, -27.41, -17.19

 

CMYK 0 / 71 / 8 / 26

HEX #BD37AE

RGB 189 55 174

HSL 306.72, 0.55%, 0.48%

LAB 47.76, 65.57, -35.27

 

CMYK 8 / 0 / 71 / 25

HEX #AEBE37

RGB 174 190 55

HSL 67.11, 0.55%, 0.48%

LAB 73.61, -22.63, 62.54

 

CMYK 71 / 0 / 49 / 26

HEX #37BD61

RGB 55 189 97

HSL 138.81, 0.55%, 0.48%

LAB 68.07, -55.71, 36.21

 

CMYK 63 / 71 / 0 / 26

HEX #4637BD

RGB 70 55 189

HSL 246.72, 0.55%, 0.48%

LAB 33.37, 45.33, -68.09

 

CMYK 0 / 71 / 22 / 26

HEX #BD3793

RGB 189 55 147

HSL 318.81, 0.55%, 0.48%

LAB 46.52, 61.68, -21.13

 

CMYK 8 / 0 / 71 / 25

HEX #AEBE37

RGB 174 190 55

HSL 67.11, 0.55%, 0.48%

LAB 73.61, -22.63, 62.54

 

CMYK 71 / 0 / 27 / 26

HEX #37BD8A

RGB 55 189 138

HSL 157.16, 0.55%, 0.48%

LAB 68.78, -47.84, 15.61

 

CMYK 63 / 71 / 0 / 26

HEX #4637BD

RGB 70 55 189

HSL 246.72, 0.55%, 0.48%

LAB 33.37, 45.33, -68.09

 

CMYK 0 / 71 / 44 / 26

HEX #BD376A

RGB 189 55 106

HSL 337.16, 0.55%, 0.48%

LAB 45.07, 56.93, 1.69

 

Description

Color code: HEX #AEBE37 | qconv.com Color code: HEX #AEBE37 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 190 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 190 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 71 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 71% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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