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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC431 it is the complementary color #513BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC431 shade: #B3C42C, #C4D63F, #D5E852, #E6FA65 and #F7FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC431 shade: #AEC431, #9DB21E, #8CA00B, #7B8E00 and #6A7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC431 shade: #ADC330, #C3B230, #C38A30, #C36230 and #C33B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC431 shade: #ADC330, #86C330, #5EC330, #37C330 and #30C352

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC431 shade matches the following richer shades: #ADC330, #BBD71D and #C9EB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC431 shade: #ADC330, #9FB044, #929C58, #84886C and #767480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC431 shade: #C38930, #C3B030, #B0C330, #89C330 and #61C330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC431 shade: #738120, #90A228, #ADC330, #BED24B and #CADA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC431 shade: #AEC431, #30C361 and #9C30C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC431 shade: #AEC431, #30B0C3 and #C330B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC431 shade: #AEC431, #30C361, #4430C3 and #C33092

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC431 shade: #AEC431, #30C38D, #4430C3 and #C33066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 75 / 23

HEX #AEC431

RGB 174 196 49

HSL 68.98, 0.6%, 0.48%

LAB 75.26, -25.85, 66.18

 

Complementary color

CMYK 61 / 71 / 0 / 19

HEX #513BCE

RGB 81 59 206

HSL 248.98, 0.6%, 0.52%

LAB 36.62, 49.83, -72.65

 

CMYK 9 / 0 / 78 / 23

HEX #B3C42C

RGB 179 196 44

HSL 66.71, 0.63%, 0.47%

LAB 75.6, -23.98, 68.17

 

CMYK 8 / 0 / 71 / 16

HEX #C4D63F

RGB 196 214 63

HSL 67.15, 0.65%, 0.54%

LAB 81.94, -24.79, 68.39

 

CMYK 8 / 0 / 65 / 9

HEX #D5E852

RGB 213 232 82

HSL 67.6, 0.77%, 0.62%

LAB 88.19, -25.45, 68.03

 

CMYK 8 / 0 / 60 / 2

HEX #E6FA65

RGB 230 250 101

HSL 68.05, 0.94%, 0.69%

LAB 94.37, -25.99, 67.35

 

CMYK 3 / 0 / 53 / 0

HEX #F7FF78

RGB 247 255 120

HSL 63.56, 1%, 0.74%

LAB 97.09, -20.31, 62.6

 

CMYK 11 / 0 / 75 / 23

HEX #AEC431

RGB 174 196 49

HSL 68.98, 0.6%, 0.48%

LAB 75.26, -25.85, 66.18

 

CMYK 12 / 0 / 83 / 30

HEX #9DB21E

RGB 157 178 30

HSL 68.51, 0.71%, 0.41%

LAB 68.83, -24.97, 65.41

 

CMYK 13 / 0 / 93 / 37

HEX #8CA00B

RGB 140 160 11

HSL 68.05, 0.87%, 0.34%

LAB 62.29, -23.87, 63.29

 

CMYK 13 / 0 / 100 / 44

HEX #7B8E00

RGB 123 142 0

HSL 68.03, 1%, 0.28%

LAB 55.64, -22.51, 59.29

 

CMYK 15 / 0 / 100 / 51

HEX #6A7C00

RGB 106 124 0

HSL 68.71, 1%, 0.24%

LAB 48.86, -20.95, 53.64

 

CMYK 11 / 0 / 75 / 24

HEX #ADC330

RGB 173 195 48

HSL 68.98, 0.6%, 0.48%

LAB 74.91, -25.83, 66.14

 

CMYK 0 / 9 / 75 / 24

HEX #C3B230

RGB 195 178 48

HSL 53.06, 0.6%, 0.48%

LAB 72, -7.89, 64.06

 

CMYK 0 / 29 / 75 / 24

HEX #C38A30

RGB 195 138 48

HSL 36.73, 0.6%, 0.48%

LAB 61.65, 13.61, 54.17

 

