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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AED58D it is the complementary color #512A72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AED58D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AED58D shade: #B3D588, #C4E79B, #D5F9AE, #E6FFC1 and #F7FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AED58D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AED58D shade: #AED58D, #9DC37A, #8CB167, #7B9F54 and #6A8D41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AED58D shade: #ACD48B, #C0D48B, #D4D48B, #D4C08B and #D4AD8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AED58D shade: #ACD48B, #99D48B, #8BD491, #8BD4A5 and #8BD4B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AED58D shade matches the following richer shades: #ACD48B, #ABE17E, #AAED72 and #A9FA65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AED58D shade: #ACD48B, #ADC798, #AFBAA5, #B0ADB1 and #B1A1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AED58D shade: #D4D48B, #C0D48B, #ADD48B, #9AD48B and #8BD490

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AED58D shade: #82BE4F, #97C96D, #ACD48B, #C2DFA9 and #D7EAC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AED58D shade: #AED58D, #8BD4C0 and #D48BCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AED58D shade: #AED58D, #8BADD4 and #D48BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AED58D shade: #AED58D, #8BD4C0, #B28BD4 and #D48B9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AED58D shade: #AED58D, #8BD1D4, #B28BD4 and #D48E8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 34 / 16

HEX #AED58D

RGB 174 213 141

HSL 92.5, 0.46%, 0.69%

LAB 81.02, -25.47, 31.51

 

Complementary color

CMYK 29 / 63 / 0 / 55

HEX #512A72

RGB 81 42 114

HSL 272.5, 0.46%, 0.31%

LAB 25.62, 32.72, -34.71

 

CMYK 16 / 0 / 36 / 16

HEX #B3D588

RGB 179 213 136

HSL 86.49, 0.48%, 0.68%

LAB 81.26, -24.33, 34.44

 

CMYK 15 / 0 / 33 / 9

HEX #C4E79B

RGB 196 231 155

HSL 87.63, 0.61%, 0.76%

LAB 87.61, -24.31, 33.34

 

CMYK 14 / 0 / 30 / 2

HEX #D5F9AE

RGB 213 249 174

HSL 88.8, 0.86%, 0.83%

LAB 93.86, -24.27, 32.28

 

CMYK 10 / 0 / 24 / 0

HEX #E6FFC1

RGB 230 255 193

HSL 84.19, 1%, 0.88%

LAB 96.9, -18.48, 27

 

CMYK 3 / 0 / 17 / 0

HEX #F7FFD4

RGB 247 255 212

HSL 71.16, 1%, 0.92%

LAB 98.45, -9.72, 19.69

 

CMYK 18 / 0 / 34 / 16

HEX #AED58D

RGB 174 213 141

HSL 92.5, 0.46%, 0.69%

LAB 81.02, -25.47, 31.51

 

CMYK 19 / 0 / 37 / 24

HEX #9DC37A

RGB 157 195 122

HSL 91.23, 0.38%, 0.62%

LAB 74.57, -25.54, 32.64

 

CMYK 21 / 0 / 42 / 31

HEX #8CB167

RGB 140 177 103

HSL 90, 0.32%, 0.55%

LAB 68.02, -25.6, 33.81

 

CMYK 23 / 0 / 47 / 38

HEX #7B9F54

RGB 123 159 84

HSL 88.8, 0.31%, 0.48%

LAB 61.35, -25.63, 35.03

 

CMYK 25 / 0 / 54 / 45

HEX #6A8D41

RGB 106 141 65

HSL 87.63, 0.37%, 0.4%

LAB 54.55, -25.6, 36.23

 

CMYK 19 / 0 / 34 / 17

HEX #ACD48B

RGB 172 212 139

HSL 92.88, 0.46%, 0.69%

LAB 80.58, -25.99, 31.93

 

CMYK 9 / 0 / 34 / 17

HEX #C0D48B

RGB 192 212 139

HSL 76.44, 0.46%, 0.69%

LAB 81.92, -18.61, 33.94

 

CMYK 0 / 0 / 34 / 17

HEX #D4D48B

RGB 212 212 139

HSL 60, 0.46%, 0.69%

LAB 83.42, -10.96, 36.17

 

