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Color name
HEX #AF482B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF482B it is the complementary color #50B7D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF482B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF482B shade: #B44826, #C55A39, #D66C4C, #E77E5F and #F89072

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF482B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF482B shade: #AF482B, #9E3618, #8D2405, #7C1200 and #6B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF482B shade: #B0482A and #B02A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF482B shade: #B0482A, #B06C2A, #B0902A, #ACB02A and #88B02A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF482B shade matches the following richer shades: #B0482A, #C23E19 and #D43407

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF482B shade: #B0482A, #9E523C, #8D5C4E, #7B655F and #696F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF482B shade: #B02A55, #B02A31, #B0472A, #B06B2A and #B08F2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF482B shade: #6E2D1A, #8F3A22, #B0482A, #CE5736 and #D67357

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF482B shade: #AF482B, #78B02A and #2A43B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF482B shade: #AF482B, #2AB047 and #472AB0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF482B shade: #AF482B, #78B02A, #2A93B0 and #622AB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF482B shade: #AF482B, #50B02A, #2A93B0 and #8A2AB0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

Complementary color

CMYK 62 / 14 / 0 / 17

HEX #50B7D4

RGB 80 183 212

HSL 193.18, 0.61%, 0.57%

LAB 69.7, -21.11, -23.51

 

CMYK 0 / 60 / 79 / 29

HEX #B44826

RGB 180 72 38

HSL 14.37, 0.65%, 0.43%

LAB 44.91, 42.06, 41.45

 

CMYK 0 / 54 / 71 / 23

HEX #C55A39

RGB 197 90 57

HSL 14.14, 0.55%, 0.5%

LAB 51.24, 40.55, 39.05

 

CMYK 0 / 50 / 64 / 16

HEX #D66C4C

RGB 214 108 76

HSL 13.91, 0.63%, 0.57%

LAB 57.6, 39.07, 36.8

 

CMYK 0 / 45 / 59 / 9

HEX #E77E5F

RGB 231 126 95

HSL 13.68, 0.74%, 0.64%

LAB 63.95, 37.69, 34.76

 

CMYK 0 / 42 / 54 / 3

HEX #F89072

RGB 248 144 114

HSL 13.43, 0.91%, 0.71%

LAB 70.26, 36.4, 32.93

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 0 / 66 / 85 / 38

HEX #9E3618

RGB 158 54 24

HSL 13.43, 0.74%, 0.36%

LAB 37.79, 41.79, 40.26

 

CMYK 0 / 74 / 96 / 45

HEX #8D2405

RGB 141 36 5

HSL 13.68, 0.93%, 0.29%

LAB 31.66, 42.89, 42.16

 

CMYK 0 / 85 / 100 / 51

HEX #7C1200

RGB 124 18 0

HSL 8.71, 1%, 0.24%

LAB 25.91, 43.18, 38.09

 

CMYK 0 / 100 / 100 / 58

HEX #6B0000

RGB 107 0 0

HSL 0, 1%, 0.21%

LAB 20.54, 42.28, 31.36

 

CMYK 0 / 59 / 76 / 31

HEX #B0482A

RGB 176 72 42

HSL 13.43, 0.61%, 0.43%

LAB 44.28, 40.71, 38.51

 

CMYK 0 / 76 / 76 / 31

HEX #B02A2A

RGB 176 42 42

HSL 0, 0.61%, 0.43%

LAB 39.67, 53.17, 33.53

 

CMYK 0 / 59 / 76 / 31

HEX #B0482A

RGB 176 72 42

HSL 13.43, 0.61%, 0.43%

LAB 44.28, 40.71, 38.51

 

CMYK 0 / 39 / 76 / 31

HEX #B06C2A

RGB 176 108 42

HSL 29.55, 0.61%, 0.43%

LAB 51.98, 21.64, 46.42

 

CMYK 0 / 18 / 76 / 31

HEX #B0902A

RGB 176 144 42

HSL 45.67, 0.61%, 0.43%

LAB 61.08, 1.6, 55.29

 

CMYK 2 / 0 / 76 / 31

HEX #ACB02A

RGB 172 176 42

HSL 61.79, 0.61%, 0.43%

LAB 69.46, -17.1, 62.98

 

CMYK 23 / 0 / 76 / 31

HEX #88B02A

RGB 136 176 42

HSL 77.91, 0.61%, 0.43%

LAB 66.86, -32.2, 59.63

 

CMYK 0 / 59 / 76 / 31

HEX #B0482A

RGB 176 72 42

HSL 13.43, 0.61%, 0.43%

LAB 44.28, 40.71, 38.51

 

CMYK 0 / 68 / 87 / 24

HEX #C23E19

RGB 194 62 25

HSL 13.14, 0.77%, 0.43%

LAB 45.61, 51.1, 49.09

 

CMYK 0 / 75 / 97 / 17

HEX #D43407

RGB 212 52 7

HSL 13.17, 0.94%, 0.43%

LAB 47.58, 60.27, 57.92

 

CMYK 0 / 59 / 76 / 31

HEX #B0482A

RGB 176 72 42

HSL 13.43, 0.61%, 0.43%

LAB 44.28, 40.71, 38.51

 

