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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF4F87 it is the complementary color #50B078. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF4F87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF4F87 shade: #B44F82, #C56195, #D673A8, #E785BB and #F897CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF4F87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF4F87 shade: #AF4F87, #9E3D74, #8D2B61, #7C194E and #6B073B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF4F87 shade: #AF4F87, #AF4F6D, #AF4F53 and #AF4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF4F87 shade: #AF4F87, #AF4FA1, #A44FAF, #894FAF and #6F4FAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF4F87 shade matches the following richer shades: #AF4F87, #C43A8B, #D9258E and #ED1191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF4F87 shade: #AF4F87, #9B6384, #867880, #728C7D and #5DA179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF4F87 shade: #A44FAF, #AF4FA1, #AF4F87, #AF4F6D and #AF4F53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF4F87 shade: #77355B, #934271, #AF4F87, #BC6B9A and #C987AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF4F87 shade: #AF4F87, #AF8A4F and #4FAEAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF4F87 shade: #AF4F87, #87AF4F and #4F87AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF4F87 shade: #AF4F87, #AF8A4F, #4FAF77 and #4F74AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF4F87 shade: #AF4F87, #AFA74F, #4FAF77 and #4F57AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

Complementary color

CMYK 55 / 0 / 32 / 31

HEX #50B078

RGB 80 176 120

HSL 145, 0.38%, 0.5%

LAB 65.05, -41.33, 20.32

 

CMYK 0 / 56 / 28 / 29

HEX #B44F82

RGB 180 79 130

HSL 329.7, 0.4%, 0.51%

LAB 48.14, 46.63, -8.57

 

CMYK 0 / 51 / 24 / 23

HEX #C56195

RGB 197 97 149

HSL 328.8, 0.46%, 0.58%

LAB 54.65, 45.93, -9.86

 

CMYK 0 / 46 / 21 / 16

HEX #D673A8

RGB 214 115 168

HSL 327.88, 0.55%, 0.65%

LAB 61.12, 45.16, -10.94

 

CMYK 0 / 42 / 19 / 9

HEX #E785BB

RGB 231 133 187

HSL 326.94, 0.67%, 0.71%

LAB 67.54, 44.38, -11.87

 

CMYK 0 / 39 / 17 / 3

HEX #F897CE

RGB 248 151 206

HSL 325.98, 0.87%, 0.78%

LAB 73.9, 43.6, -12.68

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 61 / 27 / 38

HEX #9E3D74

RGB 158 61 116

HSL 325.98, 0.44%, 0.43%

LAB 41, 46.24, -11.11

 

CMYK 0 / 70 / 31 / 45

HEX #8D2B61

RGB 141 43 97

HSL 326.94, 0.53%, 0.36%

LAB 34.51, 46.4, -9.25

 

CMYK 0 / 80 / 37 / 51

HEX #7C194E

RGB 124 25 78

HSL 327.88, 0.66%, 0.29%

LAB 28.2, 45.82, -6.67

 

CMYK 0 / 93 / 45 / 58

HEX #6B073B

RGB 107 7 59

HSL 328.8, 0.88%, 0.22%

LAB 22.28, 43.87, -2.98

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 55 / 38 / 31

HEX #AF4F6D

RGB 175 79 109

HSL 341.25, 0.38%, 0.5%

LAB 46.72, 42.27, 1.96

 

CMYK 0 / 55 / 53 / 31

HEX #AF4F53

RGB 175 79 83

HSL 357.5, 0.38%, 0.5%

LAB 46.08, 39.56, 16.86

 

CMYK 0 / 55 / 55 / 31

HEX #AF4F4F

RGB 175 79 79

HSL 0, 0.38%, 0.5%

LAB 46, 39.21, 19.17

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 55 / 8 / 31

HEX #AF4FA1

RGB 175 79 161

HSL 308.75, 0.38%, 0.5%

LAB 48.61, 49.82, -26.43

 

CMYK 6 / 55 / 0 / 31

HEX #A44FAF

RGB 164 79 175

HSL 293.13, 0.38%, 0.5%

LAB 47.73, 49.24, -36.17

 

CMYK 22 / 55 / 0 / 31

HEX #894FAF

RGB 137 79 175

HSL 276.25, 0.38%, 0.5%

LAB 44.24, 41.89, -41.91

 

CMYK 37 / 55 / 0 / 31

HEX #6F4FAF

RGB 111 79 175

HSL 260, 0.38%, 0.5%

LAB 41.32, 35.13, -46.74

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 70 / 29 / 23

HEX #C43A8B

RGB 196 58 139

HSL 324.78, 0.54%, 0.5%

LAB 47.79, 61.43, -14.28

 

CMYK 0 / 83 / 35 / 15

HEX #D9258E

RGB 217 37 142

HSL 325, 0.71%, 0.5%

LAB 49.53, 73.03, -13.09

 