CMYK 0 / 9 / 34 / 17

HEX #D4C08B

RGB 212 192 139

HSL 43.56, 0.46%, 0.69%

LAB 78.2, -0.66, 29.32

 

CMYK 0 / 18 / 34 / 17

HEX #D4AD8B

RGB 212 173 139

HSL 27.95, 0.46%, 0.69%

LAB 73.38, 9.43, 22.83

 

CMYK 19 / 0 / 34 / 17

HEX #ACD48B

RGB 172 212 139

HSL 92.88, 0.46%, 0.69%

LAB 80.58, -25.99, 31.93

 

CMYK 28 / 0 / 34 / 17

HEX #99D48B

RGB 153 212 139

HSL 108.49, 0.46%, 0.69%

LAB 79.46, -32.61, 30.23

 

CMYK 34 / 0 / 32 / 17

HEX #8BD491

RGB 139 212 145

HSL 124.93, 0.46%, 0.69%

LAB 78.82, -36.21, 26.14

 

CMYK 34 / 0 / 22 / 17

HEX #8BD4A5

RGB 139 212 165

HSL 141.37, 0.46%, 0.69%

LAB 79.21, -32.65, 16.17

 

CMYK 34 / 0 / 13 / 17

HEX #8BD4B8

RGB 139 212 184

HSL 156.99, 0.46%, 0.69%

LAB 79.63, -28.85, 6.67

 

CMYK 19 / 0 / 34 / 17

HEX #ACD48B

RGB 172 212 139

HSL 92.88, 0.46%, 0.69%

LAB 80.58, -25.99, 31.93

 

CMYK 24 / 0 / 44 / 12

HEX #ABE17E

RGB 171 225 126

HSL 92.73, 0.62%, 0.69%

LAB 83.97, -34.17, 42.82

 

CMYK 28 / 0 / 52 / 7

HEX #AAED72

RGB 170 237 114

HSL 92.68, 0.77%, 0.69%

LAB 87.16, -41.29, 52.42

 

CMYK 32 / 0 / 60 / 2

HEX #A9FA65

RGB 169 250 101

HSL 92.62, 0.94%, 0.69%

LAB 90.66, -48.48, 62.21

 

CMYK 19 / 0 / 34 / 17

HEX #ACD48B

RGB 172 212 139

HSL 92.88, 0.46%, 0.69%

LAB 80.58, -25.99, 31.93

 

CMYK 13 / 0 / 24 / 22

HEX #ADC798

RGB 173 199 152

HSL 93.19, 0.3%, 0.69%

LAB 77.28, -17.27, 20.69

 

CMYK 6 / 0 / 11 / 27

HEX #AFBAA5

RGB 175 186 165

HSL 91.43, 0.13%, 0.69%

LAB 74.16, -7.68, 9.34

 

CMYK 1 / 2 / 0 / 31

HEX #B0ADB1

RGB 176 173 177

HSL 285, 0.02%, 0.69%

LAB 71.07, 1.82, -1.68

 

CMYK 7 / 15 / 0 / 25

HEX #B1A1BE

RGB 177 161 190

HSL 273.1, 0.18%, 0.69%

LAB 68.43, 11.32, -12.78

 

CMYK 0 / 0 / 34 / 17

HEX #D4D48B

RGB 212 212 139

HSL 60, 0.46%, 0.69%

LAB 83.42, -10.96, 36.17

 

CMYK 9 / 0 / 34 / 17

HEX #C0D48B

RGB 192 212 139

HSL 76.44, 0.46%, 0.69%

LAB 81.92, -18.61, 33.94

 

CMYK 18 / 0 / 34 / 17

HEX #ADD48B

RGB 173 212 139

HSL 92.05, 0.46%, 0.69%

LAB 80.65, -25.63, 32.03

 

CMYK 27 / 0 / 34 / 17

HEX #9AD48B

RGB 154 212 139

HSL 107.67, 0.46%, 0.69%

LAB 79.51, -32.28, 30.32

 

