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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEC9AC it is the complementary color #513653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEC9AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEC9AC shade: #B3C9A7, #C4DBBA, #D5EDCD, #E6FFE0 and #F7FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEC9AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEC9AC shade: #AEC9AC, #9DB799, #8CA586, #7B9373 and #6A8160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEC9AC shade: #ADC8AB, #B5C8AB, #BDC8AB, #C5C8AB and #C8C4AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEC9AC shade: #ADC8AB, #ABC8B1, #ABC8B9, #ABC8C1 and #ABC8C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEC9AC shade matches the following richer shades: #ADC8AB, #A4D3A0, #9ADE95, #90EA8A and #87F57F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEC9AC shade: #ADC8AB, #B7BDB6, #C0B2C1, #CAA7CD and #D49CD8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEC9AC shade: #BDC8AB, #B5C8AB, #AEC8AB, #ABC8B0 and #ABC8B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEC9AC shade: #7CA879, #95B892, #ADC8AB, #C6D8C4 and #DEE9DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEC9AC shade: #AEC9AC, #ABC5C8 and #C8ABB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEC9AC shade: #AEC9AC, #ABAEC8 and #C8ABAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEC9AC shade: #AEC9AC, #ABC5C8, #C6ABC8 and #C8AFAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEC9AC shade: #AEC9AC, #ABBCC8, #C6ABC8 and #C8B7AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 14 / 21

HEX #AEC9AC

RGB 174 201 172

HSL 115.86, 0.21%, 0.73%

LAB 78.32, -14.57, 11.47

 

Complementary color

CMYK 2 / 35 / 0 / 67

HEX #513653

RGB 81 54 83

HSL 295.86, 0.21%, 0.27%

LAB 26.77, 17.72, -12.8

 

CMYK 11 / 0 / 17 / 21

HEX #B3C9A7

RGB 179 201 167

HSL 98.82, 0.24%, 0.72%

LAB 78.55, -13.69, 14.52

 

CMYK 11 / 0 / 15 / 14

HEX #C4DBBA

RGB 196 219 186

HSL 101.82, 0.31%, 0.79%

LAB 84.97, -13.66, 13.67

 

CMYK 10 / 0 / 14 / 7

HEX #D5EDCD

RGB 213 237 205

HSL 105, 0.47%, 0.87%

LAB 91.29, -13.64, 12.86

 

CMYK 10 / 0 / 12 / 0

HEX #E6FFE0

RGB 230 255 224

HSL 108.39, 1%, 0.94%

LAB 97.52, -13.62, 12.08

 

CMYK 3 / 0 / 5 / 0

HEX #F7FFF3

RGB 247 255 243

HSL 100, 1%, 0.98%

LAB 99.13, -4.72, 4.8

 

CMYK 13 / 0 / 14 / 21

HEX #AEC9AC

RGB 174 201 172

HSL 115.86, 0.21%, 0.73%

LAB 78.32, -14.57, 11.47

 

CMYK 14 / 0 / 16 / 28

HEX #9DB799

RGB 157 183 153

HSL 112, 0.17%, 0.66%

LAB 71.78, -14.65, 12.32

 

CMYK 15 / 0 / 19 / 35

HEX #8CA586

RGB 140 165 134

HSL 108.39, 0.15%, 0.59%

LAB 65.13, -14.73, 13.22

 

CMYK 16 / 0 / 22 / 42

HEX #7B9373

RGB 123 147 115

HSL 105, 0.13%, 0.51%

LAB 58.34, -14.84, 14.18

 

CMYK 18 / 0 / 26 / 49

HEX #6A8160

RGB 106 129 96

HSL 101.82, 0.15%, 0.44%

LAB 51.39, -14.95, 15.22

 

CMYK 14 / 0 / 15 / 22

HEX #ADC8AB

RGB 173 200 171

HSL 115.86, 0.21%, 0.73%

LAB 77.95, -14.59, 11.48

 

CMYK 10 / 0 / 15 / 22

HEX #B5C8AB

RGB 181 200 171

HSL 99.31, 0.21%, 0.73%

LAB 78.5, -11.79, 12.34

 

