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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC47D it is the complementary color #513B82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC47D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC47D shade: #B3C478, #C4D68B, #D5E89E, #E6FAB1 and #F7FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC47D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC47D shade: #AEC47D, #9DB26A, #8CA057, #7B8E44 and #6A7C31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC47D shade: #AEC47C, #C1C47C, #C4B47C, #C4A07C and #C48D7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC47D shade: #AEC47C, #9AC47C, #87C47C, #7CC485 and #7CC498

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC47D shade matches the following richer shades: #AEC47C, #B4D36D, #B9E35E and #BFF24E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC47D shade: #AEC47C, #A8B58C, #A2A59B, #9C96AA and #9787B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC47D shade: #C4B37C, #C2C47C, #AEC47C, #9BC47C and #88C47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC47D shade: #88A44A, #9CB760, #AEC47C, #BFD199 and #D1DEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC47D shade: #AEC47D, #7CC4A0 and #BD7CC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC47D shade: #AEC47D, #7CAEC4 and #C47CAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC47D shade: #AEC47D, #7CC4A0, #927CC4 and #C47CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC47D shade: #AEC47D, #7CC4B6, #927CC4 and #C47C8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 36 / 23

HEX #AEC47D

RGB 174 196 125

HSL 78.59, 0.38%, 0.63%

LAB 76.04, -19.27, 33.22

 

Complementary color

CMYK 38 / 55 / 0 / 49

HEX #513B82

RGB 81 59 130

HSL 258.59, 0.38%, 0.37%

LAB 30.61, 26.86, -36.81

 

CMYK 9 / 0 / 39 / 23

HEX #B3C478

RGB 179 196 120

HSL 73.42, 0.39%, 0.62%

LAB 76.33, -17.97, 36.22

 

CMYK 8 / 0 / 35 / 16

HEX #C4D68B

RGB 196 214 139

HSL 74.4, 0.48%, 0.69%

LAB 82.75, -18.1, 35.08

 

CMYK 8 / 0 / 32 / 9

HEX #D5E89E

RGB 213 232 158

HSL 75.41, 0.62%, 0.76%

LAB 89.08, -18.2, 33.98

 

CMYK 8 / 0 / 29 / 2

HEX #E6FAB1

RGB 230 250 177

HSL 76.44, 0.88%, 0.84%

LAB 95.32, -18.28, 32.92

 

CMYK 3 / 0 / 23 / 0

HEX #F7FFC4

RGB 247 255 196

HSL 68.14, 1%, 0.88%

LAB 98.15, -12.02, 27.38

 

CMYK 11 / 0 / 36 / 23

HEX #AEC47D

RGB 174 196 125

HSL 78.59, 0.38%, 0.63%

LAB 76.04, -19.27, 33.22

 

CMYK 12 / 0 / 40 / 30

HEX #9DB26A

RGB 157 178 106

HSL 77.5, 0.32%, 0.56%

LAB 69.5, -19.18, 34.39

 

CMYK 13 / 0 / 46 / 37

HEX #8CA057

RGB 140 160 87

HSL 76.44, 0.3%, 0.48%

LAB 62.85, -19.05, 35.59

 

CMYK 13 / 0 / 52 / 44

HEX #7B8E44

RGB 123 142 68

HSL 75.41, 0.35%, 0.41%

LAB 56.06, -18.85, 36.8

 

CMYK 15 / 0 / 60 / 51

HEX #6A7C31

RGB 106 124 49

HSL 74.4, 0.43%, 0.34%

LAB 49.13, -18.54, 37.92

 

CMYK 11 / 0 / 37 / 23

HEX #AEC47C

RGB 174 196 124

HSL 78.33, 0.38%, 0.63%

LAB 76.03, -19.4, 33.71

 

CMYK 2 / 0 / 37 / 23

HEX #C1C47C

RGB 193 196 124

HSL 62.5, 0.38%, 0.63%

LAB 77.44, -12.01, 35.82

 

CMYK 0 / 8 / 37 / 23

HEX #C4B47C

RGB 196 180 124

HSL 46.67, 0.38%, 0.63%

LAB 73.44, -2.49, 30.66

 

