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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC7D5 it is the complementary color #51382A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC7D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC7D5 shade: #B3C7D0, #C4D9E3, #D5EBF6, #E6FDFF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC7D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC7D5 shade: #AEC7D5, #9DB5C2, #8CA3AF, #7B919C and #6A7F89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC7D5 shade: #AEC7D5, #AEBCD5, #AEB2D5, #B4AED5 and #BFAED5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC7D5 shade: #AEC7D5, #AEBCD5, #AEB2D5 and #AEAED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC7D5 shade matches the following richer shades: #AEC7D5, #A4CADF, #9ACCE9, #90CFF3 and #86D2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC7D5 shade: #AEC7D5, #B8C4CB, #C2C1C1, #CBBEB7 and #D5BCAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC7D5 shade: #AED5CE, #AED2D5, #AEC7D5, #AEBDD5 and #AEB2D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC7D5 shade: #77A1B9, #92B4C7, #AEC7D5, #C9DAE3 and #E4ECF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC7D5 shade: #AEC7D5, #C3AED5 and #D5D3AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC7D5 shade: #AEC7D5, #D5AEC7 and #C7D5AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC7D5 shade: #AEC7D5, #C3AED5, #D5BBAE and #BFD5AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC7D5 shade: #AEC7D5, #CFAED5, #D5BBAE and #B4D5AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

Complementary color

CMYK 0 / 31 / 48 / 68

HEX #51382A

RGB 81 56 42

HSL 21.54, 0.32%, 0.24%

LAB 26, 9.11, 13.16

 

CMYK 14 / 4 / 0 / 18

HEX #B3C7D0

RGB 179 199 208

HSL 198.62, 0.24%, 0.76%

LAB 79.03, -4.92, -6.8

 

CMYK 14 / 4 / 0 / 11

HEX #C4D9E3

RGB 196 217 227

HSL 199.35, 0.36%, 0.83%

LAB 85.46, -4.99, -7.29

 

CMYK 13 / 4 / 0 / 4

HEX #D5EBF6

RGB 213 235 246

HSL 200, 0.65%, 0.9%

LAB 91.78, -5.05, -7.78

 

CMYK 10 / 1 / 0 / 0

HEX #E6FDFF

RGB 230 253 255

HSL 184.8, 1%, 0.95%

LAB 97.75, -7.06, -3.51

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 19 / 7 / 0 / 24

HEX #9DB5C2

RGB 157 181 194

HSL 201.08, 0.23%, 0.69%

LAB 72.3, -5.4, -9.35

 

CMYK 20 / 7 / 0 / 31

HEX #8CA3AF

RGB 140 163 175

HSL 200.57, 0.18%, 0.62%

LAB 65.64, -5.35, -8.89

 

CMYK 21 / 7 / 0 / 39

HEX #7B919C

RGB 123 145 156

HSL 200, 0.14%, 0.55%

LAB 58.85, -5.3, -8.42

 

CMYK 23 / 7 / 0 / 46

HEX #6A7F89

RGB 106 127 137

HSL 199.35, 0.13%, 0.48%

LAB 51.89, -5.25, -7.95

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 18 / 12 / 0 / 16

HEX #AEBCD5

RGB 174 188 213

HSL 218.46, 0.32%, 0.76%

LAB 75.93, 0.4, -14.16

 

CMYK 18 / 16 / 0 / 16

HEX #AEB2D5

RGB 174 178 213

HSL 233.85, 0.32%, 0.76%

LAB 73.31, 5.84, -18.1

 

CMYK 15 / 18 / 0 / 16

HEX #B4AED5

RGB 180 174 213

HSL 249.23, 0.32%, 0.76%

LAB 72.75, 9.95, -18.92

 

CMYK 10 / 18 / 0 / 16

HEX #BFAED5

RGB 191 174 213

HSL 266.15, 0.32%, 0.76%

LAB 73.64, 13.51, -17.47

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 18 / 12 / 0 / 16

HEX #AEBCD5

RGB 174 188 213

HSL 218.46, 0.32%, 0.76%

LAB 75.93, 0.4, -14.16

 

CMYK 18 / 16 / 0 / 16

HEX #AEB2D5

RGB 174 178 213

HSL 233.85, 0.32%, 0.76%

LAB 73.31, 5.84, -18.1

 

CMYK 18 / 18 / 0 / 16

HEX #AEAED5

RGB 174 174 213

HSL 240, 0.32%, 0.76%

LAB 72.28, 8.03, -19.67

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 26 / 9 / 0 / 13

HEX #A4CADF

RGB 164 202 223

HSL 201.36, 0.48%, 0.76%

LAB 79.31, -7.85, -14.55

 

CMYK 34 / 12 / 0 / 9

HEX #9ACCE9

RGB 154 204 233

HSL 202.03, 0.64%, 0.76%

LAB 79.58, -9.36, -19.56

 

CMYK 41 / 15 / 0 / 5

HEX #90CFF3

RGB 144 207 243

HSL 201.82, 0.8%, 0.76%

LAB 80.19, -11.02, -24.02

 