CMYK 5 / 0 / 15 / 22

HEX #BDC8AB

RGB 189 200 171

HSL 82.76, 0.21%, 0.73%

LAB 79.08, -8.93, 13.24

 

CMYK 1 / 0 / 15 / 22

HEX #C5C8AB

RGB 197 200 171

HSL 66.21, 0.21%, 0.73%

LAB 79.68, -6.04, 14.17

 

CMYK 0 / 2 / 15 / 22

HEX #C8C4AB

RGB 200 196 171

HSL 51.72, 0.21%, 0.73%

LAB 78.87, -2.85, 13.06

 

CMYK 14 / 0 / 15 / 22

HEX #ADC8AB

RGB 173 200 171

HSL 115.86, 0.21%, 0.73%

LAB 77.95, -14.59, 11.48

 

CMYK 15 / 0 / 12 / 22

HEX #ABC8B1

RGB 171 200 177

HSL 132.41, 0.21%, 0.73%

LAB 77.96, -14.19, 8.25

 

CMYK 15 / 0 / 8 / 22

HEX #ABC8B9

RGB 171 200 185

HSL 148.97, 0.21%, 0.73%

LAB 78.15, -12.68, 4.23

 

CMYK 15 / 0 / 4 / 22

HEX #ABC8C1

RGB 171 200 193

HSL 165.52, 0.21%, 0.73%

LAB 78.35, -11.11, 0.22

 

CMYK 15 / 0 / 0 / 22

HEX #ABC8C8

RGB 171 200 200

HSL 180, 0.21%, 0.73%

LAB 78.54, -9.68, -3.27

 

CMYK 14 / 0 / 15 / 22

HEX #ADC8AB

RGB 173 200 171

HSL 115.86, 0.21%, 0.73%

LAB 77.95, -14.59, 11.48

 

CMYK 22 / 0 / 24 / 17

HEX #A4D3A0

RGB 164 211 160

HSL 115.29, 0.37%, 0.73%

LAB 80.19, -25.06, 20.38

 

CMYK 31 / 0 / 33 / 13

HEX #9ADE95

RGB 154 222 149

HSL 115.89, 0.53%, 0.73%

LAB 82.53, -35.37, 29.2

 

CMYK 38 / 0 / 41 / 8

HEX #90EA8A

RGB 144 234 138

HSL 116.25, 0.7%, 0.73%

LAB 85.31, -45.5, 38.31

 

CMYK 45 / 0 / 48 / 4

HEX #87F57F

RGB 135 245 127

HSL 115.93, 0.86%, 0.73%

LAB 87.96, -54.21, 46.94

 

CMYK 14 / 0 / 15 / 22

HEX #ADC8AB

RGB 173 200 171

HSL 115.86, 0.21%, 0.73%

LAB 77.95, -14.59, 11.48

 

CMYK 3 / 0 / 4 / 26

HEX #B7BDB6

RGB 183 189 182

HSL 111.43, 0.05%, 0.73%

LAB 75.97, -3.38, 2.8

 

CMYK 1 / 8 / 0 / 24

HEX #C0B2C1

RGB 192 178 193

HSL 296, 0.11%, 0.73%

LAB 74.12, 7.72, -5.81

 

CMYK 1 / 19 / 0 / 20

HEX #CAA7CD

RGB 202 167 205

HSL 295.26, 0.28%, 0.73%

LAB 72.63, 19.43, -14.53

 

CMYK 2 / 28 / 0 / 15

HEX #D49CD8

RGB 212 156 216

HSL 296, 0.43%, 0.73%

LAB 71.37, 30.85, -22.38

 

CMYK 5 / 0 / 15 / 22

HEX #BDC8AB

RGB 189 200 171

HSL 82.76, 0.21%, 0.73%

LAB 79.08, -8.93, 13.24

 

CMYK 10 / 0 / 15 / 22

HEX #B5C8AB

RGB 181 200 171

HSL 99.31, 0.21%, 0.73%

LAB 78.5, -11.79, 12.34

 

CMYK 13 / 0 / 15 / 22

HEX #AEC8AB

RGB 174 200 171

HSL 113.79, 0.21%, 0.73%

LAB 78.02, -14.24, 11.59

 

CMYK 15 / 0 / 12 / 22

HEX #ABC8B0

RGB 171 200 176

HSL 130.34, 0.21%, 0.73%

LAB 77.93, -14.37, 8.76

 

