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Color name
HEX #AF4F79

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4F79 it is the complementary color #50B086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4F79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4F79 shade: #B44F74, #C56187, #D6739A, #E785AD and #F897C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4F79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4F79 shade: #AF4F79, #9E3D66, #8D2B53, #7C1940 and #6B072D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4F79 shade: #AF4F79, #AF4F5F and #AF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4F79 shade: #AF4F79, #AF4F93, #AF4FAD, #984FAF and #7D4FAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4F79 shade matches the following richer shades: #AF4F79, #C43A76, #D92574 and #ED1171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4F79 shade: #AF4F79, #9B637C, #86787E, #728C81 and #5DA183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4F79 shade: #AF4FAE, #AF4F94, #AF4F7A, #AF4F60 and #AF574F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4F79 shade: #773552, #934265, #AF4F79, #BC6B8F and #C987A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4F79 shade: #AF4F79, #AF974F and #4FA1AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4F79 shade: #AF4F79, #7AAF4F and #4F7AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4F79 shade: #AF4F79, #AF974F, #4FAF84 and #4F67AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4F79 shade: #AF4F79, #ABAF4F, #4FAF84 and #534FAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

Complementary color

CMYK 55 / 0 / 24 / 31

HEX #50B086

RGB 80 176 134

HSL 153.75, 0.38%, 0.5%

LAB 65.34, -38.41, 13.07

 

CMYK 0 / 56 / 36 / 29

HEX #B44F74

RGB 180 79 116

HSL 338.02, 0.4%, 0.51%

LAB 47.7, 44.83, -0.78

 

CMYK 0 / 51 / 31 / 23

HEX #C56187

RGB 197 97 135

HSL 337.2, 0.46%, 0.58%

LAB 54.21, 44.04, -2.29

 

CMYK 0 / 46 / 28 / 16

HEX #D6739A

RGB 214 115 154

HSL 336.36, 0.55%, 0.65%

LAB 60.69, 43.2, -3.55

 

CMYK 0 / 42 / 25 / 9

HEX #E785AD

RGB 231 133 173

HSL 335.51, 0.67%, 0.71%

LAB 67.11, 42.36, -4.63

 

CMYK 0 / 39 / 23 / 3

HEX #F897C0

RGB 248 151 192

HSL 334.64, 0.87%, 0.78%

LAB 73.48, 41.55, -5.59

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 61 / 35 / 38

HEX #9E3D66

RGB 158 61 102

HSL 334.64, 0.44%, 0.43%

LAB 40.52, 44.41, -3.13

 

CMYK 0 / 70 / 41 / 45

HEX #8D2B53

RGB 141 43 83

HSL 335.51, 0.53%, 0.36%

LAB 34.01, 44.72, -0.97

 

CMYK 0 / 80 / 48 / 51

HEX #7C1940

RGB 124 25 64

HSL 336.36, 0.66%, 0.29%

LAB 27.71, 44.32, 1.98

 

CMYK 0 / 93 / 58 / 58

HEX #6B072D

RGB 107 7 45

HSL 337.2, 0.88%, 0.22%

LAB 21.83, 42.61, 6.16

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 55 / 46 / 31

HEX #AF4F5F

RGB 175 79 95

HSL 350, 0.38%, 0.5%

LAB 46.35, 40.72, 9.95

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 55 / 16 / 31

HEX #AF4F93

RGB 175 79 147

HSL 317.5, 0.38%, 0.5%

LAB 48.02, 47.54, -19.02

 

CMYK 0 / 55 / 1 / 31

HEX #AF4FAD

RGB 175 79 173

HSL 301.25, 0.38%, 0.5%

LAB 49.16, 51.91, -32.64

 

CMYK 13 / 55 / 0 / 31

HEX #984FAF

RGB 152 79 175

HSL 285.63, 0.38%, 0.5%

LAB 46.13, 45.95, -38.8

 

CMYK 29 / 55 / 0 / 31

HEX #7D4FAF

RGB 125 79 175

HSL 268.75, 0.38%, 0.5%

LAB 42.83, 38.71, -44.24

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 70 / 40 / 23

HEX #C43A76

RGB 196 58 118

HSL 333.91, 0.54%, 0.5%

LAB 47.07, 59.06, -2.61

 

CMYK 0 / 83 / 47 / 15

HEX #D92574

RGB 217 37 116

HSL 333.67, 0.71%, 0.5%

LAB 48.68, 70.59, 1.43

 

CMYK 0 / 93 / 52 / 7

HEX #ED1171

RGB 237 17 113

HSL 333.82, 0.87%, 0.5%

LAB 51.38, 78.26, 7.64

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 36 / 20 / 39

HEX #9B637C

RGB 155 99 124

HSL 333.21, 0.22%, 0.5%

LAB 48.69, 26.35, -4.52

 

