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Color name
HEX #AEF198

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEF198 it is the complementary color #510E67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEF198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEF198 shade: #B3F193, #C4FFA6, #D5FFB9, #E6FFCC and #F7FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEF198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEF198 shade: #AEF198, #9DDF85, #8CCD72, #7BBB5F and #6AA94C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEF198 shade: #ADF097, #C5F097, #DDF097, #F0EB97 and #F0D397

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEF198 shade: #ADF097, #97F099, #97F0B1, #97F0C9 and #97F0E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEF198 shade matches the following richer shades: #ADF097 and #A9FA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEF198 shade: #ADF097, #B2E7A1, #B7DDAA, #BCD4B4 and #C1CABD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEF198 shade: #DDF097, #C5F097, #AEF097, #97F099 and #97F0B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEF198 shade: #74E74F, #91EB73, #ADF097, #CAF5BC and #E6FAE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEF198 shade: #AEF198, #97F0EC and #F097D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEF198 shade: #AEF198, #97AEF0 and #F097AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEF198 shade: #AEF198, #97F0EC, #DA97F0 and #F0979C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEF198 shade: #AEF198, #97DAF0, #DA97F0 and #F0AE97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 37 / 5

HEX #AEF198

RGB 174 241 152

HSL 105.17, 0.76%, 0.77%

LAB 89.01, -37.02, 36.45

 

Complementary color

CMYK 21 / 86 / 0 / 60

HEX #510E67

RGB 81 14 103

HSL 285.17, 0.76%, 0.23%

LAB 20.21, 42.98, -36.3

 

CMYK 26 / 0 / 39 / 5

HEX #B3F193

RGB 179 241 147

HSL 99.57, 0.77%, 0.76%

LAB 89.21, -36.03, 39.25

 

CMYK 23 / 0 / 35 / 0

HEX #C4FFA6

RGB 196 255 166

HSL 99.78, 1%, 0.83%

LAB 94.32, -34.07, 36.7

 

CMYK 16 / 0 / 27 / 0

HEX #D5FFB9

RGB 213 255 185

HSL 96, 1%, 0.86%

LAB 95.65, -25.55, 29.16

 

CMYK 10 / 0 / 20 / 0

HEX #E6FFCC

RGB 230 255 204

HSL 89.41, 1%, 0.9%

LAB 97.11, -16.84, 21.71

 

CMYK 3 / 0 / 13 / 0

HEX #F7FFDF

RGB 247 255 223

HSL 75, 1%, 0.94%

LAB 98.68, -8.02, 14.4

 

CMYK 28 / 0 / 37 / 5

HEX #AEF198

RGB 174 241 152

HSL 105.17, 0.76%, 0.77%

LAB 89.01, -37.02, 36.45

 

CMYK 30 / 0 / 40 / 13

HEX #9DDF85

RGB 157 223 133

HSL 104, 0.58%, 0.7%

LAB 82.72, -37.19, 37.6

 

CMYK 32 / 0 / 44 / 20

HEX #8CCD72

RGB 140 205 114

HSL 102.86, 0.48%, 0.63%

LAB 76.35, -37.34, 38.78

 

CMYK 34 / 0 / 49 / 27

HEX #7BBB5F

RGB 123 187 95

HSL 101.74, 0.4%, 0.55%

LAB 69.88, -37.46, 39.99

 

CMYK 37 / 0 / 55 / 34

HEX #6AA94C

RGB 106 169 76

HSL 100.65, 0.38%, 0.48%

LAB 63.31, -37.51, 41.18

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 18 / 0 / 37 / 6

HEX #C5F097

RGB 197 240 151

HSL 88.99, 0.75%, 0.77%

LAB 90.06, -28.77, 38.57

 

CMYK 8 / 0 / 37 / 6

HEX #DDF097

RGB 221 240 151

HSL 72.81, 0.75%, 0.77%

LAB 91.65, -19.99, 40.95

 

CMYK 0 / 2 / 37 / 6

HEX #F0EB97

RGB 240 235 151

HSL 56.63, 0.75%, 0.77%

LAB 91.76, -10.34, 41.38

 

CMYK 0 / 12 / 37 / 6

HEX #F0D397

RGB 240 211 151

HSL 40.45, 0.75%, 0.77%

LAB 85.68, 1.82, 33.44

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 37 / 0 / 36 / 6

HEX #97F099

RGB 151 240 153

HSL 121.35, 0.75%, 0.77%

LAB 87.58, -43.73, 33.86

 

CMYK 37 / 0 / 26 / 6

HEX #97F0B1

RGB 151 240 177

HSL 137.53, 0.75%, 0.77%

LAB 88, -39.73, 22.22

 

CMYK 37 / 0 / 16 / 6

HEX #97F0C9

RGB 151 240 201

HSL 153.71, 0.75%, 0.77%

LAB 88.5, -35.14, 10.49

 

CMYK 37 / 0 / 6 / 6

HEX #97F0E1

RGB 151 240 225

HSL 169.89, 0.75%, 0.77%

LAB 89.08, -30.03, -1.19

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 32 / 0 / 43 / 2

HEX #A9FA8E

RGB 169 250 142

HSL 105, 0.92%, 0.77%

LAB 91.13, -44.01, 44.05

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 23 / 0 / 30 / 9

HEX #B2E7A1

RGB 178 231 161

HSL 105.43, 0.59%, 0.77%

LAB 86.6, -29.74, 28.74

 

