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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEED01 it is the complementary color #5112FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEED01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEED01 shade: #B3ED00, #C4FF0F, #D5FF22, #E6FF35 and #F7FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEED01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEED01 shade: #AEED01, #9DDB00, #8CC900, #7BB700 and #6AA500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEED01 shade: #AFEE01, #EEED01, #EEAD01, #EE6D01 and #EE2D01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEED01 shade: #AFEE01, #6FEE01, #2FEE01, #01EE13 and #01EE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEED01 shade matches the following richer shades: #AFEE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEED01 shade: #AFEE01, #A6DB14, #9DC727, #94B43B and #8AA04E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEED01 shade: #EEAF01, #EEEE01, #AFEE01, #6FEE01 and #30EE01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEED01 shade: #729C00, #90C500, #AFEE01, #C1FD1B and #CCFE44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEED01 shade: #AEED01, #01EE6F and #CE01EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEED01 shade: #AEED01, #01AFEE and #EE01AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEED01 shade: #AEED01, #01EE6F, #4001EE and #EE017F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEED01 shade: #AEED01, #01EEB7, #4001EE and #EE0138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 100 / 7

HEX #AEED01

RGB 174 237 1

HSL 76.02, 0.99%, 0.47%

LAB 86.79, -45.57, 84.24

 

Complementary color

CMYK 68 / 93 / 0 / 0

HEX #5112FE

RGB 81 18 254

HSL 256.02, 0.99%, 0.53%

LAB 36.63, 77.81, -100

 

CMYK 24 / 0 / 100 / 7

HEX #B3ED00

RGB 179 237 0

HSL 74.68, 1%, 0.46%

LAB 87.07, -43.7, 84.66

 

CMYK 23 / 0 / 94 / 0

HEX #C4FF0F

RGB 196 255 15

HSL 74.75, 1%, 0.53%

LAB 93.14, -44.85, 88.6

 

CMYK 16 / 0 / 87 / 0

HEX #D5FF22

RGB 213 255 34

HSL 71.4, 1%, 0.57%

LAB 94.22, -38.01, 87.37

 

CMYK 10 / 0 / 79 / 0

HEX #E6FF35

RGB 230 255 53

HSL 67.43, 1%, 0.6%

LAB 95.41, -30.78, 84.75

 

CMYK 3 / 0 / 72 / 0

HEX #F7FF48

RGB 247 255 72

HSL 62.62, 1%, 0.64%

LAB 96.72, -23.25, 80.9

 

CMYK 27 / 0 / 100 / 7

HEX #AEED01

RGB 174 237 1

HSL 76.02, 0.99%, 0.47%

LAB 86.79, -45.57, 84.24

 

CMYK 28 / 0 / 100 / 14

HEX #9DDB00

RGB 157 219 0

HSL 76.99, 1%, 0.43%

LAB 80.64, -44.28, 79.2

 

CMYK 30 / 0 / 100 / 21

HEX #8CC900

RGB 140 201 0

HSL 78.21, 1%, 0.39%

LAB 74.41, -42.96, 74.01

 

CMYK 33 / 0 / 100 / 28

HEX #7BB700

RGB 123 183 0

HSL 79.67, 1%, 0.36%

LAB 68.08, -41.61, 68.74

 

CMYK 36 / 0 / 100 / 35

HEX #6AA500

RGB 106 165 0

HSL 81.45, 1%, 0.32%

LAB 61.63, -40.24, 63.38

 

CMYK 26 / 0 / 100 / 7

HEX #AFEE01

RGB 175 238 1

HSL 75.95, 0.99%, 0.47%

LAB 87.13, -45.62, 84.52

 

CMYK 0 / 0 / 100 / 7

HEX #EEED01

RGB 238 237 1

HSL 59.75, 0.99%, 0.47%

LAB 91.12, -19.97, 89.41

 

CMYK 0 / 27 / 100 / 7

HEX #EEAD01

RGB 238 173 1

HSL 43.54, 0.99%, 0.47%

LAB 74.87, 12.52, 77.86

 

CMYK 0 / 54 / 100 / 7

HEX #EE6D01

RGB 238 109 1

HSL 27.34, 0.99%, 0.47%

LAB 60.88, 45.57, 68.96

 

CMYK 0 / 81 / 100 / 7

HEX #EE2D01

RGB 238 45 1

HSL 11.14, 0.99%, 0.47%

LAB 51.9, 69.77, 64.37

 

CMYK 26 / 0 / 100 / 7

HEX #AFEE01

RGB 175 238 1

HSL 75.95, 0.99%, 0.47%

LAB 87.13, -45.62, 84.52

 

CMYK 53 / 0 / 100 / 7

HEX #6FEE01

RGB 111 238 1

HSL 92.15, 0.99%, 0.47%

LAB 84.24, -66.55, 81.04

 

CMYK 80 / 0 / 100 / 7

HEX #2FEE01

RGB 47 238 1

HSL 108.35, 0.99%, 0.47%

LAB 82.78, -78.85, 79.26

 

CMYK 100 / 0 / 92 / 7

HEX #01EE13

RGB 1 238 19

HSL 124.56, 0.99%, 0.47%

LAB 82.49, -81.44, 77.19

 

CMYK 100 / 0 / 65 / 7

HEX #01EE53

RGB 1 238 83

HSL 140.76, 0.99%, 0.47%

LAB 82.8, -77.47, 59.74

 

CMYK 26 / 0 / 100 / 7

HEX #AFEE01

RGB 175 238 1

HSL 75.95, 0.99%, 0.47%

LAB 87.13, -45.62, 84.52

 

CMYK 26 / 0 / 100 / 7

HEX #AFEE01

RGB 175 238 1

HSL 75.95, 0.99%, 0.47%

LAB 87.13, -45.62, 84.52

 