CMYK 0 / 10 / 6 / 47

HEX #86787E

RGB 134 120 126

HSL 334.29, 0.06%, 0.5%

LAB 51.85, 6.5, -1.32

 

CMYK 19 / 0 / 8 / 45

HEX #728C81

RGB 114 140 129

HSL 154.62, 0.1%, 0.5%

LAB 56.01, -11.59, 2.81

 

CMYK 42 / 0 / 19 / 37

HEX #5DA183

RGB 93 161 131

HSL 153.53, 0.27%, 0.5%

LAB 61.18, -28.71, 8.94

 

CMYK 0 / 55 / 1 / 31

HEX #AF4FAE

RGB 175 79 174

HSL 300.63, 0.38%, 0.5%

LAB 49.21, 52.09, -33.15

 

CMYK 0 / 55 / 15 / 31

HEX #AF4F94

RGB 175 79 148

HSL 316.88, 0.38%, 0.5%

LAB 48.06, 47.69, -19.55

 

CMYK 0 / 55 / 30 / 31

HEX #AF4F7A

RGB 175 79 122

HSL 333.13, 0.38%, 0.5%

LAB 47.12, 43.91, -5.35

 

CMYK 0 / 55 / 45 / 31

HEX #AF4F60

RGB 175 79 96

HSL 349.38, 0.38%, 0.5%

LAB 46.38, 40.82, 9.38

 

CMYK 0 / 50 / 55 / 31

HEX #AF574F

RGB 175 87 79

HSL 5, 0.38%, 0.5%

LAB 47.62, 35.09, 21.31

 

CMYK 0 / 55 / 31 / 53

HEX #773552

RGB 119 53 82

HSL 333.64, 0.38%, 0.34%

LAB 31.98, 32.36, -3.74

 

CMYK 0 / 55 / 31 / 42

HEX #934265

RGB 147 66 101

HSL 334.07, 0.38%, 0.42%

LAB 39.65, 38.11, -3.99

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 43 / 24 / 26

HEX #BC6B8F

RGB 188 107 143

HSL 333.33, 0.38%, 0.58%

LAB 55.27, 36.82, -5.55

 

CMYK 0 / 33 / 18 / 21

HEX #C987A4

RGB 201 135 164

HSL 333.64, 0.38%, 0.66%

LAB 63.69, 29.47, -5

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 14 / 55 / 31

HEX #AF974F

RGB 175 151 79

HSL 45, 0.38%, 0.5%

LAB 63.19, -0.3, 40.78

 

CMYK 55 / 8 / 0 / 31

HEX #4FA1AF

RGB 79 161 175

HSL 188.75, 0.38%, 0.5%

LAB 61.87, -20.89, -14.88

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 30 / 0 / 55 / 31

HEX #7AAF4F

RGB 122 175 79

HSL 93.13, 0.38%, 0.5%

LAB 66.03, -34.21, 43.16

 

CMYK 55 / 30 / 0 / 31

HEX #4F7AAF

RGB 79 122 175

HSL 213.13, 0.38%, 0.5%

LAB 50.31, 0.91, -32.66

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 0 / 14 / 55 / 31

HEX #AF974F

RGB 175 151 79

HSL 45, 0.38%, 0.5%

LAB 63.19, -0.3, 40.78

 

CMYK 55 / 0 / 25 / 31

HEX #4FAF84

RGB 79 175 132

HSL 153.13, 0.38%, 0.5%

LAB 64.95, -38.63, 13.63

 

CMYK 55 / 41 / 0 / 31

HEX #4F67AF

RGB 79 103 175

HSL 225, 0.38%, 0.5%

LAB 44.88, 12.57, -41.21

 

CMYK 0 / 55 / 31 / 31

HEX #AF4F79

RGB 175 79 121

HSL 333.75, 0.38%, 0.5%

LAB 47.09, 43.78, -4.79

 

CMYK 2 / 0 / 55 / 31

HEX #ABAF4F

RGB 171 175 79

HSL 62.5, 0.38%, 0.5%

LAB 69.39, -14.73, 47.91

 

CMYK 55 / 0 / 25 / 31

HEX #4FAF84

RGB 79 175 132

HSL 153.13, 0.38%, 0.5%

LAB 64.95, -38.63, 13.63

 

CMYK 53 / 55 / 0 / 31

HEX #534FAF

RGB 83 79 175

HSL 242.5, 0.38%, 0.5%

LAB 38.77, 28.61, -50.98

 

Description

Color code: HEX #AF4F79 | qconv.com Color code: HEX #AF4F79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 79 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 79 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 31 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 31% 31% C M Y K

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Provide designers and agencies with accurate color values.

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