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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4AFB it is the complementary color #50B504. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4AFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4AFB shade: #B44AF6, #C55CFF, #D66EFF, #E780FF and #F892FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4AFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4AFB shade: #AF4AFB, #9E38E8, #8D26D5, #7C14C2 and #6B02AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4AFB shade: #AF4BFB, #DF4BFB, #FB4BE7, #FB4BB8 and #FB4B88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4AFB shade: #AF4BFB, #804BFB, #504BFB and #4B4BFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4AFB shade matches the following richer shades: #AF4BFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4AFB shade: #AF4BFB, #AD59EC, #AB68DD, #A977CE and #A786BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4AFB shade: #504BFB, #7F4BFB, #AE4BFB, #DD4BFB and #FB4BE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4AFB shade: #8A04EF, #9D22FA, #AF4BFB, #C173FC and #D39BFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4AFB shade: #AF4AFB, #FB4B74 and #4BFB68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4AFB shade: #AF4AFB, #FBAE4B and #4BFBAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4AFB shade: #AF4AFB, #FB4B74, #97FB4B and #4BFBD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4AFB shade: #AF4AFB, #FB564B, #97FB4B and #4BEFFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 71 / 0 / 2

HEX #AF4AFB

RGB 175 74 251

HSL 274.24, 0.96%, 0.64%

LAB 52.92, 69.77, -71.15

 

Complementary color

CMYK 56 / 0 / 98 / 29

HEX #50B504

RGB 80 181 4

HSL 94.24, 0.96%, 0.36%

LAB 65.56, -54.89, 65.47

 

CMYK 27 / 70 / 0 / 4

HEX #B44AF6

RGB 180 74 246

HSL 276.98, 0.91%, 0.63%

LAB 53.23, 69.64, -67.85

 

CMYK 23 / 64 / 0 / 0

HEX #C55CFF

RGB 197 92 255

HSL 278.65, 1%, 0.68%

LAB 58.74, 67.27, -63.85

 

CMYK 16 / 57 / 0 / 0

HEX #D66EFF

RGB 214 110 255

HSL 283.03, 1%, 0.72%

LAB 63.89, 62.89, -55.49

 

CMYK 9 / 50 / 0 / 0

HEX #E780FF

RGB 231 128 255

HSL 288.66, 1%, 0.75%

LAB 69.22, 58.54, -46.94

 

CMYK 3 / 43 / 0 / 0

HEX #F892FF

RGB 248 146 255

HSL 296.15, 1%, 0.79%

LAB 74.66, 54.31, -38.29

 

CMYK 30 / 71 / 0 / 2

HEX #AF4AFB

RGB 175 74 251

HSL 274.24, 0.96%, 0.64%

LAB 52.92, 69.77, -71.15

 

CMYK 32 / 76 / 0 / 9

HEX #9E38E8

RGB 158 56 232

HSL 274.77, 0.79%, 0.56%

LAB 46.87, 69.73, -70.42

 

CMYK 34 / 82 / 0 / 16

HEX #8D26D5

RGB 141 38 213

HSL 275.31, 0.7%, 0.49%

LAB 40.98, 69.04, -69.28

 

CMYK 36 / 90 / 0 / 24

HEX #7C14C2

RGB 124 20 194

HSL 275.86, 0.81%, 0.42%

LAB 35.36, 67.33, -67.53

 

CMYK 39 / 99 / 0 / 31

HEX #6B02AF

RGB 107 2 175

HSL 276.42, 0.98%, 0.35%

LAB 30.07, 64.36, -65.04

 

CMYK 30 / 70 / 0 / 2

HEX #AF4BFB

RGB 175 75 251

HSL 274.09, 0.96%, 0.64%

LAB 53.07, 69.35, -70.92

 

CMYK 11 / 70 / 0 / 2

HEX #DF4BFB

RGB 223 75 251

HSL 290.45, 0.96%, 0.64%

LAB 59.6, 78.72, -60.06

 

CMYK 0 / 70 / 8 / 2

HEX #FB4BE7

RGB 251 75 231

HSL 306.82, 0.96%, 0.64%

LAB 62.77, 81.44, -43.64

 

CMYK 0 / 70 / 27 / 2

HEX #FB4BB8

RGB 251 75 184

HSL 322.84, 0.96%, 0.64%

LAB 60.78, 75.21, -20.1

 

CMYK 0 / 70 / 46 / 2

HEX #FB4B88

RGB 251 75 136

HSL 339.2, 0.96%, 0.64%

LAB 59.27, 70.23, 5.53

 

CMYK 30 / 70 / 0 / 2

HEX #AF4BFB

RGB 175 75 251

HSL 274.09, 0.96%, 0.64%

LAB 53.07, 69.35, -70.92

 

CMYK 49 / 70 / 0 / 2

HEX #804BFB

RGB 128 75 251

HSL 258.07, 0.96%, 0.64%

LAB 47.73, 61.23, -79.84

 

CMYK 68 / 70 / 0 / 2

HEX #504BFB

RGB 80 75 251

HSL 241.7, 0.96%, 0.64%

LAB 43.8, 54.87, -86.44

 

CMYK 70 / 70 / 0 / 2

HEX #4B4BFB

RGB 75 75 251

HSL 240, 0.96%, 0.64%

LAB 43.5, 54.36, -86.95

 

CMYK 30 / 70 / 0 / 2

HEX #AF4BFB

RGB 175 75 251

HSL 274.09, 0.96%, 0.64%

LAB 53.07, 69.35, -70.92

 

CMYK 30 / 70 / 0 / 2

HEX #AF4BFB

RGB 175 75 251

HSL 274.09, 0.96%, 0.64%

LAB 53.07, 69.35, -70.92

 

