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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEEE55 it is the complementary color #5111AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEEE55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEEE55 shade: #B3EE50, #C4FF63, #D5FF76, #E6FF89 and #F7FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEEE55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEEE55 shade: #AEEE55, #9DDC42, #8CCA2F, #7BB81C and #6AA609

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEEE55 shade: #ADEE53, #D7EE53, #EEDB53, #EEB153 and #EE8753

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEEE55 shade: #ADEE53, #83EE53, #59EE53, #53EE76 and #53EEA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEEE55 shade matches the following richer shades: #ADEE53 and #AFFD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEEE55 shade: #ADEE53, #AADE62, #A8CF71, #A5C081 and #A3B090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEEE55 shade: #EEDB53, #D6EE53, #ADEE53, #84EE53 and #5BEE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEEE55 shade: #87D915, #9BEA2D, #ADEE53, #BFF178 and #D1F59E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEEE55 shade: #AEEE55, #53EEB2 and #EE53EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEEE55 shade: #AEEE55, #53ADEE and #EE53AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEEE55 shade: #AEEE55, #53EEB2, #9353EE and #EE538E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEEE55 shade: #AEEE55, #53EEE1, #9353EE and #EE5360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 64 / 7

HEX #AEEE55

RGB 174 238 85

HSL 85.1, 0.82%, 0.63%

LAB 87.39, -42.91, 65.25

 

Complementary color

CMYK 52 / 90 / 0 / 33

HEX #5111AA

RGB 81 17 170

HSL 265.1, 0.82%, 0.37%

LAB 26.88, 57.7, -67.41

 

CMYK 25 / 0 / 66 / 7

HEX #B3EE50

RGB 179 238 80

HSL 82.41, 0.82%, 0.62%

LAB 87.64, -41.44, 67.54

 

CMYK 23 / 0 / 61 / 0

HEX #C4FF63

RGB 196 255 99

HSL 82.69, 1%, 0.69%

LAB 93.52, -41.3, 66.61

 

CMYK 16 / 0 / 54 / 0

HEX #D5FF76

RGB 213 255 118

HSL 78.39, 1%, 0.73%

LAB 94.73, -33.46, 60.16

 

CMYK 10 / 0 / 46 / 0

HEX #E6FF89

RGB 230 255 137

HSL 72.71, 1%, 0.77%

LAB 96.06, -25.31, 53.36

 

CMYK 3 / 0 / 39 / 0

HEX #F7FF9C

RGB 247 255 156

HSL 64.85, 1%, 0.81%

LAB 97.51, -16.94, 46.38

 

CMYK 27 / 0 / 64 / 7

HEX #AEEE55

RGB 174 238 85

HSL 85.1, 0.82%, 0.63%

LAB 87.39, -42.91, 65.25

 

CMYK 29 / 0 / 70 / 14

HEX #9DDC42

RGB 157 220 66

HSL 84.55, 0.69%, 0.56%

LAB 81.15, -42.57, 65.7

 

CMYK 31 / 0 / 77 / 21

HEX #8CCA2F

RGB 140 202 47

HSL 84, 0.62%, 0.49%

LAB 74.84, -42.09, 65.64

 

CMYK 33 / 0 / 85 / 28

HEX #7BB81C

RGB 123 184 28

HSL 83.46, 0.74%, 0.42%

LAB 68.44, -41.42, 64.72

 

CMYK 36 / 0 / 95 / 35

HEX #6AA609

RGB 106 166 9

HSL 82.93, 0.9%, 0.34%

LAB 61.96, -40.49, 62.4

 

CMYK 27 / 0 / 65 / 7

HEX #ADEE53

RGB 173 238 83

HSL 85.16, 0.82%, 0.63%

LAB 87.32, -43.41, 65.94

 

CMYK 10 / 0 / 65 / 7

HEX #D7EE53

RGB 215 238 83

HSL 68.9, 0.82%, 0.63%

LAB 89.96, -27.43, 69.53

 