CMYK 17 / 0 / 23 / 13

HEX #B7DDAA

RGB 183 221 170

HSL 104.71, 0.43%, 0.77%

LAB 84.32, -21.8, 21.02

 

CMYK 11 / 0 / 15 / 17

HEX #BCD4B4

RGB 188 212 180

HSL 105, 0.27%, 0.77%

LAB 82.42, -13.92, 13.16

 

CMYK 4 / 0 / 6 / 21

HEX #C1CABD

RGB 193 202 189

HSL 101.54, 0.11%, 0.77%

LAB 80.32, -5.46, 5.41

 

CMYK 8 / 0 / 37 / 6

HEX #DDF097

RGB 221 240 151

HSL 72.81, 0.75%, 0.77%

LAB 91.65, -19.99, 40.95

 

CMYK 18 / 0 / 37 / 6

HEX #C5F097

RGB 197 240 151

HSL 88.99, 0.75%, 0.77%

LAB 90.06, -28.77, 38.57

 

CMYK 28 / 0 / 37 / 6

HEX #AEF097

RGB 174 240 151

HSL 104.49, 0.75%, 0.77%

LAB 88.71, -36.71, 36.56

 

CMYK 37 / 0 / 36 / 6

HEX #97F099

RGB 151 240 153

HSL 121.35, 0.75%, 0.77%

LAB 87.58, -43.73, 33.86

 

CMYK 37 / 0 / 26 / 6

HEX #97F0B1

RGB 151 240 177

HSL 137.53, 0.75%, 0.77%

LAB 88, -39.73, 22.22

 

CMYK 50 / 0 / 66 / 9

HEX #74E74F

RGB 116 231 79

HSL 105.39, 0.76%, 0.61%

LAB 82.61, -59.33, 61.7

 

CMYK 38 / 0 / 51 / 8

HEX #91EB73

RGB 145 235 115

HSL 105, 0.75%, 0.69%

LAB 85.34, -48.62, 49.47

 

CMYK 28 / 0 / 37 / 6

HEX #ADF097

RGB 173 240 151

HSL 105.17, 0.75%, 0.77%

LAB 88.66, -37.04, 36.48

 

CMYK 18 / 0 / 23 / 4

HEX #CAF5BC

RGB 202 245 188

HSL 105.26, 0.74%, 0.85%

LAB 92.35, -24.07, 23

 

CMYK 8 / 0 / 10 / 2

HEX #E6FAE0

RGB 230 250 224

HSL 106.15, 0.72%, 0.93%

LAB 96.24, -11.15, 10.24

 

CMYK 28 / 0 / 37 / 5

HEX #AEF198

RGB 174 241 152

HSL 105.17, 0.76%, 0.77%

LAB 89.01, -37.02, 36.45

 

CMYK 37 / 0 / 2 / 6

HEX #97F0EC

RGB 151 240 236

HSL 177.3, 0.75%, 0.77%

LAB 89.37, -27.52, -6.51

 

CMYK 0 / 37 / 13 / 6

HEX #F097D1

RGB 240 151 209

HSL 320.9, 0.75%, 0.77%

LAB 73.06, 41.44, -15.68

 

CMYK 28 / 0 / 37 / 5

HEX #AEF198

RGB 174 241 152

HSL 105.17, 0.76%, 0.77%

LAB 89.01, -37.02, 36.45

 

CMYK 37 / 28 / 0 / 6

HEX #97AEF0

RGB 151 174 240

HSL 224.49, 0.75%, 0.77%

LAB 71.65, 7.88, -35.5

 

CMYK 0 / 37 / 28 / 6

HEX #F097AE

RGB 240 151 174

HSL 344.49, 0.75%, 0.77%

LAB 72.04, 36.28, 2.15

 

CMYK 28 / 0 / 37 / 5

HEX #AEF198

RGB 174 241 152

HSL 105.17, 0.76%, 0.77%

LAB 89.01, -37.02, 36.45

 

CMYK 37 / 0 / 2 / 6

HEX #97F0EC

RGB 151 240 236

HSL 177.3, 0.75%, 0.77%

LAB 89.37, -27.52, -6.51

 

CMYK 9 / 37 / 0 / 6

HEX #DA97F0

RGB 218 151 240

HSL 285.17, 0.75%, 0.77%

LAB 71.78, 40.08, -34.86

 

CMYK 0 / 37 / 35 / 6

HEX #F0979C

RGB 240 151 156

HSL 356.63, 0.75%, 0.77%

LAB 71.59, 33.99, 11.5

 

CMYK 28 / 0 / 37 / 5

HEX #AEF198

RGB 174 241 152

HSL 105.17, 0.76%, 0.77%

LAB 89.01, -37.02, 36.45

 

CMYK 37 / 9 / 0 / 6

HEX #97DAF0

RGB 151 218 240

HSL 194.83, 0.75%, 0.77%

LAB 83.45, -15.67, -17.46

 

CMYK 9 / 37 / 0 / 6

HEX #DA97F0

RGB 218 151 240

HSL 285.17, 0.75%, 0.77%

LAB 71.78, 40.08, -34.86

 

CMYK 0 / 28 / 37 / 6

HEX #F0AE97

RGB 240 174 151

HSL 15.51, 0.75%, 0.77%

LAB 76.7, 21.24, 21.35

 

Description

Color code: HEX #AEF198 | qconv.com Color code: HEX #AEF198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 241 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 241 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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