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Color name
HEX #AF3A5A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF3A5A it is the complementary color #50C5A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF3A5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF3A5A shade: #B43A55, #C54C68, #D65E7B, #E7708E and #F882A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF3A5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF3A5A shade: #AF3A5A, #9E2847, #8D1634, #7C0421 and #6B000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF3A5A shade: #AF3A5A, #AF3A3B and #AF3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF3A5A shade: #AF3A5A, #AF3A7A, #AF3A99, #A63AAF and #863AAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF3A5A shade matches the following richer shades: #AF3A5A, #C22752, #D51449 and #E80140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF3A5A shade: #AF3A5A, #9C4D63, #89606B, #777374 and #64867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF3A5A shade: #AF3A9A, #AF3A7B, #AF3A5B, #AF3A3C and #AF573A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF3A5A shade: #72263A, #91304A, #AF3A5A, #C44F6F and #CE6E88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF3A5A shade: #AF3A5A, #AFA63A and #3A8AAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF3A5A shade: #AF3A5A, #5BAF3A and #3A5BAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF3A5A shade: #AF3A5A, #AFA63A, #3AAF8E and #3A44AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF3A5A shade: #AF3A5A, #96AF3A, #3AAF8E and #543AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

Complementary color

CMYK 59 / 0 / 16 / 23

HEX #50C5A5

RGB 80 197 165

HSL 163.59, 0.5%, 0.54%

LAB 72.46, -40.63, 6.28

 

CMYK 0 / 68 / 53 / 29

HEX #B43A55

RGB 180 58 85

HSL 346.72, 0.51%, 0.47%

LAB 43.34, 51.11, 12.01

 

CMYK 0 / 61 / 47 / 23

HEX #C54C68

RGB 197 76 104

HSL 346.12, 0.51%, 0.54%

LAB 49.54, 50.61, 9.49

 

CMYK 0 / 56 / 43 / 16

HEX #D65E7B

RGB 214 94 123

HSL 345.5, 0.59%, 0.6%

LAB 55.82, 49.87, 7.44

 

CMYK 0 / 52 / 39 / 9

HEX #E7708E

RGB 231 112 142

HSL 344.87, 0.71%, 0.67%

LAB 62.11, 49.03, 5.72

 

CMYK 0 / 48 / 35 / 3

HEX #F882A1

RGB 248 130 161

HSL 344.24, 0.89%, 0.74%

LAB 68.38, 48.15, 4.25

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 75 / 55 / 38

HEX #9E2847

RGB 158 40 71

HSL 344.24, 0.6%, 0.39%

LAB 36.45, 50, 10.68

 

CMYK 0 / 84 / 63 / 45

HEX #8D1634

RGB 141 22 52

HSL 344.87, 0.73%, 0.32%

LAB 30.6, 49.2, 14.57

 

CMYK 0 / 97 / 73 / 51

HEX #7C0421

RGB 124 4 33

HSL 345.5, 0.94%, 0.25%

LAB 25.2, 47.13, 19.63

 

CMYK 0 / 100 / 87 / 58

HEX #6B000E

RGB 107 0 14

HSL 352.15, 1%, 0.21%

LAB 20.66, 42.62, 25.6

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 67 / 66 / 31

HEX #AF3A3B

RGB 175 58 59

HSL 359.49, 0.5%, 0.46%

LAB 41.93, 47.6, 26

 

CMYK 0 / 67 / 67 / 31

HEX #AF3A3A

RGB 175 58 58

HSL 0, 0.5%, 0.46%

LAB 41.92, 47.54, 26.59

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 67 / 30 / 31

HEX #AF3A7A

RGB 175 58 122

HSL 327.18, 0.5%, 0.46%

LAB 43.57, 53.46, -10.65

 

CMYK 0 / 67 / 13 / 31

HEX #AF3A99

RGB 175 58 153

HSL 311.28, 0.5%, 0.46%

LAB 44.86, 57.79, -27.5

 

CMYK 5 / 67 / 0 / 31

HEX #A63AAF

RGB 166 58 175

HSL 295.38, 0.5%, 0.46%

LAB 44.56, 59.23, -41.16

 

CMYK 23 / 67 / 0 / 31

HEX #863AAF

RGB 134 58 175

HSL 278.97, 0.5%, 0.46%

LAB 39.9, 51.84, -48.88

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 80 / 58 / 24

HEX #C22752

RGB 194 39 82

HSL 343.35, 0.67%, 0.46%

LAB 43.55, 61.51, 14.59

 

CMYK 0 / 91 / 66 / 16

HEX #D51449

RGB 213 20 73

HSL 343.52, 0.83%, 0.46%

LAB 45.81, 69.78, 23.86

 

