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Color name
HEX #AF2B87

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF2B87 it is the complementary color #50D478. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF2B87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF2B87 shade: #B42B82, #C53D95, #D64FA8, #E761BB and #F873CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF2B87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF2B87 shade: #AF2B87, #9E1974, #8D0761, #7C004E and #6B003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF2B87 shade: #B02A88, #B02A63, #B02A3F and #B02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF2B87 shade: #B02A88, #B02AAC, #902AB0, #6C2AB0 and #482AB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF2B87 shade matches the following richer shades: #B02A88, #C2198E and #D40795

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF2B87 shade: #B02A88, #9E3C81, #8D4E7A, #7B5F73 and #69716C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF2B87 shade: #912AB0, #B02AAC, #B02A88, #B02A64 and #B02A41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF2B87 shade: #6E1A54, #8F226E, #B02A88, #CE36A0 and #D657AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF2B87 shade: #AF2B87, #B06D2A and #2AB0A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF2B87 shade: #AF2B87, #88B02A and #2A88B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF2B87 shade: #AF2B87, #B06D2A, #2AB052 and #2A6DB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF2B87 shade: #AF2B87, #B0952A, #2AB052 and #2A45B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 23 / 31

HEX #AF2B87

RGB 175 43 135

HSL 318.18, 0.61%, 0.43%

LAB 42.14, 60.59, -20.81

 

Complementary color

CMYK 62 / 0 / 43 / 17

HEX #50D478

RGB 80 212 120

HSL 138.18, 0.61%, 0.57%

LAB 76.16, -55.9, 35.05

 

CMYK 0 / 76 / 28 / 29

HEX #B42B82

RGB 180 43 130

HSL 321.9, 0.61%, 0.44%

LAB 42.83, 61.21, -16.62

 

CMYK 0 / 69 / 24 / 23

HEX #C53D95

RGB 197 61 149

HSL 321.18, 0.54%, 0.51%

LAB 48.73, 61.86, -18.82

 

CMYK 0 / 63 / 21 / 16

HEX #D64FA8

RGB 214 79 168

HSL 320.44, 0.62%, 0.57%

LAB 54.78, 61.95, -20.55

 

CMYK 0 / 58 / 19 / 9

HEX #E761BB

RGB 231 97 187

HSL 319.7, 0.74%, 0.64%

LAB 60.89, 61.7, -21.93

 

CMYK 0 / 54 / 17 / 3

HEX #F873CE

RGB 248 115 206

HSL 318.95, 0.9%, 0.71%

LAB 67.03, 61.23, -23.07

 

CMYK 0 / 75 / 23 / 31

HEX #AF2B87

RGB 175 43 135

HSL 318.18, 0.61%, 0.43%

LAB 42.14, 60.59, -20.81

 

CMYK 0 / 84 / 27 / 38

HEX #9E1974

RGB 158 25 116

HSL 318.95, 0.73%, 0.36%

LAB 36.41, 59.07, -18.11

 

CMYK 0 / 95 / 31 / 45

HEX #8D0761

RGB 141 7 97

HSL 319.7, 0.91%, 0.29%

LAB 31.06, 56.2, -14.49

 

CMYK 0 / 100 / 37 / 51

HEX #7C004E

RGB 124 0 78

HSL 322.26, 1%, 0.24%

LAB 26.26, 51.4, -9.59

 

CMYK 0 / 100 / 45 / 58

HEX #6B003B

RGB 107 0 59

HSL 326.92, 1%, 0.21%

LAB 21.73, 45.47, -3.79

 

CMYK 0 / 76 / 23 / 31

HEX #B02A88

RGB 176 42 136

HSL 317.91, 0.61%, 0.43%

LAB 42.25, 61.29, -21.24

 

CMYK 0 / 76 / 44 / 31

HEX #B02A63

RGB 176 42 99

HSL 334.48, 0.61%, 0.43%

LAB 40.88, 57.04, -0.35

 

