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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEDD82 it is the complementary color #51227D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEDD82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEDD82 shade: #B3DD7D, #C4EF90, #D5FFA3, #E6FFB6 and #F7FFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEDD82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEDD82 shade: #AEDD82, #9DCB6F, #8CB95C, #7BA749 and #6A9536

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEDD82 shade: #AEDD82, #C6DD82, #DDDA82, #DDC282 and #DDAA82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEDD82 shade: #AEDD82, #96DD82, #82DD87, #82DDA0 and #82DDB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEDD82 shade matches the following richer shades: #AEDD82, #AEE976 and #ADF669

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEDD82 shade: #AEDD82, #AED08F, #AFC39C, #AFB6A9 and #B0A9B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEDD82 shade: #DDDA82, #C7DD82, #AFDD82, #97DD82 and #82DD85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEDD82 shade: #84CB42, #99D462, #AEDD82, #C3E5A3 and #D8EEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEDD82 shade: #AEDD82, #82DDC1 and #DD82D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEDD82 shade: #AEDD82, #82AFDD and #DD82AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEDD82 shade: #AEDD82, #82DDC1, #AF82DD and #DD829D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEDD82 shade: #AEDD82, #82DDDD, #AF82DD and #DD8282

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

Complementary color

CMYK 35 / 73 / 0 / 51

HEX #51227D

RGB 81 34 125

HSL 270.99, 0.57%, 0.31%

LAB 24.87, 39.87, -42.92

 

CMYK 19 / 0 / 43 / 13

HEX #B3DD7D

RGB 179 221 125

HSL 86.25, 0.59%, 0.68%

LAB 83.33, -29.54, 42.6

 

CMYK 18 / 0 / 40 / 6

HEX #C4EF90

RGB 196 239 144

HSL 87.16, 0.75%, 0.75%

LAB 89.62, -29.54, 41.46

 

CMYK 16 / 0 / 36 / 0

HEX #D5FFA3

RGB 213 255 163

HSL 87.39, 1%, 0.82%

LAB 95.29, -28.58, 39.65

 

CMYK 10 / 0 / 29 / 0

HEX #E6FFB6

RGB 230 255 182

HSL 80.55, 1%, 0.86%

LAB 96.71, -20.02, 32.28

 

CMYK 3 / 0 / 21 / 0

HEX #F7FFC9

RGB 247 255 201

HSL 68.89, 1%, 0.89%

LAB 98.24, -11.32, 24.98

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 23 / 0 / 45 / 20

HEX #9DCB6F

RGB 157 203 111

HSL 90, 0.47%, 0.62%

LAB 76.7, -30.79, 40.92

 

CMYK 24 / 0 / 50 / 27

HEX #8CB95C

RGB 140 185 92

HSL 89.03, 0.4%, 0.54%

LAB 70.21, -30.79, 42.09

 

CMYK 26 / 0 / 56 / 35

HEX #7BA749

RGB 123 167 73

HSL 88.09, 0.39%, 0.47%

LAB 63.61, -30.73, 43.22

 

CMYK 29 / 0 / 64 / 42

HEX #6A9536

RGB 106 149 54

HSL 87.16, 0.47%, 0.4%

LAB 56.9, -30.57, 44.2

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 10 / 0 / 41 / 13

HEX #C6DD82

RGB 198 221 130

HSL 75.16, 0.57%, 0.69%

LAB 84.65, -21.86, 42.07

 

CMYK 0 / 1 / 41 / 13

HEX #DDDA82

RGB 221 218 130

HSL 58.02, 0.57%, 0.69%

LAB 85.57, -11.46, 43.59

 

CMYK 0 / 12 / 41 / 13

HEX #DDC282

RGB 221 194 130

HSL 42.2, 0.57%, 0.69%

LAB 79.37, 0.84, 35.68

 

CMYK 0 / 23 / 41 / 13

HEX #DDAA82

RGB 221 170 130

HSL 26.37, 0.57%, 0.69%

LAB 73.37, 13.56, 27.81

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 32 / 0 / 41 / 13

HEX #96DD82

RGB 150 221 130

HSL 106.81, 0.57%, 0.69%

LAB 81.73, -39.03, 37.75

 

CMYK 41 / 0 / 39 / 13

HEX #82DD87

RGB 130 221 135

HSL 123.3, 0.57%, 0.69%

LAB 80.85, -44.55, 33.91

 

CMYK 41 / 0 / 28 / 13

HEX #82DDA0

RGB 130 221 160

HSL 139.78, 0.57%, 0.69%

LAB 81.29, -40.31, 21.62

 

CMYK 41 / 0 / 17 / 13

HEX #82DDB8

RGB 130 221 184

HSL 155.6, 0.57%, 0.69%

LAB 81.79, -35.58, 9.71

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 25 / 0 / 49 / 9

HEX #AEE976

RGB 174 233 118

HSL 90.78, 0.72%, 0.69%

LAB 86.3, -37.68, 49.57

 