CMYK 0 / 100 / 72 / 9

HEX #E80140

RGB 232 1 64

HSL 343.64, 0.99%, 0.46%

LAB 48.94, 75.76, 34.07

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 51 / 37 / 39

HEX #9C4D63

RGB 156 77 99

HSL 343.29, 0.34%, 0.46%

LAB 43.18, 35.3, 2.58

 

CMYK 0 / 30 / 22 / 46

HEX #89606B

RGB 137 96 107

HSL 343.9, 0.18%, 0.46%

LAB 45.28, 18.4, 0.45

 

CMYK 0 / 3 / 3 / 53

HEX #777374

RGB 119 115 116

HSL 345, 0.02%, 0.46%

LAB 48.82, 1.73, -0.01

 

CMYK 25 / 0 / 7 / 47

HEX #64867D

RGB 100 134 125

HSL 164.12, 0.15%, 0.46%

LAB 53.21, -13.97, 0.95

 

CMYK 0 / 67 / 12 / 31

HEX #AF3A9A

RGB 175 58 154

HSL 310.77, 0.5%, 0.46%

LAB 44.9, 57.95, -28.03

 

CMYK 0 / 67 / 30 / 31

HEX #AF3A7B

RGB 175 58 123

HSL 326.67, 0.5%, 0.46%

LAB 43.61, 53.58, -11.21

 

CMYK 0 / 67 / 48 / 31

HEX #AF3A5B

RGB 175 58 91

HSL 343.08, 0.5%, 0.46%

LAB 42.61, 50.05, 7.12

 

CMYK 0 / 67 / 66 / 31

HEX #AF3A3C

RGB 175 58 60

HSL 358.97, 0.5%, 0.46%

LAB 41.95, 47.66, 25.42

 

CMYK 0 / 50 / 67 / 31

HEX #AF573A

RGB 175 87 58

HSL 14.87, 0.5%, 0.46%

LAB 47.28, 33.53, 33.06

 

CMYK 0 / 67 / 49 / 55

HEX #72263A

RGB 114 38 58

HSL 344.21, 0.5%, 0.3%

LAB 27.49, 35.23, 5.44

 

CMYK 0 / 67 / 49 / 43

HEX #91304A

RGB 145 48 74

HSL 343.92, 0.5%, 0.38%

LAB 35.26, 42.93, 6.73

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 60 / 43 / 23

HEX #C44F6F

RGB 196 79 111

HSL 343.59, 0.5%, 0.54%

LAB 50.07, 49.61, 5.99

 

CMYK 0 / 47 / 34 / 19

HEX #CE6E88

RGB 206 110 136

HSL 343.75, 0.49%, 0.62%

LAB 58.09, 40.66, 2.94

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 5 / 67 / 31

HEX #AFA63A

RGB 175 166 58

HSL 55.38, 0.5%, 0.46%

LAB 67.05, -9.83, 54.81

 

CMYK 67 / 21 / 0 / 31

HEX #3A8AAF

RGB 58 138 175

HSL 198.97, 0.5%, 0.46%

LAB 54.21, -12.49, -26.66

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 48 / 0 / 67 / 31

HEX #5BAF3A

RGB 91 175 58

HSL 103.08, 0.5%, 0.46%

LAB 64.31, -46.78, 50.29

 

CMYK 67 / 48 / 0 / 31

HEX #3A5BAF

RGB 58 91 175

HSL 223.08, 0.5%, 0.46%

LAB 40.37, 16.1, -48.48

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 0 / 5 / 67 / 31

HEX #AFA63A

RGB 175 166 58

HSL 55.38, 0.5%, 0.46%

LAB 67.05, -9.83, 54.81

 

CMYK 67 / 0 / 19 / 31

HEX #3AAF8E

RGB 58 175 142

HSL 163.08, 0.5%, 0.46%

LAB 64.57, -40.5, 7.49

 

CMYK 67 / 61 / 0 / 31

HEX #3A44AF

RGB 58 68 175

HSL 234.87, 0.5%, 0.46%

LAB 34.25, 31.06, -58.39

 

CMYK 0 / 67 / 49 / 31

HEX #AF3A5A

RGB 175 58 90

HSL 343.59, 0.5%, 0.46%

LAB 42.58, 49.96, 7.71

 

CMYK 14 / 0 / 67 / 31

HEX #96AF3A

RGB 150 175 58

HSL 72.82, 0.5%, 0.46%

LAB 67.61, -25.07, 54.77

 

CMYK 67 / 0 / 19 / 31

HEX #3AAF8E

RGB 58 175 142

HSL 163.08, 0.5%, 0.46%

LAB 64.57, -40.5, 7.49

 

CMYK 52 / 67 / 0 / 31

HEX #543AAF

RGB 84 58 175

HSL 253.33, 0.5%, 0.46%

LAB 34, 41.5, -58.72

 

Description

Color code: HEX #AF3A5A | qconv.com Color code: HEX #AF3A5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 58 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 58 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 49 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 49% 31% C M Y K

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