CMYK 0 / 76 / 64 / 31

HEX #B02A3F

RGB 176 42 63

HSL 350.6, 0.61%, 0.43%

LAB 39.99, 54.21, 21.12

 

CMYK 0 / 76 / 76 / 31

HEX #B02A2A

RGB 176 42 42

HSL 0, 0.61%, 0.43%

LAB 39.67, 53.17, 33.53

 

CMYK 0 / 76 / 23 / 31

HEX #B02A88

RGB 176 42 136

HSL 317.91, 0.61%, 0.43%

LAB 42.25, 61.29, -21.24

 

CMYK 0 / 76 / 2 / 31

HEX #B02AAC

RGB 176 42 172

HSL 301.79, 0.61%, 0.43%

LAB 44.04, 66.53, -40.11

 

CMYK 18 / 76 / 0 / 31

HEX #902AB0

RGB 144 42 176

HSL 285.67, 0.61%, 0.43%

LAB 39.1, 60.7, -50.67

 

CMYK 39 / 76 / 0 / 31

HEX #6C2AB0

RGB 108 42 176

HSL 269.55, 0.61%, 0.43%

LAB 33.94, 54.04, -59.29

 

CMYK 59 / 76 / 0 / 31

HEX #482AB0

RGB 72 42 176

HSL 253.43, 0.61%, 0.43%

LAB 29.83, 48.57, -66.18

 

CMYK 0 / 76 / 23 / 31

HEX #B02A88

RGB 176 42 136

HSL 317.91, 0.61%, 0.43%

LAB 42.25, 61.29, -21.24

 

CMYK 0 / 87 / 27 / 24

HEX #C2198E

RGB 194 25 142

HSL 318.46, 0.77%, 0.43%

LAB 44.4, 70.26, -21.31

 

CMYK 0 / 97 / 30 / 17

HEX #D40795

RGB 212 7 149

HSL 318.44, 0.94%, 0.43%

LAB 47.39, 76.95, -20.65

 

CMYK 0 / 76 / 23 / 31

HEX #B02A88

RGB 176 42 136

HSL 317.91, 0.61%, 0.43%

LAB 42.25, 61.29, -21.24

 

CMYK 0 / 62 / 18 / 38

HEX #9E3C81

RGB 158 60 129

HSL 317.76, 0.45%, 0.43%

LAB 41.35, 48.59, -18.59

 

CMYK 0 / 45 / 13 / 45

HEX #8D4E7A

RGB 141 78 122

HSL 318.1, 0.29%, 0.43%

LAB 42.03, 32.82, -13.49

 

CMYK 0 / 23 / 7 / 52

HEX #7B5F73

RGB 123 95 115

HSL 317.14, 0.13%, 0.43%

LAB 43.7, 14.98, -6.92

 

CMYK 7 / 0 / 4 / 56

HEX #69716C

RGB 105 113 108

HSL 142.5, 0.04%, 0.43%

LAB 46.84, -4.07, 1.72

 

CMYK 18 / 76 / 0 / 31

HEX #912AB0

RGB 145 42 176

HSL 286.12, 0.61%, 0.43%

LAB 39.26, 60.89, -50.42

 

CMYK 0 / 76 / 2 / 31

HEX #B02AAC

RGB 176 42 172

HSL 301.79, 0.61%, 0.43%

LAB 44.04, 66.53, -40.11

 

CMYK 0 / 76 / 23 / 31

HEX #B02A88

RGB 176 42 136

HSL 317.91, 0.61%, 0.43%

LAB 42.25, 61.29, -21.24

 

CMYK 0 / 76 / 43 / 31

HEX #B02A64

RGB 176 42 100

HSL 334.03, 0.61%, 0.43%

LAB 40.91, 57.14, -0.94

 

CMYK 0 / 76 / 63 / 31

HEX #B02A41

RGB 176 42 65

HSL 349.7, 0.61%, 0.43%

LAB 40.03, 54.33, 19.91

 

