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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AECE6D it is the complementary color #513192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AECE6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AECE6D shade: #B3CE68, #C4E07B, #D5F28E, #E6FFA1 and #F7FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AECE6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AECE6D shade: #AECE6D, #9DBC5A, #8CAA47, #7B9834 and #6A8621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AECE6D shade: #AECE6D, #C8CE6D, #CEBA6D, #CEA06D and #CE856D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AECE6D shade: #AECE6D, #94CE6D, #7ACE6D, #6DCE7B and #6DCE95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AECE6D shade matches the following richer shades: #AECE6D, #B3DE5D, #B9ED4E and #BEFD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AECE6D shade: #AECE6D, #A9BE7D, #A3AF8D, #9E9F9C and #998FAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AECE6D shade: #CEB96D, #C9CE6D, #AFCE6D, #96CE6D and #7CCE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AECE6D shade: #88AF3A, #9DC44E, #AECE6D, #BFD88C and #D0E3AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AECE6D shade: #AECE6D, #6DCE9F and #C66DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AECE6D shade: #AECE6D, #6DAFCE and #CE6DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AECE6D shade: #AECE6D, #6DCE9F, #8C6DCE and #CE6D9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AECE6D shade: #AECE6D, #6DCEBC, #8C6DCE and #CE6D7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

Complementary color

CMYK 45 / 66 / 0 / 43

HEX #513192

RGB 81 49 146

HSL 259.79, 0.5%, 0.38%

LAB 29.47, 37.52, -48.56

 

CMYK 13 / 0 / 50 / 19

HEX #B3CE68

RGB 179 206 104

HSL 75.88, 0.51%, 0.61%

LAB 78.88, -24.67, 47.34

 

CMYK 13 / 0 / 45 / 12

HEX #C4E07B

RGB 196 224 123

HSL 76.63, 0.62%, 0.68%

LAB 85.24, -24.84, 46.2

 

CMYK 12 / 0 / 41 / 5

HEX #D5F28E

RGB 213 242 142

HSL 77.4, 0.79%, 0.75%

LAB 91.51, -24.97, 45.07

 

CMYK 10 / 0 / 37 / 0

HEX #E6FFA1

RGB 230 255 161

HSL 75.96, 1%, 0.82%

LAB 96.38, -22.7, 42.26

 

CMYK 3 / 0 / 29 / 0

HEX #F7FFB4

RGB 247 255 180

HSL 66.4, 1%, 0.85%

LAB 97.87, -14.14, 35.05

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 16 / 0 / 52 / 26

HEX #9DBC5A

RGB 157 188 90

HSL 78.98, 0.42%, 0.55%

LAB 72.14, -25.92, 45.64

 

CMYK 18 / 0 / 58 / 33

HEX #8CAA47

RGB 140 170 71

HSL 78.18, 0.41%, 0.47%

LAB 65.58, -25.69, 46.7

 

CMYK 19 / 0 / 66 / 40

HEX #7B9834

RGB 123 152 52

HSL 77.4, 0.49%, 0.4%

LAB 58.9, -25.35, 47.55

 

CMYK 21 / 0 / 75 / 47

HEX #6A8621

RGB 106 134 33

HSL 76.63, 0.6%, 0.33%

LAB 52.09, -24.84, 47.91

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 3 / 0 / 47 / 19

HEX #C8CE6D

RGB 200 206 109

HSL 63.71, 0.5%, 0.62%

LAB 80.47, -15.87, 47.21

 

CMYK 0 / 10 / 47 / 19

HEX #CEBA6D

RGB 206 186 109

HSL 47.63, 0.5%, 0.62%

LAB 75.66, -3.19, 41.44

 

CMYK 0 / 22 / 47 / 19

HEX #CEA06D

RGB 206 160 109

HSL 31.55, 0.5%, 0.62%

LAB 69.02, 10.68, 33.05

 

CMYK 0 / 35 / 47 / 19

HEX #CE856D

RGB 206 133 109

HSL 14.85, 0.5%, 0.62%

LAB 62.51, 25.37, 24.54

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 28 / 0 / 47 / 19

HEX #94CE6D

RGB 148 206 109

HSL 95.88, 0.5%, 0.62%

LAB 77.01, -35.66, 42.18

 

CMYK 41 / 0 / 47 / 19

HEX #7ACE6D

RGB 122 206 109

HSL 111.96, 0.5%, 0.62%

LAB 75.69, -44.3, 40.25

 

CMYK 47 / 0 / 40 / 19

HEX #6DCE7B

RGB 109 206 123

HSL 128.66, 0.5%, 0.62%

LAB 75.34, -46.05, 32.65

 

CMYK 47 / 0 / 28 / 19

HEX #6DCE95

RGB 109 206 149

HSL 144.74, 0.5%, 0.62%

LAB 75.8, -41.44, 19.7

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 19 / 0 / 58 / 13

HEX #B3DE5D

RGB 179 222 93

HSL 80, 0.66%, 0.62%

LAB 83.24, -33.25, 57.45

 

CMYK 22 / 0 / 67 / 7

HEX #B9ED4E

RGB 185 237 78

HSL 79.62, 0.82%, 0.62%

LAB 87.69, -38.9, 68.47

 

