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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEEFE8 it is the complementary color #511017. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEEFE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEEFE8 shade: #B3EFE3, #C4FFF6, #D5FFFF, #E6FFFF and #F7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEEFE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEEFE8 shade: #AEEFE8, #9DDDD5, #8CCBC2, #7BB9AF and #6AA79C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEEFE8 shade: #AEEFE8, #AEEFD6, #AEEFC5, #AEEFB3 and #BAEFAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEEFE8 shade: #AEEFE8, #AEE4EF, #AED2EF, #AEC1EF and #AEAFEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEEFE8 shade matches the following richer shades: #AEEFE8, #A6F6EE and #9EFEF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEEFE8 shade: #AEEFE8, #B5E7E1, #BDDFDB, #C5D7D5 and #CDCFCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEEFE8 shade: #AEEFC4, #AEEFD6, #AEEFE7, #AEE5EF and #AED3EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEEFE8 shade: #69E1D4, #8BE8DE, #AEEFE8, #D0F5F1 and #F2FCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEEFE8 shade: #AEEFE8, #B3AEEF and #EFCDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEEFE8 shade: #AEEFE8, #E7AEEF and #EFE7AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEEFE8 shade: #AEEFE8, #B3AEEF, #EFAEB5 and #E9EFAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEEFE8 shade: #AEEFE8, #C6AEEF, #EFAEB5 and #D6EFAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

Complementary color

CMYK 0 / 80 / 72 / 68

HEX #511017

RGB 81 16 23

HSL 353.54, 0.67%, 0.19%

LAB 16.41, 30.25, 13.52

 

CMYK 25 / 0 / 5 / 6

HEX #B3EFE3

RGB 179 239 227

HSL 168, 0.65%, 0.82%

LAB 90.26, -21.32, -0.35

 

CMYK 23 / 0 / 4 / 0

HEX #C4FFF6

RGB 196 255 246

HSL 170.85, 1%, 0.88%

LAB 95.96, -20.22, -1.75

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 3 / 0 / 0 / 0

HEX #F7FFFF

RGB 247 255 255

HSL 180, 1%, 0.98%

LAB 99.42, -2.61, -0.92

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 29 / 0 / 4 / 13

HEX #9DDDD5

RGB 157 221 213

HSL 172.5, 0.48%, 0.74%

LAB 83.8, -21.84, -2.59

 

CMYK 31 / 0 / 4 / 20

HEX #8CCBC2

RGB 140 203 194

HSL 171.43, 0.38%, 0.67%

LAB 77.39, -21.98, -1.95

 

CMYK 34 / 0 / 5 / 27

HEX #7BB9AF

RGB 123 185 175

HSL 170.32, 0.31%, 0.6%

LAB 70.87, -22.13, -1.27

 

CMYK 37 / 0 / 7 / 35

HEX #6AA79C

RGB 106 167 156

HSL 169.18, 0.26%, 0.54%

LAB 64.24, -22.29, -0.56

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD6

RGB 174 239 214

HSL 156.92, 0.67%, 0.81%

LAB 89.67, -25.45, 5.54

 

CMYK 27 / 0 / 18 / 6

HEX #AEEFC5

RGB 174 239 197

HSL 141.23, 0.67%, 0.81%

LAB 89.28, -28.73, 13.83

 

CMYK 27 / 0 / 25 / 6

HEX #AEEFB3

RGB 174 239 179

HSL 124.62, 0.67%, 0.81%

LAB 88.92, -31.92, 22.63

 

CMYK 22 / 0 / 27 / 6

HEX #BAEFAE

RGB 186 239 174

HSL 108.92, 0.67%, 0.81%

LAB 89.5, -28.81, 26.1

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 27 / 5 / 0 / 6

HEX #AEE4EF

RGB 174 228 239

HSL 190.15, 0.67%, 0.81%

LAB 87.35, -14.7, -10.97

 

CMYK 27 / 12 / 0 / 6

HEX #AED2EF

RGB 174 210 239

HSL 206.77, 0.67%, 0.81%

LAB 82.55, -5.42, -18.16

 

CMYK 27 / 19 / 0 / 6

HEX #AEC1EF

RGB 174 193 239

HSL 222.46, 0.67%, 0.81%

LAB 78.09, 3.64, -24.92

 

CMYK 27 / 27 / 0 / 6

HEX #AEAFEF

RGB 174 175 239

HSL 239.08, 0.67%, 0.81%

LAB 73.47, 13.51, -32.01

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 33 / 0 / 3 / 4

HEX #A6F6EE

RGB 166 246 238

HSL 174, 0.82%, 0.81%

LAB 91.77, -26.02, -3.94

 