CMYK 0 / 8 / 65 / 7

HEX #EEDB53

RGB 238 219 83

HSL 52.65, 0.82%, 0.63%

LAB 86.73, -8.83, 66.72

 

CMYK 0 / 26 / 65 / 7

HEX #EEB153

RGB 238 177 83

HSL 36.39, 0.82%, 0.63%

LAB 76.22, 12.86, 55.45

 

CMYK 0 / 43 / 65 / 7

HEX #EE8753

RGB 238 135 83

HSL 20.13, 0.82%, 0.63%

LAB 66.62, 34.98, 44.57

 

CMYK 27 / 0 / 65 / 7

HEX #ADEE53

RGB 173 238 83

HSL 85.16, 0.82%, 0.63%

LAB 87.32, -43.41, 65.94

 

CMYK 45 / 0 / 65 / 7

HEX #83EE53

RGB 131 238 83

HSL 101.42, 0.82%, 0.63%

LAB 85.3, -57.33, 63.19

 

CMYK 63 / 0 / 65 / 7

HEX #59EE53

RGB 89 238 83

HSL 117.68, 0.82%, 0.63%

LAB 83.91, -68.04, 61.28

 

CMYK 65 / 0 / 50 / 7

HEX #53EE76

RGB 83 238 118

HSL 133.55, 0.82%, 0.63%

LAB 84.12, -65.12, 46.08

 

CMYK 65 / 0 / 33 / 7

HEX #53EEA0

RGB 83 238 160

HSL 149.81, 0.82%, 0.63%

LAB 84.75, -58.08, 26.11

 

CMYK 27 / 0 / 65 / 7

HEX #ADEE53

RGB 173 238 83

HSL 85.16, 0.82%, 0.63%

LAB 87.32, -43.41, 65.94

 

CMYK 31 / 0 / 73 / 1

HEX #AFFD44

RGB 175 253 68

HSL 85.3, 0.98%, 0.63%

LAB 91.59, -50.01, 75.67

 

CMYK 27 / 0 / 65 / 7

HEX #ADEE53

RGB 173 238 83

HSL 85.16, 0.82%, 0.63%

LAB 87.32, -43.41, 65.94

 

CMYK 23 / 0 / 56 / 13

HEX #AADE62

RGB 170 222 98

HSL 85.16, 0.65%, 0.63%

LAB 82.74, -36.18, 54.52

 

CMYK 19 / 0 / 45 / 19

HEX #A8CF71

RGB 168 207 113

HSL 84.89, 0.49%, 0.63%

LAB 78.54, -28.38, 42.38

 

CMYK 14 / 0 / 33 / 25

HEX #A5C081

RGB 165 192 129

HSL 85.71, 0.33%, 0.63%

LAB 74.37, -20.13, 28.82

 

CMYK 7 / 0 / 18 / 31

HEX #A3B090

RGB 163 176 144

HSL 84.38, 0.17%, 0.63%

LAB 70.07, -10.36, 14.89

 

CMYK 0 / 8 / 65 / 7

HEX #EEDB53

RGB 238 219 83

HSL 52.65, 0.82%, 0.63%

LAB 86.73, -8.83, 66.72

 

CMYK 10 / 0 / 65 / 7

HEX #D6EE53

RGB 214 238 83

HSL 69.29, 0.82%, 0.63%

LAB 89.89, -27.83, 69.43

 

CMYK 27 / 0 / 65 / 7

HEX #ADEE53

RGB 173 238 83

HSL 85.16, 0.82%, 0.63%

LAB 87.32, -43.41, 65.94

 

CMYK 45 / 0 / 65 / 7

HEX #84EE53

RGB 132 238 83

HSL 101.03, 0.82%, 0.63%

LAB 85.34, -57.04, 63.24

 

CMYK 62 / 0 / 65 / 7

HEX #5BEE53

RGB 91 238 83

HSL 116.9, 0.82%, 0.63%

LAB 83.96, -67.62, 61.35

 

