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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4F5B it is the complementary color #50B0A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4F5B shade: #B44F56, #C56169, #D6737C, #E7858F and #F897A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4F5B shade: #AF4F5B, #9E3D48, #8D2B35, #7C1922 and #6B070F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4F5B shade: #AF4F5B and #AF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4F5B shade: #AF4F5B, #AF4F75, #AF4F8F, #AF4FA9 and #9C4FAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4F5B shade matches the following richer shades: #AF4F5B, #C43A4B, #D9253C and #ED112C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4F5B shade: #AF4F5B, #9B636A, #86787A, #728C89 and #5DA199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4F5B shade: #AF4F8F, #AF4F75, #AF4F5B, #AF5B4F and #AF754F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4F5B shade: #77353D, #93424C, #AF4F5B, #BC6B75 and #C98790

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4F5B shade: #AF4F5B, #A9AF4F and #4F82AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4F5B shade: #AF4F5B, #5BAF4F and #4F5BAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4F5B shade: #AF4F5B, #A9AF4F, #4FAFA3 and #554FAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4F5B shade: #AF4F5B, #8CAF4F, #4FAFA3 and #724FAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

Complementary color

CMYK 55 / 0 / 7 / 31

HEX #50B0A4

RGB 80 176 164

HSL 172.5, 0.38%, 0.5%

LAB 66.09, -31.2, -2.44

 

CMYK 0 / 56 / 52 / 29

HEX #B44F56

RGB 180 79 86

HSL 355.84, 0.4%, 0.51%

LAB 46.93, 41.66, 16.33

 

CMYK 0 / 51 / 47 / 23

HEX #C56169

RGB 197 97 105

HSL 355.2, 0.46%, 0.58%

LAB 53.43, 40.61, 14.32

 

CMYK 0 / 46 / 42 / 16

HEX #D6737C

RGB 214 115 124

HSL 354.55, 0.55%, 0.65%

LAB 59.9, 39.56, 12.62

 

CMYK 0 / 42 / 38 / 9

HEX #E7858F

RGB 231 133 143

HSL 353.88, 0.67%, 0.71%

LAB 66.33, 38.56, 11.16

 

CMYK 0 / 39 / 35 / 3

HEX #F897A2

RGB 248 151 162

HSL 353.2, 0.87%, 0.78%

LAB 72.69, 37.62, 9.87

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 0 / 61 / 54 / 38

HEX #9E3D48

RGB 158 61 72

HSL 353.2, 0.44%, 0.43%

LAB 39.71, 41.27, 14.52

 

CMYK 0 / 70 / 62 / 45

HEX #8D2B35

RGB 141 43 53

HSL 353.88, 0.53%, 0.36%

LAB 33.24, 41.98, 17.39

 

CMYK 0 / 80 / 73 / 51

HEX #7C1922

RGB 124 25 34

HSL 354.55, 0.66%, 0.29%

LAB 27.01, 42.09, 21.16

 

CMYK 0 / 93 / 86 / 58

HEX #6B070F

RGB 107 7 15

HSL 355.2, 0.88%, 0.22%

LAB 21.25, 40.98, 25.73

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 0 / 55 / 33 / 31

HEX #AF4F75

RGB 175 79 117

HSL 336.25, 0.38%, 0.5%

LAB 46.96, 43.26, -2.55

 

CMYK 0 / 55 / 18 / 31

HEX #AF4F8F

RGB 175 79 143

HSL 320, 0.38%, 0.5%

LAB 47.87, 46.91, -16.87

 

CMYK 0 / 55 / 3 / 31

HEX #AF4FA9

RGB 175 79 169

HSL 303.75, 0.38%, 0.5%

LAB 48.97, 51.2, -30.59

 

CMYK 11 / 55 / 0 / 31

HEX #9C4FAF

RGB 156 79 175

HSL 288.13, 0.38%, 0.5%

LAB 46.65, 47.05, -37.94

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 0 / 70 / 62 / 23

HEX #C43A4B

RGB 196 58 75

HSL 352.61, 0.54%, 0.5%

LAB 46, 55.43, 22.24

 

CMYK 0 / 83 / 72 / 15

HEX #D9253C

RGB 217 37 60

HSL 352.33, 0.71%, 0.5%

LAB 47.5, 67.09, 33.99

 

CMYK 0 / 93 / 81 / 7

HEX #ED112C

RGB 237 17 44

HSL 352.64, 0.87%, 0.5%

LAB 50.2, 75, 47.13

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 0 / 36 / 32 / 39

HEX #9B636A

RGB 155 99 106

HSL 352.5, 0.22%, 0.5%

LAB 48.18, 23.63, 5.51

 

