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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEE9E0 it is the complementary color #51161F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEE9E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEE9E0 shade: #B3E9DB, #C4FBEE, #D5FFFF, #E6FFFF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEE9E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEE9E0 shade: #AEE9E0, #9DD7CD, #8CC5BA, #7BB3A7 and #6AA194

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEE9E0 shade: #AEE9E0, #AEE9D0, #AEE9C0, #AEE9B1 and #BCE9AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEE9E0 shade: #AEE9E0, #AEE2E9, #AED2E9, #AEC2E9 and #AEB3E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEE9E0 shade matches the following richer shades: #AEE9E0, #A6F1E5 and #9EF9EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEE9E0 shade: #AEE9E0, #B7E0DA, #BFD8D4, #C7D0CE and #CFC8C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEE9E0 shade: #AEE9C0, #AEE9CF, #AEE9DF, #AEE3E9 and #AED3E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEE9E0 shade: #6ED7C7, #8EE0D3, #AEE9E0, #CFF1EC and #EFFAF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEE9E0 shade: #AEE9E0, #B0AEE9 and #E9C8AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEE9E0 shade: #AEE9E0, #DFAEE9 and #E9DFAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEE9E0 shade: #AEE9E0, #B0AEE9, #E9AEB8 and #E7E9AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEE9E0 shade: #AEE9E0, #C2AEE9, #E9AEB8 and #D5E9AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

Complementary color

CMYK 0 / 73 / 62 / 68

HEX #51161F

RGB 81 22 31

HSL 350.85, 0.57%, 0.2%

LAB 17.56, 28.2, 9.32

 

CMYK 23 / 0 / 6 / 9

HEX #B3E9DB

RGB 179 233 219

HSL 164.44, 0.55%, 0.81%

LAB 88.44, -20.01, 1.17

 

CMYK 22 / 0 / 5 / 2

HEX #C4FBEE

RGB 196 251 238

HSL 165.82, 0.87%, 0.88%

LAB 94.7, -19.89, 0.53

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 27 / 0 / 5 / 16

HEX #9DD7CD

RGB 157 215 205

HSL 169.66, 0.42%, 0.73%

LAB 81.93, -20.6, -1.07

 

CMYK 29 / 0 / 6 / 23

HEX #8CC5BA

RGB 140 197 186

HSL 168.42, 0.33%, 0.66%

LAB 75.48, -20.75, -0.41

 

CMYK 31 / 0 / 7 / 30

HEX #7BB3A7

RGB 123 179 167

HSL 167.14, 0.27%, 0.59%

LAB 68.93, -20.91, 0.28

 

CMYK 34 / 0 / 8 / 37

HEX #6AA194

RGB 106 161 148

HSL 165.82, 0.23%, 0.52%

LAB 62.25, -21.09, 1.01

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 25 / 0 / 11 / 9

HEX #AEE9D0

RGB 174 233 208

HSL 154.58, 0.57%, 0.8%

LAB 87.89, -23.74, 6.11

 

CMYK 25 / 0 / 18 / 9

HEX #AEE9C0

RGB 174 233 192

HSL 138.31, 0.57%, 0.8%

LAB 87.52, -26.79, 13.95

 

CMYK 25 / 0 / 24 / 9

HEX #AEE9B1

RGB 174 233 177

HSL 123.05, 0.57%, 0.8%

LAB 87.22, -29.44, 21.31

 

CMYK 19 / 0 / 25 / 9

HEX #BCE9AE

RGB 188 233 174

HSL 105.76, 0.57%, 0.8%

LAB 87.98, -25.27, 24.04

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 25 / 3 / 0 / 9

HEX #AEE2E9

RGB 174 226 233

HSL 187.12, 0.57%, 0.8%

LAB 86.64, -15.03, -8.86

 

CMYK 25 / 10 / 0 / 9

HEX #AED2E9

RGB 174 210 233

HSL 203.39, 0.57%, 0.8%

LAB 82.37, -6.8, -15.24

 

CMYK 25 / 17 / 0 / 9

HEX #AEC2E9

RGB 174 194 233

HSL 219.66, 0.57%, 0.8%

LAB 78.15, 1.69, -21.61

 

CMYK 25 / 23 / 0 / 9

HEX #AEB3E9

RGB 174 179 233

HSL 234.92, 0.57%, 0.8%

LAB 74.27, 9.87, -27.53

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 31 / 0 / 5 / 5

HEX #A6F1E5

RGB 166 241 229

HSL 170.4, 0.73%, 0.8%

LAB 90.17, -25.59, -1.6

 

CMYK 37 / 0 / 6 / 2

HEX #9EF9EB

RGB 158 249 235

HSL 170.77, 0.88%, 0.8%

LAB 92.14, -30.24, -1.88

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 18 / 0 / 3 / 12

HEX #B7E0DA

RGB 183 224 218

HSL 171.22, 0.4%, 0.8%

LAB 86.23, -14.5, -1.5

 

