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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEED9D it is the complementary color #511262. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEED9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEED9D shade: #B3ED98, #C4FFAB, #D5FFBE, #E6FFD1 and #F7FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEED9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEED9D shade: #AEED9D, #9DDB8A, #8CC977, #7BB764 and #6AA551

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEED9D shade: #ADEC9B, #C2EC9B, #D8EC9B, #ECEB9B and #ECD59B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEED9D shade: #ADEC9B, #9BECA0, #9BECB6, #9BECCC and #9BECE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEED9D shade matches the following richer shades: #ADEC9B and #A7F692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEED9D shade: #ADEC9B, #B2E3A5, #B7D9AE, #BDD0B8 and #C2C6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEED9D shade: #D8EC9B, #C3EC9B, #ADEC9B, #9BEC9F and #9BECB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEED9D shade: #73E056, #90E679, #ADEC9B, #C9F3BE and #E6F9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEED9D shade: #AEED9D, #9BECEB and #EC9BCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEED9D shade: #AEED9D, #9BADEC and #EC9BAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEED9D shade: #AEED9D, #9BECEB, #DB9BEC and #EC9B9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEED9D shade: #AEED9D, #9BD5EC, #DB9BEC and #ECB29B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 34 / 7

HEX #AEED9D

RGB 174 237 157

HSL 107.25, 0.69%, 0.77%

LAB 87.97, -34.47, 32.57

 

Complementary color

CMYK 17 / 82 / 0 / 62

HEX #511262

RGB 81 18 98

HSL 287.25, 0.69%, 0.23%

LAB 20.3, 40.56, -32.88

 

CMYK 24 / 0 / 36 / 7

HEX #B3ED98

RGB 179 237 152

HSL 100.94, 0.7%, 0.76%

LAB 88.17, -33.51, 35.4

 

CMYK 23 / 0 / 33 / 0

HEX #C4FFAB

RGB 196 255 171

HSL 102.14, 1%, 0.84%

LAB 94.4, -33.36, 34.32

 

CMYK 16 / 0 / 25 / 0

HEX #D5FFBE

RGB 213 255 190

HSL 98.77, 1%, 0.87%

LAB 95.74, -24.81, 26.75

 

CMYK 10 / 0 / 18 / 0

HEX #E6FFD1

RGB 230 255 209

HSL 92.61, 1%, 0.91%

LAB 97.21, -16.06, 19.3

 

CMYK 3 / 0 / 11 / 0

HEX #F7FFE4

RGB 247 255 228

HSL 77.78, 1%, 0.95%

LAB 98.79, -7.22, 12

 

CMYK 27 / 0 / 34 / 7

HEX #AEED9D

RGB 174 237 157

HSL 107.25, 0.69%, 0.77%

LAB 87.97, -34.47, 32.57

 

CMYK 28 / 0 / 37 / 14

HEX #9DDB8A

RGB 157 219 138

HSL 105.93, 0.53%, 0.7%

LAB 81.66, -34.66, 33.69

 

CMYK 30 / 0 / 41 / 21

HEX #8CC977

RGB 140 201 119

HSL 104.63, 0.43%, 0.63%

LAB 75.25, -34.84, 34.86

 

CMYK 33 / 0 / 45 / 28

HEX #7BB764

RGB 123 183 100

HSL 103.37, 0.37%, 0.55%

LAB 68.75, -34.99, 36.07

 

CMYK 36 / 0 / 51 / 35

HEX #6AA551

RGB 106 165 81

HSL 102.14, 0.34%, 0.48%

LAB 62.14, -35.1, 37.31

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 18 / 0 / 34 / 7

HEX #C2EC9B

RGB 194 236 155

HSL 91.11, 0.68%, 0.77%

LAB 88.84, -27.41, 34.95

 

CMYK 8 / 0 / 34 / 7

HEX #D8EC9B

RGB 216 236 155

HSL 74.81, 0.68%, 0.77%

LAB 90.3, -19.43, 37.14

 

CMYK 0 / 0 / 34 / 7

HEX #ECEB9B

RGB 236 235 155

HSL 59.26, 0.68%, 0.77%

LAB 91.51, -11.42, 39

 

CMYK 0 / 10 / 34 / 7

HEX #ECD59B

RGB 236 213 155

HSL 42.96, 0.68%, 0.77%

LAB 85.9, -0.29, 31.61

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 34 / 0 / 32 / 7

HEX #9BECA0

RGB 155 236 160

HSL 123.7, 0.68%, 0.77%

LAB 86.75, -39.64, 29.24

 

CMYK 34 / 0 / 23 / 7

HEX #9BECB6

RGB 155 236 182

HSL 140, 0.68%, 0.77%

LAB 87.16, -35.84, 18.49

 

CMYK 34 / 0 / 14 / 7

HEX #9BECCC

RGB 155 236 204

HSL 156.3, 0.68%, 0.77%

LAB 87.64, -31.56, 7.71

 

CMYK 34 / 0 / 5 / 7

HEX #9BECE1

RGB 155 236 225

HSL 171.85, 0.68%, 0.77%

LAB 88.16, -27.06, -2.52

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 32 / 0 / 41 / 4

HEX #A7F692

RGB 167 246 146

HSL 107.4, 0.85%, 0.77%

LAB 89.95, -42.37, 40.58

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 22 / 0 / 27 / 11

HEX #B2E3A5

RGB 178 227 165

HSL 107.42, 0.53%, 0.77%

LAB 85.56, -27.22, 25.28

 