CMYK 0 / 10 / 9 / 47

HEX #86787A

RGB 134 120 122

HSL 351.43, 0.06%, 0.5%

LAB 51.73, 5.75, 0.86

 

CMYK 19 / 0 / 2 / 45

HEX #728C89

RGB 114 140 137

HSL 173.08, 0.1%, 0.5%

LAB 56.23, -9.86, -1.47

 

CMYK 42 / 0 / 5 / 37

HEX #5DA199

RGB 93 161 153

HSL 172.94, 0.27%, 0.5%

LAB 61.75, -23.53, -2.6

 

CMYK 0 / 55 / 18 / 31

HEX #AF4F8F

RGB 175 79 143

HSL 320, 0.38%, 0.5%

LAB 47.87, 46.91, -16.87

 

CMYK 0 / 55 / 33 / 31

HEX #AF4F75

RGB 175 79 117

HSL 336.25, 0.38%, 0.5%

LAB 46.96, 43.26, -2.55

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 0 / 48 / 55 / 31

HEX #AF5B4F

RGB 175 91 79

HSL 7.5, 0.38%, 0.5%

LAB 48.46, 32.96, 22.42

 

CMYK 0 / 33 / 55 / 31

HEX #AF754F

RGB 175 117 79

HSL 23.75, 0.38%, 0.5%

LAB 54.45, 18.61, 30.1

 

CMYK 0 / 55 / 49 / 53

HEX #77353D

RGB 119 53 61

HSL 352.73, 0.38%, 0.34%

LAB 31.36, 29.71, 9.02

 

CMYK 0 / 55 / 48 / 42

HEX #93424C

RGB 147 66 76

HSL 352.59, 0.38%, 0.42%

LAB 38.94, 35.11, 10.66

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 0 / 43 / 38 / 26

HEX #BC6B75

RGB 188 107 117

HSL 352.59, 0.38%, 0.58%

LAB 54.54, 33.34, 8.64

 

CMYK 0 / 33 / 28 / 21

HEX #C98790

RGB 201 135 144

HSL 351.82, 0.38%, 0.66%

LAB 63.14, 26.51, 5.56

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 3 / 0 / 55 / 31

HEX #A9AF4F

RGB 169 175 79

HSL 63.75, 0.38%, 0.5%

LAB 69.23, -15.57, 47.69

 

CMYK 55 / 26 / 0 / 31

HEX #4F82AF

RGB 79 130 175

HSL 208.13, 0.38%, 0.5%

LAB 52.64, -3.81, -29.01

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 48 / 0 / 55 / 31

HEX #5BAF4F

RGB 91 175 79

HSL 112.5, 0.38%, 0.5%

LAB 64.52, -44.54, 41

 

CMYK 55 / 48 / 0 / 31

HEX #4F5BAF

RGB 79 91 175

HSL 232.5, 0.38%, 0.5%

LAB 41.59, 20.16, -46.45

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 3 / 0 / 55 / 31

HEX #A9AF4F

RGB 169 175 79

HSL 63.75, 0.38%, 0.5%

LAB 69.23, -15.57, 47.69

 

CMYK 55 / 0 / 7 / 31

HEX #4FAFA3

RGB 79 175 163

HSL 172.5, 0.38%, 0.5%

LAB 65.72, -31.19, -2.43

 

CMYK 51 / 55 / 0 / 31

HEX #554FAF

RGB 85 79 175

HSL 243.75, 0.38%, 0.5%

LAB 38.93, 29.04, -50.71

 

CMYK 0 / 55 / 48 / 31

HEX #AF4F5B

RGB 175 79 91

HSL 352.5, 0.38%, 0.5%

LAB 46.26, 40.32, 12.25

 

CMYK 20 / 0 / 55 / 31

HEX #8CAF4F

RGB 140 175 79

HSL 81.88, 0.38%, 0.5%

LAB 67.13, -27.38, 44.72

 

CMYK 55 / 0 / 7 / 31

HEX #4FAFA3

RGB 79 175 163

HSL 172.5, 0.38%, 0.5%

LAB 65.72, -31.19, -2.43

 

CMYK 35 / 55 / 0 / 31

HEX #724FAF

RGB 114 79 175

HSL 261.88, 0.38%, 0.5%

LAB 41.63, 35.88, -46.22

 

Description

Color code: HEX #AF4F5B | qconv.com Color code: HEX #AF4F5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 79 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 79 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 48 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 48% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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