CMYK 0 / 93 / 39 / 7

HEX #ED1191

RGB 237 17 145

HSL 325.09, 0.87%, 0.5%

LAB 52.34, 80.85, -10.28

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 36 / 15 / 39

HEX #9B6384

RGB 155 99 132

HSL 324.64, 0.22%, 0.5%

LAB 48.96, 27.68, -8.91

 

CMYK 0 / 10 / 4 / 47

HEX #867880

RGB 134 120 128

HSL 325.71, 0.06%, 0.5%

LAB 51.9, 6.89, -2.41

 

CMYK 19 / 0 / 11 / 45

HEX #728C7D

RGB 114 140 125

HSL 145.38, 0.1%, 0.5%

LAB 55.9, -12.43, 4.95

 

CMYK 42 / 0 / 25 / 37

HEX #5DA179

RGB 93 161 121

HSL 144.71, 0.27%, 0.5%

LAB 60.96, -30.83, 14.21

 

CMYK 6 / 55 / 0 / 31

HEX #A44FAF

RGB 164 79 175

HSL 293.13, 0.38%, 0.5%

LAB 47.73, 49.24, -36.17

 

CMYK 0 / 55 / 8 / 31

HEX #AF4FA1

RGB 175 79 161

HSL 308.75, 0.38%, 0.5%

LAB 48.61, 49.82, -26.43

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 55 / 38 / 31

HEX #AF4F6D

RGB 175 79 109

HSL 341.25, 0.38%, 0.5%

LAB 46.72, 42.27, 1.96

 

CMYK 0 / 55 / 53 / 31

HEX #AF4F53

RGB 175 79 83

HSL 357.5, 0.38%, 0.5%

LAB 46.08, 39.56, 16.86

 

CMYK 0 / 55 / 24 / 53

HEX #77355B

RGB 119 53 91

HSL 325.45, 0.38%, 0.34%

LAB 32.31, 33.71, -9.07

 

CMYK 0 / 55 / 23 / 42

HEX #934271

RGB 147 66 113

HSL 325.19, 0.38%, 0.42%

LAB 40.07, 39.83, -10.83

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 43 / 18 / 26

HEX #BC6B9A

RGB 188 107 154

HSL 325.19, 0.38%, 0.58%

LAB 55.62, 38.49, -11.44

 

CMYK 0 / 33 / 13 / 21

HEX #C987AE

RGB 201 135 174

HSL 324.55, 0.38%, 0.66%

LAB 64, 31.09, -10.21

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 21 / 55 / 31

HEX #AF8A4F

RGB 175 138 79

HSL 36.88, 0.38%, 0.5%

LAB 59.76, 6.86, 36.66

 

CMYK 55 / 1 / 0 / 31

HEX #4FAEAF

RGB 79 174 175

HSL 180.63, 0.38%, 0.5%

LAB 65.77, -27.48, -9.02

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 23 / 0 / 55 / 31

HEX #87AF4F

RGB 135 175 79

HSL 85, 0.38%, 0.5%

LAB 66.81, -29.32, 44.26

 

CMYK 55 / 23 / 0 / 31

HEX #4F87AF

RGB 79 135 175

HSL 205, 0.38%, 0.5%

LAB 54.12, -6.7, -26.73

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 21 / 55 / 31

HEX #AF8A4F

RGB 175 138 79

HSL 36.88, 0.38%, 0.5%

LAB 59.76, 6.86, 36.66

 

CMYK 55 / 0 / 32 / 31

HEX #4FAF77

RGB 79 175 119

HSL 145, 0.38%, 0.5%

LAB 64.69, -41.33, 20.36

 

CMYK 55 / 34 / 0 / 31

HEX #4F74AF

RGB 79 116 175

HSL 216.88, 0.38%, 0.5%

LAB 48.57, 4.53, -35.38

 

CMYK 0 / 55 / 23 / 31

HEX #AF4F87

RGB 175 79 135

HSL 325, 0.38%, 0.5%

LAB 47.57, 45.72, -12.52

 

CMYK 0 / 5 / 55 / 31

HEX #AFA74F

RGB 175 167 79

HSL 55, 0.38%, 0.5%

LAB 67.51, -8.87, 45.85

 

CMYK 55 / 0 / 32 / 31

HEX #4FAF77

RGB 79 175 119

HSL 145, 0.38%, 0.5%

LAB 64.69, -41.33, 20.36

 

CMYK 55 / 50 / 0 / 31

HEX #4F57AF

RGB 79 87 175

HSL 235, 0.38%, 0.5%

LAB 40.53, 22.7, -48.16

 

Description

Color code: HEX #AF4F87 | qconv.com Color code: HEX #AF4F87 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 79 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 79 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 23 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 23% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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