CMYK 0 / 50 / 75 / 24

HEX #C36230

RGB 195 98 48

HSL 20.41, 0.6%, 0.48%

LAB 52.45, 35.26, 44.92

 

CMYK 0 / 70 / 75 / 24

HEX #C33B30

RGB 195 59 48

HSL 4.49, 0.6%, 0.48%

LAB 45.56, 53.32, 37.58

 

CMYK 11 / 0 / 75 / 24

HEX #ADC330

RGB 173 195 48

HSL 68.98, 0.6%, 0.48%

LAB 74.91, -25.83, 66.14

 

CMYK 31 / 0 / 75 / 24

HEX #86C330

RGB 134 195 48

HSL 84.9, 0.6%, 0.48%

LAB 72.44, -41.21, 62.92

 

CMYK 52 / 0 / 75 / 24

HEX #5EC330

RGB 94 195 48

HSL 101.22, 0.6%, 0.48%

LAB 70.61, -54.4, 60.53

 

CMYK 72 / 0 / 75 / 24

HEX #37C330

RGB 55 195 48

HSL 117.14, 0.6%, 0.48%

LAB 69.51, -63.34, 59.07

 

CMYK 75 / 0 / 58 / 24

HEX #30C352

RGB 48 195 82

HSL 133.88, 0.6%, 0.48%

LAB 69.66, -61.04, 45.36

 

CMYK 11 / 0 / 75 / 24

HEX #ADC330

RGB 173 195 48

HSL 68.98, 0.6%, 0.48%

LAB 74.91, -25.83, 66.14

 

CMYK 13 / 0 / 87 / 16

HEX #BBD71D

RGB 187 215 29

HSL 69.03, 0.76%, 0.48%

LAB 81.43, -30.22, 77.07

 

CMYK 14 / 0 / 96 / 8

HEX #C9EB09

RGB 201 235 9

HSL 69.03, 0.93%, 0.48%

LAB 87.9, -34.12, 85.18

 

CMYK 11 / 0 / 75 / 24

HEX #ADC330

RGB 173 195 48

HSL 68.98, 0.6%, 0.48%

LAB 74.91, -25.83, 66.14

 

CMYK 10 / 0 / 61 / 31

HEX #9FB044

RGB 159 176 68

HSL 69.44, 0.44%, 0.48%

LAB 68.63, -21.12, 51.83

 

CMYK 6 / 0 / 44 / 39

HEX #929C58

RGB 146 156 88

HSL 68.82, 0.28%, 0.48%

LAB 62.16, -14.41, 34.32

 

CMYK 3 / 0 / 21 / 47

HEX #84886C

RGB 132 136 108

HSL 68.57, 0.11%, 0.48%

LAB 55.68, -6.57, 14.57

 

CMYK 8 / 9 / 0 / 50

HEX #767480

RGB 118 116 128

HSL 250, 0.05%, 0.48%

LAB 49.38, 3.27, -6.31

 

CMYK 0 / 30 / 75 / 24

HEX #C38930

RGB 195 137 48

HSL 36.33, 0.6%, 0.48%

LAB 61.4, 14.16, 53.93

 

CMYK 0 / 10 / 75 / 24

HEX #C3B030

RGB 195 176 48

HSL 52.24, 0.6%, 0.48%

LAB 71.46, -6.84, 63.56

 

CMYK 10 / 0 / 75 / 24

HEX #B0C330

RGB 176 195 48

HSL 67.76, 0.6%, 0.48%

LAB 75.12, -24.58, 66.42

 

CMYK 30 / 0 / 75 / 24

HEX #89C330

RGB 137 195 48

HSL 83.67, 0.6%, 0.48%

LAB 72.6, -40.1, 63.14

 

CMYK 50 / 0 / 75 / 24

HEX #61C330

RGB 97 195 48

HSL 100, 0.6%, 0.48%

LAB 70.72, -53.54, 60.68

 

