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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF21A8 it is the complementary color #50DE57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF21A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF21A8 shade: #B421A3, #C533B6, #D645C9, #E757DC and #F869EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF21A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF21A8 shade: #AF21A8, #9E0F95, #8D0082, #7C006F and #6B005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF21A8 shade: #AF21A8, #AF2182, #AF215B, #AF2135 and #AF2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF21A8 shade: #AF21A8, #9021AF, #6921AF, #4321AF and #2121AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF21A8 shade matches the following richer shades: #AF21A8 and #C010B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF21A8 shade: #AF21A8, #9E3299, #8D438A, #7C547A and #6B656B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF21A8 shade: #6821AF, #8E21AF, #AF21AA, #AF2184 and #AF215F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF21A8 shade: #6A1466, #8C1A87, #AF21A8, #D228C9 and #DC47D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF21A8 shade: #AF21A8, #AF4221 and #21AF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF21A8 shade: #AF21A8, #AAAF21 and #21AAAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF21A8 shade: #AF21A8, #AF4221, #21AF26 and #218EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF21A8 shade: #AF21A8, #AF6D21, #21AF26 and #2163AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

Complementary color

CMYK 64 / 0 / 61 / 13

HEX #50DE57

RGB 80 222 87

HSL 122.96, 0.68%, 0.59%

LAB 78.83, -64.03, 53.9

 

CMYK 0 / 82 / 9 / 29

HEX #B421A3

RGB 180 33 163

HSL 306.94, 0.69%, 0.42%

LAB 43.41, 68.39, -35.7

 

CMYK 0 / 74 / 8 / 23

HEX #C533B6

RGB 197 51 182

HSL 306.16, 0.59%, 0.49%

LAB 49.03, 69.9, -37.89

 

CMYK 0 / 68 / 6 / 16

HEX #D645C9

RGB 214 69 201

HSL 305.38, 0.64%, 0.55%

LAB 54.83, 70.63, -39.55

 

CMYK 0 / 62 / 5 / 9

HEX #E757DC

RGB 231 87 220

HSL 304.58, 0.75%, 0.62%

LAB 60.76, 70.83, -40.85

 

CMYK 0 / 58 / 4 / 3

HEX #F869EF

RGB 248 105 239

HSL 303.78, 0.91%, 0.69%

LAB 66.74, 70.7, -41.88

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 91 / 6 / 38

HEX #9E0F95

RGB 158 15 149

HSL 303.78, 0.83%, 0.34%

LAB 37.45, 65.51, -36.95

 

CMYK 0 / 100 / 8 / 45

HEX #8D0082

RGB 141 0 130

HSL 304.68, 1%, 0.28%

LAB 32.42, 61.56, -33.39

 

CMYK 0 / 100 / 10 / 51

HEX #7C006F

RGB 124 0 111

HSL 306.29, 1%, 0.24%

LAB 27.93, 55.62, -28.68

 

CMYK 0 / 100 / 14 / 58

HEX #6B005C

RGB 107 0 92

HSL 308.41, 1%, 0.21%

LAB 23.33, 49.54, -23.77

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 81 / 26 / 31

HEX #AF2182

RGB 175 33 130

HSL 319.01, 0.68%, 0.41%

LAB 40.92, 62.83, -19.63

 

CMYK 0 / 81 / 48 / 31

HEX #AF215B

RGB 175 33 91

HSL 335.49, 0.68%, 0.41%

LAB 39.51, 58.69, 2.69

 

CMYK 0 / 81 / 70 / 31

HEX #AF2135

RGB 175 33 53

HSL 351.55, 0.68%, 0.41%

LAB 38.65, 56.09, 25.64

 

CMYK 0 / 81 / 81 / 31

HEX #AF2121

RGB 175 33 33

HSL 0, 0.68%, 0.41%

LAB 38.4, 55.29, 37.29

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 18 / 81 / 0 / 31

HEX #9021AF

RGB 144 33 175

HSL 286.9, 0.68%, 0.41%

LAB 38.04, 63.37, -51.79

 

CMYK 40 / 81 / 0 / 31

HEX #6921AF

RGB 105 33 175

HSL 270.42, 0.68%, 0.41%

LAB 32.23, 56.86, -61.51

 

CMYK 62 / 81 / 0 / 31

HEX #4321AF

RGB 67 33 175

HSL 254.37, 0.68%, 0.41%

LAB 27.78, 51.94, -68.98

 

CMYK 81 / 81 / 0 / 31

HEX #2121AF

RGB 33 33 175

HSL 240, 0.68%, 0.41%

LAB 25.28, 49.2, -73.2

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 92 / 5 / 25

HEX #C010B7

RGB 192 16 183

HSL 303.07, 0.85%, 0.41%

LAB 45.63, 76.56, -43.91

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 68 / 3 / 38

HEX #9E3299

RGB 158 50 153

HSL 302.78, 0.52%, 0.41%

LAB 40.98, 56.64, -33.78

 