CMYK 15 / 0 / 8 / 22

HEX #ABC8B8

RGB 171 200 184

HSL 146.9, 0.21%, 0.73%

LAB 78.13, -12.87, 4.73

 

CMYK 26 / 0 / 28 / 34

HEX #7CA879

RGB 124 168 121

HSL 116.17, 0.21%, 0.57%

LAB 64.7, -24.25, 19.63

 

CMYK 19 / 0 / 21 / 28

HEX #95B892

RGB 149 184 146

HSL 115.26, 0.21%, 0.65%

LAB 71.38, -19.21, 15.49

 

CMYK 14 / 0 / 15 / 22

HEX #ADC8AB

RGB 173 200 171

HSL 115.86, 0.21%, 0.73%

LAB 77.95, -14.59, 11.48

 

CMYK 8 / 0 / 9 / 15

HEX #C6D8C4

RGB 198 216 196

HSL 114, 0.2%, 0.81%

LAB 84.54, -9.72, 7.8

 

CMYK 5 / 0 / 5 / 9

HEX #DEE9DD

RGB 222 233 221

HSL 115, 0.21%, 0.89%

LAB 91.25, -5.82, 4.55

 

CMYK 13 / 0 / 14 / 21

HEX #AEC9AC

RGB 174 201 172

HSL 115.86, 0.21%, 0.73%

LAB 78.32, -14.57, 11.47

 

CMYK 15 / 1 / 0 / 22

HEX #ABC5C8

RGB 171 197 200

HSL 186.21, 0.21%, 0.73%

LAB 77.73, -8.11, -4.46

 

CMYK 0 / 15 / 8 / 22

HEX #C8ABB9

RGB 200 171 185

HSL 331.03, 0.21%, 0.73%

LAB 72.83, 12.88, -3.26

 

CMYK 13 / 0 / 14 / 21

HEX #AEC9AC

RGB 174 201 172

HSL 115.86, 0.21%, 0.73%

LAB 78.32, -14.57, 11.47

 

CMYK 15 / 13 / 0 / 22

HEX #ABAEC8

RGB 171 174 200

HSL 233.79, 0.21%, 0.73%

LAB 71.62, 4.23, -13.56

 

CMYK 0 / 15 / 13 / 22

HEX #C8ABAE

RGB 200 171 174

HSL 353.79, 0.21%, 0.73%

LAB 72.54, 11.01, 2.36

 

CMYK 13 / 0 / 14 / 21

HEX #AEC9AC

RGB 174 201 172

HSL 115.86, 0.21%, 0.73%

LAB 78.32, -14.57, 11.47

 

CMYK 15 / 1 / 0 / 22

HEX #ABC5C8

RGB 171 197 200

HSL 186.21, 0.21%, 0.73%

LAB 77.73, -8.11, -4.46

 

CMYK 1 / 15 / 0 / 22

HEX #C6ABC8

RGB 198 171 200

HSL 295.86, 0.21%, 0.73%

LAB 73.09, 14.93, -11.13

 

CMYK 0 / 13 / 15 / 22

HEX #C8AFAB

RGB 200 175 171

HSL 8.28, 0.21%, 0.73%

LAB 73.47, 8.35, 5.35

 

CMYK 13 / 0 / 14 / 21

HEX #AEC9AC

RGB 174 201 172

HSL 115.86, 0.21%, 0.73%

LAB 78.32, -14.57, 11.47

 

CMYK 15 / 6 / 0 / 22

HEX #ABBCC8

RGB 171 188 200

HSL 204.83, 0.21%, 0.73%

LAB 75.32, -3.35, -8.03

 

CMYK 1 / 15 / 0 / 22

HEX #C6ABC8

RGB 198 171 200

HSL 295.86, 0.21%, 0.73%

LAB 73.09, 14.93, -11.13

 

CMYK 0 / 9 / 15 / 22

HEX #C8B7AB

RGB 200 183 171

HSL 24.83, 0.21%, 0.73%

LAB 75.51, 4.04, 8.28

 

Description

Color code: HEX #AEC9AC | qconv.com Color code: HEX #AEC9AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 201 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 201 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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