CMYK 11 / 0 / 75 / 49

HEX #738120

RGB 115 129 32

HSL 68.66, 0.6%, 0.32%

LAB 51.21, -18.41, 47.66

 

CMYK 11 / 0 / 75 / 36

HEX #90A228

RGB 144 162 40

HSL 68.85, 0.6%, 0.4%

LAB 63.28, -22.2, 57.1

 

CMYK 11 / 0 / 75 / 24

HEX #ADC330

RGB 173 195 48

HSL 68.98, 0.6%, 0.48%

LAB 74.91, -25.83, 66.14

 

CMYK 10 / 0 / 64 / 18

HEX #BED24B

RGB 190 210 75

HSL 68.89, 0.6%, 0.56%

LAB 80.49, -24.61, 62.24

 

CMYK 7 / 0 / 50 / 15

HEX #CADA6C

RGB 202 218 108

HSL 68.73, 0.6%, 0.64%

LAB 83.85, -21.1, 51.77

 

CMYK 11 / 0 / 75 / 23

HEX #AEC431

RGB 174 196 49

HSL 68.98, 0.6%, 0.48%

LAB 75.26, -25.85, 66.18

 

CMYK 75 / 0 / 50 / 24

HEX #30C361

RGB 48 195 97

HSL 140, 0.6%, 0.48%

LAB 69.84, -58.91, 38.39

 

CMYK 20 / 75 / 0 / 24

HEX #9C30C3

RGB 156 48 195

HSL 284.08, 0.6%, 0.48%

LAB 42.95, 64.64, -55.56

 

CMYK 11 / 0 / 75 / 23

HEX #AEC431

RGB 174 196 49

HSL 68.98, 0.6%, 0.48%

LAB 75.26, -25.85, 66.18

 

CMYK 75 / 10 / 0 / 24

HEX #30B0C3

RGB 48 176 195

HSL 187.76, 0.6%, 0.48%

LAB 66.23, -27.4, -19.51

 

CMYK 0 / 75 / 10 / 24

HEX #C330B0

RGB 195 48 176

HSL 307.76, 0.6%, 0.48%

LAB 48.07, 69.48, -35.89

 

CMYK 11 / 0 / 75 / 23

HEX #AEC431

RGB 174 196 49

HSL 68.98, 0.6%, 0.48%

LAB 75.26, -25.85, 66.18

 

CMYK 75 / 0 / 50 / 24

HEX #30C361

RGB 48 195 97

HSL 140, 0.6%, 0.48%

LAB 69.84, -58.91, 38.39

 

CMYK 65 / 75 / 0 / 24

HEX #4430C3

RGB 68 48 195

HSL 248.16, 0.6%, 0.48%

LAB 32.44, 50.72, -73.14

 

CMYK 0 / 75 / 25 / 24

HEX #C33092

RGB 195 48 146

HSL 320, 0.6%, 0.48%

LAB 46.7, 65.38, -20.17

 

CMYK 11 / 0 / 75 / 23

HEX #AEC431

RGB 174 196 49

HSL 68.98, 0.6%, 0.48%

LAB 75.26, -25.85, 66.18

 

CMYK 75 / 0 / 28 / 24

HEX #30C38D

RGB 48 195 141

HSL 157.96, 0.6%, 0.48%

LAB 70.58, -50.54, 16.47

 

CMYK 65 / 75 / 0 / 24

HEX #4430C3

RGB 68 48 195

HSL 248.16, 0.6%, 0.48%

LAB 32.44, 50.72, -73.14

 

CMYK 0 / 75 / 48 / 24

HEX #C33066

RGB 195 48 102

HSL 337.96, 0.6%, 0.48%

LAB 45.19, 60.68, 4.46

 

Description

Color code: HEX #AEC431 | qconv.com Color code: HEX #AEC431 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 196 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 196 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 75 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 75% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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