CMYK 47 / 17 / 0 / 1

HEX #86D2FC

RGB 134 210 252

HSL 201.36, 0.95%, 0.76%

LAB 80.84, -12.6, -27.87

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 9 / 3 / 0 / 20

HEX #B8C4CB

RGB 184 196 203

HSL 202.11, 0.15%, 0.76%

LAB 78.45, -2.72, -4.92

 

CMYK 0 / 1 / 1 / 24

HEX #C2C1C1

RGB 194 193 193

HSL 0, 0.01%, 0.76%

LAB 78.15, 0.35, 0.11

 

CMYK 0 / 6 / 10 / 20

HEX #CBBEB7

RGB 203 190 183

HSL 21, 0.16%, 0.76%

LAB 77.84, 3.37, 5.16

 

CMYK 0 / 12 / 19 / 16

HEX #D5BCAD

RGB 213 188 173

HSL 22.5, 0.32%, 0.76%

LAB 77.95, 6.49, 10.84

 

CMYK 18 / 0 / 3 / 16

HEX #AED5CE

RGB 174 213 206

HSL 169.23, 0.32%, 0.76%

LAB 82.4, -14.19, -0.8

 

CMYK 18 / 1 / 0 / 16

HEX #AED2D5

RGB 174 210 213

HSL 184.62, 0.32%, 0.76%

LAB 81.78, -11.19, -5.45

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 18 / 11 / 0 / 16

HEX #AEBDD5

RGB 174 189 213

HSL 216.92, 0.32%, 0.76%

LAB 76.19, -0.13, -13.77

 

CMYK 18 / 16 / 0 / 16

HEX #AEB2D5

RGB 174 178 213

HSL 233.85, 0.32%, 0.76%

LAB 73.31, 5.84, -18.1

 

CMYK 36 / 13 / 0 / 27

HEX #77A1B9

RGB 119 161 185

HSL 201.82, 0.32%, 0.6%

LAB 64.09, -8.19, -16.95

 

CMYK 27 / 10 / 0 / 22

HEX #92B4C7

RGB 146 180 199

HSL 201.51, 0.32%, 0.68%

LAB 71.47, -7.13, -13.41

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 11 / 4 / 0 / 11

HEX #C9DAE3

RGB 201 218 227

HSL 200.77, 0.32%, 0.84%

LAB 86.06, -3.91, -6.36

 

CMYK 5 / 2 / 0 / 5

HEX #E4ECF1

RGB 228 236 241

HSL 203.08, 0.32%, 0.92%

LAB 92.94, -1.73, -3.35

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 8 / 18 / 0 / 16

HEX #C3AED5

RGB 195 174 213

HSL 272.31, 0.32%, 0.76%

LAB 73.98, 14.83, -16.93

 

CMYK 0 / 1 / 18 / 16

HEX #D5D3AE

RGB 213 211 174

HSL 56.92, 0.32%, 0.76%

LAB 83.86, -5.41, 18.61

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 0 / 18 / 7 / 16

HEX #D5AEC7

RGB 213 174 199

HSL 321.54, 0.32%, 0.76%

LAB 75.17, 18.29, -7.35

 

CMYK 7 / 0 / 18 / 16

HEX #C7D5AE

RGB 199 213 174

HSL 81.54, 0.32%, 0.76%

LAB 83.33, -11.52, 17.72

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 8 / 18 / 0 / 16

HEX #C3AED5

RGB 195 174 213

HSL 272.31, 0.32%, 0.76%

LAB 73.98, 14.83, -16.93

 

CMYK 0 / 12 / 18 / 16

HEX #D5BBAE

RGB 213 187 174

HSL 20, 0.32%, 0.76%

LAB 77.72, 7.18, 9.97

 

CMYK 10 / 0 / 18 / 16

HEX #BFD5AE

RGB 191 213 174

HSL 93.85, 0.32%, 0.76%

LAB 82.76, -14.37, 16.84

 

CMYK 18 / 7 / 0 / 16

HEX #AEC7D5

RGB 174 199 213

HSL 201.54, 0.32%, 0.76%

LAB 78.84, -5.46, -9.81

 

CMYK 3 / 18 / 0 / 16

HEX #CFAED5

RGB 207 174 213

HSL 290.77, 0.32%, 0.76%

LAB 75.04, 18.82, -15.23

 

CMYK 0 / 12 / 18 / 16

HEX #D5BBAE

RGB 213 187 174

HSL 20, 0.32%, 0.76%

LAB 77.72, 7.18, 9.97

 

CMYK 15 / 0 / 18 / 16

HEX #B4D5AE

RGB 180 213 174

HSL 110.77, 0.32%, 0.76%

LAB 82.03, -18.21, 15.7

 

Description

Color code: HEX #AEC7D5 | qconv.com Color code: HEX #AEC7D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 199 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 199 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 7 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 7% 0% 16% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - http://damen...
Link: http://www.liebherr.com

14% - Liebherr - Internati...
Link: http://www.liebherr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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