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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF648D it is the complementary color #509B72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF648D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF648D shade: #B46488, #C5769B, #D688AE, #E79AC1 and #F8ACD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF648D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF648D shade: #AF648D, #9E527A, #8D4067, #7C2E54 and #6B1C41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF648D shade: #AF648D, #AF6478, #AF6464 and #AF6464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF648D shade: #AF648D, #AF64A1, #A864AF, #9464AF and #8064AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF648D shade matches the following richer shades: #AF648D, #C2518E, #D53E90, #E82B92 and #FB1894

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF648D shade: #AF648D, #9C778B, #898A89, #769D87 and #63B086

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF648D shade: #A864AF, #AF64A1, #AF648D, #AF6479 and #AF6465

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF648D shade: #7F4163, #9A4F78, #AF648D, #BD7FA1 and #CB9AB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF648D shade: #AF648D, #AF9464 and #64ABAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF648D shade: #AF648D, #8DAF64 and #648DAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF648D shade: #AF648D, #AF9464, #64AF85 and #647EAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF648D shade: #AF648D, #AFAB64, #64AF85 and #6467AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

Complementary color

CMYK 48 / 0 / 26 / 39

HEX #509B72

RGB 80 155 114

HSL 147.2, 0.32%, 0.46%

LAB 58.38, -33.12, 14.45

 

CMYK 0 / 44 / 24 / 29

HEX #B46488

RGB 180 100 136

HSL 333, 0.35%, 0.55%

LAB 52.5, 36.72, -5.65

 

CMYK 0 / 40 / 21 / 23

HEX #C5769B

RGB 197 118 155

HSL 331.9, 0.41%, 0.62%

LAB 59.15, 35.88, -6.63

 

CMYK 0 / 36 / 19 / 16

HEX #D688AE

RGB 214 136 174

HSL 330.77, 0.49%, 0.69%

LAB 65.72, 35.07, -7.49

 

CMYK 0 / 33 / 16 / 9

HEX #E79AC1

RGB 231 154 193

HSL 329.61, 0.62%, 0.75%

LAB 72.2, 34.31, -8.26

 

CMYK 0 / 31 / 15 / 3

HEX #F8ACD4

RGB 248 172 212

HSL 328.42, 0.84%, 0.82%

LAB 78.59, 33.6, -8.96

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 48 / 23 / 38

HEX #9E527A

RGB 158 82 122

HSL 328.42, 0.32%, 0.47%

LAB 45.23, 36.55, -8.43

 

CMYK 0 / 55 / 27 / 45

HEX #8D4067

RGB 141 64 103

HSL 329.61, 0.38%, 0.4%

LAB 38.39, 37.35, -7.21

 

CMYK 0 / 63 / 32 / 51

HEX #7C2E54

RGB 124 46 84

HSL 330.77, 0.46%, 0.33%

LAB 31.53, 37.97, -5.63

 

CMYK 0 / 74 / 39 / 58

HEX #6B1C41

RGB 107 28 65

HSL 331.9, 0.59%, 0.26%

LAB 24.76, 38.13, -3.42

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 43 / 31 / 31

HEX #AF6478

RGB 175 100 120

HSL 344, 0.32%, 0.54%

LAB 51.36, 32.65, 2.08

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 0 / 43 / 43 / 31

HEX #AF6464

RGB 175 100 100

HSL 0, 0.32%, 0.54%

LAB 50.86, 30.18, 13.24

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 43 / 8 / 31

HEX #AF64A1

RGB 175 100 161

HSL 311.2, 0.32%, 0.54%

LAB 52.73, 39.07, -20.08

 

CMYK 4 / 43 / 0 / 31

HEX #A864AF

RGB 168 100 175

HSL 294.4, 0.32%, 0.54%

LAB 52.44, 39.46, -28.77

 

CMYK 15 / 43 / 0 / 31

HEX #9464AF

RGB 148 100 175

HSL 278.4, 0.32%, 0.54%

LAB 50.1, 33.31, -32.58

 

CMYK 27 / 43 / 0 / 31

HEX #8064AF

RGB 128 100 175

HSL 262.4, 0.32%, 0.54%

LAB 48.01, 27.33, -36.02

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 58 / 27 / 24

HEX #C2518E

RGB 194 81 142

HSL 327.61, 0.48%, 0.54%

LAB 51.04, 51.72, -11.18

 

CMYK 0 / 71 / 32 / 16

HEX #D53E90

RGB 213 62 144

HSL 327.42, 0.64%, 0.54%

LAB 51.39, 65.16, -11.55

 

CMYK 0 / 81 / 37 / 9

HEX #E82B92

RGB 232 43 146

HSL 327.3, 0.8%, 0.54%

LAB 52.9, 75.59, -10.12

 