CMYK 27 / 62 / 0 / 7

HEX #AD59EC

RGB 173 89 236

HSL 274.29, 0.79%, 0.64%

LAB 54.12, 59.35, -60.87

 

CMYK 23 / 53 / 0 / 13

HEX #AB68DD

RGB 171 104 221

HSL 274.36, 0.63%, 0.64%

LAB 55.87, 47.92, -49.66

 

CMYK 18 / 42 / 0 / 19

HEX #A977CE

RGB 169 119 206

HSL 274.48, 0.47%, 0.64%

LAB 58.12, 35.81, -37.65

 

CMYK 13 / 30 / 0 / 25

HEX #A786BF

RGB 167 134 191

HSL 274.74, 0.31%, 0.64%

LAB 60.81, 23.41, -25.01

 

CMYK 68 / 70 / 0 / 2

HEX #504BFB

RGB 80 75 251

HSL 241.7, 0.96%, 0.64%

LAB 43.8, 54.87, -86.44

 

CMYK 49 / 70 / 0 / 2

HEX #7F4BFB

RGB 127 75 251

HSL 257.73, 0.96%, 0.64%

LAB 47.64, 61.08, -80

 

CMYK 31 / 70 / 0 / 2

HEX #AE4BFB

RGB 174 75 251

HSL 273.75, 0.96%, 0.64%

LAB 52.94, 69.17, -71.13

 

CMYK 12 / 70 / 0 / 2

HEX #DD4BFB

RGB 221 75 251

HSL 289.77, 0.96%, 0.64%

LAB 59.31, 78.31, -60.54

 

CMYK 0 / 70 / 7 / 2

HEX #FB4BE9

RGB 251 75 233

HSL 306.14, 0.96%, 0.64%

LAB 62.86, 81.73, -44.61

 

CMYK 42 / 98 / 0 / 6

HEX #8A04EF

RGB 138 4 239

HSL 274.21, 0.97%, 0.48%

LAB 40.77, 80.31, -84.49

 

CMYK 37 / 86 / 0 / 2

HEX #9D22FA

RGB 157 34 250

HSL 274.17, 0.96%, 0.56%

LAB 45.93, 79.94, -82.11

 

CMYK 30 / 70 / 0 / 2

HEX #AF4BFB

RGB 175 75 251

HSL 274.09, 0.96%, 0.64%

LAB 53.07, 69.35, -70.92

 

CMYK 23 / 54 / 0 / 1

HEX #C173FC

RGB 193 115 252

HSL 274.16, 0.96%, 0.72%

LAB 62.19, 54.66, -56.7

 

CMYK 16 / 38 / 0 / 1

HEX #D39BFC

RGB 211 155 252

HSL 274.64, 0.94%, 0.8%

LAB 72.44, 38.34, -40.41

 

CMYK 30 / 71 / 0 / 2

HEX #AF4AFB

RGB 175 74 251

HSL 274.24, 0.96%, 0.64%

LAB 52.92, 69.77, -71.15

 

CMYK 0 / 70 / 54 / 2

HEX #FB4B74

RGB 251 75 116

HSL 346.02, 0.96%, 0.64%

LAB 58.79, 68.62, 16.6

 

CMYK 70 / 0 / 59 / 2

HEX #4BFB68

RGB 75 251 104

HSL 129.89, 0.96%, 0.64%

LAB 87.72, -72.71, 56.7

 

CMYK 30 / 71 / 0 / 2

HEX #AF4AFB

RGB 175 74 251

HSL 274.24, 0.96%, 0.64%

LAB 52.92, 69.77, -71.15

 

CMYK 0 / 31 / 70 / 2

HEX #FBAE4B

RGB 251 174 75

HSL 33.75, 0.96%, 0.64%

LAB 76.85, 19.41, 60.13

 

CMYK 70 / 0 / 31 / 2

HEX #4BFBAE

RGB 75 251 174

HSL 153.75, 0.96%, 0.64%

LAB 88.71, -61.52, 24.33

 

CMYK 30 / 71 / 0 / 2

HEX #AF4AFB

RGB 175 74 251

HSL 274.24, 0.96%, 0.64%

LAB 52.92, 69.77, -71.15

 

CMYK 0 / 70 / 54 / 2

HEX #FB4B74

RGB 251 75 116

HSL 346.02, 0.96%, 0.64%

LAB 58.79, 68.62, 16.6

 

CMYK 40 / 0 / 70 / 2

HEX #97FB4B

RGB 151 251 75

HSL 94.09, 0.96%, 0.64%

LAB 89.9, -56.82, 71.24

 

CMYK 70 / 0 / 16 / 2

HEX #4BFBD2

RGB 75 251 210

HSL 166.02, 0.96%, 0.64%

LAB 89.46, -53.56, 6.87

 

CMYK 30 / 71 / 0 / 2

HEX #AF4AFB

RGB 175 74 251

HSL 274.24, 0.96%, 0.64%

LAB 52.92, 69.77, -71.15

 

CMYK 0 / 66 / 70 / 2

HEX #FB564B

RGB 251 86 75

HSL 3.75, 0.96%, 0.64%

LAB 59.59, 62.08, 41.13

 

CMYK 40 / 0 / 70 / 2

HEX #97FB4B

RGB 151 251 75

HSL 94.09, 0.96%, 0.64%

LAB 89.9, -56.82, 71.24

 

CMYK 70 / 5 / 0 / 2

HEX #4BEFFB

RGB 75 239 251

HSL 184.09, 0.96%, 0.64%

LAB 87.09, -37.58, -18.02

 

Description

Color code: HEX #AF4AFB | qconv.com Color code: HEX #AF4AFB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 74 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 74 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 71 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 71% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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