CMYK 34 / 0 / 32 / 17

HEX #8BD490

RGB 139 212 144

HSL 124.11, 0.46%, 0.69%

LAB 78.8, -36.38, 26.64

 

CMYK 32 / 0 / 58 / 25

HEX #82BE4F

RGB 130 190 79

HSL 92.43, 0.46%, 0.53%

LAB 70.97, -38.13, 48.99

 

CMYK 25 / 0 / 46 / 21

HEX #97C96D

RGB 151 201 109

HSL 92.61, 0.46%, 0.61%

LAB 75.73, -32.28, 40.63

 

CMYK 19 / 0 / 34 / 17

HEX #ACD48B

RGB 172 212 139

HSL 92.88, 0.46%, 0.69%

LAB 80.58, -25.99, 31.93

 

CMYK 13 / 0 / 24 / 13

HEX #C2DFA9

RGB 194 223 169

HSL 92.22, 0.46%, 0.77%

LAB 85.56, -19.09, 23.37

 

CMYK 8 / 0 / 15 / 8

HEX #D7EAC7

RGB 215 234 199

HSL 92.57, 0.45%, 0.85%

LAB 90.51, -12.45, 14.89

 

CMYK 18 / 0 / 34 / 16

HEX #AED58D

RGB 174 213 141

HSL 92.5, 0.46%, 0.69%

LAB 81.02, -25.47, 31.51

 

CMYK 34 / 0 / 9 / 17

HEX #8BD4C0

RGB 139 212 192

HSL 163.56, 0.46%, 0.69%

LAB 79.83, -27.14, 2.68

 

CMYK 0 / 34 / 5 / 17

HEX #D48BCA

RGB 212 139 202

HSL 308.22, 0.46%, 0.69%

LAB 67.07, 37.45, -21.18

 

CMYK 18 / 0 / 34 / 16

HEX #AED58D

RGB 174 213 141

HSL 92.5, 0.46%, 0.69%

LAB 81.02, -25.47, 31.51

 

CMYK 34 / 18 / 0 / 17

HEX #8BADD4

RGB 139 173 212

HSL 212.05, 0.46%, 0.69%

LAB 69.56, -2.16, -23.48

 

CMYK 0 / 34 / 18 / 17

HEX #D48BAD

RGB 212 139 173

HSL 332.05, 0.46%, 0.69%

LAB 66.12, 32.61, -6.35

 

CMYK 18 / 0 / 34 / 16

HEX #AED58D

RGB 174 213 141

HSL 92.5, 0.46%, 0.69%

LAB 81.02, -25.47, 31.51

 

CMYK 34 / 0 / 9 / 17

HEX #8BD4C0

RGB 139 212 192

HSL 163.56, 0.46%, 0.69%

LAB 79.83, -27.14, 2.68

 

CMYK 16 / 34 / 0 / 17

HEX #B28BD4

RGB 178 139 212

HSL 272.05, 0.46%, 0.69%

LAB 63.9, 28.64, -31.94

 

CMYK 0 / 34 / 25 / 17

HEX #D48B9E

RGB 212 139 158

HSL 344.38, 0.46%, 0.69%

LAB 65.69, 30.38, 1.48

 

CMYK 18 / 0 / 34 / 16

HEX #AED58D

RGB 174 213 141

HSL 92.5, 0.46%, 0.69%

LAB 81.02, -25.47, 31.51

 

CMYK 34 / 1 / 0 / 17

HEX #8BD1D4

RGB 139 209 212

HSL 182.47, 0.46%, 0.69%

LAB 79.52, -21.09, -8.47

 

CMYK 16 / 34 / 0 / 17

HEX #B28BD4

RGB 178 139 212

HSL 272.05, 0.46%, 0.69%

LAB 63.9, 28.64, -31.94

 

CMYK 0 / 33 / 34 / 17

HEX #D48E8B

RGB 212 142 139

HSL 2.47, 0.46%, 0.69%

LAB 65.91, 26.22, 12.49

 

Description

Color code: HEX #AED58D | qconv.com Color code: HEX #AED58D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 213 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 213 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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