CMYK 25 / 0 / 75 / 1

HEX #BEFD3E

RGB 190 253 62

HSL 79.79, 0.98%, 0.62%

LAB 92.37, -44.92, 78.57

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 11 / 0 / 34 / 25

HEX #A9BE7D

RGB 169 190 125

HSL 79.38, 0.33%, 0.62%

LAB 74.02, -18.16, 30.51

 

CMYK 7 / 0 / 19 / 31

HEX #A3AF8D

RGB 163 175 141

HSL 81.18, 0.18%, 0.62%

LAB 69.73, -10.33, 16.05

 

CMYK 1 / 0 / 2 / 38

HEX #9E9F9C

RGB 158 159 156

HSL 80, 0.02%, 0.62%

LAB 65.33, -0.93, 1.43

 

CMYK 11 / 17 / 0 / 33

HEX #998FAC

RGB 153 143 172

HSL 260.69, 0.15%, 0.62%

LAB 61.13, 9.51, -13.87

 

CMYK 0 / 10 / 47 / 19

HEX #CEB96D

RGB 206 185 109

HSL 47.01, 0.5%, 0.62%

LAB 75.4, -2.67, 41.11

 

CMYK 2 / 0 / 47 / 19

HEX #C9CE6D

RGB 201 206 109

HSL 63.09, 0.5%, 0.62%

LAB 80.55, -15.47, 47.32

 

CMYK 15 / 0 / 47 / 19

HEX #AFCE6D

RGB 175 206 109

HSL 79.18, 0.5%, 0.62%

LAB 78.67, -25.69, 44.6

 

CMYK 27 / 0 / 47 / 19

HEX #96CE6D

RGB 150 206 109

HSL 94.64, 0.5%, 0.62%

LAB 77.12, -34.95, 42.34

 

CMYK 40 / 0 / 47 / 19

HEX #7CCE6D

RGB 124 206 109

HSL 110.72, 0.5%, 0.62%

LAB 75.78, -43.68, 40.38

 

CMYK 22 / 0 / 67 / 31

HEX #88AF3A

RGB 136 175 58

HSL 80, 0.5%, 0.46%

LAB 66.67, -30.75, 53.5

 

CMYK 20 / 0 / 60 / 23

HEX #9DC44E

RGB 157 196 78

HSL 79.83, 0.5%, 0.54%

LAB 74.32, -30.84, 53.65

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 12 / 0 / 35 / 15

HEX #BFD88C

RGB 191 216 140

HSL 79.74, 0.49%, 0.7%

LAB 82.96, -20.83, 34.77

 

CMYK 8 / 0 / 25 / 11

HEX #D0E3AB

RGB 208 227 171

HSL 80.36, 0.5%, 0.78%

LAB 87.62, -15.77, 25.31

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 47 / 0 / 23 / 19

HEX #6DCE9F

RGB 109 206 159

HSL 150.93, 0.5%, 0.62%

LAB 76.01, -39.44, 14.67

 

CMYK 4 / 47 / 0 / 19

HEX #C66DCE

RGB 198 109 206

HSL 295.05, 0.5%, 0.62%

LAB 59.34, 49.62, -35.49

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 47 / 15 / 0 / 19

HEX #6DAFCE

RGB 109 175 206

HSL 199.18, 0.5%, 0.62%

LAB 68.29, -12.69, -22.27

 

CMYK 0 / 47 / 15 / 19

HEX #CE6DAF

RGB 206 109 175

HSL 319.18, 0.5%, 0.62%

LAB 59.12, 46.68, -18.08

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 47 / 0 / 23 / 19

HEX #6DCE9F

RGB 109 206 159

HSL 150.93, 0.5%, 0.62%

LAB 76.01, -39.44, 14.67

 

CMYK 32 / 47 / 0 / 19

HEX #8C6DCE

RGB 140 109 206

HSL 259.18, 0.5%, 0.62%

LAB 52.92, 33.35, -46.05

 

CMYK 0 / 47 / 24 / 19

HEX #CE6D9C

RGB 206 109 156

HSL 330.93, 0.5%, 0.62%

LAB 58.47, 43.84, -8.1

 

CMYK 16 / 0 / 47 / 19

HEX #AECE6D

RGB 174 206 109

HSL 79.79, 0.5%, 0.62%

LAB 78.6, -26.07, 44.5

 

CMYK 47 / 0 / 9 / 19

HEX #6DCEBC

RGB 109 206 188

HSL 168.87, 0.5%, 0.62%

LAB 76.69, -32.97, 0.1

 

CMYK 32 / 47 / 0 / 19

HEX #8C6DCE

RGB 140 109 206

HSL 259.18, 0.5%, 0.62%

LAB 52.92, 33.35, -46.05

 

CMYK 0 / 47 / 38 / 19

HEX #CE6D7F

RGB 206 109 127

HSL 348.87, 0.5%, 0.62%

LAB 57.65, 40.09, 7.55

 

Description

Color code: HEX #AECE6D | qconv.com Color code: HEX #AECE6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 206 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 206 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 47 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 47% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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