CMYK 38 / 0 / 4 / 0

HEX #9EFEF4

RGB 158 254 244

HSL 173.75, 0.98%, 0.81%

LAB 93.75, -30.57, -4.19

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 22 / 0 / 3 / 9

HEX #B5E7E1

RGB 181 231 225

HSL 172.8, 0.51%, 0.81%

LAB 88.17, -17.18, -2.35

 

CMYK 15 / 0 / 2 / 13

HEX #BDDFDB

RGB 189 223 219

HSL 172.94, 0.35%, 0.81%

LAB 86.36, -11.91, -1.79

 

CMYK 8 / 0 / 1 / 16

HEX #C5D7D5

RGB 197 215 213

HSL 173.33, 0.18%, 0.81%

LAB 84.63, -6.4, -1.09

 

CMYK 1 / 0 / 0 / 19

HEX #CDCFCF

RGB 205 207 207

HSL 180, 0.02%, 0.81%

LAB 82.97, -0.68, -0.25

 

CMYK 27 / 0 / 18 / 6

HEX #AEEFC4

RGB 174 239 196

HSL 140.31, 0.67%, 0.81%

LAB 89.26, -28.91, 14.32

 

CMYK 27 / 0 / 10 / 6

HEX #AEEFD6

RGB 174 239 214

HSL 156.92, 0.67%, 0.81%

LAB 89.67, -25.45, 5.54

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE7

RGB 174 239 231

HSL 172.62, 0.67%, 0.81%

LAB 90.09, -21.93, -2.71

 

CMYK 27 / 4 / 0 / 6

HEX #AEE5EF

RGB 174 229 239

HSL 189.23, 0.67%, 0.81%

LAB 87.62, -15.2, -10.57

 

CMYK 27 / 12 / 0 / 6

HEX #AED3EF

RGB 174 211 239

HSL 205.85, 0.67%, 0.81%

LAB 82.82, -5.95, -17.76

 

CMYK 53 / 0 / 6 / 12

HEX #69E1D4

RGB 105 225 212

HSL 173.5, 0.67%, 0.65%

LAB 82.7, -36.81, -3.92

 

CMYK 40 / 0 / 4 / 9

HEX #8BE8DE

RGB 139 232 222

HSL 173.55, 0.67%, 0.73%

LAB 86.24, -29.97, -3.85

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 15 / 0 / 2 / 4

HEX #D0F5F1

RGB 208 245 241

HSL 173.51, 0.65%, 0.89%

LAB 93.91, -12.66, -2.08

 

CMYK 4 / 0 / 0 / 1

HEX #F2FCFB

RGB 242 252 251

HSL 174, 0.63%, 0.97%

LAB 98.22, -3.45, -0.67

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 25 / 27 / 0 / 6

HEX #B3AEEF

RGB 179 174 239

HSL 244.62, 0.67%, 0.81%

LAB 73.6, 15.53, -31.78

 

CMYK 0 / 14 / 27 / 6

HEX #EFCDAE

RGB 239 205 174

HSL 28.62, 0.67%, 0.81%

LAB 84.52, 7.4, 19.86

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 3 / 27 / 0 / 6

HEX #E7AEEF

RGB 231 174 239

HSL 292.62, 0.67%, 0.81%

LAB 78.17, 31.61, -24.39

 

CMYK 0 / 3 / 27 / 6

HEX #EFE7AE

RGB 239 231 174

HSL 52.62, 0.67%, 0.81%

LAB 91.03, -5.96, 28.79

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 25 / 27 / 0 / 6

HEX #B3AEEF

RGB 179 174 239

HSL 244.62, 0.67%, 0.81%

LAB 73.6, 15.53, -31.78

 

CMYK 0 / 27 / 24 / 6

HEX #EFAEB5

RGB 239 174 181

HSL 353.54, 0.67%, 0.81%

LAB 77.26, 24.73, 5.84

 

CMYK 3 / 0 / 27 / 6

HEX #E9EFAE

RGB 233 239 174

HSL 65.54, 0.67%, 0.81%

LAB 92.62, -12.18, 30.86

 

CMYK 27 / 0 / 3 / 6

HEX #AEEFE8

RGB 174 239 232

HSL 173.54, 0.67%, 0.81%

LAB 90.12, -21.71, -3.2

 

CMYK 17 / 27 / 0 / 6

HEX #C6AEEF

RGB 198 174 239

HSL 262.15, 0.67%, 0.81%

LAB 75.15, 21.26, -29.27

 

CMYK 0 / 27 / 24 / 6

HEX #EFAEB5

RGB 239 174 181

HSL 353.54, 0.67%, 0.81%

LAB 77.26, 24.73, 5.84

 

CMYK 10 / 0 / 27 / 6

HEX #D6EFAE

RGB 214 239 174

HSL 83.08, 0.67%, 0.81%

LAB 91.27, -19.09, 28.8

 

Description

Color code: HEX #AEEFE8 | qconv.com Color code: HEX #AEEFE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 239 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 239 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 3 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 3% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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