CMYK 0 / 18 / 37 / 23

HEX #C4A07C

RGB 196 160 124

HSL 30, 0.38%, 0.63%

LAB 68.27, 8.25, 23.78

 

CMYK 0 / 28 / 37 / 23

HEX #C48D7C

RGB 196 141 124

HSL 14.17, 0.38%, 0.63%

LAB 63.54, 18.67, 17.35

 

CMYK 11 / 0 / 37 / 23

HEX #AEC47C

RGB 174 196 124

HSL 78.33, 0.38%, 0.63%

LAB 76.03, -19.4, 33.71

 

CMYK 21 / 0 / 37 / 23

HEX #9AC47C

RGB 154 196 124

HSL 95, 0.38%, 0.63%

LAB 74.7, -26.85, 31.73

 

CMYK 31 / 0 / 37 / 23

HEX #87C47C

RGB 135 196 124

HSL 110.83, 0.38%, 0.63%

LAB 73.6, -33.48, 30.08

 

CMYK 37 / 0 / 32 / 23

HEX #7CC485

RGB 124 196 133

HSL 127.5, 0.38%, 0.63%

LAB 73.19, -35.58, 24.71

 

CMYK 37 / 0 / 22 / 23

HEX #7CC498

RGB 124 196 152

HSL 143.33, 0.38%, 0.63%

LAB 73.57, -32.1, 15.09

 

CMYK 11 / 0 / 37 / 23

HEX #AEC47C

RGB 174 196 124

HSL 78.33, 0.38%, 0.63%

LAB 76.03, -19.4, 33.71

 

CMYK 15 / 0 / 48 / 17

HEX #B4D36D

RGB 180 211 109

HSL 78.24, 0.54%, 0.63%

LAB 80.4, -26.18, 46.79

 

CMYK 19 / 0 / 59 / 11

HEX #B9E35E

RGB 185 227 94

HSL 78.95, 0.7%, 0.63%

LAB 85.03, -33.19, 59.13

 

CMYK 21 / 0 / 68 / 5

HEX #BFF24E

RGB 191 242 78

HSL 78.66, 0.86%, 0.63%

LAB 89.45, -38.87, 70.39

 

CMYK 11 / 0 / 37 / 23

HEX #AEC47C

RGB 174 196 124

HSL 78.33, 0.38%, 0.63%

LAB 76.03, -19.4, 33.71

 

CMYK 7 / 0 / 23 / 29

HEX #A8B58C

RGB 168 181 140

HSL 79.02, 0.22%, 0.63%

LAB 71.74, -11.76, 19.43

 

CMYK 2 / 0 / 6 / 35

HEX #A2A59B

RGB 162 165 155

HSL 78, 0.05%, 0.63%

LAB 67.25, -2.94, 4.8

 

CMYK 8 / 12 / 0 / 33

HEX #9C96AA

RGB 156 150 170

HSL 258, 0.11%, 0.63%

LAB 63.16, 6.15, -9.66

 

CMYK 18 / 27 / 0 / 27

HEX #9787B9

RGB 151 135 185

HSL 259.2, 0.26%, 0.63%

LAB 59.35, 16.33, -23.97

 

CMYK 0 / 9 / 37 / 23

HEX #C4B37C

RGB 196 179 124

HSL 45.83, 0.38%, 0.63%

LAB 73.17, -1.96, 30.32

 

CMYK 1 / 0 / 37 / 23

HEX #C2C47C

RGB 194 196 124

HSL 61.67, 0.38%, 0.63%

LAB 77.52, -11.62, 35.94

 

CMYK 11 / 0 / 37 / 23

HEX #AEC47C

RGB 174 196 124

HSL 78.33, 0.38%, 0.63%

LAB 76.03, -19.4, 33.71

 

CMYK 21 / 0 / 37 / 23

HEX #9BC47C

RGB 155 196 124

HSL 94.17, 0.38%, 0.63%

LAB 74.76, -26.49, 31.82

 