CMYK 0 / 90 / 41 / 2

HEX #FB1894

RGB 251 24 148

HSL 327.22, 0.97%, 0.54%

LAB 55.38, 83.33, -7.24

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 24 / 11 / 39

HEX #9C778B

RGB 156 119 139

HSL 327.57, 0.16%, 0.54%

LAB 54.16, 17.81, -5.27

 

CMYK 1 / 0 / 1 / 46

HEX #898A89

RGB 137 138 137

HSL 120, 0%, 0.54%

LAB 57.37, -0.56, 0.4

 

CMYK 25 / 0 / 14 / 38

HEX #769D87

RGB 118 157 135

HSL 146.15, 0.17%, 0.54%

LAB 61.41, -18.06, 7.2

 

CMYK 44 / 0 / 24 / 31

HEX #63B086

RGB 99 176 134

HSL 147.27, 0.33%, 0.54%

LAB 66.08, -33.54, 14.22

 

CMYK 4 / 43 / 0 / 31

HEX #A864AF

RGB 168 100 175

HSL 294.4, 0.32%, 0.54%

LAB 52.44, 39.46, -28.77

 

CMYK 0 / 43 / 8 / 31

HEX #AF64A1

RGB 175 100 161

HSL 311.2, 0.32%, 0.54%

LAB 52.73, 39.07, -20.08

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 43 / 31 / 31

HEX #AF6479

RGB 175 100 121

HSL 343.2, 0.32%, 0.54%

LAB 51.39, 32.79, 1.53

 

CMYK 0 / 43 / 42 / 31

HEX #AF6465

RGB 175 100 101

HSL 359.2, 0.32%, 0.54%

LAB 50.88, 30.29, 12.68

 

CMYK 0 / 49 / 22 / 50

HEX #7F4163

RGB 127 65 99

HSL 327.1, 0.32%, 0.38%

LAB 36.35, 31.25, -7.96

 

CMYK 0 / 49 / 22 / 40

HEX #9A4F78

RGB 154 79 120

HSL 327.2, 0.32%, 0.46%

LAB 43.97, 36.46, -9.16

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 33 / 15 / 26

HEX #BD7FA1

RGB 189 127 161

HSL 327.1, 0.32%, 0.62%

LAB 60.4, 29.1, -8.33

 

CMYK 0 / 24 / 11 / 20

HEX #CB9AB5

RGB 203 154 181

HSL 326.94, 0.32%, 0.7%

LAB 68.86, 22.57, -6.88

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 15 / 43 / 31

HEX #AF9464

RGB 175 148 100

HSL 38.4, 0.32%, 0.54%

LAB 62.69, 3.4, 29.1

 

CMYK 43 / 2 / 0 / 31

HEX #64ABAF

RGB 100 171 175

HSL 183.2, 0.32%, 0.54%

LAB 65.69, -21.2, -9.05

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 19 / 0 / 43 / 31

HEX #8DAF64

RGB 141 175 100

HSL 87.2, 0.32%, 0.54%

LAB 67.46, -24.63, 34.67

 

CMYK 43 / 19 / 0 / 31

HEX #648DAF

RGB 100 141 175

HSL 207.2, 0.32%, 0.54%

LAB 56.93, -4.98, -22.3

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 15 / 43 / 31

HEX #AF9464

RGB 175 148 100

HSL 38.4, 0.32%, 0.54%

LAB 62.69, 3.4, 29.1

 

CMYK 43 / 0 / 24 / 31

HEX #64AF85

RGB 100 175 133

HSL 146.4, 0.32%, 0.54%

LAB 65.8, -32.99, 14.38

 

CMYK 43 / 28 / 0 / 31

HEX #647EAF

RGB 100 126 175

HSL 219.2, 0.32%, 0.54%

LAB 52.65, 3.73, -28.92

 

CMYK 0 / 43 / 19 / 31

HEX #AF648D

RGB 175 100 141

HSL 327.2, 0.32%, 0.54%

LAB 52.01, 35.73, -9.42

 

CMYK 0 / 2 / 43 / 31

HEX #AFAB64

RGB 175 171 100

HSL 56.8, 0.32%, 0.54%

LAB 68.87, -8.99, 36.98

 

CMYK 43 / 0 / 24 / 31

HEX #64AF85

RGB 100 175 133

HSL 146.4, 0.32%, 0.54%

LAB 65.8, -32.99, 14.38

 

CMYK 43 / 41 / 0 / 31

HEX #6467AF

RGB 100 103 175

HSL 237.6, 0.32%, 0.54%

LAB 46.32, 17.69, -38.84

 

Description

Color code: HEX #AF648D | qconv.com Color code: HEX #AF648D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 100 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 100 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 19 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 19% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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