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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF24DA it is the complementary color #50DB25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF24DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF24DA shade: #B424D5, #C536E8, #D648FB, #E75AFF and #F86CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF24DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF24DA shade: #AF24DA, #9E12C7, #8D00B4, #7C00A1 and #6B008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF24DA shade: #AF23DB, #DB23D5, #DB23A3, #DB2372 and #DB2340

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF24DA shade: #AF23DB, #7E23DB, #4C23DB and #2323DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF24DA shade matches the following richer shades: #AF23DB and #BA0FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF24DA shade: #AF23DB, #A538C6, #9A4CB2, #8F619D and #847688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF24DA shade: #4B23DB, #7C23DB, #AD23DB, #DB23D8 and #DB23A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF24DA shade: #761894, #931DB7, #AF23DB, #BC47E1 and #C96AE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF24DA shade: #AF24DA, #DB232C and #23DB63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF24DA shade: #AF24DA, #DBAD23 and #23DBAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF24DA shade: #AF24DA, #DB232C, #51DB23 and #23DBD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF24DA shade: #AF24DA, #DB5123, #51DB23 and #23ADDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

Complementary color

CMYK 63 / 0 / 83 / 14

HEX #50DB25

RGB 80 219 37

HSL 105.82, 0.72%, 0.5%

LAB 77.58, -66.86, 70.05

 

CMYK 15 / 83 / 0 / 16

HEX #B424D5

RGB 180 36 213

HSL 288.81, 0.71%, 0.49%

LAB 46.67, 75.75, -59.78

 

CMYK 15 / 77 / 0 / 9

HEX #C536E8

RGB 197 54 232

HSL 288.2, 0.79%, 0.56%

LAB 52.21, 77.24, -61.51

 

CMYK 15 / 71 / 0 / 2

HEX #D648FB

RGB 214 72 251

HSL 287.6, 0.96%, 0.63%

LAB 57.94, 77.98, -62.8

 

CMYK 9 / 65 / 0 / 0

HEX #E75AFF

RGB 231 90 255

HSL 291.27, 1%, 0.68%

LAB 62.95, 75.52, -56.86

 

CMYK 3 / 58 / 0 / 0

HEX #F86CFF

RGB 248 108 255

HSL 297.14, 1%, 0.71%

LAB 67.95, 72.08, -48.79

 

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

CMYK 21 / 91 / 0 / 22

HEX #9E12C7

RGB 158 18 199

HSL 286.41, 0.83%, 0.43%

LAB 40.94, 73.33, -61.13

 

CMYK 22 / 100 / 0 / 29

HEX #8D00B4

RGB 141 0 180

HSL 287, 1%, 0.35%

LAB 35.9, 69.77, -58.26

 

CMYK 23 / 100 / 0 / 37

HEX #7C00A1

RGB 124 0 161

HSL 286.21, 1%, 0.32%

LAB 31.48, 64, -54.17

 

CMYK 25 / 100 / 0 / 44

HEX #6B008E

RGB 107 0 142

HSL 285.21, 1%, 0.28%

LAB 26.96, 58.1, -50.01

 

CMYK 20 / 84 / 0 / 14

HEX #AF23DB

RGB 175 35 219

HSL 285.65, 0.72%, 0.5%

LAB 46.22, 76.24, -63.98

 

CMYK 0 / 84 / 3 / 14

HEX #DB23D5

RGB 219 35 213

HSL 301.96, 0.72%, 0.5%

LAB 53.02, 82.8, -49.24

 

CMYK 0 / 84 / 26 / 14

HEX #DB23A3

RGB 219 35 163

HSL 318.26, 0.72%, 0.5%

LAB 50.58, 76.21, -23.99

 

CMYK 0 / 84 / 48 / 14

HEX #DB2372

RGB 219 35 114

HSL 334.24, 0.72%, 0.5%

LAB 48.86, 71.34, 2.95

 

CMYK 0 / 84 / 71 / 14

HEX #DB2340

RGB 219 35 64

HSL 350.54, 0.72%, 0.5%

LAB 47.79, 68.24, 32.06

 

CMYK 20 / 84 / 0 / 14

HEX #AF23DB

RGB 175 35 219

HSL 285.65, 0.72%, 0.5%

LAB 46.22, 76.24, -63.98

 

CMYK 42 / 84 / 0 / 14

HEX #7E23DB

RGB 126 35 219

HSL 269.67, 0.72%, 0.5%

LAB 39.16, 69.2, -75.8

 

CMYK 65 / 84 / 0 / 14

HEX #4C23DB

RGB 76 35 219

HSL 253.37, 0.72%, 0.5%

LAB 33.67, 64.06, -85.03

 

CMYK 84 / 84 / 0 / 14

HEX #2323DB

RGB 35 35 219

HSL 240, 0.72%, 0.5%

LAB 31.05, 61.75, -89.46

 

CMYK 20 / 84 / 0 / 14

HEX #AF23DB

RGB 175 35 219

HSL 285.65, 0.72%, 0.5%

LAB 46.22, 76.24, -63.98

 

CMYK 22 / 94 / 0 / 6

HEX #BA0FEF

RGB 186 15 239

HSL 285.8, 0.88%, 0.5%

LAB 48.28, 84.71, -71.91

 