CMYK 16 / 0 / 20 / 15

HEX #B7D9AE

RGB 183 217 174

HSL 107.44, 0.36%, 0.77%

LAB 83.31, -19.17, 17.53

 

CMYK 9 / 0 / 12 / 18

HEX #BDD0B8

RGB 189 208 184

HSL 107.5, 0.2%, 0.77%

LAB 81.51, -10.84, 9.75

 

CMYK 2 / 0 / 3 / 22

HEX #C2C6C1

RGB 194 198 193

HSL 108, 0.04%, 0.77%

LAB 79.45, -2.29, 2.01

 

CMYK 8 / 0 / 34 / 7

HEX #D8EC9B

RGB 216 236 155

HSL 74.81, 0.68%, 0.77%

LAB 90.3, -19.43, 37.14

 

CMYK 17 / 0 / 34 / 7

HEX #C3EC9B

RGB 195 236 155

HSL 90.37, 0.68%, 0.77%

LAB 88.9, -27.06, 35.04

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 34 / 0 / 33 / 7

HEX #9BEC9F

RGB 155 236 159

HSL 122.96, 0.68%, 0.77%

LAB 86.73, -39.8, 29.73

 

CMYK 34 / 0 / 23 / 7

HEX #9BECB5

RGB 155 236 181

HSL 139.26, 0.68%, 0.77%

LAB 87.14, -36.02, 18.98

 

CMYK 49 / 0 / 62 / 12

HEX #73E056

RGB 115 224 86

HSL 107.39, 0.69%, 0.61%

LAB 80.53, -56.32, 56.54

 

CMYK 37 / 0 / 47 / 10

HEX #90E679

RGB 144 230 121

HSL 107.34, 0.69%, 0.69%

LAB 83.92, -46.09, 44.87

 

CMYK 27 / 0 / 34 / 7

HEX #ADEC9B

RGB 173 236 155

HSL 106.67, 0.68%, 0.77%

LAB 87.6, -34.64, 33.08

 

CMYK 17 / 0 / 22 / 5

HEX #C9F3BE

RGB 201 243 190

HSL 107.55, 0.69%, 0.85%

LAB 91.79, -23.13, 21.19

 

CMYK 8 / 0 / 10 / 2

HEX #E6F9E1

RGB 230 249 225

HSL 107.5, 0.67%, 0.93%

LAB 96, -10.48, 9.4

 

CMYK 27 / 0 / 34 / 7

HEX #AEED9D

RGB 174 237 157

HSL 107.25, 0.69%, 0.77%

LAB 87.97, -34.47, 32.57

 

CMYK 34 / 0 / 0 / 7

HEX #9BECEB

RGB 155 236 235

HSL 179.26, 0.68%, 0.77%

LAB 88.43, -24.78, -7.37

 

CMYK 0 / 34 / 13 / 7

HEX #EC9BCD

RGB 236 155 205

HSL 322.96, 0.68%, 0.77%

LAB 73.34, 37.38, -13.11

 

CMYK 27 / 0 / 34 / 7

HEX #AEED9D

RGB 174 237 157

HSL 107.25, 0.69%, 0.77%

LAB 87.97, -34.47, 32.57

 

CMYK 34 / 27 / 0 / 7

HEX #9BADEC

RGB 155 173 236

HSL 226.67, 0.68%, 0.77%

LAB 71.5, 8.48, -33.55

 

CMYK 0 / 34 / 27 / 7

HEX #EC9BAD

RGB 236 155 173

HSL 346.67, 0.68%, 0.77%

LAB 72.42, 32.61, 3.21

 

CMYK 27 / 0 / 34 / 7

HEX #AEED9D

RGB 174 237 157

HSL 107.25, 0.69%, 0.77%

LAB 87.97, -34.47, 32.57

 

CMYK 34 / 0 / 0 / 7

HEX #9BECEB

RGB 155 236 235

HSL 179.26, 0.68%, 0.77%

LAB 88.43, -24.78, -7.37

 

CMYK 7 / 34 / 0 / 7

HEX #DB9BEC

RGB 219 155 236

HSL 287.41, 0.68%, 0.77%

LAB 72.6, 37.46, -31.4

 

CMYK 0 / 34 / 33 / 7

HEX #EC9B9D

RGB 236 155 157

HSL 358.52, 0.68%, 0.77%

LAB 72.03, 30.53, 11.5

 

CMYK 27 / 0 / 34 / 7

HEX #AEED9D

RGB 174 237 157

HSL 107.25, 0.69%, 0.77%

LAB 87.97, -34.47, 32.57

 

CMYK 34 / 10 / 0 / 7

HEX #9BD5EC

RGB 155 213 236

HSL 197.04, 0.68%, 0.77%

LAB 82.17, -13.03, -17.24

 

CMYK 7 / 34 / 0 / 7

HEX #DB9BEC

RGB 219 155 236

HSL 287.41, 0.68%, 0.77%

LAB 72.6, 37.46, -31.4

 

CMYK 0 / 25 / 34 / 7

HEX #ECB29B

RGB 236 178 155

HSL 17.04, 0.68%, 0.77%

LAB 77.3, 18.06, 19.96

 

Description

Color code: HEX #AEED9D | qconv.com Color code: HEX #AEED9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 237 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 237 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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