CMYK 24 / 0 / 91 / 14

HEX #A6DB14

RGB 166 219 20

HSL 75.98, 0.83%, 0.47%

LAB 81.19, -40.58, 77.81

 

CMYK 21 / 0 / 80 / 22

HEX #9DC727

RGB 157 199 39

HSL 75.75, 0.67%, 0.47%

LAB 74.93, -34.59, 68.42

 

CMYK 18 / 0 / 67 / 29

HEX #94B43B

RGB 148 180 59

HSL 75.87, 0.51%, 0.47%

LAB 68.93, -28.25, 55.7

 

CMYK 14 / 0 / 51 / 37

HEX #8AA04E

RGB 138 160 78

HSL 76.1, 0.34%, 0.47%

LAB 62.59, -20.85, 39.81

 

CMYK 0 / 26 / 100 / 7

HEX #EEAF01

RGB 238 175 1

HSL 44.05, 0.99%, 0.47%

LAB 75.35, 11.47, 78.2

 

CMYK 0 / 0 / 100 / 7

HEX #EEEE01

RGB 238 238 1

HSL 60, 0.99%, 0.47%

LAB 91.38, -20.45, 89.6

 

CMYK 26 / 0 / 100 / 7

HEX #AFEE01

RGB 175 238 1

HSL 75.95, 0.99%, 0.47%

LAB 87.13, -45.62, 84.52

 

CMYK 53 / 0 / 100 / 7

HEX #6FEE01

RGB 111 238 1

HSL 92.15, 0.99%, 0.47%

LAB 84.24, -66.55, 81.04

 

CMYK 80 / 0 / 100 / 7

HEX #30EE01

RGB 48 238 1

HSL 108.1, 0.99%, 0.47%

LAB 82.8, -78.74, 79.28

 

CMYK 27 / 0 / 100 / 39

HEX #729C00

RGB 114 156 0

HSL 76.15, 1%, 0.31%

LAB 59.3, -33.1, 61.79

 

CMYK 27 / 0 / 100 / 23

HEX #90C500

RGB 144 197 0

HSL 76.14, 1%, 0.39%

LAB 73.46, -39.69, 73.38

 

CMYK 26 / 0 / 100 / 7

HEX #AFEE01

RGB 175 238 1

HSL 75.95, 0.99%, 0.47%

LAB 87.13, -45.62, 84.52

 

CMYK 24 / 0 / 89 / 1

HEX #C1FD1B

RGB 193 253 27

HSL 75.93, 0.98%, 0.55%

LAB 92.43, -44.94, 86.53

 

CMYK 20 / 0 / 73 / 0

HEX #CCFE44

RGB 204 254 68

HSL 76.13, 0.99%, 0.63%

LAB 93.51, -39.83, 78.09

 

CMYK 27 / 0 / 100 / 7

HEX #AEED01

RGB 174 237 1

HSL 76.02, 0.99%, 0.47%

LAB 86.79, -45.57, 84.24

 

CMYK 100 / 0 / 53 / 7

HEX #01EE6F

RGB 1 238 111

HSL 147.85, 0.99%, 0.47%

LAB 83.07, -74.01, 47.86

 

CMYK 13 / 100 / 0 / 7

HEX #CE01EE

RGB 206 1 238

HSL 291.9, 0.99%, 0.47%

LAB 51.06, 88.44, -66.69

 

CMYK 27 / 0 / 100 / 7

HEX #AEED01

RGB 174 237 1

HSL 76.02, 0.99%, 0.47%

LAB 86.79, -45.57, 84.24

 

CMYK 100 / 26 / 0 / 7

HEX #01AFEE

RGB 1 175 238

HSL 195.95, 0.99%, 0.47%

LAB 67.16, -15.09, -41.77

 

CMYK 0 / 100 / 26 / 7

HEX #EE01AF

RGB 238 1 175

HSL 315.95, 0.99%, 0.47%

LAB 53.27, 85.29, -26.62

 

CMYK 27 / 0 / 100 / 7

HEX #AEED01

RGB 174 237 1

HSL 76.02, 0.99%, 0.47%

LAB 86.79, -45.57, 84.24

 

CMYK 100 / 0 / 53 / 7

HEX #01EE6F

RGB 1 238 111

HSL 147.85, 0.99%, 0.47%

LAB 83.07, -74.01, 47.86

 

CMYK 73 / 100 / 0 / 7

HEX #4001EE

RGB 64 1 238

HSL 255.95, 0.99%, 0.47%

LAB 32.45, 75.94, -97.97

 

CMYK 0 / 100 / 47 / 7

HEX #EE017F

RGB 238 1 127

HSL 328.1, 0.99%, 0.47%

LAB 51.53, 80.78, -0.62

 

CMYK 27 / 0 / 100 / 7

HEX #AEED01

RGB 174 237 1

HSL 76.02, 0.99%, 0.47%

LAB 86.79, -45.57, 84.24

 

CMYK 100 / 0 / 23 / 7

HEX #01EEB7

RGB 1 238 183

HSL 166.08, 0.99%, 0.47%

LAB 84.26, -60.2, 13.39

 

CMYK 73 / 100 / 0 / 7

HEX #4001EE

RGB 64 1 238

HSL 255.95, 0.99%, 0.47%

LAB 32.45, 75.94, -97.97

 

CMYK 0 / 100 / 76 / 7

HEX #EE0138

RGB 238 1 56

HSL 346.08, 0.99%, 0.47%

LAB 50.08, 76.89, 40.39

 

Description

Color code: HEX #AEED01 | qconv.com Color code: HEX #AEED01 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 237 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 237 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 100 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 100% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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