CMYK 0 / 76 / 24 / 57

HEX #6E1A54

RGB 110 26 84

HSL 318.57, 0.62%, 0.27%

LAB 25.84, 42.35, -14.49

 

CMYK 0 / 76 / 23 / 44

HEX #8F226E

RGB 143 34 110

HSL 318.17, 0.62%, 0.35%

LAB 34.21, 52.05, -17.95

 

CMYK 0 / 76 / 23 / 31

HEX #B02A88

RGB 176 42 136

HSL 317.91, 0.61%, 0.43%

LAB 42.25, 61.29, -21.24

 

CMYK 0 / 74 / 22 / 19

HEX #CE36A0

RGB 206 54 160

HSL 318.16, 0.61%, 0.51%

LAB 49.86, 67.98, -23.52

 

CMYK 0 / 59 / 18 / 16

HEX #D657AF

RGB 214 87 175

HSL 318.43, 0.61%, 0.59%

LAB 56.3, 59.54, -22.29

 

CMYK 0 / 75 / 23 / 31

HEX #AF2B87

RGB 175 43 135

HSL 318.18, 0.61%, 0.43%

LAB 42.14, 60.59, -20.81

 

CMYK 0 / 38 / 76 / 31

HEX #B06D2A

RGB 176 109 42

HSL 30, 0.61%, 0.43%

LAB 52.21, 21.09, 46.66

 

CMYK 76 / 0 / 7 / 31

HEX #2AB0A3

RGB 42 176 163

HSL 174.18, 0.61%, 0.43%

LAB 65.11, -37.63, -3.43

 

CMYK 0 / 75 / 23 / 31

HEX #AF2B87

RGB 175 43 135

HSL 318.18, 0.61%, 0.43%

LAB 42.14, 60.59, -20.81

 

CMYK 23 / 0 / 76 / 31

HEX #88B02A

RGB 136 176 42

HSL 77.91, 0.61%, 0.43%

LAB 66.86, -32.2, 59.63

 

CMYK 76 / 23 / 0 / 31

HEX #2A88B0

RGB 42 136 176

HSL 197.91, 0.61%, 0.43%

LAB 53.21, -13.34, -28.82

 

CMYK 0 / 75 / 23 / 31

HEX #AF2B87

RGB 175 43 135

HSL 318.18, 0.61%, 0.43%

LAB 42.14, 60.59, -20.81

 

CMYK 0 / 38 / 76 / 31

HEX #B06D2A

RGB 176 109 42

HSL 30, 0.61%, 0.43%

LAB 52.21, 21.09, 46.66

 

CMYK 76 / 0 / 53 / 31

HEX #2AB052

RGB 42 176 82

HSL 137.91, 0.61%, 0.43%

LAB 63.47, -55.39, 37.93

 

CMYK 76 / 38 / 0 / 31

HEX #2A6DB0

RGB 42 109 176

HSL 210, 0.61%, 0.43%

LAB 45.03, 2.62, -41.66

 

CMYK 0 / 75 / 23 / 31

HEX #AF2B87

RGB 175 43 135

HSL 318.18, 0.61%, 0.43%

LAB 42.14, 60.59, -20.81

 

CMYK 0 / 15 / 76 / 31

HEX #B0952A

RGB 176 149 42

HSL 47.91, 0.61%, 0.43%

LAB 62.42, -1.13, 56.55

 

CMYK 76 / 0 / 53 / 31

HEX #2AB052

RGB 42 176 82

HSL 137.91, 0.61%, 0.43%

LAB 63.47, -55.39, 37.93

 

CMYK 76 / 61 / 0 / 31

HEX #2A45B0

RGB 42 69 176

HSL 227.91, 0.61%, 0.43%

LAB 33.74, 28.68, -59.86

 

Description

Color code: HEX #AF2B87 | qconv.com Color code: HEX #AF2B87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 43 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 43 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 23% 31% C M Y K

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Provide designers and agencies with accurate color values.

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