CMYK 12 / 0 / 2 / 15

HEX #BFD8D4

RGB 191 216 212

HSL 170.4, 0.24%, 0.8%

LAB 84.45, -9.07, -0.86

 

CMYK 4 / 0 / 1 / 18

HEX #C7D0CE

RGB 199 208 206

HSL 166.67, 0.09%, 0.8%

LAB 82.76, -3.42, -0.08

 

CMYK 0 / 3 / 3 / 19

HEX #CFC8C9

RGB 207 200 201

HSL 351.43, 0.07%, 0.8%

LAB 81.18, 2.61, 0.36

 

CMYK 25 / 0 / 18 / 9

HEX #AEE9C0

RGB 174 233 192

HSL 138.31, 0.57%, 0.8%

LAB 87.52, -26.79, 13.95

 

CMYK 25 / 0 / 11 / 9

HEX #AEE9CF

RGB 174 233 207

HSL 153.56, 0.57%, 0.8%

LAB 87.86, -23.94, 6.59

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9DF

RGB 174 233 223

HSL 169.83, 0.57%, 0.8%

LAB 88.26, -20.68, -1.22

 

CMYK 25 / 3 / 0 / 9

HEX #AEE3E9

RGB 174 227 233

HSL 186.1, 0.57%, 0.8%

LAB 86.91, -15.53, -8.46

 

CMYK 25 / 9 / 0 / 9

HEX #AED3E9

RGB 174 211 233

HSL 202.37, 0.57%, 0.8%

LAB 82.63, -7.32, -14.84

 

CMYK 49 / 0 / 7 / 16

HEX #6ED7C7

RGB 110 215 199

HSL 170.86, 0.57%, 0.64%

LAB 79.64, -34.31, -1.49

 

CMYK 37 / 0 / 6 / 12

HEX #8EE0D3

RGB 142 224 211

HSL 170.49, 0.57%, 0.72%

LAB 83.84, -27.9, -1.55

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 14 / 0 / 2 / 5

HEX #CFF1EC

RGB 207 241 236

HSL 171.18, 0.55%, 0.88%

LAB 92.68, -11.95, -1.3

 

CMYK 4 / 0 / 0 / 2

HEX #EFFAF9

RGB 239 250 249

HSL 174.55, 0.52%, 0.96%

LAB 97.46, -3.78, -0.78

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 24 / 25 / 0 / 9

HEX #B0AEE9

RGB 176 174 233

HSL 242.03, 0.57%, 0.8%

LAB 73.14, 13.23, -29.25

 

CMYK 0 / 14 / 25 / 9

HEX #E9C8AE

RGB 233 200 174

HSL 26.44, 0.57%, 0.8%

LAB 82.75, 7.76, 17.31

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 4 / 25 / 0 / 9

HEX #DFAEE9

RGB 223 174 233

HSL 289.83, 0.57%, 0.8%

LAB 77.19, 27.91, -22.7

 

CMYK 0 / 4 / 25 / 9

HEX #E9DFAE

RGB 233 223 174

HSL 49.83, 0.57%, 0.8%

LAB 88.52, -4.14, 25.29

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 24 / 25 / 0 / 9

HEX #B0AEE9

RGB 176 174 233

HSL 242.03, 0.57%, 0.8%

LAB 73.14, 13.23, -29.25

 

CMYK 0 / 25 / 21 / 9

HEX #E9AEB8

RGB 233 174 184

HSL 349.83, 0.57%, 0.8%

LAB 76.71, 22.99, 3.34

 

CMYK 1 / 0 / 25 / 9

HEX #E7E9AE

RGB 231 233 174

HSL 62.03, 0.57%, 0.8%

LAB 90.93, -9.93, 28.54

 

CMYK 25 / 0 / 4 / 9

HEX #AEE9E0

RGB 174 233 224

HSL 170.85, 0.57%, 0.8%

LAB 88.28, -20.47, -1.7

 

CMYK 17 / 25 / 0 / 9

HEX #C2AEE9

RGB 194 174 233

HSL 260.34, 0.57%, 0.8%

LAB 74.59, 18.72, -26.91

 

CMYK 0 / 25 / 21 / 9

HEX #E9AEB8

RGB 233 174 184

HSL 349.83, 0.57%, 0.8%

LAB 76.71, 22.99, 3.34

 

CMYK 9 / 0 / 25 / 9

HEX #D5E9AE

RGB 213 233 174

HSL 80.34, 0.57%, 0.8%

LAB 89.62, -16.5, 26.54

 

Description

Color code: HEX #AEE9E0 | qconv.com Color code: HEX #AEE9E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 233 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 233 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 4 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 4% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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