CMYK 20 / 84 / 0 / 14

HEX #AF23DB

RGB 175 35 219

HSL 285.65, 0.72%, 0.5%

LAB 46.22, 76.24, -63.98

 

CMYK 17 / 72 / 0 / 22

HEX #A538C6

RGB 165 56 198

HSL 286.06, 0.56%, 0.5%

LAB 45.5, 64.09, -53.12

 

CMYK 13 / 57 / 0 / 30

HEX #9A4CB2

RGB 154 76 178

HSL 285.88, 0.4%, 0.5%

LAB 45.98, 48.64, -40.78

 

CMYK 9 / 38 / 0 / 38

HEX #8F619D

RGB 143 97 157

HSL 286, 0.24%, 0.5%

LAB 48.04, 29.52, -25.28

 

CMYK 3 / 13 / 0 / 47

HEX #847688

RGB 132 118 136

HSL 286.67, 0.07%, 0.5%

LAB 51.43, 8.91, -7.84

 

CMYK 66 / 84 / 0 / 14

HEX #4B23DB

RGB 75 35 219

HSL 253.04, 0.72%, 0.5%

LAB 33.59, 63.98, -85.18

 

CMYK 43 / 84 / 0 / 14

HEX #7C23DB

RGB 124 35 219

HSL 269.02, 0.72%, 0.5%

LAB 38.9, 68.95, -76.23

 

CMYK 21 / 84 / 0 / 14

HEX #AD23DB

RGB 173 35 219

HSL 285, 0.72%, 0.5%

LAB 45.91, 75.92, -64.5

 

CMYK 0 / 84 / 1 / 14

HEX #DB23D8

RGB 219 35 216

HSL 300.98, 0.72%, 0.5%

LAB 53.19, 83.24, -50.68

 

CMYK 0 / 84 / 24 / 14

HEX #DB23A7

RGB 219 35 167

HSL 316.96, 0.72%, 0.5%

LAB 50.75, 76.68, -26.1

 

CMYK 20 / 84 / 0 / 42

HEX #761894

RGB 118 24 148

HSL 285.48, 0.72%, 0.34%

LAB 30.98, 56.06, -47.1

 

CMYK 20 / 84 / 0 / 28

HEX #931DB7

RGB 147 29 183

HSL 285.97, 0.73%, 0.42%

LAB 38.73, 66.47, -55.41

 

CMYK 20 / 84 / 0 / 14

HEX #AF23DB

RGB 175 35 219

HSL 285.65, 0.72%, 0.5%

LAB 46.22, 76.24, -63.98

 

CMYK 16 / 68 / 0 / 12

HEX #BC47E1

RGB 188 71 225

HSL 285.58, 0.72%, 0.58%

LAB 52.55, 68.25, -57.09

 

CMYK 13 / 54 / 0 / 10

HEX #C96AE6

RGB 201 106 230

HSL 285.97, 0.71%, 0.66%

LAB 60.28, 56.58, -47.48

 

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

CMYK 0 / 84 / 80 / 14

HEX #DB232C

RGB 219 35 44

HSL 357.07, 0.72%, 0.5%

LAB 47.55, 67.52, 43.3

 

CMYK 84 / 0 / 55 / 14

HEX #23DB63

RGB 35 219 99

HSL 140.87, 0.72%, 0.5%

LAB 77.23, -68.08, 46.43

 

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

CMYK 0 / 21 / 84 / 14

HEX #DBAD23

RGB 219 173 35

HSL 45, 0.72%, 0.5%

LAB 72.94, 4.78, 69.76

 

CMYK 84 / 0 / 21 / 14

HEX #23DBAD

RGB 35 219 173

HSL 165, 0.72%, 0.5%

LAB 78.48, -53.83, 10.48

 

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

CMYK 0 / 84 / 80 / 14

HEX #DB232C

RGB 219 35 44

HSL 357.07, 0.72%, 0.5%

LAB 47.55, 67.52, 43.3

 

CMYK 63 / 0 / 84 / 14

HEX #51DB23

RGB 81 219 35

HSL 105, 0.72%, 0.5%

LAB 77.6, -66.73, 70.54

 

CMYK 84 / 0 / 4 / 14

HEX #23DBD2

RGB 35 219 210

HSL 177.07, 0.72%, 0.5%

LAB 79.43, -44.09, -7.86

 

CMYK 20 / 83 / 0 / 15

HEX #AF24DA

RGB 175 36 218

HSL 285.82, 0.72%, 0.5%

LAB 46.23, 75.82, -63.39

 

CMYK 0 / 63 / 84 / 14

HEX #DB5123

RGB 219 81 35

HSL 15, 0.72%, 0.5%

LAB 53.02, 51.98, 52.82

 

CMYK 63 / 0 / 84 / 14

HEX #51DB23

RGB 81 219 35

HSL 105, 0.72%, 0.5%

LAB 77.6, -66.73, 70.54

 

CMYK 84 / 21 / 0 / 14

HEX #23ADDB

RGB 35 173 219

HSL 195, 0.72%, 0.5%

LAB 66.03, -19.21, -33.09

 

Description

Color code: HEX #AF24DA | qconv.com Color code: HEX #AF24DA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 36 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 36 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 83 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 83% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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