CMYK 30 / 0 / 57 / 4

HEX #ADF669

RGB 173 246 105

HSL 91.06, 0.89%, 0.69%

LAB 89.77, -45.05, 59.54

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 16 / 0 / 31 / 18

HEX #AED08F

RGB 174 208 143

HSL 91.38, 0.41%, 0.69%

LAB 79.67, -22.75, 28.67

 

CMYK 10 / 0 / 20 / 24

HEX #AFC39C

RGB 175 195 156

HSL 90.77, 0.25%, 0.69%

LAB 76.4, -13.87, 17.36

 

CMYK 4 / 0 / 7 / 29

HEX #AFB6A9

RGB 175 182 169

HSL 92.31, 0.08%, 0.69%

LAB 73.18, -4.85, 5.76

 

CMYK 3 / 7 / 0 / 29

HEX #B0A9B6

RGB 176 169 182

HSL 272.31, 0.08%, 0.69%

LAB 70.16, 4.96, -5.77

 

CMYK 0 / 1 / 41 / 13

HEX #DDDA82

RGB 221 218 130

HSL 58.02, 0.57%, 0.69%

LAB 85.57, -11.46, 43.59

 

CMYK 10 / 0 / 41 / 13

HEX #C7DD82

RGB 199 221 130

HSL 74.51, 0.57%, 0.69%

LAB 84.72, -21.48, 42.18

 

CMYK 21 / 0 / 41 / 13

HEX #AFDD82

RGB 175 221 130

HSL 90.33, 0.57%, 0.69%

LAB 83.15, -30.39, 39.85

 

CMYK 32 / 0 / 41 / 13

HEX #97DD82

RGB 151 221 130

HSL 106.15, 0.57%, 0.69%

LAB 81.79, -38.7, 37.83

 

CMYK 41 / 0 / 40 / 13

HEX #82DD85

RGB 130 221 133

HSL 121.98, 0.57%, 0.69%

LAB 80.82, -44.86, 34.88

 

CMYK 35 / 0 / 67 / 20

HEX #84CB42

RGB 132 203 66

HSL 91.09, 0.57%, 0.53%

LAB 74.83, -44.21, 58.78

 

CMYK 28 / 0 / 54 / 17

HEX #99D462

RGB 153 212 98

HSL 91.05, 0.57%, 0.61%

LAB 78.89, -37.84, 49.78

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 15 / 0 / 29 / 10

HEX #C3E5A3

RGB 195 229 163

HSL 90.91, 0.56%, 0.77%

LAB 87.14, -22.57, 28.62

 

CMYK 9 / 0 / 18 / 7

HEX #D8EEC3

RGB 216 238 195

HSL 90.7, 0.56%, 0.85%

LAB 91.54, -14.74, 18.42

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 41 / 0 / 13 / 13

HEX #82DDC1

RGB 130 221 193

HSL 161.54, 0.57%, 0.69%

LAB 82.01, -33.64, 5.25

 

CMYK 0 / 41 / 5 / 13

HEX #DD82D3

RGB 221 130 211

HSL 306.59, 0.57%, 0.69%

LAB 66.55, 46.62, -26.91

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 41 / 21 / 0 / 13

HEX #82AFDD

RGB 130 175 221

HSL 210.33, 0.57%, 0.69%

LAB 69.91, -3.31, -27.93

 

CMYK 0 / 41 / 21 / 13

HEX #DD82AF

RGB 221 130 175

HSL 330.33, 0.57%, 0.69%

LAB 65.3, 40.8, -8.58

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 41 / 0 / 13 / 13

HEX #82DDC1

RGB 130 221 193

HSL 161.54, 0.57%, 0.69%

LAB 82.01, -33.64, 5.25

 

CMYK 21 / 41 / 0 / 13

HEX #AF82DD

RGB 175 130 221

HSL 269.67, 0.57%, 0.69%

LAB 61.91, 34.8, -40.08

 

CMYK 0 / 41 / 29 / 13

HEX #DD829D

RGB 221 130 157

HSL 342.2, 0.57%, 0.69%

LAB 64.78, 38.26, 0.85

 

CMYK 21 / 0 / 41 / 13

HEX #AEDD82

RGB 174 221 130

HSL 90.99, 0.57%, 0.69%

LAB 83.09, -30.75, 39.76

 

CMYK 41 / 0 / 0 / 13

HEX #82DDDD

RGB 130 221 221

HSL 180, 0.57%, 0.69%

LAB 82.74, -27.13, -8.54

 

CMYK 21 / 41 / 0 / 13

HEX #AF82DD

RGB 175 130 221

HSL 269.67, 0.57%, 0.69%

LAB 61.91, 34.8, -40.08

 

CMYK 0 / 41 / 41 / 13

HEX #DD8282

RGB 221 130 130

HSL 0, 0.57%, 0.69%

LAB 64.12, 34.98, 15.22

 

Description

Color code: HEX #AEDD82 | qconv.com Color code: HEX #AEDD82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 221 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 221 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 41% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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