CMYK 0 / 52 / 2 / 45

HEX #8D438A

RGB 141 67 138

HSL 302.43, 0.36%, 0.41%

LAB 40.43, 41.64, -25.73

 

CMYK 0 / 32 / 2 / 51

HEX #7C547A

RGB 124 84 122

HSL 303, 0.19%, 0.41%

LAB 41.27, 23.34, -14.85

 

CMYK 0 / 6 / 0 / 58

HEX #6B656B

RGB 107 101 107

HSL 300, 0.03%, 0.41%

LAB 43.5, 3.58, -2.54

 

CMYK 41 / 81 / 0 / 31

HEX #6821AF

RGB 104 33 175

HSL 270, 0.68%, 0.41%

LAB 32.09, 56.71, -61.74

 

CMYK 19 / 81 / 0 / 31

HEX #8E21AF

RGB 142 33 175

HSL 286.06, 0.68%, 0.41%

LAB 37.72, 63.01, -52.32

 

CMYK 0 / 81 / 3 / 31

HEX #AF21AA

RGB 175 33 170

HSL 302.11, 0.68%, 0.41%

LAB 42.92, 68.43, -40.71

 

CMYK 0 / 81 / 25 / 31

HEX #AF2184

RGB 175 33 132

HSL 318.17, 0.68%, 0.41%

LAB 41, 63.08, -20.72

 

CMYK 0 / 81 / 46 / 31

HEX #AF215F

RGB 175 33 95

HSL 333.8, 0.68%, 0.41%

LAB 39.63, 59.05, 0.33

 

CMYK 0 / 81 / 4 / 58

HEX #6A1466

RGB 106 20 102

HSL 302.79, 0.68%, 0.25%

LAB 25.33, 46.24, -27.2

 

CMYK 0 / 81 / 4 / 45

HEX #8C1A87

RGB 140 26 135

HSL 302.63, 0.69%, 0.33%

LAB 34.11, 57.5, -33.83

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 81 / 4 / 18

HEX #D228C9

RGB 210 40 201

HSL 303.18, 0.68%, 0.49%

LAB 51.19, 78.33, -45.35

 

CMYK 0 / 68 / 4 / 14

HEX #DC47D4

RGB 220 71 212

HSL 303.22, 0.68%, 0.57%

LAB 56.56, 73.01, -43.05

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 62 / 81 / 31

HEX #AF4221

RGB 175 66 33

HSL 13.94, 0.68%, 0.41%

LAB 42.94, 42.84, 41.75

 

CMYK 81 / 0 / 30 / 31

HEX #21AF7B

RGB 33 175 123

HSL 158.03, 0.68%, 0.41%

LAB 63.68, -48.4, 16.63

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 3 / 0 / 81 / 31

HEX #AAAF21

RGB 170 175 33

HSL 62.11, 0.68%, 0.41%

LAB 68.98, -17.8, 65.15

 

CMYK 81 / 3 / 0 / 31

HEX #21AAAF

RGB 33 170 175

HSL 182.11, 0.68%, 0.41%

LAB 63.48, -32.19, -12.56

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 62 / 81 / 31

HEX #AF4221

RGB 175 66 33

HSL 13.94, 0.68%, 0.41%

LAB 42.94, 42.84, 41.75

 

CMYK 81 / 0 / 78 / 31

HEX #21AF26

RGB 33 175 38

HSL 122.11, 0.68%, 0.41%

LAB 62.61, -61.01, 55.49

 

CMYK 81 / 19 / 0 / 31

HEX #218EAF

RGB 33 142 175

HSL 193.94, 0.68%, 0.41%

LAB 54.83, -17.96, -25.75

 

CMYK 0 / 81 / 4 / 31

HEX #AF21A8

RGB 175 33 168

HSL 302.96, 0.68%, 0.41%

LAB 42.81, 68.12, -39.7

 

CMYK 0 / 38 / 81 / 31

HEX #AF6D21

RGB 175 109 33

HSL 32.11, 0.68%, 0.41%

LAB 52.02, 20.29, 50.26

 

CMYK 81 / 0 / 78 / 31

HEX #21AF26

RGB 33 175 38

HSL 122.11, 0.68%, 0.41%

LAB 62.61, -61.01, 55.49

 

CMYK 81 / 43 / 0 / 31

HEX #2163AF

RGB 33 99 175

HSL 212.11, 0.68%, 0.41%

LAB 41.75, 7.52, -46.31

 

Description

Color code: HEX #AF21A8 | qconv.com Color code: HEX #AF21A8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 33 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 33 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 4 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 4% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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