CMYK 31 / 0 / 37 / 23

HEX #88C47C

RGB 136 196 124

HSL 110, 0.38%, 0.63%

LAB 73.66, -33.15, 30.16

 

CMYK 17 / 0 / 55 / 36

HEX #88A44A

RGB 136 164 74

HSL 78.67, 0.38%, 0.47%

LAB 63.57, -24.07, 42.91

 

CMYK 15 / 0 / 48 / 28

HEX #9CB760

RGB 156 183 96

HSL 78.62, 0.38%, 0.55%

LAB 70.72, -23.24, 40.97

 

CMYK 11 / 0 / 37 / 23

HEX #AEC47C

RGB 174 196 124

HSL 78.33, 0.38%, 0.63%

LAB 76.03, -19.4, 33.71

 

CMYK 9 / 0 / 27 / 18

HEX #BFD199

RGB 191 209 153

HSL 79.29, 0.38%, 0.71%

LAB 81.28, -15.58, 25.83

 

CMYK 6 / 0 / 18 / 13

HEX #D1DEB5

RGB 209 222 181

HSL 79.02, 0.38%, 0.79%

LAB 86.57, -11.4, 18.67

 

CMYK 11 / 0 / 36 / 23

HEX #AEC47D

RGB 174 196 125

HSL 78.59, 0.38%, 0.63%

LAB 76.04, -19.27, 33.22

 

CMYK 37 / 0 / 18 / 23

HEX #7CC4A0

RGB 124 196 160

HSL 150, 0.38%, 0.63%

LAB 73.74, -30.5, 11.03

 

CMYK 4 / 37 / 0 / 23

HEX #BD7CC4

RGB 189 124 196

HSL 294.17, 0.38%, 0.63%

LAB 60.97, 37.06, -27.39

 

CMYK 11 / 0 / 36 / 23

HEX #AEC47D

RGB 174 196 125

HSL 78.59, 0.38%, 0.63%

LAB 76.04, -19.27, 33.22

 

CMYK 37 / 11 / 0 / 23

HEX #7CAEC4

RGB 124 174 196

HSL 198.33, 0.38%, 0.63%

LAB 68.42, -11, -16.49

 

CMYK 0 / 37 / 11 / 23

HEX #C47CAE

RGB 196 124 174

HSL 318.33, 0.38%, 0.63%

LAB 60.96, 35.35, -14.83

 

CMYK 11 / 0 / 36 / 23

HEX #AEC47D

RGB 174 196 125

HSL 78.59, 0.38%, 0.63%

LAB 76.04, -19.27, 33.22

 

CMYK 37 / 0 / 18 / 23

HEX #7CC4A0

RGB 124 196 160

HSL 150, 0.38%, 0.63%

LAB 73.74, -30.5, 11.03

 

CMYK 26 / 37 / 0 / 23

HEX #927CC4

RGB 146 124 196

HSL 258.33, 0.38%, 0.63%

LAB 56.6, 23.79, -34.52

 

CMYK 0 / 37 / 18 / 23

HEX #C47CA0

RGB 196 124 160

HSL 330, 0.38%, 0.63%

LAB 60.51, 33.06, -7.51

 

CMYK 11 / 0 / 36 / 23

HEX #AEC47D

RGB 174 196 125

HSL 78.59, 0.38%, 0.63%

LAB 76.04, -19.27, 33.22

 

CMYK 37 / 0 / 7 / 23

HEX #7CC4B6

RGB 124 196 182

HSL 168.33, 0.38%, 0.63%

LAB 74.28, -25.73, -0.1

 

CMYK 26 / 37 / 0 / 23

HEX #927CC4

RGB 146 124 196

HSL 258.33, 0.38%, 0.63%

LAB 56.6, 23.79, -34.52

 

CMYK 0 / 37 / 29 / 23

HEX #C47C8B

RGB 196 124 139

HSL 347.5, 0.38%, 0.63%

LAB 59.9, 29.96, 3.67

 

Description

Color code: HEX #AEC47D | qconv.com Color code: HEX #AEC47D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 196 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 196 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 36 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 36% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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