CMYK 0 / 48 / 62 / 38

HEX #9E523C

RGB 158 82 60

HSL 13.47, 0.45%, 0.43%

LAB 43.7, 29.46, 26.99

 

CMYK 0 / 35 / 45 / 45

HEX #8D5C4E

RGB 141 92 78

HSL 13.33, 0.29%, 0.43%

LAB 44.04, 18.35, 16.3

 

CMYK 0 / 18 / 23 / 52

HEX #7B655F

RGB 123 101 95

HSL 12.86, 0.13%, 0.43%

LAB 44.72, 7.79, 6.69

 

CMYK 7 / 2 / 0 / 56

HEX #696F71

RGB 105 111 113

HSL 195, 0.04%, 0.43%

LAB 46.4, -1.85, -1.9

 

CMYK 0 / 76 / 52 / 31

HEX #B02A55

RGB 176 42 85

HSL 340.75, 0.61%, 0.43%

LAB 40.48, 55.79, 7.9

 

CMYK 0 / 76 / 72 / 31

HEX #B02A31

RGB 176 42 49

HSL 356.87, 0.61%, 0.43%

LAB 39.76, 53.47, 29.47

 

CMYK 0 / 60 / 76 / 31

HEX #B0472A

RGB 176 71 42

HSL 12.99, 0.61%, 0.43%

LAB 44.09, 41.19, 38.31

 

CMYK 0 / 39 / 76 / 31

HEX #B06B2A

RGB 176 107 42

HSL 29.1, 0.61%, 0.43%

LAB 51.74, 22.2, 46.18

 

CMYK 0 / 19 / 76 / 31

HEX #B08F2A

RGB 176 143 42

HSL 45.22, 0.61%, 0.43%

LAB 60.82, 2.15, 55.04

 

CMYK 0 / 59 / 76 / 57

HEX #6E2D1A

RGB 110 45 26

HSL 13.57, 0.62%, 0.27%

LAB 27.48, 27.57, 26.02

 

CMYK 0 / 59 / 76 / 44

HEX #8F3A22

RGB 143 58 34

HSL 13.21, 0.62%, 0.35%

LAB 35.95, 34.55, 32.31

 

CMYK 0 / 59 / 76 / 31

HEX #B0482A

RGB 176 72 42

HSL 13.43, 0.61%, 0.43%

LAB 44.28, 40.71, 38.51

 

CMYK 0 / 58 / 74 / 19

HEX #CE5736

RGB 206 87 54

HSL 13.03, 0.61%, 0.51%

LAB 52.07, 45.24, 41.96

 

CMYK 0 / 46 / 59 / 16

HEX #D67357

RGB 214 115 87

HSL 13.23, 0.61%, 0.59%

LAB 59.2, 36.22, 32.71

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 32 / 0 / 76 / 31

HEX #78B02A

RGB 120 176 42

HSL 85.07, 0.61%, 0.43%

LAB 65.91, -38.41, 58.38

 

CMYK 76 / 62 / 0 / 31

HEX #2A43B0

RGB 42 67 176

HSL 228.81, 0.61%, 0.43%

LAB 33.22, 29.99, -60.7

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 76 / 0 / 60 / 31

HEX #2AB047

RGB 42 176 71

HSL 132.99, 0.61%, 0.43%

LAB 63.34, -56.9, 43.06

 

CMYK 60 / 76 / 0 / 31

HEX #472AB0

RGB 71 42 176

HSL 252.99, 0.61%, 0.43%

LAB 29.74, 48.44, -66.34

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 32 / 0 / 76 / 31

HEX #78B02A

RGB 120 176 42

HSL 85.07, 0.61%, 0.43%

LAB 65.91, -38.41, 58.38

 

CMYK 76 / 16 / 0 / 31

HEX #2A93B0

RGB 42 147 176

HSL 192.99, 0.61%, 0.43%

LAB 56.58, -19.34, -23.61

 

CMYK 44 / 76 / 0 / 31

HEX #622AB0

RGB 98 42 176

HSL 265.07, 0.61%, 0.43%

LAB 32.67, 52.37, -61.41

 

CMYK 0 / 59 / 75 / 31

HEX #AF482B

RGB 175 72 43

HSL 13.18, 0.61%, 0.43%

LAB 44.12, 40.38, 37.75

 

CMYK 55 / 0 / 76 / 31

HEX #50B02A

RGB 80 176 42

HSL 102.99, 0.61%, 0.43%

LAB 64.1, -51.62, 56.01

 

CMYK 76 / 16 / 0 / 31

HEX #2A93B0

RGB 42 147 176

HSL 192.99, 0.61%, 0.43%

LAB 56.58, -19.34, -23.61

 

CMYK 22 / 76 / 0 / 31

HEX #8A2AB0

RGB 138 42 176

HSL 282.99, 0.61%, 0.43%

LAB 38.19, 59.53, -52.2

 

Description

Color code: HEX #AF482B | qconv.com Color code: HEX #AF482B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 72 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 72 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 75 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 75% 31% C M Y K

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