CMYK 38 / 0 / 90 / 15

HEX #87D915

RGB 135 217 21

HSL 85.1, 0.82%, 0.47%

LAB 78.94, -51.06, 75.14

 

CMYK 34 / 0 / 81 / 8

HEX #9BEA2D

RGB 155 234 45

HSL 85.08, 0.82%, 0.55%

LAB 85, -50.27, 75.82

 

CMYK 27 / 0 / 65 / 7

HEX #ADEE53

RGB 173 238 83

HSL 85.16, 0.82%, 0.63%

LAB 87.32, -43.41, 65.94

 

CMYK 21 / 0 / 50 / 5

HEX #BFF178

RGB 191 241 120

HSL 84.79, 0.81%, 0.71%

LAB 89.55, -34.98, 52.8

 

CMYK 15 / 0 / 36 / 4

HEX #D1F59E

RGB 209 245 158

HSL 84.83, 0.81%, 0.79%

LAB 92.28, -25.93, 38.14

 

CMYK 27 / 0 / 64 / 7

HEX #AEEE55

RGB 174 238 85

HSL 85.1, 0.82%, 0.63%

LAB 87.39, -42.91, 65.25

 

CMYK 65 / 0 / 25 / 7

HEX #53EEB2

RGB 83 238 178

HSL 156.77, 0.82%, 0.63%

LAB 85.1, -54.4, 17.31

 

CMYK 0 / 65 / 1 / 7

HEX #EE53EB

RGB 238 83 235

HSL 301.16, 0.82%, 0.63%

LAB 61.97, 76.39, -47.28

 

CMYK 27 / 0 / 64 / 7

HEX #AEEE55

RGB 174 238 85

HSL 85.1, 0.82%, 0.63%

LAB 87.39, -42.91, 65.25

 

CMYK 65 / 27 / 0 / 7

HEX #53ADEE

RGB 83 173 238

HSL 205.16, 0.82%, 0.63%

LAB 67.95, -7.1, -40.44

 

CMYK 0 / 65 / 27 / 7

HEX #EE53AD

RGB 238 83 173

HSL 325.16, 0.82%, 0.63%

LAB 59.33, 67.59, -16.18

 

CMYK 27 / 0 / 64 / 7

HEX #AEEE55

RGB 174 238 85

HSL 85.1, 0.82%, 0.63%

LAB 87.39, -42.91, 65.25

 

CMYK 65 / 0 / 25 / 7

HEX #53EEB2

RGB 83 238 178

HSL 156.77, 0.82%, 0.63%

LAB 85.1, -54.4, 17.31

 

CMYK 38 / 65 / 0 / 7

HEX #9353EE

RGB 147 83 238

HSL 264.77, 0.82%, 0.63%

LAB 50.17, 57.31, -68.51

 

CMYK 0 / 65 / 40 / 7

HEX #EE538E

RGB 238 83 142

HSL 337.16, 0.82%, 0.63%

LAB 58.34, 64.12, 0.39

 

CMYK 27 / 0 / 64 / 7

HEX #AEEE55

RGB 174 238 85

HSL 85.1, 0.82%, 0.63%

LAB 87.39, -42.91, 65.25

 

CMYK 65 / 0 / 5 / 7

HEX #53EEE1

RGB 83 238 225

HSL 174.97, 0.82%, 0.63%

LAB 86.22, -43.16, -5.67

 

CMYK 38 / 65 / 0 / 7

HEX #9353EE

RGB 147 83 238

HSL 264.77, 0.82%, 0.63%

LAB 50.17, 57.31, -68.51

 

CMYK 0 / 65 / 60 / 7

HEX #EE5360

RGB 238 83 96

HSL 354.97, 0.82%, 0.63%

LAB 57.28, 60.29, 25.88

 

Description

Color code: HEX #AEEE55 | qconv.com Color code: HEX #AEEE55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 238 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 238 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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